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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1F2A9 it is the complementary color #5E0D56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1F2A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1F2A9 shade: #A6F2A4, #B7FFB7, #C8FFCA, #D9FFDD and #EAFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1F2A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1F2A9 shade: #A1F2A9, #90E096, #7FCE83, #6EBC70 and #5DAA5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1F2A9 shade: #A1F2A9, #AFF2A1, #C5F2A1, #DBF2A1 and #F1F2A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1F2A9 shade: #A1F2A9, #A1F2BF, #A1F2D5, #A1F2EB and #A1E4F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1F2A9 shade matches the following richer shades: #A1F2A9 and #98FBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1F2A9 shade: #A1F2A9, #A9E9B0, #B2E1B7, #BBD8BE and #C3CFC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1F2A9 shade: #C5F2A1, #B0F2A1, #A1F2A8, #A1F2BD and #A1F2D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1F2A9 shade: #58E866, #7CED88, #A1F2A9, #C5F7CA and #E9FCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1F2A9 shade: #A1F2A9, #A1DBF2 and #F2A1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1F2A9 shade: #A1F2A9, #A8A1F2 and #F2A8A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1F2A9 shade: #A1F2A9, #A1DBF2, #F2A1EB and #F2B8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1F2A9 shade: #A1F2A9, #A1C3F2, #F2A1EB and #F2D0A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

Complementary color

CMYK 0 / 86 / 9 / 63

HEX #5E0D56

RGB 94 13 86

HSL 305.93, 0.76%, 0.21%

LAB 21.35, 42.82, -23.07

 

CMYK 31 / 0 / 32 / 5

HEX #A6F2A4

RGB 166 242 164

HSL 118.46, 0.75%, 0.8%

LAB 89.06, -38.27, 30.41

 

CMYK 28 / 0 / 28 / 0

HEX #B7FFB7

RGB 183 255 183

HSL 120, 1%, 0.86%

LAB 93.89, -35.78, 27.48

 

CMYK 22 / 0 / 21 / 0

HEX #C8FFCA

RGB 200 255 202

HSL 122.18, 1%, 0.89%

LAB 95.19, -27.21, 19.77

 

CMYK 15 / 0 / 13 / 0

HEX #D9FFDD

RGB 217 255 221

HSL 126.32, 1%, 0.93%

LAB 96.61, -18.43, 12.21

 

CMYK 8 / 0 / 6 / 0

HEX #EAFFF0

RGB 234 255 240

HSL 137.14, 1%, 0.96%

LAB 98.15, -9.53, 4.82

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 36 / 0 / 33 / 12

HEX #90E096

RGB 144 224 150

HSL 124.5, 0.56%, 0.72%

LAB 82.62, -39.27, 28.71

 

CMYK 38 / 0 / 36 / 19

HEX #7FCE83

RGB 127 206 131

HSL 123.04, 0.45%, 0.65%

LAB 76.25, -39.51, 29.87

 

CMYK 41 / 0 / 40 / 26

HEX #6EBC70

RGB 110 188 112

HSL 121.54, 0.37%, 0.58%

LAB 69.79, -39.73, 31.1

 

CMYK 45 / 0 / 45 / 33

HEX #5DAA5D

RGB 93 170 93

HSL 120, 0.31%, 0.52%

LAB 63.23, -39.9, 32.39

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 28 / 0 / 33 / 5

HEX #AFF2A1

RGB 175 242 161

HSL 109.63, 0.76%, 0.79%

LAB 89.48, -35.84, 32.57

 

CMYK 19 / 0 / 33 / 5

HEX #C5F2A1

RGB 197 242 161

HSL 93.33, 0.76%, 0.79%

LAB 90.76, -28.37, 34.5

 

CMYK 10 / 0 / 33 / 5

HEX #DBF2A1

RGB 219 242 161

HSL 77.04, 0.76%, 0.79%

LAB 92.19, -20.48, 36.66

 

CMYK 0 / 0 / 33 / 5

HEX #F1F2A1

RGB 241 242 161

HSL 60.74, 0.76%, 0.79%

LAB 93.79, -12.29, 39.05

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 33 / 0 / 21 / 5

HEX #A1F2BF

RGB 161 242 191

HSL 142.22, 0.76%, 0.79%

LAB 89.32, -35.16, 16.9

 

CMYK 33 / 0 / 12 / 5

HEX #A1F2D5

RGB 161 242 213

HSL 158.52, 0.76%, 0.79%

LAB 89.81, -30.84, 6.17

 

CMYK 33 / 0 / 3 / 5

HEX #A1F2EB

RGB 161 242 235

HSL 174.81, 0.76%, 0.79%

LAB 90.36, -26.11, -4.49

 

CMYK 33 / 6 / 0 / 5

HEX #A1E4F2

RGB 161 228 242

HSL 190.37, 0.76%, 0.79%

LAB 86.74, -17.6, -13.53

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 39 / 0 / 35 / 2

HEX #98FBA2

RGB 152 251 162

HSL 126.06, 0.93%, 0.79%

LAB 90.91, -46.77, 33.77

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 27 / 0 / 24 / 9

HEX #A9E9B0

RGB 169 233 176

HSL 126.56, 0.59%, 0.79%

LAB 86.92, -31.21, 21.38

 

CMYK 21 / 0 / 19 / 12

HEX #B2E1B7

RGB 178 225 183

HSL 126.38, 0.44%, 0.79%

LAB 85.37, -23.25, 15.65

 

CMYK 13 / 0 / 12 / 15

HEX #BBD8BE

RGB 187 216 190

HSL 126.21, 0.27%, 0.79%

LAB 83.65, -14.53, 9.6

 

CMYK 6 / 0 / 5 / 19

HEX #C3CFC5

RGB 195 207 197

HSL 130, 0.11%, 0.79%

LAB 81.98, -5.93, 3.55

 

CMYK 19 / 0 / 33 / 5

HEX #C5F2A1

RGB 197 242 161

HSL 93.33, 0.76%, 0.79%

LAB 90.76, -28.37, 34.5

 

CMYK 27 / 0 / 33 / 5

HEX #B0F2A1

RGB 176 242 161

HSL 108.89, 0.76%, 0.79%

LAB 89.54, -35.51, 32.66

 

CMYK 33 / 0 / 31 / 5

HEX #A1F2A8

RGB 161 242 168

HSL 125.19, 0.76%, 0.79%

LAB 88.88, -39.19, 28.09

 

CMYK 33 / 0 / 22 / 5

HEX #A1F2BD

RGB 161 242 189

HSL 140.74, 0.76%, 0.79%

LAB 89.28, -35.53, 17.87

 

CMYK 33 / 0 / 13 / 5

HEX #A1F2D3

RGB 161 242 211

HSL 157.04, 0.76%, 0.79%

LAB 89.76, -31.25, 7.15

 

CMYK 62 / 0 / 56 / 9

HEX #58E866

RGB 88 232 102

HSL 125.83, 0.76%, 0.63%

LAB 82.24, -64.13, 51.25

 

CMYK 48 / 0 / 43 / 7

HEX #7CED88

RGB 124 237 136

HSL 126.37, 0.76%, 0.71%

LAB 85.32, -52.76, 39.15

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 20 / 0 / 18 / 3

HEX #C5F7CA

RGB 197 247 202

HSL 126, 0.76%, 0.87%

LAB 92.86, -24.37, 16.49

 

CMYK 8 / 0 / 7 / 1

HEX #E9FCEB

RGB 233 252 235

HSL 126.32, 0.76%, 0.95%

LAB 97.2, -9.25, 6.01

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 33 / 10 / 0 / 5

HEX #A1DBF2

RGB 161 219 242

HSL 197.04, 0.76%, 0.79%

LAB 84.3, -13.04, -17.18

 

CMYK 0 / 33 / 23 / 5

HEX #F2A1BB

RGB 242 161 187

HSL 340.74, 0.76%, 0.79%

LAB 74.8, 33.54, -0.97

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 31 / 33 / 0 / 5

HEX #A8A1F2

RGB 168 161 242

HSL 245.19, 0.76%, 0.79%

LAB 69.63, 20.37, -39.64

 

CMYK 0 / 31 / 33 / 5

HEX #F2A8A1

RGB 242 168 161

HSL 5.19, 0.76%, 0.79%

LAB 75.73, 26.37, 14.62

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 33 / 10 / 0 / 5

HEX #A1DBF2

RGB 161 219 242

HSL 197.04, 0.76%, 0.79%

LAB 84.3, -13.04, -17.18

 

CMYK 0 / 33 / 3 / 5

HEX #F2A1EB

RGB 242 161 235

HSL 305.19, 0.76%, 0.79%

LAB 76.29, 41.25, -24.98

 

CMYK 0 / 24 / 33 / 5

HEX #F2B8A1

RGB 242 184 161

HSL 17.04, 0.76%, 0.79%

LAB 79.46, 17.91, 19.81

 

CMYK 33 / 0 / 30 / 5

HEX #A1F2A9

RGB 161 242 169

HSL 125.93, 0.76%, 0.79%

LAB 88.9, -39.02, 27.61

 

CMYK 33 / 19 / 0 / 5

HEX #A1C3F2

RGB 161 195 242

HSL 214.81, 0.76%, 0.79%

LAB 77.89, -0.41, -26.92

 

CMYK 0 / 33 / 3 / 5

HEX #F2A1EB

RGB 242 161 235

HSL 305.19, 0.76%, 0.79%

LAB 76.29, 41.25, -24.98

 

CMYK 0 / 14 / 33 / 5

HEX #F2D0A1

RGB 242 208 161

HSL 34.81, 0.76%, 0.79%

LAB 85.28, 5.32, 27.77

 

Description

Color code: HEX #A1F2A9 | qconv.com Color code: HEX #A1F2A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 242 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 242 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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