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Color name
HEX #A1813A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1813A it is the complementary color #5E7EC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1813A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1813A shade: #A68135, #B79348, #C8A55B, #D9B76E and #EAC981

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1813A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1813A shade: #A1813A, #906F27, #7F5D14, #6E4B01 and #5D3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1813A shade: #A1813A, #A1653A, #A14A3A and #A13A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1813A shade: #A1813A, #A19D3A, #8AA13A, #6EA13A and #52A13A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1813A shade matches the following richer shades: #A1813A, #B38828, #C58F17 and #D69505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1813A shade: #A1813A, #8F7A4C, #7E745E, #6C6D6F and #5A6681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1813A shade: #A14A3A, #A1653A, #A1813A, #A19C3A and #8BA13A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1813A shade: #655124, #83692F, #A1813A, #BD9848 and #C8A966

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1813A shade: #A1813A, #46A13A and #573AA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1813A shade: #A1813A, #3AA181 and #813AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1813A shade: #A1813A, #46A13A, #3A5BA1 and #953AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1813A shade: #A1813A, #3AA14D, #3A5BA1 and #A13A8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

Complementary color

CMYK 52 / 36 / 0 / 23

HEX #5E7EC5

RGB 94 126 197

HSL 221.36, 0.47%, 0.57%

LAB 53.31, 8.96, -40.52

 

CMYK 0 / 22 / 68 / 35

HEX #A68135

RGB 166 129 53

HSL 40.35, 0.52%, 0.43%

LAB 56.15, 5.99, 45.3

 

CMYK 0 / 20 / 61 / 28

HEX #B79348

RGB 183 147 72

HSL 40.54, 0.44%, 0.5%

LAB 62.85, 4.81, 44.08

 

CMYK 0 / 18 / 55 / 22

HEX #C8A55B

RGB 200 165 91

HSL 40.73, 0.5%, 0.57%

LAB 69.43, 3.83, 42.77

 

CMYK 0 / 16 / 49 / 15

HEX #D9B76E

RGB 217 183 110

HSL 40.93, 0.58%, 0.64%

LAB 75.91, 3, 41.46

 

CMYK 0 / 14 / 45 / 8

HEX #EAC981

RGB 234 201 129

HSL 41.14, 0.71%, 0.71%

LAB 82.3, 2.29, 40.19

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 23 / 73 / 44

HEX #906F27

RGB 144 111 39

HSL 41.14, 0.57%, 0.36%

LAB 48.82, 5.35, 43.32

 

CMYK 0 / 27 / 84 / 50

HEX #7F5D14

RGB 127 93 20

HSL 40.93, 0.73%, 0.29%

LAB 41.83, 6.97, 43.79

 

CMYK 0 / 32 / 99 / 57

HEX #6E4B01

RGB 110 75 1

HSL 40.73, 0.98%, 0.22%

LAB 34.7, 8.96, 43.3

 

CMYK 0 / 39 / 100 / 64

HEX #5D3900

RGB 93 57 0

HSL 36.77, 1%, 0.18%

LAB 27.44, 11.57, 37.32

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 37 / 64 / 37

HEX #A1653A

RGB 161 101 58

HSL 25.05, 0.47%, 0.43%

LAB 48.5, 19.96, 34.01

 

CMYK 0 / 54 / 64 / 37

HEX #A14A3A

RGB 161 74 58

HSL 9.32, 0.47%, 0.43%

LAB 42.43, 34.8, 26.69

 

CMYK 0 / 64 / 64 / 37

HEX #A13A3A

RGB 161 58 58

HSL 0, 0.47%, 0.43%

LAB 39.43, 42.67, 22.94

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 2 / 64 / 37

HEX #A19D3A

RGB 161 157 58

HSL 57.67, 0.47%, 0.43%

LAB 63.34, -11.21, 50.56

 

CMYK 14 / 0 / 64 / 37

HEX #8AA13A

RGB 138 161 58

HSL 73.4, 0.47%, 0.43%

LAB 62.67, -23.13, 49.3

 

CMYK 32 / 0 / 64 / 37

HEX #6EA13A

RGB 110 161 58

HSL 89.71, 0.47%, 0.43%

LAB 60.88, -34.28, 46.84

 

CMYK 49 / 0 / 64 / 37

HEX #52A13A

RGB 82 161 58

HSL 106.02, 0.47%, 0.43%

LAB 59.52, -43.85, 44.95

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 24 / 78 / 30

HEX #B38828

RGB 179 136 40

HSL 41.44, 0.63%, 0.43%

LAB 59.29, 7.27, 54.47

 

CMYK 0 / 27 / 88 / 23

HEX #C58F17

RGB 197 143 23

HSL 41.38, 0.79%, 0.43%

LAB 62.99, 10.95, 63.79

 

CMYK 0 / 30 / 98 / 16

HEX #D69505

RGB 214 149 5

HSL 41.34, 0.95%, 0.43%

LAB 66.37, 14.94, 70.28

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 15 / 47 / 44

HEX #8F7A4C

RGB 143 122 76

HSL 41.19, 0.31%, 0.43%

LAB 52.15, 1.6, 28.12

 

CMYK 0 / 8 / 25 / 51

HEX #7E745E

RGB 126 116 94

HSL 41.25, 0.15%, 0.43%

LAB 49.17, 0.08, 13.57

 

CMYK 3 / 2 / 0 / 56

HEX #6C6D6F

RGB 108 109 111

HSL 220, 0.01%, 0.43%

LAB 46.01, 0.03, -1.25

 

CMYK 30 / 21 / 0 / 49

HEX #5A6681

RGB 90 102 129

HSL 221.54, 0.18%, 0.43%

LAB 43.15, 2.18, -16.51

 

CMYK 0 / 54 / 64 / 37

HEX #A14A3A

RGB 161 74 58

HSL 9.32, 0.47%, 0.43%

LAB 42.43, 34.8, 26.69

 

CMYK 0 / 37 / 64 / 37

HEX #A1653A

RGB 161 101 58

HSL 25.05, 0.47%, 0.43%

LAB 48.5, 19.96, 34.01

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 3 / 64 / 37

HEX #A19C3A

RGB 161 156 58

HSL 57.09, 0.47%, 0.43%

LAB 63.06, -10.68, 50.26

 

CMYK 14 / 0 / 64 / 37

HEX #8BA13A

RGB 139 161 58

HSL 72.82, 0.47%, 0.43%

LAB 62.75, -22.71, 49.4

 

CMYK 0 / 20 / 64 / 60

HEX #655124

RGB 101 81 36

HSL 41.54, 0.47%, 0.27%

LAB 35.56, 2.49, 29.1

 

CMYK 0 / 20 / 64 / 49

HEX #83692F

RGB 131 105 47

HSL 41.43, 0.47%, 0.35%

LAB 45.82, 3.3, 35.81

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 0 / 20 / 62 / 26

HEX #BD9848

RGB 189 152 72

HSL 41.03, 0.47%, 0.51%

LAB 64.76, 4.68, 46.42

 

CMYK 0 / 16 / 49 / 22

HEX #C8A966

RGB 200 169 102

HSL 41.02, 0.47%, 0.59%

LAB 70.6, 2.66, 38.6

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 57 / 0 / 64 / 37

HEX #46A13A

RGB 70 161 58

HSL 113.01, 0.47%, 0.43%

LAB 59.06, -47.28, 44.32

 

CMYK 46 / 64 / 0 / 37

HEX #573AA1

RGB 87 58 161

HSL 256.89, 0.47%, 0.43%

LAB 33.19, 37.94, -51.62

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 64 / 0 / 20 / 37

HEX #3AA181

RGB 58 161 129

HSL 161.36, 0.47%, 0.43%

LAB 59.87, -37.49, 8.02

 

CMYK 20 / 64 / 0 / 37

HEX #813AA1

RGB 129 58 161

HSL 281.36, 0.47%, 0.43%

LAB 38.32, 47.59, -43.1

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 57 / 0 / 64 / 37

HEX #46A13A

RGB 70 161 58

HSL 113.01, 0.47%, 0.43%

LAB 59.06, -47.28, 44.32

 

CMYK 64 / 43 / 0 / 37

HEX #3A5BA1

RGB 58 91 161

HSL 220.78, 0.47%, 0.43%

LAB 39.5, 11.02, -41.57

 

CMYK 7 / 64 / 0 / 37

HEX #953AA1

RGB 149 58 161

HSL 293.01, 0.47%, 0.43%

LAB 41.2, 52.53, -38.33

 

CMYK 0 / 20 / 64 / 37

HEX #A1813A

RGB 161 129 58

HSL 41.36, 0.47%, 0.43%

LAB 55.67, 4.07, 42.22

 

CMYK 64 / 0 / 52 / 37

HEX #3AA14D

RGB 58 161 77

HSL 131.07, 0.47%, 0.43%

LAB 58.9, -47.77, 34.93

 

CMYK 64 / 43 / 0 / 37

HEX #3A5BA1

RGB 58 91 161

HSL 220.78, 0.47%, 0.43%

LAB 39.5, 11.02, -41.57

 

CMYK 0 / 64 / 12 / 37

HEX #A13A8E

RGB 161 58 142

HSL 311.07, 0.47%, 0.43%

LAB 42.09, 52.35, -25.35

 

Description

Color code: HEX #A1813A | qconv.com Color code: HEX #A1813A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 129 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 129 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 64 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 64% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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