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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1742B it is the complementary color #5E8BD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1742B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1742B shade: #A67426, #B78639, #C8984C, #D9AA5F and #EABC72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1742B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1742B shade: #A1742B, #906218, #7F5005, #6E3E00 and #5D2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1742B shade: #A1742B, #A1542B, #A1342B and #A12B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1742B shade: #A1742B, #A1942B, #8EA12B, #6FA12B and #4FA12B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1742B shade matches the following richer shades: #A1742B, #B2781A and #C27C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1742B shade: #A1742B, #91703B, #806C4C, #70685C and #5F646D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1742B shade: #A1352B, #A1542B, #A1742B, #A1932B and #8FA12B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1742B shade: #60451A, #815D22, #A1742B, #C28C34 and #D09F4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1742B shade: #A1742B, #41A12B and #442BA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1742B shade: #A1742B, #2BA174 and #742BA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1742B shade: #A1742B, #41A12B, #2B58A1 and #8B2BA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1742B shade: #A1742B, #2BA139, #2B58A1 and #A12B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

Complementary color

CMYK 56 / 34 / 0 / 17

HEX #5E8BD4

RGB 94 139 212

HSL 217.12, 0.58%, 0.6%

LAB 57.65, 5.98, -42.16

 

CMYK 0 / 30 / 77 / 35

HEX #A67426

RGB 166 116 38

HSL 36.56, 0.63%, 0.4%

LAB 52.66, 12.53, 48.42

 

CMYK 0 / 27 / 69 / 28

HEX #B78639

RGB 183 134 57

HSL 36.67, 0.53%, 0.47%

LAB 59.35, 11, 47.41

 

CMYK 0 / 24 / 62 / 22

HEX #C8984C

RGB 200 152 76

HSL 36.77, 0.53%, 0.54%

LAB 65.95, 9.71, 46.13

 

CMYK 0 / 22 / 56 / 15

HEX #D9AA5F

RGB 217 170 95

HSL 36.89, 0.62%, 0.61%

LAB 72.45, 8.62, 44.78

 

CMYK 0 / 20 / 51 / 8

HEX #EABC72

RGB 234 188 114

HSL 37, 0.74%, 0.68%

LAB 78.85, 7.69, 43.44

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 32 / 83 / 44

HEX #906218

RGB 144 98 24

HSL 37, 0.71%, 0.33%

LAB 45.26, 12.21, 46.16

 

CMYK 0 / 37 / 96 / 50

HEX #7F5005

RGB 127 80 5

HSL 36.89, 0.92%, 0.26%

LAB 38.31, 14.28, 45.58

 

CMYK 0 / 44 / 100 / 57

HEX #6E3E00

RGB 110 62 0

HSL 33.82, 1%, 0.22%

LAB 31.25, 16.83, 41.37

 

CMYK 0 / 53 / 100 / 64

HEX #5D2C00

RGB 93 44 0

HSL 28.39, 1%, 0.18%

LAB 24.09, 19.58, 34.22

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 48 / 73 / 37

HEX #A1542B

RGB 161 84 43

HSL 20.85, 0.58%, 0.4%

LAB 44.36, 28.55, 37.37

 

CMYK 0 / 68 / 73 / 37

HEX #A1342B

RGB 161 52 43

HSL 4.58, 0.58%, 0.4%

LAB 38.21, 44.47, 30.53

 

CMYK 0 / 73 / 73 / 37

HEX #A12B2B

RGB 161 43 43

HSL 0, 0.58%, 0.4%

LAB 36.89, 48.09, 29.01

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 8 / 73 / 37

HEX #A1942B

RGB 161 148 43

HSL 53.39, 0.58%, 0.4%

LAB 60.72, -7.27, 54.06

 

CMYK 12 / 0 / 73 / 37

HEX #8EA12B

RGB 142 161 43

HSL 69.66, 0.58%, 0.4%

LAB 62.86, -22.4, 55.59

 

CMYK 31 / 0 / 73 / 37

HEX #6FA12B

RGB 111 161 43

HSL 85.42, 0.58%, 0.4%

LAB 60.82, -35.04, 52.9

 

CMYK 51 / 0 / 73 / 37

HEX #4FA12B

RGB 79 161 43

HSL 101.69, 0.58%, 0.4%

LAB 59.28, -46.07, 50.84

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 33 / 85 / 30

HEX #B2781A

RGB 178 120 26

HSL 37.11, 0.75%, 0.4%

LAB 55.04, 15.25, 55.56

 

CMYK 0 / 36 / 95 / 24

HEX #C27C0A

RGB 194 124 10

HSL 37.17, 0.9%, 0.4%

LAB 57.95, 19.83, 62.53

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 23 / 59 / 43

HEX #91703B

RGB 145 112 59

HSL 36.98, 0.42%, 0.4%

LAB 49.4, 6.6, 34.06

 

CMYK 0 / 16 / 41 / 50

HEX #806C4C

RGB 128 108 76

HSL 36.92, 0.25%, 0.4%

LAB 46.76, 3.06, 20.85

 

CMYK 0 / 7 / 18 / 56

HEX #70685C

RGB 112 104 92

HSL 36, 0.1%, 0.4%

LAB 44.4, 0.94, 7.89

 

CMYK 13 / 8 / 0 / 57

HEX #5F646D

RGB 95 100 109

HSL 218.57, 0.07%, 0.4%

LAB 42.23, 0.08, -5.74

 

CMYK 0 / 67 / 73 / 37

HEX #A1352B

RGB 161 53 43

HSL 5.08, 0.58%, 0.4%

LAB 38.37, 44.04, 30.71

 

CMYK 0 / 48 / 73 / 37

HEX #A1542B

RGB 161 84 43

HSL 20.85, 0.58%, 0.4%

LAB 44.36, 28.55, 37.37

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 9 / 73 / 37

HEX #A1932B

RGB 161 147 43

HSL 52.88, 0.58%, 0.4%

LAB 60.44, -6.73, 53.79

 

CMYK 11 / 0 / 73 / 37

HEX #8FA12B

RGB 143 161 43

HSL 69.15, 0.58%, 0.4%

LAB 62.93, -21.97, 55.68

 

CMYK 0 / 28 / 73 / 62

HEX #60451A

RGB 96 69 26

HSL 36.86, 0.57%, 0.24%

LAB 31.39, 6.7, 29.67

 

CMYK 0 / 28 / 74 / 49

HEX #815D22

RGB 129 93 34

HSL 37.26, 0.58%, 0.32%

LAB 42.17, 8.56, 38.26

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 0 / 28 / 73 / 24

HEX #C28C34

RGB 194 140 52

HSL 37.18, 0.58%, 0.48%

LAB 62.06, 12.26, 52.85

 

CMYK 0 / 24 / 63 / 18

HEX #D09F4E

RGB 208 159 78

HSL 37.38, 0.58%, 0.56%

LAB 68.57, 9.48, 48.38

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 60 / 0 / 73 / 37

HEX #41A12B

RGB 65 161 43

HSL 108.81, 0.58%, 0.4%

LAB 58.78, -49.97, 50.18

 

CMYK 58 / 73 / 0 / 37

HEX #442BA1

RGB 68 43 161

HSL 252.71, 0.58%, 0.4%

LAB 28.19, 43.01, -59.86

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 73 / 0 / 28 / 37

HEX #2BA174

RGB 43 161 116

HSL 157.12, 0.58%, 0.4%

LAB 59.22, -43.09, 14.33

 

CMYK 28 / 73 / 0 / 37

HEX #742BA1

RGB 116 43 161

HSL 277.12, 0.58%, 0.4%

LAB 34.01, 51.59, -50.12

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 60 / 0 / 73 / 37

HEX #41A12B

RGB 65 161 43

HSL 108.81, 0.58%, 0.4%

LAB 58.78, -49.97, 50.18

 

CMYK 73 / 45 / 0 / 37

HEX #2B58A1

RGB 43 88 161

HSL 217.12, 0.58%, 0.4%

LAB 37.96, 10.47, -44.08

 

CMYK 14 / 73 / 0 / 37

HEX #8B2BA1

RGB 139 43 161

HSL 288.81, 0.58%, 0.4%

LAB 37.46, 56.39, -44.38

 

CMYK 0 / 28 / 73 / 37

HEX #A1742B

RGB 161 116 43

HSL 37.12, 0.58%, 0.4%

LAB 52.11, 10.5, 45.5

 

CMYK 73 / 0 / 65 / 37

HEX #2BA139

RGB 43 161 57

HSL 127.12, 0.58%, 0.4%

LAB 58.32, -53.3, 43.73

 

CMYK 73 / 45 / 0 / 37

HEX #2B58A1

RGB 43 88 161

HSL 217.12, 0.58%, 0.4%

LAB 37.96, 10.47, -44.08

 

CMYK 0 / 73 / 9 / 37

HEX #A12B93

RGB 161 43 147

HSL 307.12, 0.58%, 0.4%

LAB 40.26, 58.92, -31.24

 

Description

Color code: HEX #A1742B | qconv.com Color code: HEX #A1742B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 116 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 116 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 73% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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