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Color name
HEX #A17F49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17F49 it is the complementary color #5E80B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17F49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17F49 shade: #A67F44, #B79157, #C8A36A, #D9B57D and #EAC790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17F49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17F49 shade: #A17F49, #906D36, #7F5B23, #6E4910 and #5D3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17F49 shade: #A17F48, #A16748, #A14F48 and #A14848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17F49 shade: #A17F48, #A19748, #94A148, #7CA148 and #64A148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17F49 shade matches the following richer shades: #A17F48, #B48335, #C78822 and #DA8C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17F49 shade: #A17F48, #8E7B5B, #7B766E, #687281 and #556E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17F49 shade: #A14E48, #A16648, #A17E48, #A19548 and #95A148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17F49 shade: #68522F, #85693B, #A17F48, #B6945D and #C3A679

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17F49 shade: #A17F49, #5AA148 and #5A48A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17F49 shade: #A17F49, #48A17E and #7E48A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17F49 shade: #A17F49, #5AA148, #486CA1 and #9048A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17F49 shade: #A17F49, #48A151, #486CA1 and #A14898

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

Complementary color

CMYK 48 / 30 / 0 / 29

HEX #5E80B6

RGB 94 128 182

HSL 216.82, 0.38%, 0.54%

LAB 53.16, 3.09, -32.17

 

CMYK 0 / 23 / 59 / 35

HEX #A67F44

RGB 166 127 68

HSL 36.12, 0.42%, 0.46%

LAB 55.79, 8.16, 37.43

 

CMYK 0 / 21 / 52 / 28

HEX #B79157

RGB 183 145 87

HSL 36.25, 0.4%, 0.53%

LAB 62.51, 7.14, 36.01

 

CMYK 0 / 19 / 47 / 22

HEX #C8A36A

RGB 200 163 106

HSL 36.38, 0.46%, 0.6%

LAB 69.12, 6.28, 34.65

 

CMYK 0 / 17 / 42 / 15

HEX #D9B57D

RGB 217 181 125

HSL 36.52, 0.55%, 0.67%

LAB 75.63, 5.55, 33.36

 

CMYK 0 / 15 / 38 / 8

HEX #EAC790

RGB 234 199 144

HSL 36.67, 0.68%, 0.74%

LAB 82.03, 4.92, 32.14

 

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

CMYK 0 / 24 / 63 / 44

HEX #906D36

RGB 144 109 54

HSL 36.67, 0.45%, 0.39%

LAB 48.43, 7.48, 35.54

 

CMYK 0 / 28 / 72 / 50

HEX #7F5B23

RGB 127 91 35

HSL 36.52, 0.57%, 0.32%

LAB 41.4, 8.86, 36.9

 

CMYK 0 / 34 / 85 / 57

HEX #6E4910

RGB 110 73 16

HSL 36.38, 0.75%, 0.25%

LAB 34.23, 10.61, 37.74

 

CMYK 0 / 41 / 100 / 64

HEX #5D3700

RGB 93 55 0

HSL 35.48, 1%, 0.18%

LAB 26.9, 12.82, 36.85

 

CMYK 0 / 21 / 55 / 37

HEX #A17F48

RGB 161 127 72

HSL 37.08, 0.38%, 0.46%

LAB 55.3, 6.29, 34.61

 

CMYK 0 / 36 / 55 / 37

HEX #A16748

RGB 161 103 72

HSL 20.9, 0.38%, 0.46%

LAB 49.19, 19.94, 27.03

 

CMYK 0 / 51 / 55 / 37

HEX #A14F48

RGB 161 79 72

HSL 4.72, 0.38%, 0.46%

LAB 43.71, 33.26, 19.95

 

CMYK 0 / 55 / 55 / 37

HEX #A14848

RGB 161 72 72

HSL 0, 0.38%, 0.46%

LAB 42.28, 36.92, 18.06

 

CMYK 0 / 21 / 55 / 37

HEX #A17F48

RGB 161 127 72

HSL 37.08, 0.38%, 0.46%

LAB 55.3, 6.29, 34.61

 

CMYK 0 / 6 / 55 / 37

HEX #A19748

RGB 161 151 72

HSL 53.26, 0.38%, 0.46%

LAB 61.81, -6.96, 42.33

 

CMYK 8 / 0 / 55 / 37

HEX #94A148

RGB 148 161 72

HSL 68.76, 0.38%, 0.46%

LAB 63.55, -17.79, 44.07

 

CMYK 23 / 0 / 55 / 37

HEX #7CA148

RGB 124 161 72

HSL 84.94, 0.38%, 0.46%

LAB 61.86, -27.57, 41.68

 

CMYK 38 / 0 / 55 / 37

HEX #64A148

RGB 100 161 72

HSL 101.12, 0.38%, 0.46%

LAB 60.49, -36.46, 39.71

 

CMYK 0 / 21 / 55 / 37

HEX #A17F48

RGB 161 127 72

HSL 37.08, 0.38%, 0.46%

LAB 55.3, 6.29, 34.61

 

CMYK 0 / 27 / 71 / 29

HEX #B48335

RGB 180 131 53

HSL 36.85, 0.55%, 0.46%

LAB 58.22, 11.11, 47.96

 

CMYK 0 / 32 / 83 / 22

HEX #C78822

RGB 199 136 34

HSL 37.09, 0.71%, 0.46%

LAB 61.54, 15.94, 59.5

 

CMYK 0 / 36 / 93 / 15

HEX #DA8C0F

RGB 218 140 15

HSL 36.95, 0.87%, 0.46%

LAB 64.72, 21.63, 67.87

 

CMYK 0 / 21 / 55 / 37

HEX #A17F48

RGB 161 127 72

HSL 37.08, 0.38%, 0.46%

LAB 55.3, 6.29, 34.61

 

CMYK 0 / 13 / 36 / 44

HEX #8E7B5B

RGB 142 123 91

HSL 37.65, 0.22%, 0.46%

LAB 52.59, 2.38, 20.21

 

CMYK 0 / 4 / 11 / 52

HEX #7B766E

RGB 123 118 110

HSL 36.92, 0.06%, 0.46%

LAB 49.85, 0.4, 5.08

 

CMYK 19 / 12 / 0 / 49

HEX #687281

RGB 104 114 129

HSL 216, 0.11%, 0.46%

LAB 47.7, -0.31, -9.52

 

CMYK 43 / 26 / 0 / 42

HEX #556E94

RGB 85 110 148

HSL 216.19, 0.27%, 0.46%

LAB 45.94, 1.23, -23.62

 

CMYK 0 / 52 / 55 / 37

HEX #A14E48

RGB 161 78 72

HSL 4.04, 0.38%, 0.46%

LAB 43.5, 33.79, 19.68

 

CMYK 0 / 37 / 55 / 37

HEX #A16648

RGB 161 102 72

HSL 20.22, 0.38%, 0.46%

LAB 48.94, 20.51, 26.72

 

CMYK 0 / 22 / 55 / 37

HEX #A17E48

RGB 161 126 72

HSL 36.4, 0.38%, 0.46%

LAB 55.04, 6.86, 34.29

 

CMYK 0 / 7 / 55 / 37

HEX #A19548

RGB 161 149 72

HSL 51.91, 0.38%, 0.46%

LAB 61.26, -5.88, 41.69

 

CMYK 7 / 0 / 55 / 37

HEX #95A148

RGB 149 161 72

HSL 68.09, 0.38%, 0.46%

LAB 63.63, -17.37, 44.18

 

CMYK 0 / 21 / 55 / 59

HEX #68522F

RGB 104 82 47

HSL 36.84, 0.38%, 0.3%

LAB 36.33, 4.32, 23.88

 

CMYK 0 / 21 / 56 / 48

HEX #85693B

RGB 133 105 59

HSL 37.3, 0.39%, 0.38%

LAB 46.18, 5.22, 29.89

 

CMYK 0 / 21 / 55 / 37

HEX #A17F48

RGB 161 127 72

HSL 37.08, 0.38%, 0.46%

LAB 55.3, 6.29, 34.61

 

CMYK 0 / 19 / 49 / 29

HEX #B6945D

RGB 182 148 93

HSL 37.08, 0.38%, 0.54%

LAB 63.27, 5.62, 33.76

 

CMYK 0 / 15 / 38 / 24

HEX #C3A679

RGB 195 166 121

HSL 36.49, 0.38%, 0.62%

LAB 69.65, 4.24, 27.24

 

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

CMYK 44 / 0 / 55 / 37

HEX #5AA148

RGB 90 161 72

HSL 107.87, 0.38%, 0.46%

LAB 60.01, -39.79, 39.03

 

CMYK 44 / 55 / 0 / 37

HEX #5A48A1

RGB 90 72 161

HSL 252.13, 0.38%, 0.46%

LAB 36.71, 30.2, -45.92

 

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

CMYK 55 / 0 / 22 / 37

HEX #48A17E

RGB 72 161 126

HSL 156.4, 0.38%, 0.46%

LAB 60.22, -35.27, 10.27

 

CMYK 22 / 55 / 0 / 37

HEX #7E48A1

RGB 126 72 161

HSL 276.4, 0.38%, 0.46%

LAB 40.64, 39.5, -39.41

 

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

CMYK 44 / 0 / 55 / 37

HEX #5AA148

RGB 90 161 72

HSL 107.87, 0.38%, 0.46%

LAB 60.01, -39.79, 39.03

 

CMYK 55 / 33 / 0 / 37

HEX #486CA1

RGB 72 108 161

HSL 215.73, 0.38%, 0.46%

LAB 45.19, 3.23, -32.53

 

CMYK 11 / 55 / 0 / 37

HEX #9048A1

RGB 144 72 161

HSL 288.54, 0.38%, 0.46%

LAB 42.97, 44.46, -35.58

 

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

CMYK 55 / 0 / 50 / 37

HEX #48A151

RGB 72 161 81

HSL 126.07, 0.38%, 0.46%

LAB 59.4, -43.82, 33.59

 

CMYK 55 / 33 / 0 / 37

HEX #486CA1

RGB 72 108 161

HSL 215.73, 0.38%, 0.46%

LAB 45.19, 3.23, -32.53

 

CMYK 0 / 55 / 6 / 37

HEX #A14898

RGB 161 72 152

HSL 306.07, 0.38%, 0.46%

LAB 44.91, 47.59, -26.98

 

Description

Color code: HEX #A17F49 | qconv.com Color code: HEX #A17F49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 127 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 127 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 55 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 55% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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