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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A23AC1 it is the complementary color #5DC53E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A23AC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A23AC1 shade: #A73ABC, #B84CCF, #C95EE2, #DA70F5 and #EB82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A23AC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A23AC1 shade: #A23AC1, #9128AE, #80169B, #6F0488 and #5E0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A23AC1 shade: #A139C0, #C039BB, #C03997, #C03972 and #C0394E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A23AC1 shade: #A139C0, #7D39C0, #5939C0 and #3939C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A23AC1 shade matches the following richer shades: #A139C0, #AC25D5 and #B711E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A23AC1 shade: #A139C0, #964EAC, #8C6298, #817684 and #768A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A23AC1 shade: #5939C0, #7D39C0, #A139C0, #C039BC and #C03998

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A23AC1 shade: #6C2681, #8730A1, #A139C0, #B256CD and #C076D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A23AC1 shade: #A23AC1, #C0393E and #39C06B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A23AC1 shade: #A23AC1, #C0A139 and #39C0A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A23AC1 shade: #A23AC1, #C0393E, #59C039 and #39C0BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A23AC1 shade: #A23AC1, #C05D39, #59C039 and #399CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 70 / 0 / 24

HEX #A23AC1

RGB 162 58 193

HSL 286.22, 0.54%, 0.49%

LAB 45.02, 61.71, -51.01

 

Complementary color

CMYK 53 / 0 / 69 / 23

HEX #5DC53E

RGB 93 197 62

HSL 106.22, 0.54%, 0.51%

LAB 71.29, -54.39, 56.11

 

CMYK 11 / 69 / 0 / 26

HEX #A73ABC

RGB 167 58 188

HSL 290.31, 0.53%, 0.48%

LAB 45.46, 61.84, -47.35

 

CMYK 11 / 63 / 0 / 19

HEX #B84CCF

RGB 184 76 207

HSL 289.47, 0.58%, 0.55%

LAB 51.68, 61.85, -48.26

 

CMYK 11 / 58 / 0 / 11

HEX #C95EE2

RGB 201 94 226

HSL 288.64, 0.69%, 0.63%

LAB 57.96, 61.51, -48.92

 

CMYK 11 / 54 / 0 / 4

HEX #DA70F5

RGB 218 112 245

HSL 287.82, 0.87%, 0.7%

LAB 64.23, 60.98, -49.42

 

CMYK 8 / 49 / 0 / 0

HEX #EB82FF

RGB 235 130 255

HSL 290.4, 1%, 0.75%

LAB 70.07, 58.63, -45.57

 

CMYK 16 / 70 / 0 / 24

HEX #A23AC1

RGB 162 58 193

HSL 286.22, 0.54%, 0.49%

LAB 45.02, 61.71, -51.01

 

CMYK 17 / 77 / 0 / 32

HEX #9128AE

RGB 145 40 174

HSL 287.01, 0.63%, 0.42%

LAB 38.89, 61.19, -49.83

 

CMYK 17 / 86 / 0 / 39

HEX #80169B

RGB 128 22 155

HSL 287.82, 0.75%, 0.35%

LAB 32.98, 59.7, -48.06

 

CMYK 18 / 97 / 0 / 47

HEX #6F0488

RGB 111 4 136

HSL 288.64, 0.94%, 0.27%

LAB 27.42, 56.83, -45.49

 

CMYK 20 / 100 / 0 / 54

HEX #5E0075

RGB 94 0 117

HSL 288.21, 1%, 0.23%

LAB 22.53, 51.46, -41.53

 

CMYK 16 / 70 / 0 / 25

HEX #A139C0

RGB 161 57 192

HSL 286.22, 0.54%, 0.49%

LAB 44.67, 61.7, -51

 

CMYK 0 / 70 / 3 / 25

HEX #C039BB

RGB 192 57 187

HSL 302.22, 0.54%, 0.49%

LAB 49.16, 67.61, -40.65

 

CMYK 0 / 70 / 21 / 25

HEX #C03997

RGB 192 57 151

HSL 318.22, 0.54%, 0.49%

LAB 47.45, 62.28, -22.06

 

CMYK 0 / 70 / 41 / 25

HEX #C03972

RGB 192 57 114

HSL 334.67, 0.54%, 0.49%

LAB 46.11, 57.86, -1.66

 

CMYK 0 / 70 / 59 / 25

HEX #C0394E

RGB 192 57 78

HSL 350.67, 0.54%, 0.49%

LAB 45.2, 54.76, 19.22

 

CMYK 16 / 70 / 0 / 25

HEX #A139C0

RGB 161 57 192

HSL 286.22, 0.54%, 0.49%

LAB 44.67, 61.7, -51

 

CMYK 35 / 70 / 0 / 25

HEX #7D39C0

RGB 125 57 192

HSL 270.22, 0.54%, 0.49%

LAB 39.73, 54.33, -59.21

 

CMYK 54 / 70 / 0 / 25

HEX #5939C0

RGB 89 57 192

HSL 254.22, 0.54%, 0.49%

LAB 35.71, 47.92, -65.95

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

CMYK 16 / 70 / 0 / 25

HEX #A139C0

RGB 161 57 192

HSL 286.22, 0.54%, 0.49%

LAB 44.67, 61.7, -51

 

CMYK 19 / 83 / 0 / 16

HEX #AC25D5

RGB 172 37 213

HSL 286.02, 0.7%, 0.49%

LAB 45.49, 74.18, -61.74

 

CMYK 21 / 93 / 0 / 9

HEX #B711E9

RGB 183 17 233

HSL 286.11, 0.86%, 0.49%

LAB 47.43, 83.04, -69.92

 

CMYK 16 / 70 / 0 / 25

HEX #A139C0

RGB 161 57 192

HSL 286.22, 0.54%, 0.49%

LAB 44.67, 61.7, -51

 

CMYK 13 / 55 / 0 / 33

HEX #964EAC

RGB 150 78 172

HSL 285.96, 0.38%, 0.49%

LAB 45.51, 45.3, -38.02

 

CMYK 8 / 36 / 0 / 40

HEX #8C6298

RGB 140 98 152

HSL 286.67, 0.22%, 0.49%

LAB 47.72, 26.88, -22.84

 

CMYK 2 / 11 / 0 / 48

HEX #817684

RGB 129 118 132

HSL 287.14, 0.06%, 0.49%

LAB 51.02, 6.98, -6.11

 

CMYK 14 / 0 / 19 / 46

HEX #768A70

RGB 118 138 112

HSL 106.15, 0.1%, 0.49%

LAB 55.28, -12.41, 11.56

 

CMYK 54 / 70 / 0 / 25

HEX #5939C0

RGB 89 57 192

HSL 254.22, 0.54%, 0.49%

LAB 35.71, 47.92, -65.95

 

CMYK 35 / 70 / 0 / 25

HEX #7D39C0

RGB 125 57 192

HSL 270.22, 0.54%, 0.49%

LAB 39.73, 54.33, -59.21

 

CMYK 16 / 70 / 0 / 25

HEX #A139C0

RGB 161 57 192

HSL 286.22, 0.54%, 0.49%

LAB 44.67, 61.7, -51

 

CMYK 0 / 70 / 2 / 25

HEX #C039BC

RGB 192 57 188

HSL 301.78, 0.54%, 0.49%

LAB 49.21, 67.77, -41.15

 

CMYK 0 / 70 / 21 / 25

HEX #C03998

RGB 192 57 152

HSL 317.78, 0.54%, 0.49%

LAB 47.49, 62.42, -22.59

 

CMYK 16 / 71 / 0 / 49

HEX #6C2681

RGB 108 38 129

HSL 286.15, 0.54%, 0.33%

LAB 29.81, 45.01, -37.27

 

CMYK 16 / 70 / 0 / 37

HEX #8730A1

RGB 135 48 161

HSL 286.19, 0.54%, 0.41%

LAB 37.55, 53.53, -44.28

 

CMYK 16 / 70 / 0 / 25

HEX #A139C0

RGB 161 57 192

HSL 286.22, 0.54%, 0.49%

LAB 44.67, 61.7, -51

 

CMYK 13 / 58 / 0 / 20

HEX #B256CD

RGB 178 86 205

HSL 286.39, 0.54%, 0.57%

LAB 52.43, 55.43, -45.98

 

CMYK 10 / 45 / 0 / 16

HEX #C076D6

RGB 192 118 214

HSL 286.25, 0.54%, 0.65%

LAB 60.8, 44.77, -37.78

 

CMYK 16 / 70 / 0 / 24

HEX #A23AC1

RGB 162 58 193

HSL 286.22, 0.54%, 0.49%

LAB 45.02, 61.71, -51.01

 

CMYK 0 / 70 / 68 / 25

HEX #C0393E

RGB 192 57 62

HSL 357.78, 0.54%, 0.49%

LAB 44.91, 53.78, 28.56

 

CMYK 70 / 0 / 44 / 25

HEX #39C06B

RGB 57 192 107

HSL 142.22, 0.54%, 0.49%

LAB 69.21, -54.83, 32.58

 

CMYK 16 / 70 / 0 / 24

HEX #A23AC1

RGB 162 58 193

HSL 286.22, 0.54%, 0.49%

LAB 45.02, 61.71, -51.01

 

CMYK 0 / 16 / 70 / 25

HEX #C0A139

RGB 192 161 57

HSL 46.22, 0.54%, 0.49%

LAB 67.27, 0.21, 55.95

 

CMYK 70 / 0 / 16 / 25

HEX #39C0A1

RGB 57 192 161

HSL 166.22, 0.54%, 0.49%

LAB 70.28, -43.32, 5.23

 

CMYK 16 / 70 / 0 / 24

HEX #A23AC1

RGB 162 58 193

HSL 286.22, 0.54%, 0.49%

LAB 45.02, 61.71, -51.01

 

CMYK 0 / 70 / 68 / 25

HEX #C0393E

RGB 192 57 62

HSL 357.78, 0.54%, 0.49%

LAB 44.91, 53.78, 28.56

 

CMYK 54 / 0 / 70 / 25

HEX #59C039

RGB 89 192 57

HSL 105.78, 0.54%, 0.49%

LAB 69.55, -54.02, 56.19

 

CMYK 70 / 0 / 2 / 25

HEX #39C0BC

RGB 57 192 188

HSL 178.22, 0.54%, 0.49%

LAB 71.01, -36.07, -8.45

 

CMYK 16 / 70 / 0 / 24

HEX #A23AC1

RGB 162 58 193

HSL 286.22, 0.54%, 0.49%

LAB 45.02, 61.71, -51.01

 

CMYK 0 / 52 / 70 / 25

HEX #C05D39

RGB 192 93 57

HSL 16, 0.54%, 0.49%

LAB 51.07, 37.09, 38.65

 

CMYK 54 / 0 / 70 / 25

HEX #59C039

RGB 89 192 57

HSL 105.78, 0.54%, 0.49%

LAB 69.55, -54.02, 56.19

 

CMYK 70 / 19 / 0 / 25

HEX #399CC0

RGB 57 156 192

HSL 196, 0.54%, 0.49%

LAB 60.3, -16.87, -26.91

 

Description

Color code: HEX #A23AC1 | qconv.com Color code: HEX #A23AC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 58 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 58 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 70 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 70% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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