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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A216D3 it is the complementary color #5DE92C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A216D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A216D3 shade: #A716CE, #B828E1, #C93AF4, #DA4CFF and #EB5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A216D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A216D3 shade: #A216D3, #9104C0, #8000AD, #6F009A and #5E0087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A216D3 shade: #A316D4, #D416D2, #D4169F, #D4166C and #D41639

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A216D3 shade: #A316D4, #7016D4, #3D16D4 and #1616D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A216D3 shade matches the following richer shades: #A316D4 and #AC03E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A216D3 shade: #A316D4, #9A29C1, #913CAE, #884F9B and #7E6288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A216D3 shade: #3C16D4, #6F16D4, #A216D4, #D416D4 and #D416A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A216D3 shade: #6A0E8A, #8612AF, #A316D4, #B82BE9 and #C450ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A216D3 shade: #A216D3, #D41623 and #16D456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A216D3 shade: #A216D3, #D4A216 and #16D4A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A216D3 shade: #A216D3, #D41623, #49D416 and #16D4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A216D3 shade: #A216D3, #D44316, #49D416 and #16A8D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 90 / 0 / 17

HEX #A216D3

RGB 162 22 211

HSL 284.44, 0.81%, 0.46%

LAB 42.7, 75.44, -65.19

 

Complementary color

CMYK 60 / 0 / 81 / 9

HEX #5DE92C

RGB 93 233 44

HSL 104.44, 0.81%, 0.54%

LAB 82.26, -68.24, 72.69

 

CMYK 19 / 89 / 0 / 19

HEX #A716CE

RGB 167 22 206

HSL 287.28, 0.81%, 0.45%

LAB 43.13, 75.28, -61.57

 

CMYK 18 / 82 / 0 / 12

HEX #B828E1

RGB 184 40 225

HSL 286.7, 0.76%, 0.52%

LAB 48.44, 77.58, -63.74

 

CMYK 18 / 76 / 0 / 4

HEX #C93AF4

RGB 201 58 244

HSL 286.13, 0.89%, 0.59%

LAB 54, 78.9, -65.34

 

CMYK 15 / 70 / 0 / 0

HEX #DA4CFF

RGB 218 76 255

HSL 287.6, 1%, 0.65%

LAB 59.25, 78.07, -62.88

 

CMYK 8 / 63 / 0 / 0

HEX #EB5EFF

RGB 235 94 255

HSL 292.55, 1%, 0.68%

LAB 64.07, 74.82, -55.04

 

CMYK 23 / 90 / 0 / 17

HEX #A216D3

RGB 162 22 211

HSL 284.44, 0.81%, 0.46%

LAB 42.7, 75.44, -65.19

 

CMYK 24 / 98 / 0 / 25

HEX #9104C0

RGB 145 4 192

HSL 285, 0.96%, 0.38%

LAB 37.68, 71.99, -62.42

 

CMYK 26 / 100 / 0 / 32

HEX #8000AD

RGB 128 0 173

HSL 284.39, 1%, 0.34%

LAB 33.15, 66.76, -58.66

 

CMYK 28 / 100 / 0 / 40

HEX #6F009A

RGB 111 0 154

HSL 283.25, 1%, 0.3%

LAB 28.68, 60.94, -54.58

 

CMYK 30 / 100 / 0 / 47

HEX #5E0087

RGB 94 0 135

HSL 281.78, 1%, 0.26%

LAB 24.09, 54.99, -50.41

 

CMYK 23 / 90 / 0 / 17

HEX #A316D4

RGB 163 22 212

HSL 284.53, 0.81%, 0.46%

LAB 42.93, 75.77, -65.38

 

CMYK 0 / 90 / 1 / 17

HEX #D416D2

RGB 212 22 210

HSL 300.63, 0.81%, 0.46%

LAB 50.95, 83.2, -50.9

 

CMYK 0 / 90 / 25 / 17

HEX #D4169F

RGB 212 22 159

HSL 316.74, 0.81%, 0.46%

LAB 48.35, 76.49, -25.16

 

CMYK 0 / 90 / 49 / 17

HEX #D4166C

RGB 212 22 108

HSL 332.84, 0.81%, 0.46%

LAB 46.52, 71.51, 3.09

 

CMYK 0 / 90 / 73 / 17

HEX #D41639

RGB 212 22 57

HSL 348.95, 0.81%, 0.46%

LAB 45.45, 68.52, 33.13

 

CMYK 23 / 90 / 0 / 17

HEX #A316D4

RGB 163 22 212

HSL 284.53, 0.81%, 0.46%

LAB 42.93, 75.77, -65.38

 

CMYK 47 / 90 / 0 / 17

HEX #7016D4

RGB 112 22 212

HSL 268.42, 0.81%, 0.46%

LAB 35.54, 69.43, -77.78

 

CMYK 71 / 90 / 0 / 17

HEX #3D16D4

RGB 61 22 212

HSL 252.32, 0.81%, 0.46%

LAB 30.2, 65.5, -86.79

 

CMYK 90 / 90 / 0 / 17

HEX #1616D4

RGB 22 22 212

HSL 240, 0.81%, 0.46%

LAB 28.11, 64.16, -90.33

 

CMYK 23 / 90 / 0 / 17

HEX #A316D4

RGB 163 22 212

HSL 284.53, 0.81%, 0.46%

LAB 42.93, 75.77, -65.38

 

CMYK 26 / 99 / 0 / 9

HEX #AC03E7

RGB 172 3 231

HSL 284.47, 0.97%, 0.46%

LAB 45.09, 82.59, -72.68

 

CMYK 23 / 90 / 0 / 17

HEX #A316D4

RGB 163 22 212

HSL 284.53, 0.81%, 0.46%

LAB 42.93, 75.77, -65.38

 

CMYK 20 / 79 / 0 / 24

HEX #9A29C1

RGB 154 41 193

HSL 284.61, 0.65%, 0.46%

LAB 41.7, 66.21, -56.42

 

CMYK 17 / 66 / 0 / 32

HEX #913CAE

RGB 145 60 174

HSL 284.74, 0.49%, 0.46%

LAB 41.7, 53.24, -45.31

 

CMYK 12 / 49 / 0 / 39

HEX #884F9B

RGB 136 79 155

HSL 285, 0.32%, 0.46%

LAB 43.05, 37.13, -31.93

 

CMYK 7 / 28 / 0 / 47

HEX #7E6288

RGB 126 98 136

HSL 284.21, 0.16%, 0.46%

LAB 45.56, 18.63, -16.75

 

CMYK 72 / 90 / 0 / 17

HEX #3C16D4

RGB 60 22 212

HSL 252, 0.81%, 0.46%

LAB 30.13, 65.45, -86.92

 

CMYK 48 / 90 / 0 / 17

HEX #6F16D4

RGB 111 22 212

HSL 268.11, 0.81%, 0.46%

LAB 35.41, 69.33, -78

 

CMYK 24 / 90 / 0 / 17

HEX #A216D4

RGB 162 22 212

HSL 284.21, 0.81%, 0.46%

LAB 42.78, 75.63, -65.65

 

CMYK 0 / 90 / 0 / 17

HEX #D416D4

RGB 212 22 212

HSL 300, 0.81%, 0.46%

LAB 51.06, 83.49, -51.86

 

CMYK 0 / 90 / 24 / 17

HEX #D416A2

RGB 212 22 162

HSL 315.79, 0.81%, 0.46%

LAB 48.49, 76.84, -26.74

 

CMYK 23 / 90 / 0 / 46

HEX #6A0E8A

RGB 106 14 138

HSL 284.52, 0.82%, 0.3%

LAB 27.33, 54.56, -46.91

 

CMYK 23 / 90 / 0 / 31

HEX #8612AF

RGB 134 18 175

HSL 284.33, 0.81%, 0.38%

LAB 35.19, 65.32, -56.48

 

CMYK 23 / 90 / 0 / 17

HEX #A316D4

RGB 163 22 212

HSL 284.53, 0.81%, 0.46%

LAB 42.93, 75.77, -65.38

 

CMYK 21 / 82 / 0 / 9

HEX #B82BE9

RGB 184 43 233

HSL 284.53, 0.81%, 0.54%

LAB 49.25, 78.27, -66.95

 

CMYK 17 / 66 / 0 / 7

HEX #C450ED

RGB 196 80 237

HSL 284.33, 0.81%, 0.62%

LAB 55.67, 68.61, -58.77

 

CMYK 23 / 90 / 0 / 17

HEX #A216D3

RGB 162 22 211

HSL 284.44, 0.81%, 0.46%

LAB 42.7, 75.44, -65.19

 

CMYK 0 / 90 / 83 / 17

HEX #D41623

RGB 212 22 35

HSL 355.89, 0.81%, 0.46%

LAB 45.21, 67.83, 45.37

 

CMYK 90 / 0 / 59 / 17

HEX #16D456

RGB 22 212 86

HSL 140.21, 0.81%, 0.46%

LAB 74.78, -68.59, 49.44

 

CMYK 23 / 90 / 0 / 17

HEX #A216D3

RGB 162 22 211

HSL 284.44, 0.81%, 0.46%

LAB 42.7, 75.44, -65.19

 

CMYK 0 / 24 / 90 / 17

HEX #D4A216

RGB 212 162 22

HSL 44.21, 0.81%, 0.46%

LAB 69.4, 7.29, 69.71

 

CMYK 90 / 0 / 24 / 17

HEX #16D4A2

RGB 22 212 162

HSL 164.21, 0.81%, 0.46%

LAB 75.99, -54.57, 12.77

 

CMYK 23 / 90 / 0 / 17

HEX #A216D3

RGB 162 22 211

HSL 284.44, 0.81%, 0.46%

LAB 42.7, 75.44, -65.19

 

CMYK 0 / 90 / 83 / 17

HEX #D41623

RGB 212 22 35

HSL 355.89, 0.81%, 0.46%

LAB 45.21, 67.83, 45.37

 

CMYK 66 / 0 / 90 / 17

HEX #49D416

RGB 73 212 22

HSL 103.89, 0.81%, 0.46%

LAB 75.18, -66.63, 70.93

 

CMYK 90 / 0 / 6 / 17

HEX #16D4C8

RGB 22 212 200

HSL 176.21, 0.81%, 0.46%

LAB 76.94, -44.62, -6.21

 

CMYK 23 / 90 / 0 / 17

HEX #A216D3

RGB 162 22 211

HSL 284.44, 0.81%, 0.46%

LAB 42.7, 75.44, -65.19

 

CMYK 0 / 68 / 90 / 17

HEX #D44316

RGB 212 67 22

HSL 14.21, 0.81%, 0.46%

LAB 49.58, 55.1, 54.73

 

CMYK 66 / 0 / 90 / 17

HEX #49D416

RGB 73 212 22

HSL 103.89, 0.81%, 0.46%

LAB 75.18, -66.63, 70.93

 

CMYK 90 / 21 / 0 / 17

HEX #16A8D4

RGB 22 168 212

HSL 193.89, 0.81%, 0.46%

LAB 64.1, -19.8, -32.22

 

Description

Color code: HEX #A216D3 | qconv.com Color code: HEX #A216D3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 22 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 22 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 90 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 90% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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