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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19CE0 it is the complementary color #5E631F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19CE0 shade: #A69CDB, #B7AEEE, #C8C0FF, #D9D2FF and #EAE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19CE0 shade: #A19CE0, #908ACD, #7F78BA, #6E66A7 and #5D5494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19CE0 shade: #A39EE0, #B59EE0, #C79EE0, #D99EE0 and #E09ED6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19CE0 shade: #A39EE0 and #9E9EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19CE0 shade matches the following richer shades: #A39EE0, #9A94EB and #9189F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19CE0 shade: #A39EE0, #ACA8D6, #B5B3CC, #BDBDC1 and #C6C7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19CE0 shade: #9EBDE0, #9EABE0, #A39EE0, #B49EE0 and #C69EE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19CE0 shade: #675FCD, #857FD6, #A39EE0, #C1BDEA and #DFDDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19CE0 shade: #A19CE0, #E09ECF and #B4E09E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19CE0 shade: #A19CE0, #E0A39E and #9EE0A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19CE0 shade: #A19CE0, #E09ECF, #DCE09E and #9EE0B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19CE0 shade: #A19CE0, #E09EBB, #DCE09E and #9EE0C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 30 / 0 / 12

HEX #A19CE0

RGB 161 156 224

HSL 244.41, 0.52%, 0.75%

LAB 67.08, 16.73, -33.78

 

Complementary color

CMYK 5 / 0 / 69 / 61

HEX #5E631F

RGB 94 99 31

HSL 64.41, 0.52%, 0.25%

LAB 40.25, -11.85, 36.54

 

CMYK 24 / 29 / 0 / 14

HEX #A69CDB

RGB 166 156 219

HSL 249.52, 0.47%, 0.74%

LAB 67.28, 16.99, -30.69

 

CMYK 23 / 27 / 0 / 7

HEX #B7AEEE

RGB 183 174 238

HSL 248.44, 0.65%, 0.81%

LAB 73.88, 16.49, -30.79

 

CMYK 22 / 25 / 0 / 0

HEX #C8C0FF

RGB 200 192 255

HSL 247.62, 1%, 0.88%

LAB 80.29, 15.58, -29.96

 

CMYK 15 / 18 / 0 / 0

HEX #D9D2FF

RGB 217 210 255

HSL 249.33, 1%, 0.91%

LAB 86.04, 11.09, -21.08

 

CMYK 8 / 11 / 0 / 0

HEX #EAE4FF

RGB 234 228 255

HSL 253.33, 1%, 0.95%

LAB 91.77, 7, -12.33

 

CMYK 28 / 30 / 0 / 12

HEX #A19CE0

RGB 161 156 224

HSL 244.41, 0.52%, 0.75%

LAB 67.08, 16.73, -33.78

 

CMYK 30 / 33 / 0 / 20

HEX #908ACD

RGB 144 138 205

HSL 245.37, 0.4%, 0.67%

LAB 60.35, 17.32, -33.77

 

CMYK 32 / 35 / 0 / 27

HEX #7F78BA

RGB 127 120 186

HSL 246.36, 0.32%, 0.6%

LAB 53.48, 17.99, -33.8

 

CMYK 34 / 39 / 0 / 35

HEX #6E66A7

RGB 110 102 167

HSL 247.38, 0.27%, 0.53%

LAB 46.46, 18.76, -33.88

 

CMYK 37 / 43 / 0 / 42

HEX #5D5494

RGB 93 84 148

HSL 248.44, 0.28%, 0.45%

LAB 39.25, 19.66, -34.03

 

CMYK 27 / 29 / 0 / 12

HEX #A39EE0

RGB 163 158 224

HSL 244.55, 0.52%, 0.75%

LAB 67.74, 16.18, -32.74

 

CMYK 19 / 29 / 0 / 12

HEX #B59EE0

RGB 181 158 224

HSL 260.91, 0.52%, 0.75%

LAB 69.23, 21.58, -30.33

 

CMYK 11 / 29 / 0 / 12

HEX #C79EE0

RGB 199 158 224

HSL 277.27, 0.52%, 0.75%

LAB 70.86, 27.18, -27.68

 

CMYK 3 / 29 / 0 / 12

HEX #D99EE0

RGB 217 158 224

HSL 293.64, 0.52%, 0.75%

LAB 72.62, 32.89, -24.83

 

CMYK 0 / 29 / 4 / 12

HEX #E09ED6

RGB 224 158 214

HSL 309.09, 0.52%, 0.75%

LAB 72.99, 33.32, -18.71

 

CMYK 27 / 29 / 0 / 12

HEX #A39EE0

RGB 163 158 224

HSL 244.55, 0.52%, 0.75%

LAB 67.74, 16.18, -32.74

 

CMYK 29 / 29 / 0 / 12

HEX #9E9EE0

RGB 158 158 224

HSL 240, 0.52%, 0.75%

LAB 67.36, 14.72, -33.37

 

CMYK 27 / 29 / 0 / 12

HEX #A39EE0

RGB 163 158 224

HSL 244.55, 0.52%, 0.75%

LAB 67.74, 16.18, -32.74

 

CMYK 34 / 37 / 0 / 8

HEX #9A94EB

RGB 154 148 235

HSL 244.14, 0.69%, 0.75%

LAB 65, 22.12, -43.13

 

CMYK 41 / 44 / 0 / 4

HEX #9189F5

RGB 145 137 245

HSL 244.44, 0.84%, 0.75%

LAB 62.09, 28.85, -53.29

 

CMYK 27 / 29 / 0 / 12

HEX #A39EE0

RGB 163 158 224

HSL 244.55, 0.52%, 0.75%

LAB 67.74, 16.18, -32.74

 

CMYK 20 / 21 / 0 / 16

HEX #ACA8D6

RGB 172 168 214

HSL 245.22, 0.36%, 0.75%

LAB 70.62, 10.95, -22.76

 

CMYK 11 / 12 / 0 / 20

HEX #B5B3CC

RGB 181 179 204

HSL 244.8, 0.2%, 0.75%

LAB 73.82, 5.62, -12.37

 

CMYK 2 / 2 / 0 / 24

HEX #BDBDC1

RGB 189 189 193

HSL 240, 0.03%, 0.75%

LAB 76.72, 0.75, -2.02

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B7

RGB 198 199 183

HSL 63.75, 0.13%, 0.75%

LAB 79.77, -3.18, 7.88

 

CMYK 29 / 16 / 0 / 12

HEX #9EBDE0

RGB 158 189 224

HSL 211.82, 0.52%, 0.75%

LAB 75.48, -2.45, -20.91

 

CMYK 29 / 24 / 0 / 12

HEX #9EABE0

RGB 158 171 224

HSL 228.18, 0.52%, 0.75%

LAB 70.72, 7.42, -28.18

 

CMYK 27 / 29 / 0 / 12

HEX #A39EE0

RGB 163 158 224

HSL 244.55, 0.52%, 0.75%

LAB 67.74, 16.18, -32.74

 

CMYK 20 / 29 / 0 / 12

HEX #B49EE0

RGB 180 158 224

HSL 260, 0.52%, 0.75%

LAB 69.14, 21.28, -30.47

 

CMYK 12 / 29 / 0 / 12

HEX #C69EE0

RGB 198 158 224

HSL 276.36, 0.52%, 0.75%

LAB 70.76, 26.87, -27.84

 

CMYK 50 / 54 / 0 / 20

HEX #675FCD

RGB 103 95 205

HSL 244.36, 0.52%, 0.59%

LAB 46.28, 32.41, -56.27

 

CMYK 38 / 41 / 0 / 16

HEX #857FD6

RGB 133 127 214

HSL 244.14, 0.51%, 0.67%

LAB 57.1, 23.08, -44

 

CMYK 27 / 29 / 0 / 12

HEX #A39EE0

RGB 163 158 224

HSL 244.55, 0.52%, 0.75%

LAB 67.74, 16.18, -32.74

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 9 / 9 / 0 / 4

HEX #DFDDF4

RGB 223 221 244

HSL 245.22, 0.51%, 0.91%

LAB 88.89, 4.98, -10.95

 

CMYK 28 / 30 / 0 / 12

HEX #A19CE0

RGB 161 156 224

HSL 244.41, 0.52%, 0.75%

LAB 67.08, 16.73, -33.78

 

CMYK 0 / 29 / 8 / 12

HEX #E09ECF

RGB 224 158 207

HSL 315.45, 0.52%, 0.75%

LAB 72.76, 32.1, -15.21

 

CMYK 20 / 0 / 29 / 12

HEX #B4E09E

RGB 180 224 158

HSL 100, 0.52%, 0.75%

LAB 84.73, -26.17, 27.78

 

CMYK 28 / 30 / 0 / 12

HEX #A19CE0

RGB 161 156 224

HSL 244.41, 0.52%, 0.75%

LAB 67.08, 16.73, -33.78

 

CMYK 0 / 27 / 29 / 12

HEX #E0A39E

RGB 224 163 158

HSL 4.55, 0.52%, 0.75%

LAB 72.57, 21.89, 11.52

 

CMYK 29 / 0 / 27 / 12

HEX #9EE0A3

RGB 158 224 163

HSL 124.55, 0.52%, 0.75%

LAB 83.56, -32.73, 23.39

 

CMYK 28 / 30 / 0 / 12

HEX #A19CE0

RGB 161 156 224

HSL 244.41, 0.52%, 0.75%

LAB 67.08, 16.73, -33.78

 

CMYK 0 / 29 / 8 / 12

HEX #E09ECF

RGB 224 158 207

HSL 315.45, 0.52%, 0.75%

LAB 72.76, 32.1, -15.21

 

CMYK 2 / 0 / 29 / 12

HEX #DCE09E

RGB 220 224 158

HSL 63.64, 0.52%, 0.75%

LAB 87.48, -11.62, 31.95

 

CMYK 29 / 0 / 21 / 12

HEX #9EE0B0

RGB 158 224 176

HSL 136.36, 0.52%, 0.75%

LAB 83.82, -30.44, 16.97

 

CMYK 28 / 30 / 0 / 12

HEX #A19CE0

RGB 161 156 224

HSL 244.41, 0.52%, 0.75%

LAB 67.08, 16.73, -33.78

 

CMYK 0 / 29 / 17 / 12

HEX #E09EBB

RGB 224 158 187

HSL 333.64, 0.52%, 0.75%

LAB 72.15, 28.8, -5.09

 

CMYK 2 / 0 / 29 / 12

HEX #DCE09E

RGB 220 224 158

HSL 63.64, 0.52%, 0.75%

LAB 87.48, -11.62, 31.95

 

CMYK 29 / 0 / 13 / 12

HEX #9EE0C4

RGB 158 224 196

HSL 154.55, 0.52%, 0.75%

LAB 84.26, -26.6, 7.08

 

Description

Color code: HEX #A19CE0 | qconv.com Color code: HEX #A19CE0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 156 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 156 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 30 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 30% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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