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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1EF3E it is the complementary color #5E10C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1EF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1EF3E shade: #A6EF39, #B7FF4C, #C8FF5F, #D9FF72 and #EAFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1EF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1EF3E shade: #A1EF3E, #90DD2B, #7FCB18, #6EB905 and #5DA700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1EF3E shade: #A1EF3E, #D1EF3E, #EFDE3E, #EFAE3E and #EF7E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1EF3E shade: #A1EF3E, #71EF3E, #41EF3E, #3EEF6A and #3EEF9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1EF3E shade matches the following richer shades: #A1EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1EF3E shade: #A1EF3E, #9FDE4E, #9DCD5F, #9BBD70 and #99AC81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1EF3E shade: #EFDE3E, #D2EF3E, #A2EF3E, #73EF3E and #44EF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1EF3E shade: #78CA10, #8EEC17, #A1EF3E, #B4F264 and #C6F68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1EF3E shade: #A1EF3E, #3EEFAE and #EF3EE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1EF3E shade: #A1EF3E, #3EA2EF and #EF3EA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1EF3E shade: #A1EF3E, #3EEFAE, #8B3EEF and #EF3E7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1EF3E shade: #A1EF3E, #3EEFE3, #8B3EEF and #EF3E49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

Complementary color

CMYK 51 / 92 / 0 / 24

HEX #5E10C1

RGB 94 16 193

HSL 266.44, 0.85%, 0.41%

LAB 30.88, 64.65, -74.46

 

CMYK 31 / 0 / 76 / 6

HEX #A6EF39

RGB 166 239 57

HSL 84.07, 0.85%, 0.58%

LAB 87.06, -47.92, 74.6

 

CMYK 28 / 0 / 70 / 0

HEX #B7FF4C

RGB 183 255 76

HSL 84.13, 1%, 0.65%

LAB 92.62, -47.56, 74.16

 

CMYK 22 / 0 / 63 / 0

HEX #C8FF5F

RGB 200 255 95

HSL 80.63, 1%, 0.69%

LAB 93.72, -40.14, 68.51

 

CMYK 15 / 0 / 55 / 0

HEX #D9FF72

RGB 217 255 114

HSL 76.17, 1%, 0.72%

LAB 94.94, -32.31, 62.23

 

CMYK 8 / 0 / 48 / 0

HEX #EAFF85

RGB 234 255 133

HSL 70.33, 1%, 0.76%

LAB 96.29, -24.18, 55.56

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 35 / 0 / 81 / 13

HEX #90DD2B

RGB 144 221 43

HSL 85.96, 0.72%, 0.52%

LAB 80.64, -48.86, 72.2

 

CMYK 37 / 0 / 88 / 20

HEX #7FCB18

RGB 127 203 24

HSL 85.47, 0.79%, 0.45%

LAB 74.37, -48.08, 70.69

 

CMYK 41 / 0 / 97 / 27

HEX #6EB905

RGB 110 185 5

HSL 85, 0.95%, 0.37%

LAB 68.04, -47.05, 67.83

 

CMYK 44 / 0 / 100 / 35

HEX #5DA700

RGB 93 167 0

HSL 86.59, 1%, 0.33%

LAB 61.62, -45.69, 63.1

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 13 / 0 / 74 / 6

HEX #D1EF3E

RGB 209 239 62

HSL 70.17, 0.85%, 0.59%

LAB 89.69, -31.39, 76.47

 

CMYK 0 / 7 / 74 / 6

HEX #EFDE3E

RGB 239 222 62

HSL 54.24, 0.85%, 0.59%

LAB 87.46, -10.94, 75.19

 

CMYK 0 / 27 / 74 / 6

HEX #EFAE3E

RGB 239 174 62

HSL 37.97, 0.85%, 0.59%

LAB 75.43, 13.79, 63.68

 

CMYK 0 / 47 / 74 / 6

HEX #EF7E3E

RGB 239 126 62

HSL 21.69, 0.85%, 0.59%

LAB 64.66, 38.9, 52.82

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 53 / 0 / 74 / 6

HEX #71EF3E

RGB 113 239 62

HSL 102.71, 0.85%, 0.59%

LAB 84.79, -64.33, 70.05

 

CMYK 73 / 0 / 74 / 6

HEX #41EF3E

RGB 65 239 62

HSL 118.98, 0.85%, 0.59%

LAB 83.55, -74.45, 68.41

 

CMYK 74 / 0 / 56 / 6

HEX #3EEF6A

RGB 62 239 106

HSL 134.92, 0.85%, 0.59%

LAB 83.86, -70.51, 51.22

 

CMYK 74 / 0 / 36 / 6

HEX #3EEF9A

RGB 62 239 154

HSL 151.19, 0.85%, 0.59%

LAB 84.53, -62.77, 28.79

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 28 / 0 / 65 / 13

HEX #9FDE4E

RGB 159 222 78

HSL 86.25, 0.69%, 0.59%

LAB 81.93, -41.88, 61.96

 

CMYK 23 / 0 / 54 / 20

HEX #9DCD5F

RGB 157 205 95

HSL 86.18, 0.52%, 0.59%

LAB 77.08, -33.49, 49.1

 

CMYK 18 / 0 / 41 / 26

HEX #9BBD70

RGB 155 189 112

HSL 86.49, 0.37%, 0.59%

LAB 72.58, -24.68, 35.19

 

CMYK 11 / 0 / 25 / 33

HEX #99AC81

RGB 153 172 129

HSL 86.51, 0.21%, 0.59%

LAB 67.92, -14.42, 19.98

 

CMYK 0 / 7 / 74 / 6

HEX #EFDE3E

RGB 239 222 62

HSL 54.24, 0.85%, 0.59%

LAB 87.46, -10.94, 75.19

 

CMYK 12 / 0 / 74 / 6

HEX #D2EF3E

RGB 210 239 62

HSL 69.83, 0.85%, 0.59%

LAB 89.76, -30.99, 76.56

 

CMYK 32 / 0 / 74 / 6

HEX #A2EF3E

RGB 162 239 62

HSL 86.1, 0.85%, 0.59%

LAB 86.88, -49.08, 72.81

 

CMYK 52 / 0 / 74 / 6

HEX #73EF3E

RGB 115 239 62

HSL 102.03, 0.85%, 0.59%

LAB 84.86, -63.8, 70.14

 

CMYK 72 / 0 / 74 / 6

HEX #44EF3E

RGB 68 239 62

HSL 117.97, 0.85%, 0.59%

LAB 83.61, -73.98, 68.49

 

CMYK 41 / 0 / 92 / 21

HEX #78CA10

RGB 120 202 16

HSL 86.45, 0.85%, 0.43%

LAB 73.72, -50.28, 71.29

 

CMYK 40 / 0 / 90 / 7

HEX #8EEC17

RGB 142 236 23

HSL 86.48, 0.85%, 0.51%

LAB 84.9, -56.17, 79.87

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 26 / 0 / 59 / 5

HEX #B4F264

RGB 180 242 100

HSL 86.2, 0.85%, 0.67%

LAB 88.98, -41.29, 60.9

 

CMYK 20 / 0 / 44 / 4

HEX #C6F68A

RGB 198 246 138

HSL 86.67, 0.86%, 0.75%

LAB 91.57, -32.79, 46.88

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 74 / 0 / 27 / 6

HEX #3EEFAE

RGB 62 239 174

HSL 157.97, 0.85%, 0.59%

LAB 84.9, -58.69, 19.04

 

CMYK 0 / 74 / 3 / 6

HEX #EF3EE9

RGB 239 62 233

HSL 302.03, 0.85%, 0.59%

LAB 59.6, 83.16, -49.9

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 74 / 32 / 0 / 6

HEX #3EA2EF

RGB 62 162 239

HSL 206.1, 0.85%, 0.59%

LAB 64.24, -3.59, -46.85

 

CMYK 0 / 74 / 32 / 6

HEX #EF3EA2

RGB 239 62 162

HSL 326.1, 0.85%, 0.59%

LAB 56.49, 73.86, -14.05

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 74 / 0 / 27 / 6

HEX #3EEFAE

RGB 62 239 174

HSL 157.97, 0.85%, 0.59%

LAB 84.9, -58.69, 19.04

 

CMYK 42 / 74 / 0 / 6

HEX #8B3EEF

RGB 139 62 239

HSL 266.1, 0.85%, 0.59%

LAB 45.86, 65.85, -76.13

 

CMYK 0 / 74 / 47 / 6

HEX #EF3E7F

RGB 239 62 127

HSL 337.97, 0.85%, 0.59%

LAB 55.41, 70.45, 5.03

 

CMYK 33 / 0 / 74 / 6

HEX #A1EF3E

RGB 161 239 62

HSL 86.44, 0.85%, 0.59%

LAB 86.83, -49.43, 72.74

 

CMYK 74 / 0 / 5 / 6

HEX #3EEFE3

RGB 62 239 227

HSL 175.93, 0.85%, 0.59%

LAB 86.16, -45.74, -6.85

 

CMYK 42 / 74 / 0 / 6

HEX #8B3EEF

RGB 139 62 239

HSL 266.1, 0.85%, 0.59%

LAB 45.86, 65.85, -76.13

 

CMYK 0 / 74 / 69 / 6

HEX #EF3E49

RGB 239 62 73

HSL 356.27, 0.85%, 0.59%

LAB 54.32, 66.92, 35.52

 

Description

Color code: HEX #A1EF3E | qconv.com Color code: HEX #A1EF3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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