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Color name
HEX #A2128D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2128D it is the complementary color #5DED72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2128D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2128D shade: #A71288, #B8249B, #C936AE, #DA48C1 and #EB5AD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2128D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2128D shade: #A2128D, #91007A, #800067, #6F0054 and #5E0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2128D shade: #A1128C, #A11265, #A1123F, #A11218 and #A11212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2128D shade: #A1128C, #8F12A1, #6812A1, #4212A1 and #1B12A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2128D shade matches the following richer shades: #A1128C and #AF0396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2128D shade: #A1128C, #922082, #842F77, #753D6D and #674C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2128D shade: #6812A1, #8E12A1, #A1128E, #A11268 and #A11241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2128D shade: #560A4B, #7C0E6C, #A1128C, #C616AC and #E61FC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2128D shade: #A2128D, #A14112 and #12A17B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2128D shade: #A2128D, #8EA112 and #128EA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2128D shade: #A2128D, #A14112, #12A125 and #1271A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2128D shade: #A2128D, #A16C12, #12A125 and #1246A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 13 / 36

HEX #A2128D

RGB 162 18 141

HSL 308.75, 0.8%, 0.35%

LAB 37.91, 64.65, -31.27

 

Complementary color

CMYK 61 / 0 / 52 / 7

HEX #5DED72

RGB 93 237 114

HSL 128.75, 0.8%, 0.65%

LAB 84.02, -63.32, 47.9

 

CMYK 0 / 89 / 19 / 35

HEX #A71288

RGB 167 18 136

HSL 312.48, 0.81%, 0.36%

LAB 38.6, 65, -27.05

 

CMYK 0 / 80 / 16 / 28

HEX #B8249B

RGB 184 36 155

HSL 311.76, 0.67%, 0.43%

LAB 43.97, 67.38, -29.97

 

CMYK 0 / 73 / 13 / 21

HEX #C936AE

RGB 201 54 174

HSL 311.02, 0.58%, 0.5%

LAB 49.63, 68.69, -32.2

 

CMYK 0 / 67 / 11 / 15

HEX #DA48C1

RGB 218 72 193

HSL 310.27, 0.66%, 0.57%

LAB 55.47, 69.28, -33.91

 

CMYK 0 / 62 / 10 / 8

HEX #EB5AD4

RGB 235 90 212

HSL 309.52, 0.78%, 0.64%

LAB 61.42, 69.39, -35.27

 

CMYK 0 / 89 / 13 / 36

HEX #A2128D

RGB 162 18 141

HSL 308.75, 0.8%, 0.35%

LAB 37.91, 64.65, -31.27

 

CMYK 0 / 100 / 16 / 43

HEX #91007A

RGB 145 0 122

HSL 309.52, 1%, 0.28%

LAB 32.76, 61.19, -27.79

 

CMYK 0 / 100 / 20 / 50

HEX #800067

RGB 128 0 103

HSL 311.72, 1%, 0.25%

LAB 28.3, 55.29, -22.88

 

CMYK 0 / 100 / 24 / 56

HEX #6F0054

RGB 111 0 84

HSL 314.59, 1%, 0.22%

LAB 23.74, 49.26, -17.74

 

CMYK 0 / 100 / 31 / 63

HEX #5E0041

RGB 94 0 65

HSL 318.51, 1%, 0.18%

LAB 19.06, 43.09, -12.3

 

CMYK 0 / 89 / 13 / 37

HEX #A1128C

RGB 161 18 140

HSL 308.81, 0.8%, 0.35%

LAB 37.67, 64.31, -31.05

 

CMYK 0 / 89 / 37 / 37

HEX #A11265

RGB 161 18 101

HSL 325.17, 0.8%, 0.35%

LAB 35.89, 59.51, -9.35

 

CMYK 0 / 89 / 61 / 37

HEX #A1123F

RGB 161 18 63

HSL 341.12, 0.8%, 0.35%

LAB 34.74, 56.29, 13.62

 

CMYK 0 / 89 / 85 / 37

HEX #A11218

RGB 161 18 24

HSL 357.48, 0.8%, 0.35%

LAB 34.14, 54.56, 37.18

 

CMYK 0 / 89 / 89 / 37

HEX #A11212

RGB 161 18 18

HSL 0, 0.8%, 0.35%

LAB 34.09, 54.42, 40.25

 

CMYK 0 / 89 / 13 / 37

HEX #A1128C

RGB 161 18 140

HSL 308.81, 0.8%, 0.35%

LAB 37.67, 64.31, -31.05

 

CMYK 11 / 89 / 0 / 37

HEX #8F12A1

RGB 143 18 161

HSL 292.45, 0.8%, 0.35%

LAB 35.69, 64.23, -47.21

 

CMYK 35 / 89 / 0 / 37

HEX #6812A1

RGB 104 18 161

HSL 276.08, 0.8%, 0.35%

LAB 29.28, 58.12, -57.9

 

CMYK 59 / 89 / 0 / 37

HEX #4212A1

RGB 66 18 161

HSL 260.14, 0.8%, 0.35%

LAB 24.21, 53.71, -66.44

 

CMYK 83 / 89 / 0 / 37

HEX #1B12A1

RGB 27 18 161

HSL 243.78, 0.8%, 0.35%

LAB 20.98, 51.21, -71.89

 

CMYK 0 / 89 / 13 / 37

HEX #A1128C

RGB 161 18 140

HSL 308.81, 0.8%, 0.35%

LAB 37.67, 64.31, -31.05

 

CMYK 0 / 98 / 14 / 31

HEX #AF0396

RGB 175 3 150

HSL 308.72, 0.97%, 0.35%

LAB 40.22, 70.25, -32.97

 

CMYK 0 / 89 / 13 / 37

HEX #A1128C

RGB 161 18 140

HSL 308.81, 0.8%, 0.35%

LAB 37.67, 64.31, -31.05

 

CMYK 0 / 78 / 11 / 43

HEX #922082

RGB 146 32 130

HSL 308.42, 0.64%, 0.35%

LAB 35.51, 56.33, -28.45

 

CMYK 0 / 64 / 10 / 48

HEX #842F77

RGB 132 47 119

HSL 309.18, 0.47%, 0.35%

LAB 34.54, 45.34, -23.27

 

CMYK 0 / 48 / 7 / 54

HEX #753D6D

RGB 117 61 109

HSL 308.57, 0.31%, 0.35%

LAB 34.44, 31.75, -17.31

 

CMYK 0 / 26 / 4 / 60

HEX #674C63

RGB 103 76 99

HSL 308.89, 0.15%, 0.35%

LAB 35.89, 15.7, -8.97

 

CMYK 35 / 89 / 0 / 37

HEX #6812A1

RGB 104 18 161

HSL 276.08, 0.8%, 0.35%

LAB 29.28, 58.12, -57.9

 

CMYK 12 / 89 / 0 / 37

HEX #8E12A1

RGB 142 18 161

HSL 292.03, 0.8%, 0.35%

LAB 35.51, 64.06, -47.5

 

CMYK 0 / 89 / 12 / 37

HEX #A1128E

RGB 161 18 142

HSL 307.97, 0.8%, 0.35%

LAB 37.78, 64.59, -32.11

 

CMYK 0 / 89 / 35 / 37

HEX #A11268

RGB 161 18 104

HSL 323.92, 0.8%, 0.35%

LAB 36, 59.83, -11.09

 

CMYK 0 / 89 / 60 / 37

HEX #A11241

RGB 161 18 65

HSL 340.28, 0.8%, 0.35%

LAB 34.78, 56.42, 12.38

 

CMYK 0 / 88 / 13 / 66

HEX #560A4B

RGB 86 10 75

HSL 308.68, 0.79%, 0.19%

LAB 18.82, 39.95, -19.72

 

CMYK 0 / 89 / 13 / 51

HEX #7C0E6C

RGB 124 14 108

HSL 308.73, 0.8%, 0.27%

LAB 28.6, 52.73, -25.7

 

CMYK 0 / 89 / 13 / 37

HEX #A1128C

RGB 161 18 140

HSL 308.81, 0.8%, 0.35%

LAB 37.67, 64.31, -31.05

 

CMYK 0 / 89 / 13 / 22

HEX #C616AC

RGB 198 22 172

HSL 308.86, 0.8%, 0.43%

LAB 46.39, 75.34, -36.14

 

CMYK 0 / 87 / 13 / 10

HEX #E61FC9

RGB 230 31 201

HSL 308.74, 0.8%, 0.51%

LAB 54.05, 83.88, -40.61

 

CMYK 0 / 89 / 13 / 36

HEX #A2128D

RGB 162 18 141

HSL 308.75, 0.8%, 0.35%

LAB 37.91, 64.65, -31.27

 

CMYK 0 / 60 / 89 / 37

HEX #A14112

RGB 161 65 18

HSL 19.72, 0.8%, 0.35%

LAB 40.25, 37.58, 45.17

 

CMYK 89 / 0 / 24 / 37

HEX #12A17B

RGB 18 161 123

HSL 164.06, 0.8%, 0.35%

LAB 59.02, -44.04, 10.08

 

CMYK 0 / 89 / 13 / 36

HEX #A2128D

RGB 162 18 141

HSL 308.75, 0.8%, 0.35%

LAB 37.91, 64.65, -31.27

 

CMYK 12 / 0 / 89 / 37

HEX #8EA112

RGB 142 161 18

HSL 67.97, 0.8%, 0.35%

LAB 62.75, -23.36, 62.54

 

CMYK 89 / 12 / 0 / 37

HEX #128EA1

RGB 18 142 161

HSL 187.97, 0.8%, 0.35%

LAB 54.08, -23.95, -18.88

 

CMYK 0 / 89 / 13 / 36

HEX #A2128D

RGB 162 18 141

HSL 308.75, 0.8%, 0.35%

LAB 37.91, 64.65, -31.27

 

CMYK 0 / 60 / 89 / 37

HEX #A14112

RGB 161 65 18

HSL 19.72, 0.8%, 0.35%

LAB 40.25, 37.58, 45.17

 

CMYK 89 / 0 / 77 / 37

HEX #12A125

RGB 18 161 37

HSL 127.97, 0.8%, 0.35%

LAB 57.8, -58.34, 51.06

 

CMYK 89 / 30 / 0 / 37

HEX #1271A1

RGB 18 113 161

HSL 200.14, 0.8%, 0.35%

LAB 44.96, -7.89, -33.01

 

CMYK 0 / 89 / 13 / 36

HEX #A2128D

RGB 162 18 141

HSL 308.75, 0.8%, 0.35%

LAB 37.91, 64.65, -31.27

 

CMYK 0 / 33 / 89 / 37

HEX #A16C12

RGB 161 108 18

HSL 37.76, 0.8%, 0.35%

LAB 49.91, 14.13, 52.9

 

CMYK 89 / 0 / 77 / 37

HEX #12A125

RGB 18 161 37

HSL 127.97, 0.8%, 0.35%

LAB 57.8, -58.34, 51.06

 

CMYK 89 / 57 / 0 / 37

HEX #1246A1

RGB 18 70 161

HSL 218.18, 0.8%, 0.35%

LAB 31.99, 19.95, -53.76

 

Description

Color code: HEX #A2128D | qconv.com Color code: HEX #A2128D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 18 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 18 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 13 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 13% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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