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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1ED2B it is the complementary color #5E12D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1ED2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1ED2B shade: #A6ED26, #B7FF39, #C8FF4C, #D9FF5F and #EAFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1ED2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1ED2B shade: #A1ED2B, #90DB18, #7FC905, #6EB700 and #5DA500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1ED2B shade: #A1ED2C, #D5ED2C, #EDD02C, #ED9C2C and #ED682C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1ED2B shade: #A1ED2C, #6DED2C, #39ED2C, #2CED53 and #2CED87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1ED2B shade matches the following richer shades: #A1ED2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1ED2B shade: #A1ED2C, #9DDA3E, #99C851, #95B564 and #91A276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1ED2B shade: #EDD02C, #D6ED2C, #A3ED2C, #6FED2C and #3CED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1ED2B shade: #75B610, #8DDC13, #A1ED2C, #B2F052 and #C3F378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1ED2B shade: #A1ED2B, #2CED9C and #E92CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1ED2B shade: #A1ED2B, #2CA3ED and #ED2CA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1ED2B shade: #A1ED2B, #2CED9C, #762CED and #ED2C7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1ED2B shade: #A1ED2B, #2CEDD6, #762CED and #ED2C42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 82 / 7

HEX #A1ED2B

RGB 161 237 43

HSL 83.51, 0.84%, 0.55%

LAB 86.17, -49.47, 77.47

 

Complementary color

CMYK 56 / 92 / 0 / 17

HEX #5E12D4

RGB 94 18 212

HSL 263.51, 0.84%, 0.45%

LAB 33.06, 68.66, -81.95

 

CMYK 30 / 0 / 84 / 7

HEX #A6ED26

RGB 166 237 38

HSL 81.41, 0.85%, 0.54%

LAB 86.41, -47.85, 78.92

 

CMYK 28 / 0 / 78 / 0

HEX #B7FF39

RGB 183 255 57

HSL 81.82, 1%, 0.61%

LAB 92.52, -48.54, 80

 

CMYK 22 / 0 / 70 / 0

HEX #C8FF4C

RGB 200 255 76

HSL 78.44, 1%, 0.65%

LAB 93.59, -41.36, 75.44

 

CMYK 15 / 0 / 63 / 0

HEX #D9FF5F

RGB 217 255 95

HSL 74.25, 1%, 0.69%

LAB 94.78, -33.75, 69.96

 

CMYK 8 / 0 / 55 / 0

HEX #EAFF72

RGB 234 255 114

HSL 68.94, 1%, 0.72%

LAB 96.09, -25.82, 63.84

 

CMYK 32 / 0 / 82 / 7

HEX #A1ED2B

RGB 161 237 43

HSL 83.51, 0.84%, 0.55%

LAB 86.17, -49.47, 77.47

 

CMYK 34 / 0 / 89 / 14

HEX #90DB18

RGB 144 219 24

HSL 83.08, 0.8%, 0.48%

LAB 79.99, -48.66, 75.71

 

CMYK 37 / 0 / 98 / 21

HEX #7FC905

RGB 127 201 5

HSL 82.65, 0.95%, 0.4%

LAB 73.74, -47.63, 72.68

 

CMYK 40 / 0 / 100 / 28

HEX #6EB700

RGB 110 183 0

HSL 83.93, 1%, 0.36%

LAB 67.41, -46.33, 67.94

 

CMYK 44 / 0 / 100 / 35

HEX #5DA500

RGB 93 165 0

HSL 86.18, 1%, 0.32%

LAB 60.99, -44.89, 62.6

 

CMYK 32 / 0 / 81 / 7

HEX #A1ED2C

RGB 161 237 44

HSL 83.63, 0.84%, 0.55%

LAB 86.17, -49.43, 77.23

 

CMYK 10 / 0 / 81 / 7

HEX #D5ED2C

RGB 213 237 44

HSL 67.46, 0.84%, 0.55%

LAB 89.34, -29.54, 81.23

 

CMYK 0 / 12 / 81 / 7

HEX #EDD02C

RGB 237 208 44

HSL 50.98, 0.84%, 0.55%

LAB 83.6, -5.36, 77.05

 

CMYK 0 / 34 / 81 / 7

HEX #ED9C2C

RGB 237 156 44

HSL 34.82, 0.84%, 0.55%

LAB 70.85, 21.8, 66

 

CMYK 0 / 56 / 81 / 7

HEX #ED682C

RGB 237 104 44

HSL 18.65, 0.84%, 0.55%

LAB 59.97, 48.28, 56.25

 

CMYK 32 / 0 / 81 / 7

HEX #A1ED2C

RGB 161 237 44

HSL 83.63, 0.84%, 0.55%

LAB 86.17, -49.43, 77.23

 

CMYK 54 / 0 / 81 / 7

HEX #6DED2C

RGB 109 237 44

HSL 99.79, 0.84%, 0.55%

LAB 83.97, -65.66, 74.42

 

CMYK 76 / 0 / 81 / 7

HEX #39ED2C

RGB 57 237 44

HSL 115.96, 0.84%, 0.55%

LAB 82.71, -76.11, 72.81

 

CMYK 81 / 0 / 65 / 7

HEX #2CED53

RGB 44 237 83

HSL 132.12, 0.84%, 0.55%

LAB 82.77, -74.72, 59.79

 

CMYK 81 / 0 / 43 / 7

HEX #2CED87

RGB 44 237 135

HSL 148.29, 0.84%, 0.55%

LAB 83.37, -67.56, 36.74

 

CMYK 32 / 0 / 81 / 7

HEX #A1ED2C

RGB 161 237 44

HSL 83.63, 0.84%, 0.55%

LAB 86.17, -49.43, 77.23

 

CMYK 32 / 0 / 81 / 7

HEX #A1ED2C

RGB 161 237 44

HSL 83.63, 0.84%, 0.55%

LAB 86.17, -49.43, 77.23

 

CMYK 28 / 0 / 72 / 15

HEX #9DDA3E

RGB 157 218 62

HSL 83.46, 0.68%, 0.55%

LAB 80.55, -41.95, 66.52

 

CMYK 24 / 0 / 60 / 22

HEX #99C851

RGB 153 200 81

HSL 83.7, 0.52%, 0.55%

LAB 75.25, -33.99, 53.3

 

CMYK 18 / 0 / 45 / 29

HEX #95B564

RGB 149 181 100

HSL 83.7, 0.35%, 0.55%

LAB 69.72, -24.52, 37.63

 

CMYK 10 / 0 / 27 / 36

HEX #91A276

RGB 145 162 118

HSL 83.18, 0.19%, 0.55%

LAB 64.3, -13.94, 20.95

 

CMYK 0 / 12 / 81 / 7

HEX #EDD02C

RGB 237 208 44

HSL 50.98, 0.84%, 0.55%

LAB 83.6, -5.36, 77.05

 

CMYK 10 / 0 / 81 / 7

HEX #D6ED2C

RGB 214 237 44

HSL 67.15, 0.84%, 0.55%

LAB 89.41, -29.13, 81.32

 

CMYK 31 / 0 / 81 / 7

HEX #A3ED2C

RGB 163 237 44

HSL 83.01, 0.84%, 0.55%

LAB 86.27, -48.72, 77.36

 

CMYK 53 / 0 / 81 / 7

HEX #6FED2C

RGB 111 237 44

HSL 99.17, 0.84%, 0.55%

LAB 84.03, -65.13, 74.51

 

CMYK 75 / 0 / 81 / 7

HEX #3CED2C

RGB 60 237 44

HSL 115.03, 0.84%, 0.55%

LAB 82.76, -75.68, 72.88

 

CMYK 36 / 0 / 91 / 29

HEX #75B610

RGB 117 182 16

HSL 83.49, 0.84%, 0.39%

LAB 67.48, -43.12, 66.13

 

CMYK 36 / 0 / 91 / 14

HEX #8DDC13

RGB 141 220 19

HSL 83.58, 0.84%, 0.47%

LAB 80.12, -50.24, 76.51

 

CMYK 32 / 0 / 81 / 7

HEX #A1ED2C

RGB 161 237 44

HSL 83.63, 0.84%, 0.55%

LAB 86.17, -49.43, 77.23

 

CMYK 26 / 0 / 66 / 6

HEX #B2F052

RGB 178 240 82

HSL 83.54, 0.84%, 0.63%

LAB 88.16, -42.54, 67.3

 

CMYK 20 / 0 / 51 / 5

HEX #C3F378

RGB 195 243 120

HSL 83.41, 0.84%, 0.71%

LAB 90.35, -34.43, 53.82

 

CMYK 32 / 0 / 82 / 7

HEX #A1ED2B

RGB 161 237 43

HSL 83.51, 0.84%, 0.55%

LAB 86.17, -49.47, 77.47

 

CMYK 81 / 0 / 34 / 7

HEX #2CED9C

RGB 44 237 156

HSL 154.82, 0.84%, 0.55%

LAB 83.71, -63.63, 26.62

 

CMYK 2 / 81 / 0 / 7

HEX #E92CED

RGB 233 44 237

HSL 298.76, 0.84%, 0.55%

LAB 57.31, 87.08, -55.84

 

CMYK 32 / 0 / 82 / 7

HEX #A1ED2B

RGB 161 237 43

HSL 83.51, 0.84%, 0.55%

LAB 86.17, -49.47, 77.47

 

CMYK 81 / 31 / 0 / 7

HEX #2CA3ED

RGB 44 163 237

HSL 203.01, 0.84%, 0.55%

LAB 64.03, -6.75, -46.1

 

CMYK 0 / 81 / 31 / 7

HEX #ED2CA3

RGB 237 44 163

HSL 323.01, 0.84%, 0.55%

LAB 54.5, 78.27, -17.69

 

CMYK 32 / 0 / 82 / 7

HEX #A1ED2B

RGB 161 237 43

HSL 83.51, 0.84%, 0.55%

LAB 86.17, -49.47, 77.47

 

CMYK 81 / 0 / 34 / 7

HEX #2CED9C

RGB 44 237 156

HSL 154.82, 0.84%, 0.55%

LAB 83.71, -63.63, 26.62

 

CMYK 50 / 81 / 0 / 7

HEX #762CED

RGB 118 44 237

HSL 263.01, 0.84%, 0.55%

LAB 40.84, 69.5, -83.32

 

CMYK 0 / 81 / 48 / 7

HEX #ED2C7C

RGB 237 44 124

HSL 335.13, 0.84%, 0.55%

LAB 53.23, 74.59, 3.65

 

CMYK 32 / 0 / 82 / 7

HEX #A1ED2B

RGB 161 237 43

HSL 83.51, 0.84%, 0.55%

LAB 86.17, -49.47, 77.47

 

CMYK 81 / 0 / 10 / 7

HEX #2CEDD6

RGB 44 237 214

HSL 172.85, 0.84%, 0.55%

LAB 84.98, -50.04, -1.79

 

CMYK 50 / 81 / 0 / 7

HEX #762CED

RGB 118 44 237

HSL 263.01, 0.84%, 0.55%

LAB 40.84, 69.5, -83.32

 

CMYK 0 / 81 / 72 / 7

HEX #ED2C42

RGB 237 44 66

HSL 353.16, 0.84%, 0.55%

LAB 52.06, 71.08, 36.8

 

Description

Color code: HEX #A1ED2B | qconv.com Color code: HEX #A1ED2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 237 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 237 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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