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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1FB71 it is the complementary color #5E048E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1FB71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1FB71 shade: #A6FB6C, #B7FF7F, #C8FF92, #D9FFA5 and #EAFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1FB71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1FB71 shade: #A1FB71, #90E95E, #7FD74B, #6EC538 and #5DB325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1FB71 shade: #A0FB6F, #C6FB6F, #EBFB6F, #FBE56F and #FBBF6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1FB71 shade: #A0FB6F, #7AFB6F, #6FFB8A, #6FFBB0 and #6FFBD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1FB71 shade matches the following richer shades: #A0FB6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1FB71 shade: #A0FB6F, #A3EF7B, #A7E387, #ABD793 and #AECB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1FB71 shade: #EBFB6F, #C5FB6F, #A0FB6F, #7BFB6F and #6FFB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1FB71 shade: #6AF91E, #85FA47, #A0FB6F, #BAFC97 and #D5FDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1FB71 shade: #A1FB71, #6FFBE6 and #FB6FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1FB71 shade: #A1FB71, #6FA0FB and #FB6FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1FB71 shade: #A1FB71, #6FFBE6, #CA6FFB and #FB6F84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1FB71 shade: #A1FB71, #6FE6FB, #CA6FFB and #FB846F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 55 / 2

HEX #A1FB71

RGB 161 251 113

HSL 99.13, 0.95%, 0.71%

LAB 90.67, -50.39, 56.91

 

Complementary color

CMYK 34 / 97 / 0 / 44

HEX #5E048E

RGB 94 4 142

HSL 279.13, 0.95%, 0.29%

LAB 25.01, 55.6, -53.28

 

CMYK 34 / 0 / 57 / 2

HEX #A6FB6C

RGB 166 251 108

HSL 95.66, 0.95%, 0.7%

LAB 90.86, -49.26, 59.4

 

CMYK 28 / 0 / 50 / 0

HEX #B7FF7F

RGB 183 255 127

HSL 93.75, 1%, 0.75%

LAB 93.07, -43.31, 53.69

 

CMYK 22 / 0 / 43 / 0

HEX #C8FF92

RGB 200 255 146

HSL 90.28, 1%, 0.79%

LAB 94.26, -35.26, 46.44

 

CMYK 15 / 0 / 35 / 0

HEX #D9FFA5

RGB 217 255 165

HSL 85.33, 1%, 0.82%

LAB 95.58, -26.9, 39.08

 

CMYK 8 / 0 / 28 / 0

HEX #EAFFB8

RGB 234 255 184

HSL 77.75, 1%, 0.86%

LAB 97.01, -18.32, 31.74

 

CMYK 36 / 0 / 55 / 2

HEX #A1FB71

RGB 161 251 113

HSL 99.13, 0.95%, 0.71%

LAB 90.67, -50.39, 56.91

 

CMYK 38 / 0 / 60 / 9

HEX #90E95E

RGB 144 233 94

HSL 98.42, 0.76%, 0.64%

LAB 84.49, -50.33, 57.91

 

CMYK 41 / 0 / 65 / 16

HEX #7FD74B

RGB 127 215 75

HSL 97.71, 0.64%, 0.57%

LAB 78.24, -50.15, 58.74

 

CMYK 44 / 0 / 72 / 23

HEX #6EC538

RGB 110 197 56

HSL 97.02, 0.56%, 0.5%

LAB 71.92, -49.81, 59.24

 

CMYK 48 / 0 / 79 / 30

HEX #5DB325

RGB 93 179 37

HSL 96.34, 0.66%, 0.42%

LAB 65.52, -49.24, 59.13

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 21 / 0 / 56 / 2

HEX #C6FB6F

RGB 198 251 111

HSL 82.71, 0.95%, 0.71%

LAB 92.64, -37.8, 60.59

 

CMYK 6 / 0 / 56 / 2

HEX #EBFB6F

RGB 235 251 111

HSL 66.86, 0.95%, 0.71%

LAB 95.08, -23.78, 64.01

 

CMYK 0 / 9 / 56 / 2

HEX #FBE56F

RGB 251 229 111

HSL 50.57, 0.95%, 0.71%

LAB 90.64, -6.68, 59.29

 

CMYK 0 / 24 / 56 / 2

HEX #FBBF6F

RGB 251 191 111

HSL 34.29, 0.95%, 0.71%

LAB 81.25, 12.79, 48.24

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 51 / 0 / 56 / 2

HEX #7AFB6F

RGB 122 251 111

HSL 115.29, 0.95%, 0.71%

LAB 89.05, -61.99, 55.5

 

CMYK 56 / 0 / 45 / 2

HEX #6FFB8A

RGB 111 251 138

HSL 131.57, 0.95%, 0.71%

LAB 89.02, -61.14, 42.82

 

CMYK 56 / 0 / 30 / 2

HEX #6FFBB0

RGB 111 251 176

HSL 147.86, 0.95%, 0.71%

LAB 89.63, -54.69, 24.72

 

CMYK 56 / 0 / 15 / 2

HEX #6FFBD5

RGB 111 251 213

HSL 163.71, 0.95%, 0.71%

LAB 90.4, -46.93, 6.78

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 32 / 0 / 49 / 6

HEX #A3EF7B

RGB 163 239 123

HSL 99.31, 0.78%, 0.71%

LAB 87.46, -43.55, 48.5

 

CMYK 26 / 0 / 41 / 11

HEX #A7E387

RGB 167 227 135

HSL 99.13, 0.62%, 0.71%

LAB 84.43, -35.34, 38.91

 

CMYK 20 / 0 / 32 / 16

HEX #ABD793

RGB 171 215 147

HSL 98.82, 0.46%, 0.71%

LAB 81.49, -26.64, 29.01

 

CMYK 14 / 0 / 22 / 20

HEX #AECB9F

RGB 174 203 159

HSL 99.55, 0.3%, 0.71%

LAB 78.59, -17.8, 18.79

 

CMYK 6 / 0 / 56 / 2

HEX #EBFB6F

RGB 235 251 111

HSL 66.86, 0.95%, 0.71%

LAB 95.08, -23.78, 64.01

 

CMYK 22 / 0 / 56 / 2

HEX #C5FB6F

RGB 197 251 111

HSL 83.14, 0.95%, 0.71%

LAB 92.58, -38.17, 60.5

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 51 / 0 / 56 / 2

HEX #7BFB6F

RGB 123 251 111

HSL 114.86, 0.95%, 0.71%

LAB 89.09, -61.73, 55.55

 

CMYK 56 / 0 / 45 / 2

HEX #6FFB89

RGB 111 251 137

HSL 131.14, 0.95%, 0.71%

LAB 89.01, -61.29, 43.29

 

CMYK 57 / 0 / 88 / 2

HEX #6AF91E

RGB 106 249 30

HSL 99.18, 0.95%, 0.55%

LAB 87.44, -71, 80.36

 

CMYK 47 / 0 / 72 / 2

HEX #85FA47

RGB 133 250 71

HSL 99.22, 0.95%, 0.63%

LAB 88.83, -62.18, 71.31

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 26 / 0 / 40 / 1

HEX #BAFC97

RGB 186 252 151

HSL 99.21, 0.94%, 0.79%

LAB 92.7, -38.1, 41.87

 

CMYK 16 / 0 / 25 / 1

HEX #D5FDBF

RGB 213 253 191

HSL 98.71, 0.94%, 0.87%

LAB 95.23, -23.7, 25.54

 

CMYK 36 / 0 / 55 / 2

HEX #A1FB71

RGB 161 251 113

HSL 99.13, 0.95%, 0.71%

LAB 90.67, -50.39, 56.91

 

CMYK 56 / 0 / 8 / 2

HEX #6FFBE6

RGB 111 251 230

HSL 171, 0.95%, 0.71%

LAB 90.82, -42.93, -1.43

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 36 / 0 / 55 / 2

HEX #A1FB71

RGB 161 251 113

HSL 99.13, 0.95%, 0.71%

LAB 90.67, -50.39, 56.91

 

CMYK 56 / 36 / 0 / 2

HEX #6FA0FB

RGB 111 160 251

HSL 219, 0.95%, 0.71%

LAB 66.13, 9.57, -50.31

 

CMYK 0 / 56 / 36 / 2

HEX #FB6FA0

RGB 251 111 160

HSL 339, 0.95%, 0.71%

LAB 65.29, 58.05, 0.38

 

CMYK 36 / 0 / 55 / 2

HEX #A1FB71

RGB 161 251 113

HSL 99.13, 0.95%, 0.71%

LAB 90.67, -50.39, 56.91

 

CMYK 56 / 0 / 8 / 2

HEX #6FFBE6

RGB 111 251 230

HSL 171, 0.95%, 0.71%

LAB 90.82, -42.93, -1.43

 

CMYK 20 / 56 / 0 / 2

HEX #CA6FFB

RGB 202 111 251

HSL 279, 0.95%, 0.71%

LAB 62.42, 58.66, -55.73

 

CMYK 0 / 56 / 47 / 2

HEX #FB6F84

RGB 251 111 132

HSL 351, 0.95%, 0.71%

LAB 64.6, 55.23, 15.38

 

CMYK 36 / 0 / 55 / 2

HEX #A1FB71

RGB 161 251 113

HSL 99.13, 0.95%, 0.71%

LAB 90.67, -50.39, 56.91

 

CMYK 56 / 8 / 0 / 2

HEX #6FE6FB

RGB 111 230 251

HSL 189, 0.95%, 0.71%

LAB 85.47, -27.75, -20.38

 

CMYK 20 / 56 / 0 / 2

HEX #CA6FFB

RGB 202 111 251

HSL 279, 0.95%, 0.71%

LAB 62.42, 58.66, -55.73

 

CMYK 0 / 47 / 56 / 2

HEX #FB846F

RGB 251 132 111

HSL 9, 0.95%, 0.71%

LAB 68.14, 43.38, 31.91

 

Description

Color code: HEX #A1FB71 | qconv.com Color code: HEX #A1FB71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 251 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 251 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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