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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A178C6 it is the complementary color #5E8739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A178C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A178C6 shade: #A678C1, #B78AD4, #C89CE7, #D9AEFA and #EAC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A178C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A178C6 shade: #A178C6, #9066B3, #7F54A0, #6E428D and #5D307A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A178C6 shade: #A076C6, #B676C6, #C676C1, #C676AB and #C67696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A178C6 shade: #A076C6, #8B76C6 and #7676C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A178C6 shade matches the following richer shades: #A076C6, #A167D6, #A257E5 and #A347F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A178C6 shade: #A076C6, #9F86B6, #9F96A6, #9EA597 and #9DB587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A178C6 shade: #7678C6, #8A76C6, #9F76C6, #B576C6 and #C676C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A178C6 shade: #7745A5, #8C59BA, #A076C6, #B493D2 and #C9B1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A178C6 shade: #A178C6, #C6768D and #76C680

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A178C6 shade: #A178C6, #C69F76 and #76C69F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A178C6 shade: #A178C6, #C6768D, #9DC676 and #76C6AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A178C6 shade: #A178C6, #C67876, #9DC676 and #76C5C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 39 / 0 / 22

HEX #A178C6

RGB 161 120 198

HSL 271.54, 0.41%, 0.62%

LAB 57.16, 31.06, -34.67

 

Complementary color

CMYK 30 / 0 / 58 / 47

HEX #5E8739

RGB 94 135 57

HSL 91.54, 0.41%, 0.38%

LAB 51.84, -28.24, 36.87

 

CMYK 14 / 38 / 0 / 24

HEX #A678C1

RGB 166 120 193

HSL 277.81, 0.37%, 0.61%

LAB 57.45, 31.47, -31.34

 

CMYK 14 / 35 / 0 / 17

HEX #B78AD4

RGB 183 138 212

HSL 276.49, 0.46%, 0.69%

LAB 64.16, 30.74, -31.5

 

CMYK 13 / 32 / 0 / 9

HEX #C89CE7

RGB 200 156 231

HSL 275.2, 0.61%, 0.76%

LAB 70.75, 30.06, -31.67

 

CMYK 13 / 30 / 0 / 2

HEX #D9AEFA

RGB 217 174 250

HSL 273.95, 0.88%, 0.83%

LAB 77.24, 29.42, -31.85

 

CMYK 8 / 25 / 0 / 0

HEX #EAC0FF

RGB 234 192 255

HSL 280, 1%, 0.88%

LAB 83.13, 26.02, -25.36

 

CMYK 19 / 39 / 0 / 22

HEX #A178C6

RGB 161 120 198

HSL 271.54, 0.41%, 0.62%

LAB 57.16, 31.06, -34.67

 

CMYK 20 / 43 / 0 / 30

HEX #9066B3

RGB 144 102 179

HSL 272.73, 0.34%, 0.55%

LAB 50.32, 31.87, -34.6

 

CMYK 21 / 48 / 0 / 37

HEX #7F54A0

RGB 127 84 160

HSL 273.95, 0.31%, 0.48%

LAB 43.35, 32.75, -34.53

 

CMYK 22 / 53 / 0 / 45

HEX #6E428D

RGB 110 66 141

HSL 275.2, 0.36%, 0.41%

LAB 36.24, 33.66, -34.43

 

CMYK 24 / 61 / 0 / 52

HEX #5D307A

RGB 93 48 122

HSL 276.49, 0.44%, 0.33%

LAB 29.02, 34.55, -34.26

 

CMYK 19 / 40 / 0 / 22

HEX #A076C6

RGB 160 118 198

HSL 271.5, 0.41%, 0.62%

LAB 56.59, 31.9, -35.57

 

CMYK 8 / 40 / 0 / 22

HEX #B676C6

RGB 182 118 198

HSL 288, 0.41%, 0.62%

LAB 58.96, 38.56, -31.71

 

CMYK 0 / 40 / 3 / 22

HEX #C676C1

RGB 198 118 193

HSL 303.75, 0.41%, 0.62%

LAB 60.62, 42.55, -26.15

 

CMYK 0 / 40 / 14 / 22

HEX #C676AB

RGB 198 118 171

HSL 320.25, 0.41%, 0.62%

LAB 59.8, 38.74, -14.85

 

CMYK 0 / 40 / 24 / 22

HEX #C67696

RGB 198 118 150

HSL 336, 0.41%, 0.62%

LAB 59.13, 35.49, -3.77

 

CMYK 19 / 40 / 0 / 22

HEX #A076C6

RGB 160 118 198

HSL 271.5, 0.41%, 0.62%

LAB 56.59, 31.9, -35.57

 

CMYK 30 / 40 / 0 / 22

HEX #8B76C6

RGB 139 118 198

HSL 255.75, 0.41%, 0.62%

LAB 54.58, 25.76, -38.87

 

CMYK 40 / 40 / 0 / 22

HEX #7676C6

RGB 118 118 198

HSL 240, 0.41%, 0.62%

LAB 52.82, 20, -41.75

 

CMYK 19 / 40 / 0 / 22

HEX #A076C6

RGB 160 118 198

HSL 271.5, 0.41%, 0.62%

LAB 56.59, 31.9, -35.57

 

CMYK 25 / 52 / 0 / 16

HEX #A167D6

RGB 161 103 214

HSL 271.35, 0.58%, 0.62%

LAB 54.17, 44.25, -48.47

 

CMYK 29 / 62 / 0 / 10

HEX #A257E5

RGB 162 87 229

HSL 271.69, 0.73%, 0.62%

LAB 52.01, 56.31, -60.39

 

CMYK 33 / 71 / 0 / 4

HEX #A347F5

RGB 163 71 245

HSL 271.72, 0.9%, 0.62%

LAB 50.55, 67.51, -71.72

 

CMYK 19 / 40 / 0 / 22

HEX #A076C6

RGB 160 118 198

HSL 271.5, 0.41%, 0.62%

LAB 56.59, 31.9, -35.57

 

CMYK 13 / 26 / 0 / 29

HEX #9F86B6

RGB 159 134 182

HSL 271.25, 0.25%, 0.62%

LAB 59.71, 18.84, -21.66

 

CMYK 4 / 10 / 0 / 35

HEX #9F96A6

RGB 159 150 166

HSL 273.75, 0.08%, 0.62%

LAB 63.29, 6.38, -7.18

 

CMYK 4 / 0 / 8 / 35

HEX #9EA597

RGB 158 165 151

HSL 90, 0.07%, 0.62%

LAB 66.83, -5.12, 6.39

 

CMYK 13 / 0 / 25 / 29

HEX #9DB587

RGB 157 181 135

HSL 91.3, 0.24%, 0.62%

LAB 70.85, -16.64, 20.78

 

CMYK 40 / 39 / 0 / 22

HEX #7678C6

RGB 118 120 198

HSL 238.5, 0.41%, 0.62%

LAB 53.34, 18.8, -40.94

 

CMYK 30 / 40 / 0 / 22

HEX #8A76C6

RGB 138 118 198

HSL 255, 0.41%, 0.62%

LAB 54.49, 25.47, -39.02

 

CMYK 20 / 40 / 0 / 22

HEX #9F76C6

RGB 159 118 198

HSL 270.75, 0.41%, 0.62%

LAB 56.49, 31.6, -35.74

 

CMYK 9 / 40 / 0 / 22

HEX #B576C6

RGB 181 118 198

HSL 287.25, 0.41%, 0.62%

LAB 58.84, 38.25, -31.89

 

CMYK 0 / 40 / 2 / 22

HEX #C676C2

RGB 198 118 194

HSL 303, 0.41%, 0.62%

LAB 60.66, 42.73, -26.66

 

CMYK 28 / 58 / 0 / 35

HEX #7745A5

RGB 119 69 165

HSL 271.25, 0.41%, 0.46%

LAB 39.4, 40.27, -43.83

 

CMYK 25 / 52 / 0 / 27

HEX #8C59BA

RGB 140 89 186

HSL 271.55, 0.41%, 0.54%

LAB 47.32, 39.77, -43.43

 

CMYK 19 / 40 / 0 / 22

HEX #A076C6

RGB 160 118 198

HSL 271.5, 0.41%, 0.62%

LAB 56.59, 31.9, -35.57

 

CMYK 14 / 30 / 0 / 18

HEX #B493D2

RGB 180 147 210

HSL 271.43, 0.41%, 0.7%

LAB 65.92, 24.34, -27.69

 

CMYK 9 / 20 / 0 / 13

HEX #C9B1DE

RGB 201 177 222

HSL 272, 0.41%, 0.78%

LAB 75.54, 16.98, -19.43

 

CMYK 19 / 39 / 0 / 22

HEX #A178C6

RGB 161 120 198

HSL 271.54, 0.41%, 0.62%

LAB 57.16, 31.06, -34.67

 

CMYK 0 / 40 / 29 / 22

HEX #C6768D

RGB 198 118 141

HSL 342.75, 0.41%, 0.62%

LAB 58.87, 34.22, 1.05

 

CMYK 40 / 0 / 35 / 22

HEX #76C680

RGB 118 198 128

HSL 127.5, 0.41%, 0.62%

LAB 73.41, -39.17, 27.59

 

CMYK 19 / 39 / 0 / 22

HEX #A178C6

RGB 161 120 198

HSL 271.54, 0.41%, 0.62%

LAB 57.16, 31.06, -34.67

 

CMYK 0 / 20 / 40 / 22

HEX #C69F76

RGB 198 159 118

HSL 30.75, 0.41%, 0.62%

LAB 68.1, 8.9, 26.86

 

CMYK 40 / 0 / 20 / 22

HEX #76C69F

RGB 118 198 159

HSL 150.75, 0.41%, 0.62%

LAB 74.03, -33.37, 11.93

 

CMYK 19 / 39 / 0 / 22

HEX #A178C6

RGB 161 120 198

HSL 271.54, 0.41%, 0.62%

LAB 57.16, 31.06, -34.67

 

CMYK 0 / 40 / 29 / 22

HEX #C6768D

RGB 198 118 141

HSL 342.75, 0.41%, 0.62%

LAB 58.87, 34.22, 1.05

 

CMYK 21 / 0 / 40 / 22

HEX #9DC676

RGB 157 198 118

HSL 90.75, 0.41%, 0.62%

LAB 75.37, -27.53, 35.71

 

CMYK 40 / 0 / 12 / 22

HEX #76C6AF

RGB 118 198 175

HSL 162.75, 0.41%, 0.62%

LAB 74.4, -29.92, 3.84

 

CMYK 19 / 39 / 0 / 22

HEX #A178C6

RGB 161 120 198

HSL 271.54, 0.41%, 0.62%

LAB 57.16, 31.06, -34.67

 

CMYK 0 / 39 / 40 / 22

HEX #C67876

RGB 198 120 118

HSL 1.5, 0.41%, 0.62%

LAB 58.74, 30.24, 14.14

 

CMYK 21 / 0 / 40 / 22

HEX #9DC676

RGB 157 198 118

HSL 90.75, 0.41%, 0.62%

LAB 75.37, -27.53, 35.71

 

CMYK 40 / 1 / 0 / 22

HEX #76C5C6

RGB 118 197 198

HSL 180.75, 0.41%, 0.62%

LAB 74.74, -23.96, -8.14

 

Description

Color code: HEX #A178C6 | qconv.com Color code: HEX #A178C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 120 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 120 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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