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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A24D2E it is the complementary color #5DB2D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A24D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A24D2E shade: #A74D29, #B85F3C, #C9714F, #DA8362 and #EB9575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A24D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A24D2E shade: #A24D2E, #913B1B, #802908, #6F1700 and #5E0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A24D2E shade: #A34D2E and #A32E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A24D2E shade: #A34D2E, #A36C2E, #A38C2E, #9AA32E and #7AA32E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A24D2E shade matches the following richer shades: #A34D2E, #B4451D and #C43D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A24D2E shade: #A34D2E, #92553E, #815D4F, #706460 and #5F6C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A24D2E shade: #A32E4D, #A32E2E, #A34D2E, #A36C2E and #A38B2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A24D2E shade: #622E1B, #823E24, #A34D2E, #C35C37 and #CE7554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A24D2E shade: #A24D2E, #6CA32E and #2E3DA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A24D2E shade: #A24D2E, #2EA34D and #4D2EA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A24D2E shade: #A24D2E, #6CA32E, #2E83A3 and #642EA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A24D2E shade: #A24D2E, #49A32E, #2E83A3 and #872EA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 72 / 36

HEX #A24D2E

RGB 162 77 46

HSL 16.03, 0.56%, 0.41%

LAB 43.04, 32.89, 34.34

 

Complementary color

CMYK 56 / 15 / 0 / 18

HEX #5DB2D1

RGB 93 178 209

HSL 196.03, 0.56%, 0.59%

LAB 68.59, -16.96, -23.53

 

CMYK 0 / 54 / 75 / 35

HEX #A74D29

RGB 167 77 41

HSL 17.14, 0.61%, 0.41%

LAB 43.78, 34.65, 38.06

 

CMYK 0 / 48 / 67 / 28

HEX #B85F3C

RGB 184 95 60

HSL 16.94, 0.51%, 0.48%

LAB 50.34, 33.04, 35.87

 

CMYK 0 / 44 / 61 / 21

HEX #C9714F

RGB 201 113 79

HSL 16.72, 0.53%, 0.55%

LAB 56.87, 31.56, 33.85

 

CMYK 0 / 40 / 55 / 15

HEX #DA8362

RGB 218 131 98

HSL 16.5, 0.62%, 0.62%

LAB 63.36, 30.22, 32.02

 

CMYK 0 / 37 / 50 / 8

HEX #EB9575

RGB 235 149 117

HSL 16.27, 0.75%, 0.69%

LAB 69.78, 29.02, 30.37

 

CMYK 0 / 52 / 72 / 36

HEX #A24D2E

RGB 162 77 46

HSL 16.03, 0.56%, 0.41%

LAB 43.04, 32.89, 34.34

 

CMYK 0 / 59 / 81 / 43

HEX #913B1B

RGB 145 59 27

HSL 16.27, 0.69%, 0.34%

LAB 36.42, 34.55, 36.66

 

CMYK 0 / 68 / 94 / 50

HEX #802908

RGB 128 41 8

HSL 16.5, 0.88%, 0.27%

LAB 29.89, 36.15, 38.5

 

CMYK 0 / 79 / 100 / 56

HEX #6F1700

RGB 111 23 0

HSL 12.43, 1%, 0.22%

LAB 23.65, 37.31, 34.92

 

CMYK 0 / 95 / 100 / 63

HEX #5E0500

RGB 94 5 0

HSL 3.19, 1%, 0.18%

LAB 17.87, 37.17, 27.45

 

CMYK 0 / 53 / 72 / 36

HEX #A34D2E

RGB 163 77 46

HSL 15.9, 0.56%, 0.41%

LAB 43.2, 33.29, 34.55

 

CMYK 0 / 72 / 72 / 36

HEX #A32E2E

RGB 163 46 46

HSL 0, 0.56%, 0.41%

LAB 37.73, 47.75, 28.27

 

CMYK 0 / 53 / 72 / 36

HEX #A34D2E

RGB 163 77 46

HSL 15.9, 0.56%, 0.41%

LAB 43.2, 33.29, 34.55

 

CMYK 0 / 34 / 72 / 36

HEX #A36C2E

RGB 163 108 46

HSL 31.79, 0.56%, 0.41%

LAB 50.34, 16.11, 42.33

 

CMYK 0 / 14 / 72 / 36

HEX #A38C2E

RGB 163 140 46

HSL 48.21, 0.56%, 0.41%

LAB 58.73, -1.87, 50.97

 

CMYK 6 / 0 / 72 / 36

HEX #9AA32E

RGB 154 163 46

HSL 64.62, 0.56%, 0.41%

LAB 64.37, -18.09, 56.28

 

CMYK 25 / 0 / 72 / 36

HEX #7AA32E

RGB 122 163 46

HSL 81.03, 0.56%, 0.41%

LAB 62.11, -31.47, 53.28

 

CMYK 0 / 53 / 72 / 36

HEX #A34D2E

RGB 163 77 46

HSL 15.9, 0.56%, 0.41%

LAB 43.2, 33.29, 34.55

 

CMYK 0 / 62 / 84 / 29

HEX #B4451D

RGB 180 69 29

HSL 15.89, 0.72%, 0.41%

LAB 44.3, 43.17, 45.23

 

CMYK 0 / 69 / 94 / 23

HEX #C43D0C

RGB 196 61 12

HSL 15.98, 0.88%, 0.41%

LAB 45.77, 51.96, 53.99

 

CMYK 0 / 53 / 72 / 36

HEX #A34D2E

RGB 163 77 46

HSL 15.9, 0.56%, 0.41%

LAB 43.2, 33.29, 34.55

 

CMYK 0 / 42 / 58 / 43

HEX #92553E

RGB 146 85 62

HSL 16.43, 0.4%, 0.41%

LAB 42.7, 22.91, 24.19

 

CMYK 0 / 28 / 39 / 49

HEX #815D4F

RGB 129 93 79

HSL 16.8, 0.24%, 0.41%

LAB 42.85, 12.74, 13.84

 

CMYK 0 / 11 / 14 / 56

HEX #706460

RGB 112 100 96

HSL 15, 0.08%, 0.41%

LAB 43.37, 4.03, 4

 

CMYK 16 / 4 / 0 / 56

HEX #5F6C71

RGB 95 108 113

HSL 196.67, 0.09%, 0.41%

LAB 44.73, -3.74, -4.45

 

CMYK 0 / 72 / 53 / 36

HEX #A32E4D

RGB 163 46 77

HSL 344.1, 0.56%, 0.41%

LAB 38.33, 49.82, 9.61

 

CMYK 0 / 72 / 72 / 36

HEX #A32E2E

RGB 163 46 46

HSL 0, 0.56%, 0.41%

LAB 37.73, 47.75, 28.27

 

CMYK 0 / 53 / 72 / 36

HEX #A34D2E

RGB 163 77 46

HSL 15.9, 0.56%, 0.41%

LAB 43.2, 33.29, 34.55

 

CMYK 0 / 34 / 72 / 36

HEX #A36C2E

RGB 163 108 46

HSL 31.79, 0.56%, 0.41%

LAB 50.34, 16.11, 42.33

 

CMYK 0 / 15 / 72 / 36

HEX #A38B2E

RGB 163 139 46

HSL 47.69, 0.56%, 0.41%

LAB 58.46, -1.32, 50.69

 

CMYK 0 / 53 / 72 / 62

HEX #622E1B

RGB 98 46 27

HSL 16.06, 0.57%, 0.25%

LAB 25.65, 21.86, 22.8

 

CMYK 0 / 52 / 72 / 49

HEX #823E24

RGB 130 62 36

HSL 16.6, 0.57%, 0.33%

LAB 34.64, 27.21, 29.11

 

CMYK 0 / 53 / 72 / 36

HEX #A34D2E

RGB 163 77 46

HSL 15.9, 0.56%, 0.41%

LAB 43.2, 33.29, 34.55

 

CMYK 0 / 53 / 72 / 24

HEX #C35C37

RGB 195 92 55

HSL 15.86, 0.56%, 0.49%

LAB 51.3, 38.67, 40.1

 

CMYK 0 / 43 / 59 / 19

HEX #CE7554

RGB 206 117 84

HSL 16.23, 0.55%, 0.57%

LAB 58.49, 31.79, 33.25

 

CMYK 0 / 52 / 72 / 36

HEX #A24D2E

RGB 162 77 46

HSL 16.03, 0.56%, 0.41%

LAB 43.04, 32.89, 34.34

 

CMYK 34 / 0 / 72 / 36

HEX #6CA32E

RGB 108 163 46

HSL 88.21, 0.56%, 0.41%

LAB 61.29, -36.87, 52.19

 

CMYK 72 / 63 / 0 / 36

HEX #2E3DA3

RGB 46 61 163

HSL 232.31, 0.56%, 0.41%

LAB 30.79, 29.6, -56.88

 

CMYK 0 / 52 / 72 / 36

HEX #A24D2E

RGB 162 77 46

HSL 16.03, 0.56%, 0.41%

LAB 43.04, 32.89, 34.34

 

CMYK 72 / 0 / 53 / 36

HEX #2EA34D

RGB 46 163 77

HSL 135.9, 0.56%, 0.41%

LAB 59.26, -50.86, 35.3

 

CMYK 53 / 72 / 0 / 36

HEX #4D2EA3

RGB 77 46 163

HSL 255.9, 0.56%, 0.41%

LAB 29.85, 43.4, -58.31

 

CMYK 0 / 52 / 72 / 36

HEX #A24D2E

RGB 162 77 46

HSL 16.03, 0.56%, 0.41%

LAB 43.04, 32.89, 34.34

 

CMYK 34 / 0 / 72 / 36

HEX #6CA32E

RGB 108 163 46

HSL 88.21, 0.56%, 0.41%

LAB 61.29, -36.87, 52.19

 

CMYK 72 / 20 / 0 / 36

HEX #2E83A3

RGB 46 131 163

HSL 196.41, 0.56%, 0.41%

LAB 51.22, -14.5, -24.38

 

CMYK 39 / 72 / 0 / 36

HEX #642EA3

RGB 100 46 163

HSL 267.69, 0.56%, 0.41%

LAB 32.5, 47.54, -53.89

 

CMYK 0 / 52 / 72 / 36

HEX #A24D2E

RGB 162 77 46

HSL 16.03, 0.56%, 0.41%

LAB 43.04, 32.89, 34.34

 

CMYK 55 / 0 / 72 / 36

HEX #49A32E

RGB 73 163 46

HSL 106.15, 0.56%, 0.41%

LAB 59.71, -48.35, 50.08

 

CMYK 72 / 20 / 0 / 36

HEX #2E83A3

RGB 46 131 163

HSL 196.41, 0.56%, 0.41%

LAB 51.22, -14.5, -24.38

 

CMYK 17 / 72 / 0 / 36

HEX #872EA3

RGB 135 46 163

HSL 285.64, 0.56%, 0.41%

LAB 37.39, 54.76, -45.74

 

Description

Color code: HEX #A24D2E | qconv.com Color code: HEX #A24D2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 77 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 77 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 72 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 72% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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