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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18B96 it is the complementary color #5E7469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18B96 shade: #A68B91, #B79DA4, #C8AFB7, #D9C1CA and #EAD3DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18B96 shade: #A18B96, #907983, #7F6770, #6E555D and #5D434A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18B96 shade: #A18C96, #A18C91 and #A18C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18B96 shade: #A18C96, #A18C9C, #A08CA1, #9A8CA1 and #958CA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18B96 shade matches the following richer shades: #A18C96, #B27B96, #C36A96, #D45996 and #E54896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18B96 shade: #A18C96, #909D96, #7FAE96, #6EBF96 and #5DD096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18B96 shade: #A08CA1, #A18C9C, #A18C96, #A18C91 and #A18D8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18B96 shade: #78626D, #8E7582, #A18C96, #B3A3AB and #C6B9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18B96 shade: #A18B96, #A19B8C and #8C9FA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18B96 shade: #A18B96, #96A18C and #8C96A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18B96 shade: #A18B96, #A19B8C, #8CA196 and #8C92A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18B96 shade: #A18B96, #A1A18C, #8CA196 and #8C8CA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 7 / 37

HEX #A18B96

RGB 161 139 150

HSL 330, 0.1%, 0.59%

LAB 60.11, 10.23, -2.79

 

Complementary color

CMYK 19 / 0 / 9 / 55

HEX #5E7469

RGB 94 116 105

HSL 150, 0.1%, 0.41%

LAB 46.83, -10.52, 3.4

 

CMYK 0 / 16 / 13 / 35

HEX #A68B91

RGB 166 139 145

HSL 346.67, 0.13%, 0.6%

LAB 60.44, 11.2, 0.61

 

CMYK 0 / 14 / 10 / 28

HEX #B79DA4

RGB 183 157 164

HSL 343.85, 0.15%, 0.67%

LAB 67.17, 10.76, -0.1

 

CMYK 0 / 13 / 9 / 22

HEX #C8AFB7

RGB 200 175 183

HSL 340.8, 0.19%, 0.74%

LAB 73.78, 10.36, -0.77

 

CMYK 0 / 11 / 7 / 15

HEX #D9C1CA

RGB 217 193 202

HSL 337.5, 0.24%, 0.8%

LAB 80.27, 9.99, -1.41

 

CMYK 0 / 10 / 6 / 8

HEX #EAD3DD

RGB 234 211 221

HSL 333.91, 0.35%, 0.87%

LAB 86.65, 9.66, -2.03

 

CMYK 0 / 14 / 7 / 37

HEX #A18B96

RGB 161 139 150

HSL 330, 0.1%, 0.59%

LAB 60.11, 10.23, -2.79

 

CMYK 0 / 16 / 9 / 44

HEX #907983

RGB 144 121 131

HSL 333.91, 0.09%, 0.52%

LAB 53.21, 10.67, -2.13

 

CMYK 0 / 19 / 12 / 50

HEX #7F6770

RGB 127 103 112

HSL 337.5, 0.1%, 0.45%

LAB 46.15, 11.17, -1.43

 

CMYK 0 / 23 / 15 / 57

HEX #6E555D

RGB 110 85 93

HSL 340.8, 0.13%, 0.38%

LAB 38.9, 11.75, -0.66

 

CMYK 0 / 28 / 20 / 64

HEX #5D434A

RGB 93 67 74

HSL 343.85, 0.16%, 0.31%

LAB 31.43, 12.44, 0.2

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 0 / 13 / 10 / 37

HEX #A18C91

RGB 161 140 145

HSL 345.71, 0.1%, 0.59%

LAB 60.23, 8.76, 0.24

 

CMYK 0 / 13 / 13 / 37

HEX #A18C8C

RGB 161 140 140

HSL 0, 0.1%, 0.59%

LAB 60.09, 7.88, 2.9

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 0 / 13 / 3 / 37

HEX #A18C9C

RGB 161 140 156

HSL 314.29, 0.1%, 0.59%

LAB 60.55, 10.78, -5.57

 

CMYK 1 / 13 / 0 / 37

HEX #A08CA1

RGB 160 140 161

HSL 297.14, 0.1%, 0.59%

LAB 60.61, 11.39, -8.33

 

CMYK 4 / 13 / 0 / 37

HEX #9A8CA1

RGB 154 140 161

HSL 280, 0.1%, 0.59%

LAB 60.07, 9.26, -9.19

 

CMYK 7 / 13 / 0 / 37

HEX #958CA1

RGB 149 140 161

HSL 265.71, 0.1%, 0.59%

LAB 59.63, 7.5, -9.89

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 0 / 31 / 16 / 30

HEX #B27B96

RGB 178 123 150

HSL 330.55, 0.26%, 0.59%

LAB 57.88, 25.54, -5.89

 

CMYK 0 / 46 / 23 / 24

HEX #C36A96

RGB 195 106 150

HSL 330.34, 0.43%, 0.59%

LAB 56.2, 40.8, -8.16

 

CMYK 0 / 58 / 29 / 17

HEX #D45996

RGB 212 89 150

HSL 330.24, 0.59%, 0.59%

LAB 55.42, 54.66, -9.06

 

CMYK 0 / 69 / 34 / 10

HEX #E54896

RGB 229 72 150

HSL 330.19, 0.75%, 0.59%

LAB 55.58, 66.59, -8.55

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 8 / 0 / 4 / 38

HEX #909D96

RGB 144 157 150

HSL 147.69, 0.06%, 0.59%

LAB 63.55, -6.01, 2.07

 

CMYK 27 / 0 / 14 / 32

HEX #7FAE96

RGB 127 174 150

HSL 149.36, 0.22%, 0.59%

LAB 67.27, -20.79, 7.29

 

CMYK 42 / 0 / 21 / 25

HEX #6EBF96

RGB 110 191 150

HSL 149.63, 0.39%, 0.59%

LAB 71.4, -34.18, 13.04

 

CMYK 55 / 0 / 28 / 18

HEX #5DD096

RGB 93 208 150

HSL 149.74, 0.55%, 0.59%

LAB 75.85, -45.99, 19.15

 

CMYK 1 / 13 / 0 / 37

HEX #A08CA1

RGB 160 140 161

HSL 297.14, 0.1%, 0.59%

LAB 60.61, 11.39, -8.33

 

CMYK 0 / 13 / 3 / 37

HEX #A18C9C

RGB 161 140 156

HSL 314.29, 0.1%, 0.59%

LAB 60.55, 10.78, -5.57

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 0 / 13 / 10 / 37

HEX #A18C91

RGB 161 140 145

HSL 345.71, 0.1%, 0.59%

LAB 60.23, 8.76, 0.24

 

CMYK 0 / 12 / 13 / 37

HEX #A18D8C

RGB 161 141 140

HSL 2.86, 0.1%, 0.59%

LAB 60.36, 7.32, 3.28

 

CMYK 0 / 18 / 9 / 53

HEX #78626D

RGB 120 98 109

HSL 330, 0.1%, 0.43%

LAB 43.99, 10.86, -2.88

 

CMYK 0 / 18 / 8 / 44

HEX #8E7582

RGB 142 117 130

HSL 328.8, 0.1%, 0.51%

LAB 51.93, 12.05, -3.45

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 0 / 9 / 4 / 30

HEX #B3A3AB

RGB 179 163 171

HSL 330, 0.1%, 0.67%

LAB 68.55, 7.24, -2.03

 

CMYK 0 / 7 / 3 / 22

HEX #C6B9C0

RGB 198 185 192

HSL 327.69, 0.1%, 0.75%

LAB 76.38, 5.84, -1.89

 

CMYK 0 / 14 / 7 / 37

HEX #A18B96

RGB 161 139 150

HSL 330, 0.1%, 0.59%

LAB 60.11, 10.23, -2.79

 

CMYK 0 / 4 / 13 / 37

HEX #A19B8C

RGB 161 155 140

HSL 42.86, 0.1%, 0.59%

LAB 64.09, -0.48, 8.64

 

CMYK 13 / 1 / 0 / 37

HEX #8C9FA1

RGB 140 159 161

HSL 185.71, 0.1%, 0.59%

LAB 64.12, -6.24, -3.31

 

CMYK 0 / 14 / 7 / 37

HEX #A18B96

RGB 161 139 150

HSL 330, 0.1%, 0.59%

LAB 60.11, 10.23, -2.79

 

CMYK 7 / 0 / 13 / 37

HEX #96A18C

RGB 150 161 140

HSL 91.43, 0.1%, 0.59%

LAB 64.86, -7.88, 9.61

 

CMYK 13 / 7 / 0 / 37

HEX #8C96A1

RGB 140 150 161

HSL 211.43, 0.1%, 0.59%

LAB 61.62, -1.27, -7

 

CMYK 0 / 14 / 7 / 37

HEX #A18B96

RGB 161 139 150

HSL 330, 0.1%, 0.59%

LAB 60.11, 10.23, -2.79

 

CMYK 0 / 4 / 13 / 37

HEX #A19B8C

RGB 161 155 140

HSL 42.86, 0.1%, 0.59%

LAB 64.09, -0.48, 8.64

 

CMYK 13 / 0 / 7 / 37

HEX #8CA196

RGB 140 161 150

HSL 148.57, 0.1%, 0.59%

LAB 64.38, -9.59, 3.24

 

CMYK 13 / 9 / 0 / 37

HEX #8C92A1

RGB 140 146 161

HSL 222.86, 0.1%, 0.59%

LAB 60.52, 0.97, -8.64

 

CMYK 0 / 14 / 7 / 37

HEX #A18B96

RGB 161 139 150

HSL 330, 0.1%, 0.59%

LAB 60.11, 10.23, -2.79

 

CMYK 0 / 0 / 13 / 37

HEX #A1A18C

RGB 161 161 140

HSL 60, 0.1%, 0.59%

LAB 65.72, -3.76, 10.95

 

CMYK 13 / 0 / 7 / 37

HEX #8CA196

RGB 140 161 150

HSL 148.57, 0.1%, 0.59%

LAB 64.38, -9.59, 3.24

 

CMYK 13 / 13 / 0 / 37

HEX #8C8CA1

RGB 140 140 161

HSL 240, 0.1%, 0.59%

LAB 58.89, 4.38, -11.09

 

Description

Color code: HEX #A18B96 | qconv.com Color code: HEX #A18B96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 139 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 139 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 7 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 7% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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