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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A21B66 it is the complementary color #5DE499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A21B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A21B66 shade: #A71B61, #B82D74, #C93F87, #DA519A and #EB63AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A21B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A21B66 shade: #A21B66, #910953, #800040, #6F002D and #5E001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A21B66 shade: #A11B66, #A11B42, #A11B1E and #A11B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A21B66 shade: #A11B66, #A11B8A, #951BA1, #711BA1 and #4C1BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A21B66 shade matches the following richer shades: #A11B66 and #B10C67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A21B66 shade: #A11B66, #922B64, #833A62, #744961 and #64585F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A21B66 shade: #941BA1, #A11B8B, #A11B67, #A11B44 and #A11B20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A21B66 shade: #5B0F39, #7E1550, #A11B66, #C5217C and #DC3391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A21B66 shade: #A21B66, #A1701B and #1B9DA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A21B66 shade: #A21B66, #67A11B and #1B67A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A21B66 shade: #A21B66, #A1701B, #1BA155 and #1B4CA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A21B66 shade: #A21B66, #A1981B, #1BA155 and #1B24A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 37 / 36

HEX #A21B66

RGB 162 27 102

HSL 326.67, 0.71%, 0.37%

LAB 36.79, 57.94, -8.61

 

Complementary color

CMYK 59 / 0 / 33 / 11

HEX #5DE499

RGB 93 228 153

HSL 146.67, 0.71%, 0.63%

LAB 81.9, -53.62, 25.87

 

CMYK 0 / 84 / 42 / 35

HEX #A71B61

RGB 167 27 97

HSL 330, 0.72%, 0.38%

LAB 37.59, 58.68, -4.12

 

CMYK 0 / 76 / 37 / 28

HEX #B82D74

RGB 184 45 116

HSL 329.35, 0.61%, 0.45%

LAB 43.25, 60, -7.27

 

CMYK 0 / 69 / 33 / 21

HEX #C93F87

RGB 201 63 135

HSL 328.7, 0.56%, 0.52%

LAB 49.16, 60.48, -9.72

 

CMYK 0 / 63 / 29 / 15

HEX #DA519A

RGB 218 81 154

HSL 328.03, 0.65%, 0.59%

LAB 55.2, 60.44, -11.65

 

CMYK 0 / 58 / 26 / 8

HEX #EB63AD

RGB 235 99 173

HSL 327.35, 0.77%, 0.65%

LAB 61.31, 60.08, -13.23

 

CMYK 0 / 83 / 37 / 36

HEX #A21B66

RGB 162 27 102

HSL 326.67, 0.71%, 0.37%

LAB 36.79, 57.94, -8.61

 

CMYK 0 / 94 / 43 / 43

HEX #910953

RGB 145 9 83

HSL 327.35, 0.88%, 0.3%

LAB 31.44, 55.34, -4.68

 

CMYK 0 / 100 / 50 / 50

HEX #800040

RGB 128 0 64

HSL 330, 1%, 0.25%

LAB 26.62, 50.98, 0.5

 

CMYK 0 / 100 / 59 / 56

HEX #6F002D

RGB 111 0 45

HSL 335.68, 1%, 0.22%

LAB 22.19, 45.25, 6.81

 

CMYK 0 / 100 / 72 / 63

HEX #5E001A

RGB 94 0 26

HSL 343.4, 1%, 0.18%

LAB 17.71, 39.54, 13.64

 

CMYK 0 / 83 / 37 / 37

HEX #A11B66

RGB 161 27 102

HSL 326.42, 0.71%, 0.37%

LAB 36.59, 57.69, -8.92

 

CMYK 0 / 83 / 59 / 37

HEX #A11B42

RGB 161 27 66

HSL 342.54, 0.71%, 0.37%

LAB 35.51, 54.49, 12.71

 

CMYK 0 / 83 / 81 / 37

HEX #A11B1E

RGB 161 27 30

HSL 358.66, 0.71%, 0.37%

LAB 34.91, 52.68, 34.55

 

CMYK 0 / 83 / 83 / 37

HEX #A11B1B

RGB 161 27 27

HSL 0, 0.71%, 0.37%

LAB 34.88, 52.59, 36.22

 

CMYK 0 / 83 / 37 / 37

HEX #A11B66

RGB 161 27 102

HSL 326.42, 0.71%, 0.37%

LAB 36.59, 57.69, -8.92

 

CMYK 0 / 83 / 14 / 37

HEX #A11B8A

RGB 161 27 138

HSL 310.3, 0.71%, 0.37%

LAB 38.19, 62.2, -28.99

 

CMYK 7 / 83 / 0 / 37

HEX #951BA1

RGB 149 27 161

HSL 294.63, 0.71%, 0.37%

LAB 37.38, 63.37, -44.42

 

CMYK 30 / 83 / 0 / 37

HEX #711BA1

RGB 113 27 161

HSL 278.51, 0.71%, 0.37%

LAB 31.5, 56.98, -54.21

 

CMYK 53 / 83 / 0 / 37

HEX #4C1BA1

RGB 76 27 161

HSL 261.94, 0.71%, 0.37%

LAB 26.43, 51.62, -62.73

 

CMYK 0 / 83 / 37 / 37

HEX #A11B66

RGB 161 27 102

HSL 326.42, 0.71%, 0.37%

LAB 36.59, 57.69, -8.92

 

CMYK 0 / 93 / 42 / 31

HEX #B10C67

RGB 177 12 103

HSL 326.91, 0.87%, 0.37%

LAB 38.88, 64.33, -5.8

 

CMYK 0 / 83 / 37 / 37

HEX #A11B66

RGB 161 27 102

HSL 326.42, 0.71%, 0.37%

LAB 36.59, 57.69, -8.92

 

CMYK 0 / 71 / 32 / 43

HEX #922B64

RGB 146 43 100

HSL 326.8, 0.54%, 0.37%

LAB 35.52, 48.26, -9.55

 

CMYK 0 / 56 / 25 / 49

HEX #833A62

RGB 131 58 98

HSL 327.12, 0.39%, 0.37%

LAB 35.47, 36.29, -8.6

 

CMYK 0 / 37 / 16 / 55

HEX #744961

RGB 116 73 97

HSL 326.51, 0.23%, 0.37%

LAB 36.63, 22.16, -6.44

 

CMYK 0 / 12 / 5 / 61

HEX #64585F

RGB 100 88 95

HSL 325, 0.06%, 0.37%

LAB 38.75, 6.26, -2.25

 

CMYK 8 / 83 / 0 / 37

HEX #941BA1

RGB 148 27 161

HSL 294.18, 0.71%, 0.37%

LAB 37.21, 63.18, -44.71

 

CMYK 0 / 83 / 14 / 37

HEX #A11B8B

RGB 161 27 139

HSL 309.85, 0.71%, 0.37%

LAB 38.24, 62.34, -29.53

 

CMYK 0 / 83 / 36 / 37

HEX #A11B67

RGB 161 27 103

HSL 325.97, 0.71%, 0.37%

LAB 36.63, 57.8, -9.5

 

CMYK 0 / 83 / 58 / 37

HEX #A11B44

RGB 161 27 68

HSL 341.64, 0.71%, 0.37%

LAB 35.55, 54.63, 11.48

 

CMYK 0 / 83 / 80 / 37

HEX #A11B20

RGB 161 27 32

HSL 357.76, 0.71%, 0.37%

LAB 34.93, 52.75, 33.41

 

CMYK 0 / 84 / 37 / 64

HEX #5B0F39

RGB 91 15 57

HSL 326.84, 0.72%, 0.21%

LAB 19.48, 37.17, -6.12

 

CMYK 0 / 83 / 37 / 51

HEX #7E1550

RGB 126 21 80

HSL 326.29, 0.71%, 0.29%

LAB 28.25, 47.8, -7.88

 

CMYK 0 / 83 / 37 / 37

HEX #A11B66

RGB 161 27 102

HSL 326.42, 0.71%, 0.37%

LAB 36.59, 57.69, -8.92

 

CMYK 0 / 83 / 37 / 23

HEX #C5217C

RGB 197 33 124

HSL 326.71, 0.71%, 0.45%

LAB 44.82, 67.37, -9.61

 

CMYK 0 / 77 / 34 / 14

HEX #DC3391

RGB 220 51 145

HSL 326.63, 0.71%, 0.53%

LAB 51.41, 70.55, -11.99

 

CMYK 0 / 83 / 37 / 36

HEX #A21B66

RGB 162 27 102

HSL 326.67, 0.71%, 0.37%

LAB 36.79, 57.94, -8.61

 

CMYK 0 / 30 / 83 / 37

HEX #A1701B

RGB 161 112 27

HSL 38.06, 0.71%, 0.37%

LAB 50.97, 12.1, 50.92

 

CMYK 83 / 2 / 0 / 37

HEX #1B9DA1

RGB 27 157 161

HSL 181.79, 0.71%, 0.37%

LAB 58.9, -30.79, -11.57

 

CMYK 0 / 83 / 37 / 36

HEX #A21B66

RGB 162 27 102

HSL 326.67, 0.71%, 0.37%

LAB 36.79, 57.94, -8.61

 

CMYK 36 / 0 / 83 / 37

HEX #67A11B

RGB 103 161 27

HSL 85.97, 0.71%, 0.37%

LAB 60.3, -38.9, 57.38

 

CMYK 83 / 36 / 0 / 37

HEX #1B67A1

RGB 27 103 161

HSL 205.97, 0.71%, 0.37%

LAB 42.01, -1.07, -37.65

 

CMYK 0 / 83 / 37 / 36

HEX #A21B66

RGB 162 27 102

HSL 326.67, 0.71%, 0.37%

LAB 36.79, 57.94, -8.61

 

CMYK 0 / 30 / 83 / 37

HEX #A1701B

RGB 161 112 27

HSL 38.06, 0.71%, 0.37%

LAB 50.97, 12.1, 50.92

 

CMYK 83 / 0 / 47 / 37

HEX #1BA155

RGB 27 161 85

HSL 145.97, 0.71%, 0.37%

LAB 58.39, -51.45, 30.03

 

CMYK 83 / 53 / 0 / 37

HEX #1B4CA1

RGB 27 76 161

HSL 218.06, 0.71%, 0.37%

LAB 33.93, 16.57, -50.6

 

CMYK 0 / 83 / 37 / 36

HEX #A21B66

RGB 162 27 102

HSL 326.67, 0.71%, 0.37%

LAB 36.79, 57.94, -8.61

 

CMYK 0 / 6 / 83 / 37

HEX #A1981B

RGB 161 152 27

HSL 55.97, 0.71%, 0.37%

LAB 61.75, -10.04, 60.25

 

CMYK 83 / 0 / 47 / 37

HEX #1BA155

RGB 27 161 85

HSL 145.97, 0.71%, 0.37%

LAB 58.39, -51.45, 30.03

 

CMYK 83 / 78 / 0 / 37

HEX #1B24A1

RGB 27 36 161

HSL 235.97, 0.71%, 0.37%

LAB 23.89, 42.65, -67.04

 

Description

Color code: HEX #A21B66 | qconv.com Color code: HEX #A21B66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 27 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 27 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 37 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 37% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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