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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A23FC8 it is the complementary color #5DC037. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A23FC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A23FC8 shade: #A73FC3, #B851D6, #C963E9, #DA75FC and #EB87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A23FC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A23FC8 shade: #A23FC8, #912DB5, #801BA2, #6F098F and #5E007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A23FC8 shade: #A341C8, #C741C8, #C841A5, #C84180 and #C8415C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A23FC8 shade: #A341C8, #7E41C8, #5A41C8 and #4141C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A23FC8 shade matches the following richer shades: #A341C8, #AB2DDC and #B41AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A23FC8 shade: #A341C8, #9A55B4, #9169A0, #887D8D and #7F9079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A23FC8 shade: #5A41C8, #7E41C8, #A241C8, #C641C8 and #C841A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A23FC8 shade: #72298E, #8B32AE, #A341C8, #B261D1 and #C281DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A23FC8 shade: #A23FC8, #C8414D and #41C86C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A23FC8 shade: #A23FC8, #C8A241 and #41C8A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A23FC8 shade: #A23FC8, #C8414D, #67C841 and #41C8BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A23FC8 shade: #A23FC8, #C85E41, #67C841 and #41ABC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 69 / 0 / 22

HEX #A23FC8

RGB 162 63 200

HSL 283.36, 0.55%, 0.52%

LAB 46.19, 61.06, -53.2

 

Complementary color

CMYK 52 / 0 / 71 / 25

HEX #5DC037

RGB 93 192 55

HSL 103.36, 0.55%, 0.48%

LAB 69.68, -53.06, 57.12

 

CMYK 14 / 68 / 0 / 24

HEX #A73FC3

RGB 167 63 195

HSL 287.27, 0.52%, 0.51%

LAB 46.59, 61.16, -49.62

 

CMYK 14 / 62 / 0 / 16

HEX #B851D6

RGB 184 81 214

HSL 286.47, 0.62%, 0.58%

LAB 52.87, 60.99, -50.36

 

CMYK 14 / 58 / 0 / 9

HEX #C963E9

RGB 201 99 233

HSL 285.67, 0.75%, 0.65%

LAB 59.18, 60.54, -50.9

 

CMYK 13 / 54 / 0 / 1

HEX #DA75FC

RGB 218 117 252

HSL 284.89, 0.96%, 0.72%

LAB 65.48, 59.94, -51.3

 

CMYK 8 / 47 / 0 / 0

HEX #EB87FF

RGB 235 135 255

HSL 290, 1%, 0.76%

LAB 71.02, 56.16, -44.08

 

CMYK 19 / 69 / 0 / 22

HEX #A23FC8

RGB 162 63 200

HSL 283.36, 0.55%, 0.52%

LAB 46.19, 61.06, -53.2

 

CMYK 20 / 75 / 0 / 29

HEX #912DB5

RGB 145 45 181

HSL 284.12, 0.6%, 0.44%

LAB 39.97, 60.81, -52.23

 

CMYK 21 / 83 / 0 / 36

HEX #801BA2

RGB 128 27 162

HSL 284.89, 0.71%, 0.37%

LAB 33.94, 59.73, -50.75

 

CMYK 22 / 94 / 0 / 44

HEX #6F098F

RGB 111 9 143

HSL 285.67, 0.88%, 0.3%

LAB 28.27, 57.28, -48.46

 

CMYK 24 / 100 / 0 / 51

HEX #5E007C

RGB 94 0 124

HSL 285.48, 1%, 0.24%

LAB 23.12, 52.81, -45.05

 

CMYK 19 / 68 / 0 / 22

HEX #A341C8

RGB 163 65 200

HSL 283.56, 0.55%, 0.52%

LAB 46.63, 60.43, -52.49

 

CMYK 0 / 68 / 0 / 22

HEX #C741C8

RGB 199 65 200

HSL 299.56, 0.55%, 0.52%

LAB 51.94, 68.47, -43.7

 

CMYK 0 / 68 / 18 / 22

HEX #C841A5

RGB 200 65 165

HSL 315.56, 0.55%, 0.52%

LAB 50.42, 63.33, -25.68

 

CMYK 0 / 68 / 36 / 22

HEX #C84180

RGB 200 65 128

HSL 332, 0.55%, 0.52%

LAB 49.03, 58.63, -5.7

 

CMYK 0 / 68 / 54 / 22

HEX #C8415C

RGB 200 65 92

HSL 348, 0.55%, 0.52%

LAB 48.05, 55.2, 14.76

 

CMYK 19 / 68 / 0 / 22

HEX #A341C8

RGB 163 65 200

HSL 283.56, 0.55%, 0.52%

LAB 46.63, 60.43, -52.49

 

CMYK 37 / 68 / 0 / 22

HEX #7E41C8

RGB 126 65 200

HSL 267.11, 0.55%, 0.52%

LAB 41.82, 52.65, -60.48

 

CMYK 55 / 68 / 0 / 22

HEX #5A41C8

RGB 90 65 200

HSL 251.11, 0.55%, 0.52%

LAB 38.06, 46.07, -66.76

 

CMYK 68 / 68 / 0 / 22

HEX #4141C8

RGB 65 65 200

HSL 240, 0.55%, 0.52%

LAB 36.13, 42.45, -70.01

 

CMYK 19 / 68 / 0 / 22

HEX #A341C8

RGB 163 65 200

HSL 283.56, 0.55%, 0.52%

LAB 46.63, 60.43, -52.49

 

CMYK 22 / 80 / 0 / 14

HEX #AB2DDC

RGB 171 45 220

HSL 283.2, 0.71%, 0.52%

LAB 46.58, 73.13, -63.99

 

CMYK 25 / 89 / 0 / 6

HEX #B41AF0

RGB 180 26 240

HSL 283.18, 0.88%, 0.52%

LAB 47.92, 82.58, -73.09

 

CMYK 19 / 68 / 0 / 22

HEX #A341C8

RGB 163 65 200

HSL 283.56, 0.55%, 0.52%

LAB 46.63, 60.43, -52.49

 

CMYK 14 / 53 / 0 / 29

HEX #9A55B4

RGB 154 85 180

HSL 283.58, 0.39%, 0.52%

LAB 47.83, 44.42, -39.02

 

CMYK 9 / 34 / 0 / 37

HEX #9169A0

RGB 145 105 160

HSL 283.64, 0.22%, 0.52%

LAB 50.29, 26.19, -23.55

 

CMYK 4 / 11 / 0 / 45

HEX #887D8D

RGB 136 125 141

HSL 281.25, 0.07%, 0.52%

LAB 53.84, 7.32, -7.13

 

CMYK 12 / 0 / 16 / 44

HEX #7F9079

RGB 127 144 121

HSL 104.35, 0.09%, 0.52%

LAB 57.88, -10.65, 10.19

 

CMYK 55 / 68 / 0 / 22

HEX #5A41C8

RGB 90 65 200

HSL 251.11, 0.55%, 0.52%

LAB 38.06, 46.07, -66.76

 

CMYK 37 / 68 / 0 / 22

HEX #7E41C8

RGB 126 65 200

HSL 267.11, 0.55%, 0.52%

LAB 41.82, 52.65, -60.48

 

CMYK 19 / 68 / 0 / 22

HEX #A241C8

RGB 162 65 200

HSL 283.11, 0.55%, 0.52%

LAB 46.49, 60.21, -52.72

 

CMYK 1 / 68 / 0 / 22

HEX #C641C8

RGB 198 65 200

HSL 299.11, 0.55%, 0.52%

LAB 51.79, 68.24, -43.95

 

CMYK 0 / 68 / 17 / 22

HEX #C841A6

RGB 200 65 166

HSL 315.11, 0.55%, 0.52%

LAB 50.47, 63.47, -26.2

 

CMYK 20 / 71 / 0 / 44

HEX #72298E

RGB 114 41 142

HSL 283.37, 0.55%, 0.36%

LAB 32.07, 47.85, -41.68

 

CMYK 20 / 71 / 0 / 32

HEX #8B32AE

RGB 139 50 174

HSL 283.06, 0.55%, 0.44%

LAB 39.29, 56.23, -49.23

 

CMYK 19 / 68 / 0 / 22

HEX #A341C8

RGB 163 65 200

HSL 283.56, 0.55%, 0.52%

LAB 46.63, 60.43, -52.49

 

CMYK 15 / 54 / 0 / 18

HEX #B261D1

RGB 178 97 209

HSL 283.39, 0.55%, 0.6%

LAB 54.68, 50.79, -44.7

 

CMYK 11 / 41 / 0 / 15

HEX #C281DA

RGB 194 129 218

HSL 283.82, 0.55%, 0.68%

LAB 63.53, 40.28, -35.73

 

CMYK 19 / 69 / 0 / 22

HEX #A23FC8

RGB 162 63 200

HSL 283.36, 0.55%, 0.52%

LAB 46.19, 61.06, -53.2

 

CMYK 0 / 68 / 62 / 22

HEX #C8414D

RGB 200 65 77

HSL 354.67, 0.55%, 0.52%

LAB 47.75, 54.11, 23.44

 

CMYK 68 / 0 / 46 / 22

HEX #41C86C

RGB 65 200 108

HSL 139.11, 0.55%, 0.52%

LAB 71.9, -56.24, 35.56

 

CMYK 19 / 69 / 0 / 22

HEX #A23FC8

RGB 162 63 200

HSL 283.36, 0.55%, 0.52%

LAB 46.19, 61.06, -53.2

 

CMYK 0 / 19 / 68 / 22

HEX #C8A241

RGB 200 162 65

HSL 43.11, 0.55%, 0.52%

LAB 68.39, 3.61, 53.94

 

CMYK 68 / 0 / 19 / 22

HEX #41C8A2

RGB 65 200 162

HSL 163.11, 0.55%, 0.52%

LAB 72.92, -45.29, 8.5

 

CMYK 19 / 69 / 0 / 22

HEX #A23FC8

RGB 162 63 200

HSL 283.36, 0.55%, 0.52%

LAB 46.19, 61.06, -53.2

 

CMYK 0 / 68 / 62 / 22

HEX #C8414D

RGB 200 65 77

HSL 354.67, 0.55%, 0.52%

LAB 47.75, 54.11, 23.44

 

CMYK 49 / 0 / 68 / 22

HEX #67C841

RGB 103 200 65

HSL 103.11, 0.55%, 0.52%

LAB 72.61, -52.44, 56.43

 

CMYK 68 / 0 / 5 / 22

HEX #41C8BD

RGB 65 200 189

HSL 175.11, 0.55%, 0.52%

LAB 73.61, -38.36, -5.12

 

CMYK 19 / 69 / 0 / 22

HEX #A23FC8

RGB 162 63 200

HSL 283.36, 0.55%, 0.52%

LAB 46.19, 61.06, -53.2

 

CMYK 0 / 53 / 68 / 22

HEX #C85E41

RGB 200 94 65

HSL 12.89, 0.55%, 0.52%

LAB 52.58, 40.13, 36.36

 

CMYK 49 / 0 / 68 / 22

HEX #67C841

RGB 103 200 65

HSL 103.11, 0.55%, 0.52%

LAB 72.61, -52.44, 56.43

 

CMYK 68 / 15 / 0 / 22

HEX #41ABC8

RGB 65 171 200

HSL 192.89, 0.55%, 0.52%

LAB 65.29, -21.04, -23.67

 

Description

Color code: HEX #A23FC8 | qconv.com Color code: HEX #A23FC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 63 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 63 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 69 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 69% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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