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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A227B6 it is the complementary color #5DD849. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A227B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A227B6 shade: #A727B1, #B839C4, #C94BD7, #DA5DEA and #EB6FFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A227B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A227B6 shade: #A227B6, #9115A3, #800390, #6F007D and #5E006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A227B6 shade: #A126B5, #B526A2, #B5267C, #B52656 and #B5262F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A227B6 shade: #A126B5, #7B26B5, #5426B5, #2E26B5 and #2626B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A227B6 shade matches the following richer shades: #A126B5, #AE15C7 and #BB03D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A227B6 shade: #A126B5, #9438A3, #874A91, #7B5C80 and #6E6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A227B6 shade: #5426B5, #7A26B5, #A026B5, #B526A4 and #B5267E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A227B6 shade: #641871, #831F93, #A126B5, #BD31D3 and #C853DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A227B6 shade: #A227B6, #B52E26 and #26B567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A227B6 shade: #A227B6, #B5A026 and #26B5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A227B6 shade: #A227B6, #B52E26, #3CB526 and #26AEB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A227B6 shade: #A227B6, #B55826, #3CB526 and #2683B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 79 / 0 / 29

HEX #A227B6

RGB 162 39 182

HSL 291.61, 0.65%, 0.43%

LAB 42.02, 66.27, -49.39

 

Complementary color

CMYK 57 / 0 / 66 / 15

HEX #5DD849

RGB 93 216 73

HSL 111.61, 0.65%, 0.57%

LAB 77.23, -60.41, 58.08

 

CMYK 6 / 78 / 0 / 31

HEX #A727B1

RGB 167 39 177

HSL 295.65, 0.64%, 0.42%

LAB 42.52, 66.38, -45.58

 

CMYK 6 / 71 / 0 / 23

HEX #B839C4

RGB 184 57 196

HSL 294.82, 0.55%, 0.5%

LAB 48.39, 67.35, -47.18

 

CMYK 7 / 65 / 0 / 16

HEX #C94BD7

RGB 201 75 215

HSL 294, 0.64%, 0.57%

LAB 54.4, 67.67, -48.35

 

CMYK 7 / 60 / 0 / 8

HEX #DA5DEA

RGB 218 93 234

HSL 293.19, 0.77%, 0.64%

LAB 60.49, 67.57, -49.23

 

CMYK 7 / 56 / 0 / 1

HEX #EB6FFD

RGB 235 111 253

HSL 292.39, 0.97%, 0.71%

LAB 66.61, 67.21, -49.91

 

CMYK 11 / 79 / 0 / 29

HEX #A227B6

RGB 162 39 182

HSL 291.61, 0.65%, 0.43%

LAB 42.02, 66.27, -49.39

 

CMYK 11 / 87 / 0 / 36

HEX #9115A3

RGB 145 21 163

HSL 292.39, 0.77%, 0.36%

LAB 36.37, 64.34, -47.3

 

CMYK 11 / 98 / 0 / 44

HEX #800390

RGB 128 3 144

HSL 293.19, 0.96%, 0.29%

LAB 31.04, 61.11, -44.45

 

CMYK 11 / 100 / 0 / 51

HEX #6F007D

RGB 111 0 125

HSL 293.28, 1%, 0.25%

LAB 26.33, 55.58, -40.32

 

CMYK 11 / 100 / 0 / 58

HEX #5E006A

RGB 94 0 106

HSL 293.21, 1%, 0.21%

LAB 21.65, 49.43, -35.82

 

CMYK 11 / 79 / 0 / 29

HEX #A126B5

RGB 161 38 181

HSL 291.61, 0.65%, 0.43%

LAB 41.69, 66.19, -49.34

 

CMYK 0 / 79 / 10 / 29

HEX #B526A2

RGB 181 38 162

HSL 307.97, 0.65%, 0.43%

LAB 43.97, 67.2, -34.21

 

CMYK 0 / 79 / 31 / 29

HEX #B5267C

RGB 181 38 124

HSL 323.92, 0.65%, 0.43%

LAB 42.25, 62.22, -13.78

 

CMYK 0 / 79 / 52 / 29

HEX #B52656

RGB 181 38 86

HSL 339.86, 0.65%, 0.43%

LAB 41.03, 58.51, 8.18

 

CMYK 0 / 79 / 74 / 29

HEX #B5262F

RGB 181 38 47

HSL 356.22, 0.65%, 0.43%

LAB 40.27, 56.14, 31.52

 

CMYK 11 / 79 / 0 / 29

HEX #A126B5

RGB 161 38 181

HSL 291.61, 0.65%, 0.43%

LAB 41.69, 66.19, -49.34

 

CMYK 32 / 79 / 0 / 29

HEX #7B26B5

RGB 123 38 181

HSL 275.66, 0.65%, 0.43%

LAB 35.86, 59.31, -59.05

 

CMYK 54 / 79 / 0 / 29

HEX #5426B5

RGB 84 38 181

HSL 259.3, 0.65%, 0.43%

LAB 30.9, 53.41, -67.37

 

CMYK 75 / 79 / 0 / 29

HEX #2E26B5

RGB 46 38 181

HSL 243.36, 0.65%, 0.43%

LAB 27.58, 49.44, -72.95

 

CMYK 79 / 79 / 0 / 29

HEX #2626B5

RGB 38 38 181

HSL 240, 0.65%, 0.43%

LAB 27.11, 48.88, -73.74

 

CMYK 11 / 79 / 0 / 29

HEX #A126B5

RGB 161 38 181

HSL 291.61, 0.65%, 0.43%

LAB 41.69, 66.19, -49.34

 

CMYK 13 / 89 / 0 / 22

HEX #AE15C7

RGB 174 21 199

HSL 291.57, 0.81%, 0.43%

LAB 43.74, 75.32, -56.47

 

CMYK 13 / 99 / 0 / 15

HEX #BB03D8

RGB 187 3 216

HSL 291.83, 0.97%, 0.43%

LAB 46.43, 82.05, -61.83

 

CMYK 11 / 79 / 0 / 29

HEX #A126B5

RGB 161 38 181

HSL 291.61, 0.65%, 0.43%

LAB 41.69, 66.19, -49.34

 

CMYK 9 / 66 / 0 / 36

HEX #9438A3

RGB 148 56 163

HSL 291.59, 0.49%, 0.43%

LAB 40.85, 53.54, -40.1

 

CMYK 7 / 49 / 0 / 43

HEX #874A91

RGB 135 74 145

HSL 291.55, 0.32%, 0.43%

LAB 41.36, 37.47, -28.58

 

CMYK 4 / 28 / 0 / 50

HEX #7B5C80

RGB 123 92 128

HSL 291.67, 0.16%, 0.43%

LAB 43.39, 19.44, -15.27

 

CMYK 0 / 1 / 0 / 57

HEX #6E6D6E

RGB 110 109 110

HSL 300, 0%, 0.43%

LAB 46.15, 0.59, -0.43

 

CMYK 54 / 79 / 0 / 29

HEX #5426B5

RGB 84 38 181

HSL 259.3, 0.65%, 0.43%

LAB 30.9, 53.41, -67.37

 

CMYK 33 / 79 / 0 / 29

HEX #7A26B5

RGB 122 38 181

HSL 275.24, 0.65%, 0.43%

LAB 35.71, 59.14, -59.29

 

CMYK 12 / 79 / 0 / 29

HEX #A026B5

RGB 160 38 181

HSL 291.19, 0.65%, 0.43%

LAB 41.53, 66, -49.6

 

CMYK 0 / 79 / 9 / 29

HEX #B526A4

RGB 181 38 164

HSL 307.13, 0.65%, 0.43%

LAB 44.08, 67.49, -35.24

 

CMYK 0 / 79 / 30 / 29

HEX #B5267E

RGB 181 38 126

HSL 323.08, 0.65%, 0.43%

LAB 42.33, 62.45, -14.9

 

CMYK 12 / 79 / 0 / 56

HEX #641871

RGB 100 24 113

HSL 291.24, 0.65%, 0.27%

LAB 25.43, 45.58, -34.23

 

CMYK 11 / 79 / 0 / 42

HEX #831F93

RGB 131 31 147

HSL 291.72, 0.65%, 0.35%

LAB 33.8, 56.25, -41.83

 

CMYK 11 / 79 / 0 / 29

HEX #A126B5

RGB 161 38 181

HSL 291.61, 0.65%, 0.43%

LAB 41.69, 66.19, -49.34

 

CMYK 10 / 77 / 0 / 17

HEX #BD31D3

RGB 189 49 211

HSL 291.85, 0.65%, 0.51%

LAB 49.15, 73.56, -54.56

 

CMYK 9 / 62 / 0 / 14

HEX #C853DB

RGB 200 83 219

HSL 291.62, 0.65%, 0.59%

LAB 55.67, 64.85, -48.62

 

CMYK 11 / 79 / 0 / 29

HEX #A227B6

RGB 162 39 182

HSL 291.61, 0.65%, 0.43%

LAB 42.02, 66.27, -49.39

 

CMYK 0 / 75 / 79 / 29

HEX #B52E26

RGB 181 46 38

HSL 3.36, 0.65%, 0.43%

LAB 41.08, 53.23, 37.62

 

CMYK 79 / 0 / 43 / 29

HEX #26B567

RGB 38 181 103

HSL 147.27, 0.65%, 0.43%

LAB 65.31, -54.21, 29.54

 

CMYK 11 / 79 / 0 / 29

HEX #A227B6

RGB 162 39 182

HSL 291.61, 0.65%, 0.43%

LAB 42.02, 66.27, -49.39

 

CMYK 0 / 12 / 79 / 29

HEX #B5A026

RGB 181 160 38

HSL 51.19, 0.65%, 0.43%

LAB 65.83, -4.97, 61.26

 

CMYK 79 / 0 / 12 / 29

HEX #26B5A0

RGB 38 181 160

HSL 171.19, 0.65%, 0.43%

LAB 66.52, -41.12, 0.29

 

CMYK 11 / 79 / 0 / 29

HEX #A227B6

RGB 162 39 182

HSL 291.61, 0.65%, 0.43%

LAB 42.02, 66.27, -49.39

 

CMYK 0 / 75 / 79 / 29

HEX #B52E26

RGB 181 46 38

HSL 3.36, 0.65%, 0.43%

LAB 41.08, 53.23, 37.62

 

CMYK 67 / 0 / 79 / 29

HEX #3CB526

RGB 60 181 38

HSL 110.77, 0.65%, 0.43%

LAB 65.08, -58.48, 58.04

 

CMYK 79 / 4 / 0 / 29

HEX #26AEB5

RGB 38 174 181

HSL 182.94, 0.65%, 0.43%

LAB 64.98, -31.81, -13.65

 

CMYK 11 / 79 / 0 / 29

HEX #A227B6

RGB 162 39 182

HSL 291.61, 0.65%, 0.43%

LAB 42.02, 66.27, -49.39

 

CMYK 0 / 51 / 79 / 29

HEX #B55826

RGB 181 88 38

HSL 20.98, 0.65%, 0.43%

LAB 48.19, 34.43, 44.76

 

CMYK 67 / 0 / 79 / 29

HEX #3CB526

RGB 60 181 38

HSL 110.77, 0.65%, 0.43%

LAB 65.08, -58.48, 58.04

 

CMYK 79 / 28 / 0 / 29

HEX #2683B5

RGB 38 131 181

HSL 200.98, 0.65%, 0.43%

LAB 51.82, -9.19, -33.87

 

Description

Color code: HEX #A227B6 | qconv.com Color code: HEX #A227B6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 39 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 39 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 79 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 79% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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