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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A217DE it is the complementary color #5DE821. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A217DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A217DE shade: #A717D9, #B829EC, #C93BFF, #DA4DFF and #EB5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A217DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A217DE shade: #A217DE, #9105CB, #8000B8, #6F00A5 and #5E0092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A217DE shade: #A217DE, #D717DE, #DE17AE, #DE1779 and #DE1743

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A217DE shade: #A217DE, #6C17DE, #3717DE and #1717DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A217DE shade matches the following richer shades: #A217DE and #AA03F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A217DE shade: #A217DE, #9A2BCA, #923FB6, #8A53A2 and #82668E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A217DE shade: #3517DE, #6A17DE, #9F17DE, #D417DE and #DE17B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A217DE shade: #6B0F93, #8613B8, #A217DE, #B334EA and #C15AEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A217DE shade: #A217DE, #DE172E and #17DE4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A217DE shade: #A217DE, #DE9F17 and #17DE9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A217DE shade: #A217DE, #DE172E, #56DE17 and #17DEC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A217DE shade: #A217DE, #DE3C17, #56DE17 and #17B9DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

Complementary color

CMYK 60 / 0 / 86 / 9

HEX #5DE821

RGB 93 232 33

HSL 101.91, 0.81%, 0.52%

LAB 81.92, -68.37, 74.91

 

CMYK 23 / 89 / 0 / 15

HEX #A717D9

RGB 167 23 217

HSL 284.54, 0.81%, 0.47%

LAB 44, 77.08, -66.5

 

CMYK 22 / 83 / 0 / 7

HEX #B829EC

RGB 184 41 236

HSL 284, 0.84%, 0.54%

LAB 49.29, 79.33, -68.59

 

CMYK 21 / 77 / 0 / 0

HEX #C93BFF

RGB 201 59 255

HSL 283.47, 1%, 0.62%

LAB 54.83, 80.61, -70.12

 

CMYK 15 / 70 / 0 / 0

HEX #DA4DFF

RGB 218 77 255

HSL 287.53, 1%, 0.65%

LAB 59.37, 77.71, -62.68

 

CMYK 8 / 63 / 0 / 0

HEX #EB5FFF

RGB 235 95 255

HSL 292.5, 1%, 0.69%

LAB 64.21, 74.42, -54.81

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 29 / 98 / 0 / 20

HEX #9105CB

RGB 145 5 203

HSL 282.42, 0.95%, 0.41%

LAB 38.62, 73.92, -67.32

 

CMYK 30 / 100 / 0 / 28

HEX #8000B8

RGB 128 0 184

HSL 281.74, 1%, 0.36%

LAB 34.09, 68.85, -63.69

 

CMYK 33 / 100 / 0 / 35

HEX #6F00A5

RGB 111 0 165

HSL 280.36, 1%, 0.32%

LAB 29.65, 63.1, -59.67

 

CMYK 36 / 100 / 0 / 43

HEX #5E0092

RGB 94 0 146

HSL 278.63, 1%, 0.29%

LAB 25.12, 57.24, -55.58

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 3 / 90 / 0 / 13

HEX #D717DE

RGB 215 23 222

HSL 297.89, 0.81%, 0.48%

LAB 52.21, 85.35, -55.7

 

CMYK 0 / 90 / 22 / 13

HEX #DE17AE

RGB 222 23 174

HSL 314.47, 0.81%, 0.48%

LAB 50.92, 80.13, -29.91

 

CMYK 0 / 90 / 45 / 13

HEX #DE1779

RGB 222 23 121

HSL 330.45, 0.81%, 0.48%

LAB 48.91, 74.73, -1.17

 

CMYK 0 / 90 / 70 / 13

HEX #DE1743

RGB 222 23 67

HSL 346.73, 0.81%, 0.48%

LAB 47.68, 71.3, 30.27

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 51 / 90 / 0 / 13

HEX #6C17DE

RGB 108 23 222

HSL 265.63, 0.81%, 0.48%

LAB 36.13, 71.09, -82.59

 

CMYK 75 / 90 / 0 / 13

HEX #3717DE

RGB 55 23 222

HSL 249.65, 0.81%, 0.48%

LAB 31.11, 67.53, -91.06

 

CMYK 90 / 90 / 0 / 13

HEX #1717DE

RGB 23 23 222

HSL 240, 0.81%, 0.48%

LAB 29.59, 66.59, -93.65

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 29 / 99 / 0 / 5

HEX #AA03F1

RGB 170 3 241

HSL 282.1, 0.98%, 0.48%

LAB 45.58, 84.15, -77.54

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 24 / 79 / 0 / 21

HEX #9A2BCA

RGB 154 43 202

HSL 281.89, 0.65%, 0.48%

LAB 42.55, 67.33, -60.28

 

CMYK 20 / 65 / 0 / 29

HEX #923FB6

RGB 146 63 182

HSL 281.85, 0.49%, 0.48%

LAB 42.83, 53.77, -48.22

 

CMYK 15 / 49 / 0 / 36

HEX #8A53A2

RGB 138 83 162

HSL 281.77, 0.32%, 0.48%

LAB 44.52, 37.03, -33.78

 

CMYK 8 / 28 / 0 / 44

HEX #82668E

RGB 130 102 142

HSL 282, 0.16%, 0.48%

LAB 47.24, 18.95, -17.74

 

CMYK 76 / 90 / 0 / 13

HEX #3517DE

RGB 53 23 222

HSL 249.05, 0.81%, 0.48%

LAB 30.98, 67.45, -91.28

 

CMYK 52 / 90 / 0 / 13

HEX #6A17DE

RGB 106 23 222

HSL 265.03, 0.81%, 0.48%

LAB 35.89, 70.91, -82.99

 

CMYK 28 / 90 / 0 / 13

HEX #9F17DE

RGB 159 23 222

HSL 281.01, 0.81%, 0.48%

LAB 43.15, 76.9, -70.8

 

CMYK 5 / 90 / 0 / 13

HEX #D417DE

RGB 212 23 222

HSL 296.98, 0.81%, 0.48%

LAB 51.71, 84.86, -56.54

 

CMYK 0 / 90 / 19 / 13

HEX #DE17B3

RGB 222 23 179

HSL 312.96, 0.81%, 0.48%

LAB 51.15, 80.73, -32.49

 

CMYK 27 / 90 / 0 / 42

HEX #6B0F93

RGB 107 15 147

HSL 281.82, 0.81%, 0.32%

LAB 28.31, 56.31, -50.9

 

CMYK 27 / 90 / 0 / 28

HEX #8613B8

RGB 134 19 184

HSL 281.82, 0.81%, 0.4%

LAB 35.97, 66.86, -60.57

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 24 / 78 / 0 / 8

HEX #B334EA

RGB 179 52 234

HSL 281.87, 0.81%, 0.56%

LAB 49.47, 75.04, -67.2

 

CMYK 19 / 62 / 0 / 7

HEX #C15AEE

RGB 193 90 238

HSL 281.76, 0.81%, 0.64%

LAB 56.9, 63.81, -57.38

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 0 / 90 / 79 / 13

HEX #DE172E

RGB 222 23 46

HSL 353.07, 0.81%, 0.48%

LAB 47.42, 70.54, 42.26

 

CMYK 90 / 0 / 64 / 13

HEX #17DE4F

RGB 23 222 79

HSL 136.88, 0.81%, 0.48%

LAB 77.87, -72.37, 55.96

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 0 / 28 / 90 / 13

HEX #DE9F17

RGB 222 159 23

HSL 41.01, 0.81%, 0.48%

LAB 69.74, 13.28, 70.25

 

CMYK 90 / 0 / 28 / 13

HEX #17DE9F

RGB 23 222 159

HSL 161.01, 0.81%, 0.48%

LAB 79, -59.01, 18.58

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 0 / 90 / 79 / 13

HEX #DE172E

RGB 222 23 46

HSL 353.07, 0.81%, 0.48%

LAB 47.42, 70.54, 42.26

 

CMYK 61 / 0 / 90 / 13

HEX #56DE17

RGB 86 222 23

HSL 101.01, 0.81%, 0.48%

LAB 78.63, -67.01, 73.82

 

CMYK 90 / 0 / 11 / 13

HEX #17DEC6

RGB 23 222 198

HSL 172.76, 0.81%, 0.48%

LAB 79.9, -49.37, -0.78

 

CMYK 27 / 90 / 0 / 13

HEX #A217DE

RGB 162 23 222

HSL 281.91, 0.81%, 0.48%

LAB 43.61, 77.31, -70.03

 

CMYK 0 / 73 / 90 / 13

HEX #DE3C17

RGB 222 60 23

HSL 11.16, 0.81%, 0.48%

LAB 50.48, 60.9, 55.85

 

CMYK 61 / 0 / 90 / 13

HEX #56DE17

RGB 86 222 23

HSL 101.01, 0.81%, 0.48%

LAB 78.63, -67.01, 73.82

 

CMYK 90 / 17 / 0 / 13

HEX #17B9DE

RGB 23 185 222

HSL 191.16, 0.81%, 0.48%

LAB 69.58, -25.12, -29.26

 

Description

Color code: HEX #A217DE | qconv.com Color code: HEX #A217DE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 23 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 23 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 90 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 90% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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