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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A248604C it is the complementary color #5DB79F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A248604C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A248604C shade: #A7485B4C, #B85A6E4C, #C96C814C, #DA7E944C and #EB90A74C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A248604C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A248604C shade: #A248604C, #91364D4C, #80243A4C, #6F12274C and #5E00144C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A248604C shade: #A24960 and #A24949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A248604C shade: #A24960, #A24979, #A24991, #9B49A2 and #8349A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A248604C shade matches the following richer shades: #A24960, #B53658, #C8234F and #DB1046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A248604C shade: #A24960, #8F5C69, #7C6F72, #69827B and #569584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A248604C shade: #A24990, #A24978, #A24960, #A24949 and #A26049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A248604C shade: #692F3F, #853C50, #A24960, #B65D75 and #C37A8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A248604C shade: #A24860, #A29C49 and #4984A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A248604C shade: #A24860, #60A249 and #4960A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A248604C shade: #A24860, #A29C49, #49A28A and #494FA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A248604C shade: #A24860, #8DA249, #49A28A and #5E49A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 12 / 11

HEX #A248604C

RGBA 162 72 96 0.3

HSLA 344, 0.38%, 0.46%, 0.3

LABA 43, 39.7, 4.3, 0.3

 

Complementary color

CMYK 15 / 0 / 4 / 8

HEX #5DB79F4C

RGBA 93 183 159 0.3

HSLA 164, 0.38%, 0.54%, 0.3

LABA 68.53, -32.84, 3.94, 0.3

 

CMYK 0 / 17 / 14 / 10

HEX #A7485B4C

RGBA 167 72 91 0.3

HSLA 348, 0.4%, 0.47%, 0.3

LABA 43.66, 40.93, 8.43, 0.3

 

CMYK 0 / 15 / 12 / 8

HEX #B85A6E4C

RGBA 184 90 110 0.3

HSLA 347.23, 0.4%, 0.54%, 0.3

LABA 50.25, 40, 6.6, 0.3

 

CMYK 0 / 14 / 11 / 6

HEX #C96C814C

RGBA 201 108 129 0.3

HSLA 346.45, 0.46%, 0.61%, 0.3

LABA 56.81, 39.05, 5.09, 0.3

 

CMYK 0 / 13 / 10 / 4

HEX #DA7E944C

RGBA 218 126 148 0.3

HSLA 345.65, 0.55%, 0.67%, 0.3

LABA 63.31, 38.12, 3.79, 0.3

 

CMYK 0 / 12 / 9 / 2

HEX #EB90A74C

RGBA 235 144 167 0.3

HSLA 344.84, 0.69%, 0.74%, 0.3

LABA 69.75, 37.23, 2.66, 0.3

 

CMYK 0 / 17 / 12 / 11

HEX #A248604C

RGBA 162 72 96 0.3

HSLA 344, 0.38%, 0.46%, 0.3

LABA 43, 39.7, 4.3, 0.3

 

CMYK 0 / 19 / 14 / 13

HEX #91364D4C

RGBA 145 54 77 0.3

HSLA 344.84, 0.46%, 0.39%, 0.3

LABA 36.35, 40.48, 6.36, 0.3

 

CMYK 0 / 22 / 16 / 15

HEX #80243A4C

RGBA 128 36 58 0.3

HSLA 345.65, 0.56%, 0.32%, 0.3

LABA 29.8, 40.92, 9.07, 0.3

 

CMYK 0 / 25 / 19 / 17

HEX #6F12274C

RGBA 111 18 39 0.3

HSLA 346.45, 0.72%, 0.25%, 0.3

LABA 23.53, 40.55, 12.82, 0.3

 

CMYK 0 / 30 / 24 / 19

HEX #5E00144C

RGBA 94 0 20 0.3

HSLA 347.23, 1%, 0.18%, 0.3

LABA 17.6, 39.25, 17.74, 0.3

 

CMYK 0 / 55 / 41 / 36

HEX #A24960

RGB 162 73 96

HSL 344.49, 0.38%, 0.46%

LAB 43.2, 39.2, 4.58

 

CMYK 0 / 55 / 55 / 36

HEX #A24949

RGB 162 73 73

HSL 0, 0.38%, 0.46%

LAB 42.65, 36.87, 17.98

 

CMYK 0 / 55 / 41 / 36

HEX #A24960

RGB 162 73 96

HSL 344.49, 0.38%, 0.46%

LAB 43.2, 39.2, 4.58

 

CMYK 0 / 55 / 25 / 36

HEX #A24979

RGB 162 73 121

HSL 327.64, 0.38%, 0.46%

LAB 43.98, 42.44, -9.63

 

CMYK 0 / 55 / 10 / 36

HEX #A24991

RGB 162 73 145

HSL 311.46, 0.38%, 0.46%

LAB 44.93, 46.19, -22.74

 

CMYK 4 / 55 / 0 / 36

HEX #9B49A2

RGB 155 73 162

HSL 295.28, 0.38%, 0.46%

LAB 44.72, 47.22, -33.31

 

CMYK 19 / 55 / 0 / 36

HEX #8349A2

RGB 131 73 162

HSL 279.1, 0.38%, 0.46%

LAB 41.53, 40.55, -38.56

 

CMYK 0 / 55 / 41 / 36

HEX #A24960

RGB 162 73 96

HSL 344.49, 0.38%, 0.46%

LAB 43.2, 39.2, 4.58

 

CMYK 0 / 70 / 51 / 29

HEX #B53658

RGB 181 54 88

HSL 343.94, 0.54%, 0.46%

LAB 43.01, 53.26, 9.72

 

CMYK 0 / 83 / 61 / 22

HEX #C8234F

RGB 200 35 79

HSL 344, 0.7%, 0.46%

LAB 44.3, 63.96, 17.67

 

CMYK 0 / 93 / 68 / 14

HEX #DB1046

RGB 219 16 70

HSL 344.04, 0.86%, 0.46%

LAB 46.81, 71.61, 27.22

 

CMYK 0 / 55 / 41 / 36

HEX #A24960

RGB 162 73 96

HSL 344.49, 0.38%, 0.46%

LAB 43.2, 39.2, 4.58

 

CMYK 0 / 36 / 27 / 44

HEX #8F5C69

RGB 143 92 105

HSL 344.71, 0.22%, 0.46%

LAB 44.96, 22.79, 1.28

 

CMYK 0 / 10 / 8 / 51

HEX #7C6F72

RGB 124 111 114

HSL 346.15, 0.06%, 0.46%

LAB 48.09, 5.63, 0.18

 

CMYK 19 / 0 / 5 / 49

HEX #69827B

RGB 105 130 123

HSL 163.2, 0.11%, 0.46%

LAB 52.28, -10.52, 0.8

 

CMYK 42 / 0 / 11 / 42

HEX #569584

RGB 86 149 132

HSL 163.81, 0.27%, 0.46%

LAB 57.21, -24.5, 2.63

 

CMYK 0 / 55 / 11 / 36

HEX #A24990

RGB 162 73 144

HSL 312.13, 0.38%, 0.46%

LAB 44.89, 46.02, -22.21

 

CMYK 0 / 55 / 26 / 36

HEX #A24978

RGB 162 73 120

HSL 328.31, 0.38%, 0.46%

LAB 43.95, 42.3, -9.07

 

CMYK 0 / 55 / 41 / 36

HEX #A24960

RGB 162 73 96

HSL 344.49, 0.38%, 0.46%

LAB 43.2, 39.2, 4.58

 

CMYK 0 / 55 / 55 / 36

HEX #A24949

RGB 162 73 73

HSL 0, 0.38%, 0.46%

LAB 42.65, 36.87, 17.98

 

CMYK 0 / 41 / 55 / 36

HEX #A26049

RGB 162 96 73

HSL 15.51, 0.38%, 0.46%

LAB 47.66, 24.41, 24.54

 

CMYK 0 / 55 / 40 / 59

HEX #692F3F

RGB 105 47 63

HSL 343.45, 0.38%, 0.3%

LAB 27.83, 27.79, 2.38

 

CMYK 0 / 55 / 40 / 48

HEX #853C50

RGB 133 60 80

HSL 343.56, 0.38%, 0.38%

LAB 35.59, 33.49, 3.09

 

CMYK 0 / 55 / 41 / 36

HEX #A24960

RGB 162 73 96

HSL 344.49, 0.38%, 0.46%

LAB 43.2, 39.2, 4.58

 

CMYK 0 / 49 / 36 / 29

HEX #B65D75

RGB 182 93 117

HSL 343.82, 0.38%, 0.54%

LAB 50.76, 38.56, 3.11

 

CMYK 0 / 37 / 28 / 24

HEX #C37A8D

RGB 195 122 141

HSL 344.38, 0.38%, 0.62%

LAB 59.38, 30.96, 1.75

 

CMYK 0 / 56 / 41 / 36

HEX #A24860

RGB 162 72 96

HSL 344, 0.38%, 0.46%

LAB 43, 39.7, 4.3

 

CMYK 0 / 4 / 55 / 36

HEX #A29C49

RGB 162 156 73

HSL 55.96, 0.38%, 0.46%

LAB 63.29, -9.12, 43.58

 

CMYK 55 / 19 / 0 / 36

HEX #4984A2

RGB 73 132 162

HSL 200.22, 0.38%, 0.46%

LAB 52.43, -10.39, -21.86

 

CMYK 0 / 56 / 41 / 36

HEX #A24860

RGB 162 72 96

HSL 344, 0.38%, 0.46%

LAB 43, 39.7, 4.3

 

CMYK 41 / 0 / 55 / 36

HEX #60A249

RGB 96 162 73

HSL 104.49, 0.38%, 0.46%

LAB 60.61, -38.14, 39.32

 

CMYK 55 / 41 / 0 / 36

HEX #4960A2

RGB 73 96 162

HSL 224.49, 0.38%, 0.46%

LAB 41.83, 11.3, -38.42

 

CMYK 0 / 56 / 41 / 36

HEX #A24860

RGB 162 72 96

HSL 344, 0.38%, 0.46%

LAB 43, 39.7, 4.3

 

CMYK 0 / 4 / 55 / 36

HEX #A29C49

RGB 162 156 73

HSL 55.96, 0.38%, 0.46%

LAB 63.29, -9.12, 43.58

 

CMYK 55 / 0 / 15 / 36

HEX #49A28A

RGB 73 162 138

HSL 163.82, 0.38%, 0.46%

LAB 60.86, -32.65, 4.45

 

CMYK 55 / 51 / 0 / 36

HEX #494FA2

RGB 73 79 162

HSL 235.96, 0.38%, 0.46%

LAB 37.15, 22.21, -45.9

 

CMYK 0 / 56 / 41 / 36

HEX #A24860

RGB 162 72 96

HSL 344, 0.38%, 0.46%

LAB 43, 39.7, 4.3

 

CMYK 13 / 0 / 55 / 36

HEX #8DA249

RGB 141 162 73

HSL 74.16, 0.38%, 0.46%

LAB 63.33, -21.12, 43.2

 

CMYK 55 / 0 / 15 / 36

HEX #49A28A

RGB 73 162 138

HSL 163.82, 0.38%, 0.46%

LAB 60.86, -32.65, 4.45

 

CMYK 42 / 55 / 0 / 36

HEX #5E49A2

RGB 94 73 162

HSL 254.16, 0.38%, 0.46%

LAB 37.4, 30.85, -45.4

 

Description

Color code: HEX #A248604C | qconv.com Color code: HEX #A248604C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 72 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 72 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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