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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1DC5E it is the complementary color #5E23A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1DC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1DC5E shade: #A6DC59, #B7EE6C, #C8FF7F, #D9FF92 and #EAFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1DC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1DC5E shade: #A1DC5E, #90CA4B, #7FB838, #6EA625 and #5D9412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1DC5E shade: #A2DC60, #C3DC60, #DCD360, #DCB160 and #DC9060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1DC5E shade: #A2DC60, #80DC60, #60DC61, #60DC82 and #60DCA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1DC5E shade matches the following richer shades: #A2DC60, #A3EB50 and #A4FB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1DC5E shade: #A2DC60, #A1CC6F, #A0BC7F, #9FAD8F and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1DC5E shade: #DCD360, #C3DC60, #A2DC60, #81DC60 and #60DC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1DC5E shade: #79BF2A, #8ED43E, #A2DC60, #B5E381 and #C9EAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1DC5E shade: #A1DC5E, #60DCB2 and #DC60D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1DC5E shade: #A1DC5E, #60A2DC and #DC60A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1DC5E shade: #A1DC5E, #60DCB2, #9960DC and #DC6089

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1DC5E shade: #A1DC5E, #60DCD7, #9960DC and #DC6064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 57 / 14

HEX #A1DC5E

RGB 161 220 94

HSL 88.1, 0.64%, 0.62%

LAB 81.6, -38.93, 54.86

 

Complementary color

CMYK 42 / 78 / 0 / 37

HEX #5E23A1

RGB 94 35 161

HSL 268.1, 0.64%, 0.38%

LAB 29.8, 50.96, -57.11

 

CMYK 25 / 0 / 60 / 14

HEX #A6DC59

RGB 166 220 89

HSL 84.73, 0.65%, 0.61%

LAB 81.85, -37.55, 57.41

 

CMYK 23 / 0 / 55 / 7

HEX #B7EE6C

RGB 183 238 108

HSL 85.38, 0.79%, 0.68%

LAB 88.11, -37.71, 56.45

 

CMYK 22 / 0 / 50 / 0

HEX #C8FF7F

RGB 200 255 127

HSL 85.78, 1%, 0.75%

LAB 94.03, -37.35, 55.08

 

CMYK 15 / 0 / 43 / 0

HEX #D9FF92

RGB 217 255 146

HSL 80.92, 1%, 0.79%

LAB 95.31, -29.18, 47.98

 

CMYK 8 / 0 / 35 / 0

HEX #EAFFA5

RGB 234 255 165

HSL 74, 1%, 0.82%

LAB 96.71, -20.75, 40.78

 

CMYK 27 / 0 / 57 / 14

HEX #A1DC5E

RGB 161 220 94

HSL 88.1, 0.64%, 0.62%

LAB 81.6, -38.93, 54.86

 

CMYK 29 / 0 / 63 / 21

HEX #90CA4B

RGB 144 202 75

HSL 87.4, 0.55%, 0.54%

LAB 75.25, -38.76, 55.75

 

CMYK 31 / 0 / 70 / 28

HEX #7FB838

RGB 127 184 56

HSL 86.72, 0.53%, 0.47%

LAB 68.81, -38.47, 56.34

 

CMYK 34 / 0 / 78 / 35

HEX #6EA625

RGB 110 166 37

HSL 86.05, 0.64%, 0.4%

LAB 62.27, -38.01, 56.37

 

CMYK 37 / 0 / 88 / 42

HEX #5D9412

RGB 93 148 18

HSL 85.38, 0.78%, 0.33%

LAB 55.64, -37.3, 55.32

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 11 / 0 / 56 / 14

HEX #C3DC60

RGB 195 220 96

HSL 72.1, 0.64%, 0.62%

LAB 83.77, -25.87, 57.02

 

CMYK 0 / 4 / 56 / 14

HEX #DCD360

RGB 220 211 96

HSL 55.65, 0.64%, 0.62%

LAB 83.26, -11.38, 56.95

 

CMYK 0 / 20 / 56 / 14

HEX #DCB160

RGB 220 177 96

HSL 39.19, 0.64%, 0.62%

LAB 74.51, 6.23, 46.82

 

CMYK 0 / 35 / 56 / 14

HEX #DC9060

RGB 220 144 96

HSL 23.23, 0.64%, 0.62%

LAB 66.53, 23.91, 37.13

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 42 / 0 / 56 / 14

HEX #80DC60

RGB 128 220 96

HSL 104.52, 0.64%, 0.62%

LAB 79.97, -49.86, 51.64

 

CMYK 56 / 0 / 56 / 14

HEX #60DC61

RGB 96 220 97

HSL 120.48, 0.64%, 0.62%

LAB 78.77, -58.6, 49.49

 

CMYK 56 / 0 / 41 / 14

HEX #60DC82

RGB 96 220 130

HSL 136.45, 0.64%, 0.62%

LAB 79.21, -53.88, 34.04

 

CMYK 56 / 0 / 26 / 14

HEX #60DCA3

RGB 96 220 163

HSL 152.42, 0.64%, 0.62%

LAB 79.79, -47.73, 17.78

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 31 / 0 / 66 / 8

HEX #A3EB50

RGB 163 235 80

HSL 87.87, 0.79%, 0.62%

LAB 85.9, -45.91, 65.44

 

CMYK 35 / 0 / 75 / 2

HEX #A4FB40

RGB 164 251 64

HSL 87.91, 0.96%, 0.62%

LAB 90.44, -53.2, 75.64

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 21 / 0 / 46 / 20

HEX #A1CC6F

RGB 161 204 111

HSL 87.74, 0.48%, 0.62%

LAB 77.23, -29.79, 41.63

 

CMYK 15 / 0 / 32 / 26

HEX #A0BC7F

RGB 160 188 127

HSL 87.54, 0.31%, 0.62%

LAB 72.87, -20.27, 27.82

 

CMYK 8 / 0 / 17 / 32

HEX #9FAD8F

RGB 159 173 143

HSL 88, 0.15%, 0.62%

LAB 68.93, -10.43, 13.79

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 0 / 4 / 56 / 14

HEX #DCD360

RGB 220 211 96

HSL 55.65, 0.64%, 0.62%

LAB 83.26, -11.38, 56.95

 

CMYK 11 / 0 / 56 / 14

HEX #C3DC60

RGB 195 220 96

HSL 72.1, 0.64%, 0.62%

LAB 83.77, -25.87, 57.02

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 56 / 0 / 56 / 14

HEX #60DC60

RGB 96 220 96

HSL 120, 0.64%, 0.62%

LAB 78.76, -58.72, 49.93

 

CMYK 37 / 0 / 78 / 25

HEX #79BF2A

RGB 121 191 42

HSL 88.19, 0.64%, 0.46%

LAB 70.52, -44.52, 62.77

 

CMYK 33 / 0 / 71 / 17

HEX #8ED43E

RGB 142 212 62

HSL 88, 0.64%, 0.54%

LAB 77.98, -44.79, 63.69

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 20 / 0 / 43 / 11

HEX #B5E381

RGB 181 227 129

HSL 88.16, 0.64%, 0.7%

LAB 85.17, -31.16, 42.99

 

CMYK 14 / 0 / 30 / 8

HEX #C9EAA3

RGB 201 234 163

HSL 87.89, 0.63%, 0.78%

LAB 88.88, -22.86, 31.03

 

CMYK 27 / 0 / 57 / 14

HEX #A1DC5E

RGB 161 220 94

HSL 88.1, 0.64%, 0.62%

LAB 81.6, -38.93, 54.86

 

CMYK 56 / 0 / 19 / 14

HEX #60DCB2

RGB 96 220 178

HSL 159.68, 0.64%, 0.62%

LAB 80.12, -44.49, 10.32

 

CMYK 0 / 56 / 4 / 14

HEX #DC60D3

RGB 220 96 211

HSL 304.35, 0.64%, 0.62%

LAB 60.14, 62.8, -36.85

 

CMYK 27 / 0 / 57 / 14

HEX #A1DC5E

RGB 161 220 94

HSL 88.1, 0.64%, 0.62%

LAB 81.6, -38.93, 54.86

 

CMYK 56 / 26 / 0 / 14

HEX #60A2DC

RGB 96 162 220

HSL 208.06, 0.64%, 0.62%

LAB 64.56, -4.32, -35.8

 

CMYK 0 / 56 / 26 / 14

HEX #DC60A2

RGB 220 96 162

HSL 328.06, 0.64%, 0.62%

LAB 58.22, 55.48, -11.75

 

CMYK 27 / 0 / 57 / 14

HEX #A1DC5E

RGB 161 220 94

HSL 88.1, 0.64%, 0.62%

LAB 81.6, -38.93, 54.86

 

CMYK 56 / 0 / 19 / 14

HEX #60DCB2

RGB 96 220 178

HSL 159.68, 0.64%, 0.62%

LAB 80.12, -44.49, 10.32

 

CMYK 30 / 56 / 0 / 14

HEX #9960DC

RGB 153 96 220

HSL 267.58, 0.64%, 0.62%

LAB 52.18, 47.45, -55.09

 

CMYK 0 / 56 / 38 / 14

HEX #DC6089

RGB 220 96 137

HSL 340.16, 0.64%, 0.62%

LAB 57.45, 52.43, 1.69

 

CMYK 27 / 0 / 57 / 14

HEX #A1DC5E

RGB 161 220 94

HSL 88.1, 0.64%, 0.62%

LAB 81.6, -38.93, 54.86

 

CMYK 56 / 0 / 2 / 14

HEX #60DCD7

RGB 96 220 215

HSL 177.58, 0.64%, 0.62%

LAB 81.06, -35.47, -7.98

 

CMYK 30 / 56 / 0 / 14

HEX #9960DC

RGB 153 96 220

HSL 267.58, 0.64%, 0.62%

LAB 52.18, 47.45, -55.09

 

CMYK 0 / 56 / 55 / 14

HEX #DC6064

RGB 220 96 100

HSL 358.06, 0.64%, 0.62%

LAB 56.59, 48.89, 22.11

 

Description

Color code: HEX #A1DC5E | qconv.com Color code: HEX #A1DC5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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