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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18795 it is the complementary color #5E786A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18795. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18795 shade: #A68790, #B799A3, #C8ABB6, #D9BDC9 and #EACFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18795. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18795 shade: #A18795, #907582, #7F636F, #6E515C and #5D3F49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18795 shade: #A18795, #A1878E and #A18787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18795 shade: #A18795, #A1879C, #9F87A1, #9887A1 and #9187A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18795 shade matches the following richer shades: #A18795, #B27696, #C36498, #D55399 and #E6429A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18795 shade: #A18795, #8F9894, #7EAA92, #6DBB91 and #5BCC90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18795 shade: #9F87A1, #A1879C, #A18795, #A1878E and #A18787

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18795 shade: #775E6C, #8F7080, #A18795, #B39EA9 and #C5B5BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18795 shade: #A18795, #A19887 and #879FA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18795 shade: #A18795, #95A187 and #8795A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18795 shade: #A18795, #A19887, #87A193 and #8790A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18795 shade: #A18795, #A19F87, #87A193 and #8788A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

Complementary color

CMYK 22 / 0 / 12 / 53

HEX #5E786A

RGB 94 120 106

HSL 147.69, 0.12%, 0.42%

LAB 48.07, -12.54, 4.6

 

CMYK 0 / 19 / 13 / 35

HEX #A68790

RGB 166 135 144

HSL 342.58, 0.15%, 0.59%

LAB 59.39, 13.29, -0.36

 

CMYK 0 / 16 / 11 / 28

HEX #B799A3

RGB 183 153 163

HSL 340, 0.17%, 0.66%

LAB 66.13, 12.8, -1.06

 

CMYK 0 / 15 / 9 / 22

HEX #C8ABB6

RGB 200 171 182

HSL 337.24, 0.21%, 0.73%

LAB 72.75, 12.36, -1.73

 

CMYK 0 / 13 / 7 / 15

HEX #D9BDC9

RGB 217 189 201

HSL 334.29, 0.27%, 0.8%

LAB 79.25, 11.96, -2.36

 

CMYK 0 / 12 / 6 / 8

HEX #EACFDC

RGB 234 207 220

HSL 331.11, 0.39%, 0.86%

LAB 85.65, 11.59, -2.97

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 19 / 10 / 44

HEX #907582

RGB 144 117 130

HSL 331.11, 0.11%, 0.51%

LAB 52.13, 12.81, -3.13

 

CMYK 0 / 22 / 13 / 50

HEX #7F636F

RGB 127 99 111

HSL 334.29, 0.12%, 0.44%

LAB 45.06, 13.37, -2.43

 

CMYK 0 / 26 / 16 / 57

HEX #6E515C

RGB 110 81 92

HSL 337.24, 0.15%, 0.37%

LAB 37.79, 14.02, -1.67

 

CMYK 0 / 32 / 22 / 64

HEX #5D3F49

RGB 93 63 73

HSL 340, 0.19%, 0.31%

LAB 30.31, 14.79, -0.79

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 16 / 12 / 37

HEX #A1878E

RGB 161 135 142

HSL 343.85, 0.12%, 0.58%

LAB 58.84, 11.06, -0.06

 

CMYK 0 / 16 / 16 / 37

HEX #A18787

RGB 161 135 135

HSL 0, 0.12%, 0.58%

LAB 58.65, 9.86, 3.68

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 16 / 3 / 37

HEX #A1879C

RGB 161 135 156

HSL 311.54, 0.12%, 0.58%

LAB 59.26, 13.63, -7.48

 

CMYK 1 / 16 / 0 / 37

HEX #9F87A1

RGB 159 135 161

HSL 295.38, 0.12%, 0.58%

LAB 59.23, 13.88, -10.41

 

CMYK 6 / 16 / 0 / 37

HEX #9887A1

RGB 152 135 161

HSL 279.23, 0.12%, 0.58%

LAB 58.58, 11.41, -11.44

 

CMYK 10 / 16 / 0 / 37

HEX #9187A1

RGB 145 135 161

HSL 263.08, 0.12%, 0.58%

LAB 57.96, 8.96, -12.43

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 34 / 16 / 30

HEX #B27696

RGB 178 118 150

HSL 328, 0.28%, 0.58%

LAB 56.71, 28.33, -7.63

 

CMYK 0 / 49 / 22 / 24

HEX #C36498

RGB 195 100 152

HSL 327.16, 0.44%, 0.58%

LAB 55.06, 44.19, -11.04

 

CMYK 0 / 61 / 28 / 16

HEX #D55399

RGB 213 83 153

HSL 327.69, 0.61%, 0.58%

LAB 54.69, 58, -11.91

 

CMYK 0 / 71 / 33 / 10

HEX #E6429A

RGB 230 66 154

HSL 327.8, 0.77%, 0.58%

LAB 55.13, 69.4, -11.56

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 6 / 0 / 3 / 40

HEX #8F9894

RGB 143 152 148

HSL 153.33, 0.04%, 0.58%

LAB 62.03, -4.02, 0.98

 

CMYK 26 / 0 / 14 / 33

HEX #7EAA92

RGB 126 170 146

HSL 147.27, 0.21%, 0.58%

LAB 65.95, -19.88, 7.61

 

CMYK 42 / 0 / 22 / 27

HEX #6DBB91

RGB 109 187 145

HSL 147.69, 0.36%, 0.58%

LAB 70.06, -33.62, 13.86

 

CMYK 55 / 0 / 29 / 20

HEX #5BCC90

RGB 91 204 144

HSL 148.14, 0.53%, 0.58%

LAB 74.46, -45.96, 20.4

 

CMYK 1 / 16 / 0 / 37

HEX #9F87A1

RGB 159 135 161

HSL 295.38, 0.12%, 0.58%

LAB 59.23, 13.88, -10.41

 

CMYK 0 / 16 / 3 / 37

HEX #A1879C

RGB 161 135 156

HSL 311.54, 0.12%, 0.58%

LAB 59.26, 13.63, -7.48

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 16 / 12 / 37

HEX #A1878E

RGB 161 135 142

HSL 343.85, 0.12%, 0.58%

LAB 58.84, 11.06, -0.06

 

CMYK 0 / 16 / 16 / 37

HEX #A18787

RGB 161 135 135

HSL 0, 0.12%, 0.58%

LAB 58.65, 9.86, 3.68

 

CMYK 0 / 21 / 9 / 53

HEX #775E6C

RGB 119 94 108

HSL 326.4, 0.12%, 0.42%

LAB 42.78, 12.68, -4.07

 

CMYK 0 / 22 / 10 / 44

HEX #8F7080

RGB 143 112 128

HSL 329.03, 0.12%, 0.5%

LAB 50.67, 14.98, -4.12

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 12 / 6 / 30

HEX #B39EA9

RGB 179 158 169

HSL 328.57, 0.12%, 0.66%

LAB 67.2, 9.64, -2.89

 

CMYK 0 / 8 / 4 / 23

HEX #C5B5BE

RGB 197 181 190

HSL 326.25, 0.12%, 0.74%

LAB 75.22, 7.29, -2.51

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 6 / 16 / 37

HEX #A19887

RGB 161 152 135

HSL 39.23, 0.12%, 0.58%

LAB 63.16, 0.34, 10.13

 

CMYK 16 / 1 / 0 / 37

HEX #879FA1

RGB 135 159 161

HSL 184.62, 0.12%, 0.58%

LAB 63.77, -7.92, -3.86

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 7 / 0 / 16 / 37

HEX #95A187

RGB 149 161 135

HSL 87.69, 0.12%, 0.58%

LAB 64.67, -9.12, 12.11

 

CMYK 16 / 7 / 0 / 37

HEX #8795A1

RGB 135 149 161

HSL 207.69, 0.12%, 0.58%

LAB 60.97, -2.41, -8.01

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 6 / 16 / 37

HEX #A19887

RGB 161 152 135

HSL 39.23, 0.12%, 0.58%

LAB 63.16, 0.34, 10.13

 

CMYK 16 / 0 / 9 / 37

HEX #87A193

RGB 135 161 147

HSL 147.69, 0.12%, 0.58%

LAB 63.96, -11.93, 4.26

 

CMYK 16 / 11 / 0 / 37

HEX #8790A1

RGB 135 144 161

HSL 219.23, 0.12%, 0.58%

LAB 59.59, 0.4, -10.07

 

CMYK 0 / 16 / 7 / 37

HEX #A18795

RGB 161 135 149

HSL 327.69, 0.12%, 0.58%

LAB 59.04, 12.32, -3.78

 

CMYK 0 / 1 / 16 / 37

HEX #A19F87

RGB 161 159 135

HSL 55.38, 0.12%, 0.58%

LAB 65.06, -3.49, 12.8

 

CMYK 16 / 0 / 9 / 37

HEX #87A193

RGB 135 161 147

HSL 147.69, 0.12%, 0.58%

LAB 63.96, -11.93, 4.26

 

CMYK 16 / 16 / 0 / 37

HEX #8788A1

RGB 135 136 161

HSL 237.69, 0.12%, 0.58%

LAB 57.4, 4.96, -13.37

 

Description

Color code: HEX #A18795 | qconv.com Color code: HEX #A18795 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 135 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 135 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 7 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 7% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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