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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A230C7 it is the complementary color #5DCF38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A230C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A230C7 shade: #A730C2, #B842D5, #C954E8, #DA66FB and #EB78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A230C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A230C7 shade: #A230C7, #911EB4, #800CA1, #6F008E and #5E007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A230C7 shade: #A030C5, #C530C1, #C53099, #C53071 and #C53049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A230C7 shade: #A030C5, #7830C5, #5030C5 and #3030C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A230C7 shade matches the following richer shades: #A030C5, #AB1CD9 and #B508ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A230C7 shade: #A030C5, #9644B1, #8C579D, #826B8A and #787F76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A230C7 shade: #5030C5, #7830C5, #A030C5, #C530C3 and #C5309B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A230C7 shade: #6A2083, #8528A4, #A030C5, #B24BD3 and #C06CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A230C7 shade: #A230C7, #C53037 and #30C564

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A230C7 shade: #A230C7, #C5A030 and #30C5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A230C7 shade: #A230C7, #C53037, #55C530 and #30C5BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A230C7 shade: #A230C7, #C55530, #55C530 and #30A0C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 76 / 0 / 22

HEX #A230C7

RGB 162 48 199

HSL 285.3, 0.61%, 0.48%

LAB 44.12, 66.56, -55.96

 

Complementary color

CMYK 55 / 0 / 73 / 19

HEX #5DCF38

RGB 93 207 56

HSL 105.3, 0.61%, 0.52%

LAB 74.34, -58.54, 61.48

 

CMYK 14 / 75 / 0 / 24

HEX #A730C2

RGB 167 48 194

HSL 288.9, 0.6%, 0.47%

LAB 44.55, 66.58, -52.3

 

CMYK 14 / 69 / 0 / 16

HEX #B842D5

RGB 184 66 213

HSL 288.16, 0.64%, 0.55%

LAB 50.56, 67.09, -53.49

 

CMYK 13 / 64 / 0 / 9

HEX #C954E8

RGB 201 84 232

HSL 287.43, 0.76%, 0.62%

LAB 56.67, 67.08, -54.34

 

CMYK 13 / 59 / 0 / 2

HEX #DA66FB

RGB 218 102 251

HSL 286.71, 0.95%, 0.69%

LAB 62.82, 66.76, -54.96

 

CMYK 8 / 53 / 0 / 0

HEX #EB78FF

RGB 235 120 255

HSL 291.11, 1%, 0.74%

LAB 68.25, 63.43, -48.42

 

CMYK 19 / 76 / 0 / 22

HEX #A230C7

RGB 162 48 199

HSL 285.3, 0.61%, 0.48%

LAB 44.12, 66.56, -55.96

 

CMYK 19 / 83 / 0 / 29

HEX #911EB4

RGB 145 30 180

HSL 286, 0.71%, 0.41%

LAB 38.28, 65.32, -54.38

 

CMYK 20 / 93 / 0 / 37

HEX #800CA1

RGB 128 12 161

HSL 286.71, 0.86%, 0.34%

LAB 32.76, 62.82, -52.07

 

CMYK 22 / 100 / 0 / 44

HEX #6F008E

RGB 111 0 142

HSL 286.9, 1%, 0.28%

LAB 27.66, 58.66, -48.83

 

CMYK 24 / 100 / 0 / 52

HEX #5E007B

RGB 94 0 123

HSL 285.85, 1%, 0.24%

LAB 23.03, 52.61, -44.55

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 0 / 76 / 2 / 23

HEX #C530C1

RGB 197 48 193

HSL 301.61, 0.61%, 0.48%

LAB 49.29, 72.48, -43.87

 

CMYK 0 / 76 / 22 / 23

HEX #C53099

RGB 197 48 153

HSL 317.72, 0.61%, 0.48%

LAB 47.35, 66.76, -23.35

 

CMYK 0 / 76 / 43 / 23

HEX #C53071

RGB 197 48 113

HSL 333.83, 0.61%, 0.48%

LAB 45.87, 62.24, -1.28

 

CMYK 0 / 76 / 63 / 23

HEX #C53049

RGB 197 48 73

HSL 349.93, 0.61%, 0.48%

LAB 44.89, 59.1, 22.06

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 39 / 76 / 0 / 23

HEX #7830C5

RGB 120 48 197

HSL 268.99, 0.61%, 0.48%

LAB 38.09, 58.6, -64.84

 

CMYK 59 / 76 / 0 / 23

HEX #5030C5

RGB 80 48 197

HSL 252.89, 0.61%, 0.48%

LAB 33.67, 52.72, -72.26

 

CMYK 76 / 76 / 0 / 23

HEX #3030C5

RGB 48 48 197

HSL 240, 0.61%, 0.48%

LAB 31.29, 49.46, -76.27

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 21 / 87 / 0 / 15

HEX #AB1CD9

RGB 171 28 217

HSL 285.4, 0.77%, 0.48%

LAB 44.94, 76.76, -64.94

 

CMYK 24 / 97 / 0 / 7

HEX #B508ED

RGB 181 8 237

HSL 285.33, 0.93%, 0.48%

LAB 47.12, 84.35, -72.7

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 15 / 62 / 0 / 31

HEX #9644B1

RGB 150 68 177

HSL 285.14, 0.44%, 0.48%

LAB 43.93, 51.34, -43.48

 

CMYK 11 / 45 / 0 / 38

HEX #8C579D

RGB 140 87 157

HSL 285.43, 0.29%, 0.48%

LAB 45.4, 34.29, -29.42

 

CMYK 6 / 22 / 0 / 46

HEX #826B8A

RGB 130 107 138

HSL 284.52, 0.13%, 0.48%

LAB 48.38, 15.11, -13.62

 

CMYK 6 / 0 / 7 / 50

HEX #787F76

RGB 120 127 118

HSL 106.67, 0.04%, 0.48%

LAB 52.38, -4.41, 3.99

 

CMYK 59 / 76 / 0 / 23

HEX #5030C5

RGB 80 48 197

HSL 252.89, 0.61%, 0.48%

LAB 33.67, 52.72, -72.26

 

CMYK 39 / 76 / 0 / 23

HEX #7830C5

RGB 120 48 197

HSL 268.99, 0.61%, 0.48%

LAB 38.09, 58.6, -64.84

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 0 / 76 / 1 / 23

HEX #C530C3

RGB 197 48 195

HSL 300.81, 0.61%, 0.48%

LAB 49.4, 72.79, -44.86

 

CMYK 0 / 76 / 21 / 23

HEX #C5309B

RGB 197 48 155

HSL 316.91, 0.61%, 0.48%

LAB 47.43, 67.02, -24.41

 

CMYK 19 / 76 / 0 / 49

HEX #6A2083

RGB 106 32 131

HSL 284.85, 0.61%, 0.32%

LAB 28.74, 47.52, -40.27

 

CMYK 19 / 76 / 0 / 36

HEX #8528A4

RGB 133 40 164

HSL 285, 0.61%, 0.4%

LAB 36.34, 56.85, -48.05

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 16 / 64 / 0 / 17

HEX #B24BD3

RGB 178 75 211

HSL 285.44, 0.61%, 0.56%

LAB 50.92, 61.67, -51.82

 

CMYK 12 / 51 / 0 / 14

HEX #C06CDB

RGB 192 108 219

HSL 285.41, 0.61%, 0.64%

LAB 59.02, 50.99, -43.39

 

CMYK 19 / 76 / 0 / 22

HEX #A230C7

RGB 162 48 199

HSL 285.3, 0.61%, 0.48%

LAB 44.12, 66.56, -55.96

 

CMYK 0 / 76 / 72 / 23

HEX #C53037

RGB 197 48 55

HSL 357.18, 0.61%, 0.48%

LAB 44.6, 58.16, 32.58

 

CMYK 76 / 0 / 49 / 23

HEX #30C564

RGB 48 197 100

HSL 140.94, 0.61%, 0.48%

LAB 70.51, -59.14, 37.74

 

CMYK 19 / 76 / 0 / 22

HEX #A230C7

RGB 162 48 199

HSL 285.3, 0.61%, 0.48%

LAB 44.12, 66.56, -55.96

 

CMYK 0 / 19 / 76 / 23

HEX #C5A030

RGB 197 160 48

HSL 45.1, 0.61%, 0.48%

LAB 67.45, 2.52, 59.84

 

CMYK 76 / 0 / 19 / 23

HEX #30C5A0

RGB 48 197 160

HSL 165.1, 0.61%, 0.48%

LAB 71.62, -46.86, 7.68

 

CMYK 19 / 76 / 0 / 22

HEX #A230C7

RGB 162 48 199

HSL 285.3, 0.61%, 0.48%

LAB 44.12, 66.56, -55.96

 

CMYK 0 / 76 / 72 / 23

HEX #C53037

RGB 197 48 55

HSL 357.18, 0.61%, 0.48%

LAB 44.6, 58.16, 32.58

 

CMYK 57 / 0 / 76 / 23

HEX #55C530

RGB 85 197 48

HSL 105.1, 0.61%, 0.48%

LAB 70.92, -57.57, 60.73

 

CMYK 76 / 0 / 4 / 23

HEX #30C5BE

RGB 48 197 190

HSL 177.18, 0.61%, 0.48%

LAB 72.41, -38.86, -7.47

 

CMYK 19 / 76 / 0 / 22

HEX #A230C7

RGB 162 48 199

HSL 285.3, 0.61%, 0.48%

LAB 44.12, 66.56, -55.96

 

CMYK 0 / 57 / 76 / 23

HEX #C55530

RGB 197 85 48

HSL 14.9, 0.61%, 0.48%

LAB 50.19, 42.59, 42.65

 

CMYK 57 / 0 / 76 / 23

HEX #55C530

RGB 85 197 48

HSL 105.1, 0.61%, 0.48%

LAB 70.92, -57.57, 60.73

 

CMYK 76 / 19 / 0 / 23

HEX #30A0C5

RGB 48 160 197

HSL 194.9, 0.61%, 0.48%

LAB 61.48, -18.53, -27.9

 

Description

Color code: HEX #A230C7 | qconv.com Color code: HEX #A230C7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 48 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 48 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 76 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 76% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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