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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19CBF it is the complementary color #5E6340. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19CBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19CBF shade: #A69CBA, #B7AECD, #C8C0E0, #D9D2F3 and #EAE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19CBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19CBF shade: #A19CBF, #908AAC, #7F7899, #6E6686 and #5D5473

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19CBF shade: #A19CBF, #AA9CBF, #B49CBF, #BD9CBF and #BF9CB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19CBF shade: #A19CBF and #9C9CBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19CBF shade matches the following richer shades: #A19CBF, #988FCC, #8E82D9, #8575E6 and #7B67F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19CBF shade: #A19CBF, #ABA9B1, #B4B7A4, #BDC497 and #C7D18A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19CBF shade: #9CAABF, #9CA1BF, #A19CBF, #AA9CBF and #B39CBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19CBF shade: #726A9E, #8983AE, #A19CBF, #B9B5CF and #D1CEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19CBF shade: #A19CBF, #BF9CB3 and #A5BF9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19CBF shade: #A19CBF, #BFA19C and #9CBFA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19CBF shade: #A19CBF, #BF9CB3, #BABF9C and #9CBFA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19CBF shade: #A19CBF, #BF9CA9, #BABF9C and #9CBFB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

Complementary color

CMYK 5 / 0 / 35 / 61

HEX #5E6340

RGB 94 99 64

HSL 68.57, 0.21%, 0.32%

LAB 40.69, -8.3, 19.27

 

CMYK 11 / 16 / 0 / 27

HEX #A69CBA

RGB 166 156 186

HSL 260, 0.18%, 0.67%

LAB 66.08, 9.56, -14.18

 

CMYK 11 / 15 / 0 / 20

HEX #B7AECD

RGB 183 174 205

HSL 257.42, 0.24%, 0.74%

LAB 72.73, 9.23, -14.55

 

CMYK 11 / 14 / 0 / 12

HEX #C8C0E0

RGB 200 192 224

HSL 255, 0.34%, 0.82%

LAB 79.25, 8.92, -14.92

 

CMYK 11 / 14 / 0 / 5

HEX #D9D2F3

RGB 217 210 243

HSL 252.73, 0.58%, 0.89%

LAB 85.66, 8.64, -15.3

 

CMYK 8 / 11 / 0 / 0

HEX #EAE4FF

RGB 234 228 255

HSL 253.33, 1%, 0.95%

LAB 91.77, 7, -12.33

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 16 / 20 / 0 / 33

HEX #908AAC

RGB 144 138 172

HSL 250.59, 0.17%, 0.61%

LAB 59.05, 9.33, -17.08

 

CMYK 17 / 22 / 0 / 40

HEX #7F7899

RGB 127 120 153

HSL 252.73, 0.14%, 0.54%

LAB 52.11, 9.73, -16.81

 

CMYK 18 / 24 / 0 / 47

HEX #6E6686

RGB 110 102 134

HSL 255, 0.14%, 0.46%

LAB 45, 10.17, -16.55

 

CMYK 19 / 27 / 0 / 55

HEX #5D5473

RGB 93 84 115

HSL 257.42, 0.16%, 0.39%

LAB 37.67, 10.67, -16.33

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBF

RGB 170 156 191

HSL 264, 0.21%, 0.68%

LAB 66.58, 11.95, -16.18

 

CMYK 6 / 18 / 0 / 25

HEX #B49CBF

RGB 180 156 191

HSL 281.14, 0.21%, 0.68%

LAB 67.46, 15.32, -14.77

 

CMYK 1 / 18 / 0 / 25

HEX #BD9CBF

RGB 189 156 191

HSL 296.57, 0.21%, 0.68%

LAB 68.28, 18.39, -13.45

 

CMYK 0 / 18 / 4 / 25

HEX #BF9CB7

RGB 191 156 183

HSL 313.71, 0.21%, 0.68%

LAB 68.22, 17.58, -9.07

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 18 / 18 / 0 / 25

HEX #9C9CBF

RGB 156 156 191

HSL 240, 0.21%, 0.68%

LAB 65.44, 7.35, -18.02

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 25 / 30 / 0 / 20

HEX #988FCC

RGB 152 143 204

HSL 248.85, 0.37%, 0.68%

LAB 62.24, 16.56, -30.23

 

CMYK 35 / 40 / 0 / 15

HEX #8E82D9

RGB 142 130 217

HSL 248.28, 0.53%, 0.68%

LAB 58.72, 24.54, -43.07

 

CMYK 42 / 49 / 0 / 10

HEX #8575E6

RGB 133 117 230

HSL 248.5, 0.69%, 0.68%

LAB 55.5, 33.42, -55.51

 

CMYK 49 / 58 / 0 / 5

HEX #7B67F3

RGB 123 103 243

HSL 248.57, 0.85%, 0.68%

LAB 52.27, 43.11, -68.02

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 3 / 5 / 0 / 31

HEX #ABA9B1

RGB 171 169 177

HSL 255, 0.05%, 0.68%

LAB 69.62, 2.24, -3.86

 

CMYK 2 / 0 / 10 / 28

HEX #B4B7A4

RGB 180 183 164

HSL 69.47, 0.12%, 0.68%

LAB 73.71, -4.46, 9.3

 

CMYK 4 / 0 / 23 / 23

HEX #BDC497

RGB 189 196 151

HSL 69.33, 0.28%, 0.68%

LAB 77.6, -9.99, 21.84

 

CMYK 5 / 0 / 34 / 18

HEX #C7D18A

RGB 199 209 138

HSL 68.45, 0.44%, 0.68%

LAB 81.61, -14.58, 34.14

 

CMYK 18 / 11 / 0 / 25

HEX #9CAABF

RGB 156 170 191

HSL 216, 0.21%, 0.68%

LAB 69.17, -0.42, -12.39

 

CMYK 18 / 16 / 0 / 25

HEX #9CA1BF

RGB 156 161 191

HSL 231.43, 0.21%, 0.68%

LAB 66.76, 4.55, -16.01

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBF

RGB 170 156 191

HSL 264, 0.21%, 0.68%

LAB 66.58, 11.95, -16.18

 

CMYK 6 / 18 / 0 / 25

HEX #B39CBF

RGB 179 156 191

HSL 279.43, 0.21%, 0.68%

LAB 67.37, 14.98, -14.92

 

CMYK 28 / 33 / 0 / 38

HEX #726A9E

RGB 114 106 158

HSL 249.23, 0.21%, 0.52%

LAB 47.44, 15.1, -27.03

 

CMYK 21 / 25 / 0 / 32

HEX #8983AE

RGB 137 131 174

HSL 248.37, 0.21%, 0.6%

LAB 56.69, 11.56, -21.88

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 11 / 13 / 0 / 19

HEX #B9B5CF

RGB 185 181 207

HSL 249.23, 0.21%, 0.76%

LAB 74.74, 6.48, -12.6

 

CMYK 6 / 8 / 0 / 13

HEX #D1CEDF

RGB 209 206 223

HSL 250.59, 0.21%, 0.84%

LAB 83.46, 4.21, -8.03

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 0 / 18 / 6 / 25

HEX #BF9CB3

RGB 191 156 179

HSL 320.57, 0.21%, 0.68%

LAB 68.1, 16.85, -7.02

 

CMYK 14 / 0 / 18 / 25

HEX #A5BF9C

RGB 165 191 156

HSL 104.57, 0.21%, 0.68%

LAB 74.61, -15.41, 14.76

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 0 / 16 / 18 / 25

HEX #BFA19C

RGB 191 161 156

HSL 8.57, 0.21%, 0.68%

LAB 68.73, 10.21, 6.7

 

CMYK 18 / 0 / 16 / 25

HEX #9CBFA1

RGB 156 191 161

HSL 128.57, 0.21%, 0.68%

LAB 74.13, -17.65, 11.29

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 0 / 18 / 6 / 25

HEX #BF9CB3

RGB 191 156 179

HSL 320.57, 0.21%, 0.68%

LAB 68.1, 16.85, -7.02

 

CMYK 3 / 0 / 18 / 25

HEX #BABF9C

RGB 186 191 156

HSL 68.57, 0.21%, 0.68%

LAB 76.13, -7.76, 17.11

 

CMYK 18 / 0 / 12 / 25

HEX #9CBFA8

RGB 156 191 168

HSL 140.57, 0.21%, 0.68%

LAB 74.29, -16.34, 7.73

 

CMYK 16 / 18 / 0 / 25

HEX #A19CBF

RGB 161 156 191

HSL 248.57, 0.21%, 0.68%

LAB 65.84, 8.98, -17.38

 

CMYK 0 / 18 / 12 / 25

HEX #BF9CA9

RGB 191 156 169

HSL 337.71, 0.21%, 0.68%

LAB 67.81, 15.1, -1.87

 

CMYK 3 / 0 / 18 / 25

HEX #BABF9C

RGB 186 191 156

HSL 68.57, 0.21%, 0.68%

LAB 76.13, -7.76, 17.11

 

CMYK 18 / 0 / 7 / 25

HEX #9CBFB2

RGB 156 191 178

HSL 157.71, 0.21%, 0.68%

LAB 74.54, -14.37, 2.66

 

Description

Color code: HEX #A19CBF | qconv.com Color code: HEX #A19CBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 156 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 156 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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