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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C92D it is the complementary color #5E36D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C92D shade: #A6C928, #B7DB3B, #C8ED4E, #D9FF61 and #EAFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C92D shade: #A1C92D, #90B71A, #7FA507, #6E9300 and #5D8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C92D shade: #9FC72D, #C7C52D, #C79B2D, #C7722D and #C7482D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C92D shade: #9FC72D, #76C72D, #4CC72D, #2DC737 and #2DC760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C92D shade matches the following richer shades: #9FC72D, #A9DB19 and #B3EF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C92D shade: #9FC72D, #96B341, #8C9F54, #838C68 and #79787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C92D shade: #C79B2D, #C7C42D, #A0C72D, #77C72D and #4EC72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C92D shade: #6A841E, #85A525, #9FC72D, #B1D548 and #BFDD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C92D shade: #A1C92D, #2DC772 and #B02DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C92D shade: #A1C92D, #2DA0C7 and #C72DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C92D shade: #A1C92D, #2DC772, #532DC7 and #C72D82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C92D shade: #A1C92D, #2DC7A0, #532DC7 and #C72D53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 78 / 21

HEX #A1C92D

RGB 161 201 45

HSL 75.38, 0.63%, 0.48%

LAB 75.79, -33.67, 67.58

 

Complementary color

CMYK 55 / 74 / 0 / 18

HEX #5E36D2

RGB 94 54 210

HSL 255.38, 0.63%, 0.52%

LAB 37.25, 55.31, -73.89

 

CMYK 17 / 0 / 80 / 21

HEX #A6C928

RGB 166 201 40

HSL 73.04, 0.67%, 0.47%

LAB 76.09, -31.87, 69.41

 

CMYK 16 / 0 / 73 / 14

HEX #B7DB3B

RGB 183 219 59

HSL 73.5, 0.69%, 0.55%

LAB 82.4, -32.59, 69.9

 

CMYK 16 / 0 / 67 / 7

HEX #C8ED4E

RGB 200 237 78

HSL 73.96, 0.82%, 0.62%

LAB 88.64, -33.16, 69.73

 

CMYK 15 / 0 / 62 / 0

HEX #D9FF61

RGB 217 255 97

HSL 74.43, 1%, 0.69%

LAB 94.8, -33.61, 69.18

 

CMYK 8 / 0 / 55 / 0

HEX #EAFF74

RGB 234 255 116

HSL 69.06, 1%, 0.73%

LAB 96.11, -25.67, 63

 

CMYK 20 / 0 / 78 / 21

HEX #A1C92D

RGB 161 201 45

HSL 75.38, 0.63%, 0.48%

LAB 75.79, -33.67, 67.58

 

CMYK 21 / 0 / 86 / 28

HEX #90B71A

RGB 144 183 26

HSL 74.9, 0.75%, 0.41%

LAB 69.38, -32.87, 66.46

 

CMYK 23 / 0 / 96 / 35

HEX #7FA507

RGB 127 165 7

HSL 74.43, 0.92%, 0.34%

LAB 62.88, -31.85, 63.91

 

CMYK 25 / 0 / 100 / 42

HEX #6E9300

RGB 110 147 0

HSL 75.1, 1%, 0.29%

LAB 56.27, -30.55, 59.37

 

CMYK 28 / 0 / 100 / 49

HEX #5D8100

RGB 93 129 0

HSL 76.74, 1%, 0.25%

LAB 49.53, -29.11, 53.75

 

CMYK 20 / 0 / 77 / 22

HEX #9FC72D

RGB 159 199 45

HSL 75.58, 0.63%, 0.48%

LAB 75.08, -33.54, 66.89

 

CMYK 0 / 1 / 77 / 22

HEX #C7C52D

RGB 199 197 45

HSL 59.22, 0.63%, 0.48%

LAB 77.44, -15.98, 70.11

 

CMYK 0 / 22 / 77 / 22

HEX #C79B2D

RGB 199 155 45

HSL 42.86, 0.63%, 0.48%

LAB 66.35, 5.97, 59.98

 

CMYK 0 / 43 / 77 / 22

HEX #C7722D

RGB 199 114 45

HSL 26.88, 0.63%, 0.48%

LAB 56.45, 28.3, 50.53

 

CMYK 0 / 64 / 77 / 22

HEX #C7482D

RGB 199 72 45

HSL 10.52, 0.63%, 0.48%

LAB 48.22, 49.2, 42.25

 

CMYK 20 / 0 / 77 / 22

HEX #9FC72D

RGB 159 199 45

HSL 75.58, 0.63%, 0.48%

LAB 75.08, -33.54, 66.89

 

CMYK 41 / 0 / 77 / 22

HEX #76C72D

RGB 118 199 45

HSL 91.56, 0.63%, 0.48%

LAB 72.82, -48.69, 63.96

 

CMYK 62 / 0 / 77 / 22

HEX #4CC72D

RGB 76 199 45

HSL 107.92, 0.63%, 0.48%

LAB 71.26, -60.65, 61.93

 

CMYK 77 / 0 / 72 / 22

HEX #2DC737

RGB 45 199 55

HSL 123.9, 0.63%, 0.48%

LAB 70.65, -65.59, 57.71

 

CMYK 77 / 0 / 52 / 22

HEX #2DC760

RGB 45 199 96

HSL 139.87, 0.63%, 0.48%

LAB 71.04, -60.84, 40.36

 

CMYK 20 / 0 / 77 / 22

HEX #9FC72D

RGB 159 199 45

HSL 75.58, 0.63%, 0.48%

LAB 75.08, -33.54, 66.89

 

CMYK 23 / 0 / 89 / 14

HEX #A9DB19

RGB 169 219 25

HSL 75.46, 0.8%, 0.48%

LAB 81.38, -39.32, 77.27

 

CMYK 25 / 0 / 98 / 6

HEX #B3EF05

RGB 179 239 5

HSL 75.38, 0.96%, 0.48%

LAB 87.64, -44.51, 84.7

 

CMYK 20 / 0 / 77 / 22

HEX #9FC72D

RGB 159 199 45

HSL 75.58, 0.63%, 0.48%

LAB 75.08, -33.54, 66.89

 

CMYK 16 / 0 / 64 / 30

HEX #96B341

RGB 150 179 65

HSL 75.26, 0.47%, 0.48%

LAB 68.83, -26.53, 53.15

 

CMYK 12 / 0 / 47 / 38

HEX #8C9F54

RGB 140 159 84

HSL 75.2, 0.31%, 0.48%

LAB 62.52, -18.88, 36.73

 

CMYK 6 / 0 / 26 / 45

HEX #838C68

RGB 131 140 104

HSL 75, 0.15%, 0.48%

LAB 56.66, -9.81, 18.18

 

CMYK 2 / 3 / 0 / 51

HEX #79787C

RGB 121 120 124

HSL 255, 0.02%, 0.48%

LAB 50.63, 1.19, -2.06

 

CMYK 0 / 22 / 77 / 22

HEX #C79B2D

RGB 199 155 45

HSL 42.86, 0.63%, 0.48%

LAB 66.35, 5.97, 59.98

 

CMYK 0 / 2 / 77 / 22

HEX #C7C42D

RGB 199 196 45

HSL 58.83, 0.63%, 0.48%

LAB 77.17, -15.48, 69.87

 

CMYK 20 / 0 / 77 / 22

HEX #A0C72D

RGB 160 199 45

HSL 75.19, 0.63%, 0.48%

LAB 75.15, -33.15, 66.97

 

CMYK 40 / 0 / 77 / 22

HEX #77C72D

RGB 119 199 45

HSL 91.17, 0.63%, 0.48%

LAB 72.86, -48.36, 64.02

 

CMYK 61 / 0 / 77 / 22

HEX #4EC72D

RGB 78 199 45

HSL 107.14, 0.63%, 0.48%

LAB 71.32, -60.18, 62.01

 

CMYK 20 / 0 / 77 / 48

HEX #6A841E

RGB 106 132 30

HSL 75.29, 0.63%, 0.32%

LAB 51.45, -24.01, 48.38

 

CMYK 19 / 0 / 78 / 35

HEX #85A525

RGB 133 165 37

HSL 75, 0.63%, 0.4%

LAB 63.37, -28.45, 57.9

 

CMYK 20 / 0 / 77 / 22

HEX #9FC72D

RGB 159 199 45

HSL 75.58, 0.63%, 0.48%

LAB 75.08, -33.54, 66.89

 

CMYK 17 / 0 / 66 / 16

HEX #B1D548

RGB 177 213 72

HSL 75.32, 0.63%, 0.56%

LAB 80.41, -31.42, 63.06

 

CMYK 14 / 0 / 52 / 13

HEX #BFDD6A

RGB 191 221 106

HSL 75.65, 0.63%, 0.64%

LAB 83.88, -27.03, 52.53

 

CMYK 20 / 0 / 78 / 21

HEX #A1C92D

RGB 161 201 45

HSL 75.38, 0.63%, 0.48%

LAB 75.79, -33.67, 67.58

 

CMYK 77 / 0 / 43 / 22

HEX #2DC772

RGB 45 199 114

HSL 146.88, 0.63%, 0.48%

LAB 71.3, -57.88, 31.65

 

CMYK 12 / 77 / 0 / 22

HEX #B02DC7

RGB 176 45 199

HSL 291.04, 0.63%, 0.48%

LAB 45.95, 70.17, -52.89

 

CMYK 20 / 0 / 78 / 21

HEX #A1C92D

RGB 161 201 45

HSL 75.38, 0.63%, 0.48%

LAB 75.79, -33.67, 67.58

 

CMYK 77 / 20 / 0 / 22

HEX #2DA0C7

RGB 45 160 199

HSL 195.19, 0.63%, 0.48%

LAB 61.5, -18.2, -28.99

 

CMYK 0 / 77 / 20 / 22

HEX #C72DA0

RGB 199 45 160

HSL 315.19, 0.63%, 0.48%

LAB 47.7, 69.01, -26.96

 

CMYK 20 / 0 / 78 / 21

HEX #A1C92D

RGB 161 201 45

HSL 75.38, 0.63%, 0.48%

LAB 75.79, -33.67, 67.58

 

CMYK 77 / 0 / 43 / 22

HEX #2DC772

RGB 45 199 114

HSL 146.88, 0.63%, 0.48%

LAB 71.3, -57.88, 31.65

 

CMYK 58 / 77 / 0 / 22

HEX #532DC7

RGB 83 45 199

HSL 254.81, 0.63%, 0.48%

LAB 33.65, 55.09, -73.46

 

CMYK 0 / 77 / 35 / 22

HEX #C72D82

RGB 199 45 130

HSL 326.88, 0.63%, 0.48%

LAB 46.49, 65.41, -10.74

 

CMYK 20 / 0 / 78 / 21

HEX #A1C92D

RGB 161 201 45

HSL 75.38, 0.63%, 0.48%

LAB 75.79, -33.67, 67.58

 

CMYK 77 / 0 / 20 / 22

HEX #2DC7A0

RGB 45 199 160

HSL 164.81, 0.63%, 0.48%

LAB 72.19, -48.03, 8.49

 

CMYK 58 / 77 / 0 / 22

HEX #532DC7

RGB 83 45 199

HSL 254.81, 0.63%, 0.48%

LAB 33.65, 55.09, -73.46

 

CMYK 0 / 77 / 58 / 22

HEX #C72D53

RGB 199 45 83

HSL 345.19, 0.63%, 0.48%

LAB 45.14, 61.25, 16.29

 

Description

Color code: HEX #A1C92D | qconv.com Color code: HEX #A1C92D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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