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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A24FE7 it is the complementary color #5DB018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A24FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A24FE7 shade: #A74FE2, #B861F5, #C973FF, #DA85FF and #EB97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A24FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A24FE7 shade: #A24FE7, #913DD4, #802BC1, #6F19AE and #5E079B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A24FE7 shade: #A350E7, #CB50E7, #E750DA, #E750B1 and #E75089

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A24FE7 shade: #A350E7, #7A50E7, #5150E7 and #5050E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A24FE7 shade matches the following richer shades: #A350E7 and #A440F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A24FE7 shade: #A350E7, #A160D7, #A070C7, #9E80B7 and #9D90A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A24FE7 shade: #5050E7, #7850E7, #A150E7, #C950E7 and #E750DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A24FE7 shade: #7A1BC9, #8F2CE2, #A350E7, #B674EC and #C999F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A24FE7 shade: #A24FE7, #E75078 and #50E764

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A24FE7 shade: #A24FE7, #E7A150 and #50E7A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A24FE7 shade: #A24FE7, #E75078, #97E750 and #50E7BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A24FE7 shade: #A24FE7, #E75550, #97E750 and #50E2E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 66 / 0 / 9

HEX #A24FE7

RGB 162 79 231

HSL 272.76, 0.76%, 0.61%

LAB 50.74, 60.61, -63.57

 

Complementary color

CMYK 47 / 0 / 86 / 31

HEX #5DB018

RGB 93 176 24

HSL 92.76, 0.76%, 0.39%

LAB 64.52, -48.66, 61.66

 

CMYK 26 / 65 / 0 / 11

HEX #A74FE2

RGB 167 79 226

HSL 275.92, 0.72%, 0.6%

LAB 51.03, 60.55, -60.24

 

CMYK 25 / 60 / 0 / 4

HEX #B861F5

RGB 184 97 245

HSL 275.27, 0.88%, 0.67%

LAB 57.4, 59.95, -60.55

 

CMYK 21 / 55 / 0 / 0

HEX #C973FF

RGB 201 115 255

HSL 276.86, 1%, 0.73%

LAB 63.26, 57.28, -56.59

 

CMYK 15 / 48 / 0 / 0

HEX #DA85FF

RGB 218 133 255

HSL 281.8, 1%, 0.76%

LAB 68.68, 52.54, -47.89

 

CMYK 8 / 41 / 0 / 0

HEX #EB97FF

RGB 235 151 255

HSL 288.46, 1%, 0.8%

LAB 74.2, 48.03, -39.11

 

CMYK 30 / 66 / 0 / 9

HEX #A24FE7

RGB 162 79 231

HSL 272.76, 0.76%, 0.61%

LAB 50.74, 60.61, -63.57

 

CMYK 32 / 71 / 0 / 17

HEX #913DD4

RGB 145 61 212

HSL 273.38, 0.64%, 0.54%

LAB 44.39, 61.03, -63.13

 

CMYK 34 / 78 / 0 / 24

HEX #802BC1

RGB 128 43 193

HSL 274, 0.64%, 0.46%

LAB 38.14, 60.98, -62.37

 

CMYK 36 / 86 / 0 / 32

HEX #6F19AE

RGB 111 25 174

HSL 274.63, 0.75%, 0.39%

LAB 32.1, 60.09, -61.08

 

CMYK 39 / 95 / 0 / 39

HEX #5E079B

RGB 94 7 155

HSL 275.27, 0.91%, 0.32%

LAB 26.44, 57.79, -58.95

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 12 / 65 / 0 / 9

HEX #CB50E7

RGB 203 80 231

HSL 288.87, 0.76%, 0.61%

LAB 56.29, 69, -54.36

 

CMYK 0 / 65 / 6 / 9

HEX #E750DA

RGB 231 80 218

HSL 305.17, 0.76%, 0.61%

LAB 59.7, 73.21, -41.39

 

CMYK 0 / 65 / 23 / 9

HEX #E750B1

RGB 231 80 177

HSL 321.46, 0.76%, 0.61%

LAB 57.94, 67.37, -20.7

 

CMYK 0 / 65 / 41 / 9

HEX #E75089

RGB 231 80 137

HSL 337.35, 0.76%, 0.61%

LAB 56.62, 62.75, 0.68

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 47 / 65 / 0 / 9

HEX #7A50E7

RGB 122 80 231

HSL 256.69, 0.76%, 0.61%

LAB 46.5, 52.3, -70.64

 

CMYK 65 / 65 / 0 / 9

HEX #5150E7

RGB 81 80 231

HSL 240.4, 0.76%, 0.61%

LAB 43.15, 45.81, -76.26

 

CMYK 65 / 65 / 0 / 9

HEX #5050E7

RGB 80 80 231

HSL 240, 0.76%, 0.61%

LAB 43.08, 45.68, -76.37

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 34 / 74 / 0 / 3

HEX #A440F7

RGB 164 64 247

HSL 272.79, 0.92%, 0.61%

LAB 49.83, 70.96, -74.02

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 25 / 55 / 0 / 16

HEX #A160D7

RGB 161 96 215

HSL 272.77, 0.6%, 0.61%

LAB 52.78, 48.23, -51.24

 

CMYK 20 / 44 / 0 / 22

HEX #A070C7

RGB 160 112 199

HSL 273.1, 0.44%, 0.61%

LAB 55.26, 35.52, -38.22

 

CMYK 14 / 30 / 0 / 28

HEX #9E80B7

RGB 158 128 183

HSL 272.73, 0.28%, 0.61%

LAB 58.16, 22.17, -24.61

 

CMYK 6 / 14 / 0 / 35

HEX #9D90A7

RGB 157 144 167

HSL 273.91, 0.12%, 0.61%

LAB 61.57, 9.27, -10.33

 

CMYK 65 / 65 / 0 / 9

HEX #5050E7

RGB 80 80 231

HSL 240, 0.76%, 0.61%

LAB 43.08, 45.68, -76.37

 

CMYK 48 / 65 / 0 / 9

HEX #7850E7

RGB 120 80 231

HSL 255.89, 0.76%, 0.61%

LAB 46.31, 51.94, -70.96

 

CMYK 30 / 65 / 0 / 9

HEX #A150E7

RGB 161 80 231

HSL 272.19, 0.76%, 0.61%

LAB 50.79, 59.93, -63.5

 

CMYK 13 / 65 / 0 / 9

HEX #C950E7

RGB 201 80 231

HSL 288.08, 0.76%, 0.61%

LAB 56.01, 68.56, -54.82

 

CMYK 0 / 65 / 4 / 9

HEX #E750DD

RGB 231 80 221

HSL 303.97, 0.76%, 0.61%

LAB 59.84, 73.68, -42.86

 

CMYK 39 / 87 / 0 / 21

HEX #7A1BC9

RGB 122 27 201

HSL 272.76, 0.76%, 0.45%

LAB 36.25, 66.94, -70.18

 

CMYK 37 / 81 / 0 / 11

HEX #8F2CE2

RGB 143 44 226

HSL 272.64, 0.76%, 0.53%

LAB 42.96, 70.25, -73.48

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 23 / 51 / 0 / 7

HEX #B674EC

RGB 182 116 236

HSL 273, 0.76%, 0.69%

LAB 60.33, 47.79, -50.88

 

CMYK 17 / 37 / 0 / 5

HEX #C999F1

RGB 201 153 241

HSL 272.73, 0.76%, 0.77%

LAB 70.56, 34.14, -37.43

 

CMYK 30 / 66 / 0 / 9

HEX #A24FE7

RGB 162 79 231

HSL 272.76, 0.76%, 0.61%

LAB 50.74, 60.61, -63.57

 

CMYK 0 / 65 / 48 / 9

HEX #E75078

RGB 231 80 120

HSL 344.11, 0.76%, 0.61%

LAB 56.17, 61.15, 10.08

 

CMYK 65 / 0 / 57 / 9

HEX #50E764

RGB 80 231 100

HSL 127.95, 0.76%, 0.61%

LAB 81.72, -65.62, 51.49

 

CMYK 30 / 66 / 0 / 9

HEX #A24FE7

RGB 162 79 231

HSL 272.76, 0.76%, 0.61%

LAB 50.74, 60.61, -63.57

 

CMYK 0 / 30 / 65 / 9

HEX #E7A150

RGB 231 161 80

HSL 32.19, 0.76%, 0.61%

LAB 71.59, 18.24, 51.5

 

CMYK 65 / 0 / 30 / 9

HEX #50E7A1

RGB 80 231 161

HSL 152.19, 0.76%, 0.61%

LAB 82.61, -55.68, 22.65

 

CMYK 30 / 66 / 0 / 9

HEX #A24FE7

RGB 162 79 231

HSL 272.76, 0.76%, 0.61%

LAB 50.74, 60.61, -63.57

 

CMYK 0 / 65 / 48 / 9

HEX #E75078

RGB 231 80 120

HSL 344.11, 0.76%, 0.61%

LAB 56.17, 61.15, 10.08

 

CMYK 35 / 0 / 65 / 9

HEX #97E750

RGB 151 231 80

HSL 91.79, 0.76%, 0.61%

LAB 84.13, -48.38, 63.38

 

CMYK 65 / 0 / 17 / 9

HEX #50E7BF

RGB 80 231 191

HSL 164.11, 0.76%, 0.61%

LAB 83.24, -49.09, 7.87

 

CMYK 30 / 66 / 0 / 9

HEX #A24FE7

RGB 162 79 231

HSL 272.76, 0.76%, 0.61%

LAB 50.74, 60.61, -63.57

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 35 / 0 / 65 / 9

HEX #97E750

RGB 151 231 80

HSL 91.79, 0.76%, 0.61%

LAB 84.13, -48.38, 63.38

 

CMYK 65 / 2 / 0 / 9

HEX #50E2E7

RGB 80 226 231

HSL 181.99, 0.76%, 0.61%

LAB 82.84, -36.56, -13.86

 

Description

Color code: HEX #A24FE7 | qconv.com Color code: HEX #A24FE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 79 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 79 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 66 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 66% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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