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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A21B76 it is the complementary color #5DE489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A21B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A21B76 shade: #A71B71, #B82D84, #C93F97, #DA51AA and #EB63BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A21B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A21B76 shade: #A21B76, #910963, #800050, #6F003D and #5E002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A21B76 shade: #A11B76, #A11B52, #A11B2D and #A11B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A21B76 shade: #A11B76, #A11B9A, #851BA1, #611BA1 and #3C1BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A21B76 shade matches the following richer shades: #A11B76 and #B10C7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A21B76 shade: #A11B76, #922B70, #833A6B, #744966 and #645860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A21B76 shade: #841BA1, #A11B9B, #A11B77, #A11B53 and #A11B2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A21B76 shade: #5B0F42, #7E155C, #A11B76, #C5218F and #DC33A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A21B76 shade: #A21B76, #A1611B and #1BA196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A21B76 shade: #A21B76, #77A11B and #1B77A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A21B76 shade: #A21B76, #A1611B, #1BA146 and #1B5CA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A21B76 shade: #A21B76, #A1891B, #1BA146 and #1B34A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 27 / 36

HEX #A21B76

RGB 162 27 118

HSL 319.56, 0.71%, 0.37%

LAB 37.43, 59.78, -17.74

 

Complementary color

CMYK 59 / 0 / 40 / 11

HEX #5DE489

RGB 93 228 137

HSL 139.56, 0.71%, 0.63%

LAB 81.63, -56.49, 33.67

 

CMYK 0 / 84 / 32 / 35

HEX #A71B71

RGB 167 27 113

HSL 323.14, 0.72%, 0.38%

LAB 38.18, 60.38, -13.36

 

CMYK 0 / 76 / 28 / 28

HEX #B82D84

RGB 184 45 132

HSL 322.45, 0.61%, 0.45%

LAB 43.85, 61.84, -16.22

 

CMYK 0 / 69 / 25 / 21

HEX #C93F97

RGB 201 63 151

HSL 321.74, 0.56%, 0.52%

LAB 49.75, 62.45, -18.41

 

CMYK 0 / 63 / 22 / 15

HEX #DA51AA

RGB 218 81 170

HSL 321.02, 0.65%, 0.59%

LAB 55.78, 62.51, -20.13

 

CMYK 0 / 58 / 20 / 8

HEX #EB63BD

RGB 235 99 189

HSL 320.29, 0.77%, 0.65%

LAB 61.88, 62.24, -21.52

 

CMYK 0 / 83 / 27 / 36

HEX #A21B76

RGB 162 27 118

HSL 319.56, 0.71%, 0.37%

LAB 37.43, 59.78, -17.74

 

CMYK 0 / 94 / 32 / 43

HEX #910963

RGB 145 9 99

HSL 320.29, 0.88%, 0.3%

LAB 32.07, 57.03, -14.17

 

CMYK 0 / 100 / 38 / 50

HEX #800050

RGB 128 0 80

HSL 322.5, 1%, 0.25%

LAB 27.21, 52.52, -9.41

 

CMYK 0 / 100 / 45 / 56

HEX #6F003D

RGB 111 0 61

HSL 327.03, 1%, 0.22%

LAB 22.71, 46.62, -3.62

 

CMYK 0 / 100 / 55 / 63

HEX #5E002A

RGB 94 0 42

HSL 333.19, 1%, 0.18%

LAB 18.13, 40.66, 2.64

 

CMYK 0 / 83 / 27 / 37

HEX #A11B76

RGB 161 27 118

HSL 319.25, 0.71%, 0.37%

LAB 37.24, 59.54, -18.05

 

CMYK 0 / 83 / 49 / 37

HEX #A11B52

RGB 161 27 82

HSL 335.37, 0.71%, 0.37%

LAB 35.93, 55.74, 2.93

 

CMYK 0 / 83 / 72 / 37

HEX #A11B2D

RGB 161 27 45

HSL 351.94, 0.71%, 0.37%

LAB 35.1, 53.27, 25.67

 

CMYK 0 / 83 / 83 / 37

HEX #A11B1B

RGB 161 27 27

HSL 0, 0.71%, 0.37%

LAB 34.88, 52.59, 36.22

 

CMYK 0 / 83 / 27 / 37

HEX #A11B76

RGB 161 27 118

HSL 319.25, 0.71%, 0.37%

LAB 37.24, 59.54, -18.05

 

CMYK 0 / 83 / 4 / 37

HEX #A11B9A

RGB 161 27 154

HSL 303.13, 0.71%, 0.37%

LAB 39.06, 64.57, -37.39

 

CMYK 17 / 83 / 0 / 37

HEX #851BA1

RGB 133 27 161

HSL 287.46, 0.71%, 0.37%

LAB 34.69, 60.43, -48.9

 

CMYK 40 / 83 / 0 / 37

HEX #611BA1

RGB 97 27 161

HSL 271.34, 0.71%, 0.37%

LAB 29.15, 54.48, -58.15

 

CMYK 63 / 83 / 0 / 37

HEX #3C1BA1

RGB 60 27 161

HSL 254.78, 0.71%, 0.37%

LAB 24.7, 49.83, -65.65

 

CMYK 0 / 83 / 27 / 37

HEX #A11B76

RGB 161 27 118

HSL 319.25, 0.71%, 0.37%

LAB 37.24, 59.54, -18.05

 

CMYK 0 / 93 / 31 / 31

HEX #B10C7B

RGB 177 12 123

HSL 319.64, 0.87%, 0.37%

LAB 39.65, 66.38, -17.21

 

CMYK 0 / 83 / 27 / 37

HEX #A11B76

RGB 161 27 118

HSL 319.25, 0.71%, 0.37%

LAB 37.24, 59.54, -18.05

 

CMYK 0 / 71 / 23 / 43

HEX #922B70

RGB 146 43 112

HSL 319.81, 0.54%, 0.37%

LAB 36, 49.86, -16.42

 

CMYK 0 / 56 / 18 / 49

HEX #833A6B

RGB 131 58 107

HSL 319.73, 0.39%, 0.37%

LAB 35.82, 37.7, -13.77

 

CMYK 0 / 37 / 12 / 55

HEX #744966

RGB 116 73 102

HSL 319.53, 0.23%, 0.37%

LAB 36.81, 23.07, -9.31

 

CMYK 0 / 12 / 4 / 61

HEX #645860

RGB 100 88 96

HSL 320, 0.06%, 0.37%

LAB 38.78, 6.46, -2.82

 

CMYK 18 / 83 / 0 / 37

HEX #841BA1

RGB 132 27 161

HSL 287.01, 0.71%, 0.37%

LAB 34.52, 60.25, -49.17

 

CMYK 0 / 83 / 4 / 37

HEX #A11B9B

RGB 161 27 155

HSL 302.69, 0.71%, 0.37%

LAB 39.12, 64.73, -37.91

 

CMYK 0 / 83 / 26 / 37

HEX #A11B77

RGB 161 27 119

HSL 318.81, 0.71%, 0.37%

LAB 37.29, 59.67, -18.61

 

CMYK 0 / 83 / 48 / 37

HEX #A11B53

RGB 161 27 83

HSL 334.93, 0.71%, 0.37%

LAB 35.96, 55.82, 2.33

 

CMYK 0 / 83 / 71 / 37

HEX #A11B2F

RGB 161 27 47

HSL 351.04, 0.71%, 0.37%

LAB 35.14, 53.36, 24.45

 

CMYK 0 / 84 / 27 / 64

HEX #5B0F42

RGB 91 15 66

HSL 319.74, 0.72%, 0.21%

LAB 19.88, 38.37, -11.79

 

CMYK 0 / 83 / 27 / 51

HEX #7E155C

RGB 126 21 92

HSL 319.43, 0.71%, 0.29%

LAB 28.76, 49.28, -15.02

 

CMYK 0 / 83 / 27 / 37

HEX #A11B76

RGB 161 27 118

HSL 319.25, 0.71%, 0.37%

LAB 37.24, 59.54, -18.05

 

CMYK 0 / 83 / 27 / 23

HEX #C5218F

RGB 197 33 143

HSL 319.76, 0.71%, 0.45%

LAB 45.55, 69.45, -20.09

 

CMYK 0 / 77 / 25 / 14

HEX #DC33A5

RGB 220 51 165

HSL 319.53, 0.71%, 0.53%

LAB 52.17, 72.83, -22.7

 

CMYK 0 / 83 / 27 / 36

HEX #A21B76

RGB 162 27 118

HSL 319.56, 0.71%, 0.37%

LAB 37.43, 59.78, -17.74

 

CMYK 0 / 40 / 83 / 37

HEX #A1611B

RGB 161 97 27

HSL 31.34, 0.71%, 0.37%

LAB 47.24, 20.63, 47.61

 

CMYK 83 / 0 / 7 / 37

HEX #1BA196

RGB 27 161 150

HSL 175.07, 0.71%, 0.37%

LAB 59.82, -36, -3.97

 

CMYK 0 / 83 / 27 / 36

HEX #A21B76

RGB 162 27 118

HSL 319.56, 0.71%, 0.37%

LAB 37.43, 59.78, -17.74

 

CMYK 26 / 0 / 83 / 37

HEX #77A11B

RGB 119 161 27

HSL 78.81, 0.71%, 0.37%

LAB 61.21, -32.71, 58.54

 

CMYK 83 / 26 / 0 / 37

HEX #1B77A1

RGB 27 119 161

HSL 198.81, 0.71%, 0.37%

LAB 46.97, -10.68, -29.84

 

CMYK 0 / 83 / 27 / 36

HEX #A21B76

RGB 162 27 118

HSL 319.56, 0.71%, 0.37%

LAB 37.43, 59.78, -17.74

 

CMYK 0 / 40 / 83 / 37

HEX #A1611B

RGB 161 97 27

HSL 31.34, 0.71%, 0.37%

LAB 47.24, 20.63, 47.61

 

CMYK 83 / 0 / 57 / 37

HEX #1BA146

RGB 27 161 70

HSL 139.25, 0.71%, 0.37%

LAB 58.19, -53.85, 37.41

 

CMYK 83 / 43 / 0 / 37

HEX #1B5CA1

RGB 27 92 161

HSL 210.9, 0.71%, 0.37%

LAB 38.66, 5.93, -42.99

 

CMYK 0 / 83 / 27 / 36

HEX #A21B76

RGB 162 27 118

HSL 319.56, 0.71%, 0.37%

LAB 37.43, 59.78, -17.74

 

CMYK 0 / 15 / 83 / 37

HEX #A1891B

RGB 161 137 27

HSL 49.25, 0.71%, 0.37%

LAB 57.61, -1.93, 56.69

 

CMYK 83 / 0 / 57 / 37

HEX #1BA146

RGB 27 161 70

HSL 139.25, 0.71%, 0.37%

LAB 58.19, -53.85, 37.41

 

CMYK 83 / 68 / 0 / 37

HEX #1B34A1

RGB 27 52 161

HSL 228.81, 0.71%, 0.37%

LAB 27.47, 32.78, -61.15

 

Description

Color code: HEX #A21B76 | qconv.com Color code: HEX #A21B76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 27 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 27 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 27 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 27% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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