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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1CFA2 it is the complementary color #5E305D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1CFA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1CFA2 shade: #A6CF9D, #B7E1B0, #C8F3C3, #D9FFD6 and #EAFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1CFA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1CFA2 shade: #A1CFA2, #90BD8F, #7FAB7C, #6E9969 and #5D8756

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1CFA2 shade: #A1CEA2, #ACCEA1, #B8CEA1, #C5CEA1 and #CECCA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1CFA2 shade: #A1CEA2, #A1CEAE, #A1CEBA, #A1CEC7 and #A1CACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1CFA2 shade matches the following richer shades: #A1CEA2, #95DA97, #8AE68C, #7EF181 and #73FD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1CFA2 shade: #A1CEA2, #ACC3AD, #B8B7B8, #C3ACC3 and #CFA0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1CFA2 shade: #B8CEA1, #ACCEA1, #A1CEA2, #A1CEAE and #A1CEBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1CFA2 shade: #6AB26C, #86C087, #A1CEA2, #BCDCBD and #D7EBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1CFA2 shade: #A1CFA2, #A1C5CE and #CEA1B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1CFA2 shade: #A1CFA2, #A2A1CE and #CEA2A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1CFA2 shade: #A1CFA2, #A1C5CE, #CEA1CE and #CEABA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1CFA2 shade: #A1CFA2, #A1B7CE, #CEA1CE and #CEB8A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 22 / 19

HEX #A1CFA2

RGB 161 207 162

HSL 121.3, 0.32%, 0.72%

LAB 78.93, -23.78, 17.55

 

Complementary color

CMYK 0 / 49 / 1 / 63

HEX #5E305D

RGB 94 48 93

HSL 301.3, 0.32%, 0.28%

LAB 27.53, 28.24, -18.02

 

CMYK 20 / 0 / 24 / 19

HEX #A6CF9D

RGB 166 207 157

HSL 109.2, 0.34%, 0.71%

LAB 79.14, -22.92, 20.53

 

CMYK 19 / 0 / 22 / 12

HEX #B7E1B0

RGB 183 225 176

HSL 111.43, 0.45%, 0.79%

LAB 85.53, -22.77, 19.57

 

CMYK 18 / 0 / 20 / 5

HEX #C8F3C3

RGB 200 243 195

HSL 113.75, 0.67%, 0.86%

LAB 91.83, -22.64, 18.67

 

CMYK 15 / 0 / 16 / 0

HEX #D9FFD6

RGB 217 255 214

HSL 115.61, 1%, 0.92%

LAB 96.46, -19.63, 15.58

 

CMYK 8 / 0 / 9 / 0

HEX #EAFFE9

RGB 234 255 233

HSL 117.27, 1%, 0.96%

LAB 97.99, -10.76, 8.18

 

CMYK 22 / 0 / 22 / 19

HEX #A1CFA2

RGB 161 207 162

HSL 121.3, 0.32%, 0.72%

LAB 78.93, -23.78, 17.55

 

CMYK 24 / 0 / 24 / 26

HEX #90BD8F

RGB 144 189 143

HSL 118.7, 0.26%, 0.65%

LAB 72.43, -23.97, 18.52

 

CMYK 26 / 0 / 27 / 33

HEX #7FAB7C

RGB 127 171 124

HSL 116.17, 0.22%, 0.58%

LAB 65.82, -24.18, 19.55

 

CMYK 28 / 0 / 31 / 40

HEX #6E9969

RGB 110 153 105

HSL 113.75, 0.19%, 0.51%

LAB 59.08, -24.41, 20.66

 

CMYK 31 / 0 / 36 / 47

HEX #5D8756

RGB 93 135 86

HSL 111.43, 0.22%, 0.43%

LAB 52.2, -24.64, 21.85

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA2

RGB 161 206 162

HSL 121.33, 0.31%, 0.72%

LAB 78.65, -23.29, 17.16

 

CMYK 17 / 0 / 22 / 19

HEX #ACCEA1

RGB 172 206 161

HSL 105.33, 0.31%, 0.72%

LAB 79.32, -19.68, 18.72

 

CMYK 11 / 0 / 22 / 19

HEX #B8CEA1

RGB 184 206 161

HSL 89.33, 0.31%, 0.72%

LAB 80.13, -15.42, 19.97

 

CMYK 4 / 0 / 22 / 19

HEX #C5CEA1

RGB 197 206 161

HSL 72, 0.31%, 0.72%

LAB 81.06, -10.67, 21.4

 

CMYK 0 / 1 / 22 / 19

HEX #CECCA1

RGB 206 204 161

HSL 57.33, 0.31%, 0.72%

LAB 81.23, -6.3, 21.74

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA2

RGB 161 206 162

HSL 121.33, 0.31%, 0.72%

LAB 78.65, -23.29, 17.16

 

CMYK 22 / 0 / 16 / 19

HEX #A1CEAE

RGB 161 206 174

HSL 137.33, 0.31%, 0.72%

LAB 78.91, -21.12, 11.13

 

CMYK 22 / 0 / 10 / 19

HEX #A1CEBA

RGB 161 206 186

HSL 153.33, 0.31%, 0.72%

LAB 79.19, -18.8, 5.12

 

CMYK 22 / 0 / 3 / 19

HEX #A1CEC7

RGB 161 206 199

HSL 170.67, 0.31%, 0.72%

LAB 79.52, -16.14, -1.37

 

CMYK 22 / 2 / 0 / 19

HEX #A1CACE

RGB 161 202 206

HSL 185.33, 0.31%, 0.72%

LAB 78.62, -12.58, -6.46

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA2

RGB 161 206 162

HSL 121.33, 0.31%, 0.72%

LAB 78.65, -23.29, 17.16

 

CMYK 32 / 0 / 31 / 15

HEX #95DA97

RGB 149 218 151

HSL 121.74, 0.48%, 0.72%

LAB 81.16, -34.82, 26.28

 

CMYK 40 / 0 / 39 / 10

HEX #8AE68C

RGB 138 230 140

HSL 121.3, 0.65%, 0.72%

LAB 83.91, -45.29, 35.45

 

CMYK 48 / 0 / 46 / 5

HEX #7EF181

RGB 126 241 129

HSL 121.57, 0.8%, 0.72%

LAB 86.47, -54.83, 44.04

 

CMYK 55 / 0 / 53 / 1

HEX #73FD76

RGB 115 253 118

HSL 121.3, 0.97%, 0.72%

LAB 89.49, -63.65, 52.81

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA2

RGB 161 206 162

HSL 121.33, 0.31%, 0.72%

LAB 78.65, -23.29, 17.16

 

CMYK 12 / 0 / 11 / 24

HEX #ACC3AD

RGB 172 195 173

HSL 122.61, 0.16%, 0.72%

LAB 76.57, -12, 8.43

 

CMYK 0 / 1 / 0 / 28

HEX #B8B7B8

RGB 184 183 184

HSL 300, 0.01%, 0.72%

LAB 74.52, 0.54, -0.39

 

CMYK 0 / 12 / 0 / 24

HEX #C3ACC3

RGB 195 172 195

HSL 300, 0.16%, 0.72%

LAB 72.92, 12.4, -8.66

 

CMYK 0 / 23 / 0 / 19

HEX #CFA0CE

RGB 207 160 206

HSL 301.28, 0.33%, 0.72%

LAB 71.46, 25.13, -16.79

 

CMYK 11 / 0 / 22 / 19

HEX #B8CEA1

RGB 184 206 161

HSL 89.33, 0.31%, 0.72%

LAB 80.13, -15.42, 19.97

 

CMYK 17 / 0 / 22 / 19

HEX #ACCEA1

RGB 172 206 161

HSL 105.33, 0.31%, 0.72%

LAB 79.32, -19.68, 18.72

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA2

RGB 161 206 162

HSL 121.33, 0.31%, 0.72%

LAB 78.65, -23.29, 17.16

 

CMYK 22 / 0 / 16 / 19

HEX #A1CEAE

RGB 161 206 174

HSL 137.33, 0.31%, 0.72%

LAB 78.91, -21.12, 11.13

 

CMYK 22 / 0 / 10 / 19

HEX #A1CEBA

RGB 161 206 186

HSL 153.33, 0.31%, 0.72%

LAB 79.19, -18.8, 5.12

 

CMYK 40 / 0 / 39 / 30

HEX #6AB26C

RGB 106 178 108

HSL 121.67, 0.32%, 0.56%

LAB 66.51, -37.13, 28.88

 

CMYK 30 / 0 / 30 / 25

HEX #86C087

RGB 134 192 135

HSL 121.03, 0.32%, 0.64%

LAB 72.57, -30.16, 22.9

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA2

RGB 161 206 162

HSL 121.33, 0.31%, 0.72%

LAB 78.65, -23.29, 17.16

 

CMYK 15 / 0 / 14 / 14

HEX #BCDCBD

RGB 188 220 189

HSL 121.88, 0.31%, 0.8%

LAB 84.77, -16.38, 11.73

 

CMYK 9 / 0 / 8 / 8

HEX #D7EBD8

RGB 215 235 216

HSL 123, 0.33%, 0.88%

LAB 91.15, -10.06, 6.96

 

CMYK 22 / 0 / 22 / 19

HEX #A1CFA2

RGB 161 207 162

HSL 121.3, 0.32%, 0.72%

LAB 78.93, -23.78, 17.55

 

CMYK 22 / 4 / 0 / 19

HEX #A1C5CE

RGB 161 197 206

HSL 192, 0.31%, 0.72%

LAB 77.26, -9.98, -8.48

 

CMYK 0 / 22 / 14 / 19

HEX #CEA1B2

RGB 206 161 178

HSL 337.33, 0.31%, 0.72%

LAB 70.75, 19.3, -2.39

 

CMYK 22 / 0 / 22 / 19

HEX #A1CFA2

RGB 161 207 162

HSL 121.3, 0.32%, 0.72%

LAB 78.93, -23.78, 17.55

 

CMYK 21 / 22 / 0 / 19

HEX #A2A1CE

RGB 162 161 206

HSL 241.33, 0.31%, 0.72%

LAB 67.75, 9.89, -22.81

 

CMYK 0 / 21 / 22 / 19

HEX #CEA2A1

RGB 206 162 161

HSL 1.33, 0.31%, 0.72%

LAB 70.55, 16.08, 6.74

 

CMYK 22 / 0 / 22 / 19

HEX #A1CFA2

RGB 161 207 162

HSL 121.3, 0.32%, 0.72%

LAB 78.93, -23.78, 17.55

 

CMYK 22 / 4 / 0 / 19

HEX #A1C5CE

RGB 161 197 206

HSL 192, 0.31%, 0.72%

LAB 77.26, -9.98, -8.48

 

CMYK 0 / 22 / 0 / 19

HEX #CEA1CE

RGB 206 161 206

HSL 300, 0.31%, 0.72%

LAB 71.6, 24.25, -16.59

 

CMYK 0 / 17 / 22 / 19

HEX #CEABA1

RGB 206 171 161

HSL 13.33, 0.31%, 0.72%

LAB 72.77, 11.19, 9.91

 

CMYK 22 / 0 / 22 / 19

HEX #A1CFA2

RGB 161 207 162

HSL 121.3, 0.32%, 0.72%

LAB 78.93, -23.78, 17.55

 

CMYK 22 / 11 / 0 / 19

HEX #A1B7CE

RGB 161 183 206

HSL 210.67, 0.31%, 0.72%

LAB 73.48, -2.54, -14.12

 

CMYK 0 / 22 / 0 / 19

HEX #CEA1CE

RGB 206 161 206

HSL 300, 0.31%, 0.72%

LAB 71.6, 24.25, -16.59

 

CMYK 0 / 11 / 22 / 19

HEX #CEB8A1

RGB 206 184 161

HSL 30.67, 0.31%, 0.72%

LAB 76.05, 4.21, 14.55

 

Description

Color code: HEX #A1CFA2 | qconv.com Color code: HEX #A1CFA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 207 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 207 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 22% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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