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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15750 it is the complementary color #5EA8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15750 shade: #A6574B, #B7695E, #C87B71, #D98D84 and #EA9F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15750 shade: #A15750, #90453D, #7F332A, #6E2117 and #5D0F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15750 shade: #A1564F and #A14F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15750 shade: #A1564F, #A16C4F, #A1824F, #A1984F and #93A14F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15750 shade matches the following richer shades: #A1564F, #B4463C, #C73628, #DB2615 and #EE1602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15750 shade: #A1564F, #8D6662, #7A7676, #668689 and #53969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15750 shade: #A14F74, #A14F5E, #A1564F, #A16C4F and #A1814F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15750 shade: #693834, #854741, #A1564F, #B36C66 and #C18781

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15750 shade: #A15750, #8AA14F and #4F69A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15750 shade: #A15750, #4FA156 and #564FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15750 shade: #A15750, #8AA14F, #4F9AA1 and #664FA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15750 shade: #A15750, #71A14F, #4F9AA1 and #7F4FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 50 / 37

HEX #A15750

RGB 161 87 80

HSL 5.19, 0.34%, 0.47%

LAB 45.6, 29.67, 17.66

 

Complementary color

CMYK 46 / 4 / 0 / 31

HEX #5EA8AF

RGB 94 168 175

HSL 185.19, 0.34%, 0.53%

LAB 64.55, -21.14, -10.79

 

CMYK 0 / 48 / 55 / 35

HEX #A6574B

RGB 166 87 75

HSL 7.91, 0.38%, 0.47%

LAB 46.22, 31.2, 21.6

 

CMYK 0 / 43 / 49 / 28

HEX #B7695E

RGB 183 105 94

HSL 7.42, 0.38%, 0.54%

LAB 52.93, 29.96, 19.76

 

CMYK 0 / 39 / 44 / 22

HEX #C87B71

RGB 200 123 113

HSL 6.9, 0.44%, 0.61%

LAB 59.56, 28.84, 18.18

 

CMYK 0 / 35 / 39 / 15

HEX #D98D84

RGB 217 141 132

HSL 6.35, 0.53%, 0.68%

LAB 66.11, 27.83, 16.79

 

CMYK 0 / 32 / 35 / 8

HEX #EA9F97

RGB 234 159 151

HSL 5.78, 0.66%, 0.75%

LAB 72.58, 26.92, 15.54

 

CMYK 0 / 46 / 50 / 37

HEX #A15750

RGB 161 87 80

HSL 5.19, 0.34%, 0.47%

LAB 45.6, 29.67, 17.66

 

CMYK 0 / 52 / 58 / 44

HEX #90453D

RGB 144 69 61

HSL 5.78, 0.4%, 0.4%

LAB 38.76, 30.94, 19.68

 

CMYK 0 / 60 / 67 / 50

HEX #7F332A

RGB 127 51 42

HSL 6.35, 0.5%, 0.33%

LAB 31.91, 32.27, 22.17

 

CMYK 0 / 70 / 79 / 57

HEX #6E2117

RGB 110 33 23

HSL 6.9, 0.65%, 0.26%

LAB 25.15, 33.49, 25.28

 

CMYK 0 / 84 / 96 / 64

HEX #5D0F04

RGB 93 15 4

HSL 7.42, 0.92%, 0.19%

LAB 18.7, 34.03, 26.76

 

CMYK 0 / 47 / 51 / 37

HEX #A1564F

RGB 161 86 79

HSL 5.12, 0.34%, 0.47%

LAB 45.36, 30.12, 17.93

 

CMYK 0 / 51 / 51 / 37

HEX #A14F4F

RGB 161 79 79

HSL 0, 0.34%, 0.47%

LAB 43.85, 33.9, 15.9

 

CMYK 0 / 47 / 51 / 37

HEX #A1564F

RGB 161 86 79

HSL 5.12, 0.34%, 0.47%

LAB 45.36, 30.12, 17.93

 

CMYK 0 / 33 / 51 / 37

HEX #A16C4F

RGB 161 108 79

HSL 21.22, 0.34%, 0.47%

LAB 50.53, 17.75, 24.75

 

CMYK 0 / 19 / 51 / 37

HEX #A1824F

RGB 161 130 79

HSL 37.32, 0.34%, 0.47%

LAB 56.19, 5.25, 31.95

 

CMYK 0 / 6 / 51 / 37

HEX #A1984F

RGB 161 152 79

HSL 53.41, 0.34%, 0.47%

LAB 62.17, -6.88, 39.25

 

CMYK 9 / 0 / 51 / 37

HEX #93A14F

RGB 147 161 79

HSL 70.24, 0.34%, 0.47%

LAB 63.55, -17.55, 40.63

 

CMYK 0 / 47 / 51 / 37

HEX #A1564F

RGB 161 86 79

HSL 5.12, 0.34%, 0.47%

LAB 45.36, 30.12, 17.93

 

CMYK 0 / 61 / 67 / 29

HEX #B4463C

RGB 180 70 60

HSL 5, 0.5%, 0.47%

LAB 44.82, 44.06, 29.15

 

CMYK 0 / 73 / 80 / 22

HEX #C73628

RGB 199 54 40

HSL 5.28, 0.67%, 0.47%

LAB 45.54, 56.17, 42.16

 

CMYK 0 / 83 / 90 / 14

HEX #DB2615

RGB 219 38 21

HSL 5.15, 0.83%, 0.47%

LAB 47.62, 66.35, 54.32

 

CMYK 0 / 91 / 99 / 7

HEX #EE1602

RGB 238 22 2

HSL 5.08, 0.98%, 0.47%

LAB 50.4, 74.07, 63.5

 

CMYK 0 / 47 / 51 / 37

HEX #A1564F

RGB 161 86 79

HSL 5.12, 0.34%, 0.47%

LAB 45.36, 30.12, 17.93

 

CMYK 0 / 28 / 30 / 45

HEX #8D6662

RGB 141 102 98

HSL 5.58, 0.18%, 0.47%

LAB 47.04, 15.11, 8.45

 

CMYK 0 / 3 / 3 / 52

HEX #7A7676

RGB 122 118 118

HSL 0, 0.02%, 0.47%

LAB 49.98, 1.53, 0.54

 

CMYK 26 / 2 / 0 / 46

HEX #668689

RGB 102 134 137

HSL 185.14, 0.15%, 0.47%

LAB 53.69, -10.5, -5.31

 

CMYK 47 / 4 / 0 / 38

HEX #53969D

RGB 83 150 157

HSL 185.68, 0.31%, 0.47%

LAB 58.12, -19.33, -10.31

 

CMYK 0 / 51 / 28 / 37

HEX #A14F74

RGB 161 79 116

HSL 332.93, 0.34%, 0.47%

LAB 44.84, 38.31, -5.31

 

CMYK 0 / 51 / 42 / 37

HEX #A14F5E

RGB 161 79 94

HSL 349.02, 0.34%, 0.47%

LAB 44.2, 35.48, 7.22

 

CMYK 0 / 47 / 51 / 37

HEX #A1564F

RGB 161 86 79

HSL 5.12, 0.34%, 0.47%

LAB 45.36, 30.12, 17.93

 

CMYK 0 / 33 / 51 / 37

HEX #A16C4F

RGB 161 108 79

HSL 21.22, 0.34%, 0.47%

LAB 50.53, 17.75, 24.75

 

CMYK 0 / 20 / 51 / 37

HEX #A1814F

RGB 161 129 79

HSL 36.59, 0.34%, 0.47%

LAB 55.93, 5.81, 31.62

 

CMYK 0 / 47 / 50 / 59

HEX #693834

RGB 105 56 52

HSL 4.53, 0.34%, 0.31%

LAB 29.61, 21.23, 12.11

 

CMYK 0 / 47 / 51 / 48

HEX #854741

RGB 133 71 65

HSL 5.29, 0.34%, 0.39%

LAB 37.62, 25.72, 15.38

 

CMYK 0 / 47 / 51 / 37

HEX #A1564F

RGB 161 86 79

HSL 5.12, 0.34%, 0.47%

LAB 45.36, 30.12, 17.93

 

CMYK 0 / 40 / 43 / 30

HEX #B36C66

RGB 179 108 102

HSL 4.68, 0.34%, 0.55%

LAB 53.24, 27.57, 15.43

 

CMYK 0 / 30 / 33 / 24

HEX #C18781

RGB 193 135 129

HSL 5.63, 0.34%, 0.63%

LAB 61.87, 21.43, 12.14

 

CMYK 0 / 46 / 50 / 37

HEX #A15750

RGB 161 87 80

HSL 5.19, 0.34%, 0.47%

LAB 45.6, 29.67, 17.66

 

CMYK 14 / 0 / 51 / 37

HEX #8AA14F

RGB 138 161 79

HSL 76.83, 0.34%, 0.47%

LAB 62.89, -21.25, 39.68

 

CMYK 51 / 35 / 0 / 37

HEX #4F69A1

RGB 79 105 161

HSL 220.98, 0.34%, 0.47%

LAB 44.71, 6.74, -33.24

 

CMYK 0 / 46 / 50 / 37

HEX #A15750

RGB 161 87 80

HSL 5.19, 0.34%, 0.47%

LAB 45.6, 29.67, 17.66

 

CMYK 51 / 0 / 47 / 37

HEX #4FA156

RGB 79 161 86

HSL 125.12, 0.34%, 0.47%

LAB 59.73, -41.17, 31.47

 

CMYK 47 / 51 / 0 / 37

HEX #564FA1

RGB 86 79 161

HSL 245.12, 0.34%, 0.47%

LAB 38.1, 24.87, -43.71

 

CMYK 0 / 46 / 50 / 37

HEX #A15750

RGB 161 87 80

HSL 5.19, 0.34%, 0.47%

LAB 45.6, 29.67, 17.66

 

CMYK 14 / 0 / 51 / 37

HEX #8AA14F

RGB 138 161 79

HSL 76.83, 0.34%, 0.47%

LAB 62.89, -21.25, 39.68

 

CMYK 51 / 4 / 0 / 37

HEX #4F9AA1

RGB 79 154 161

HSL 185.12, 0.34%, 0.47%

LAB 59.29, -21.25, -10.84

 

CMYK 37 / 51 / 0 / 37

HEX #664FA1

RGB 102 79 161

HSL 256.83, 0.34%, 0.47%

LAB 39.56, 28.94, -41.29

 

CMYK 0 / 46 / 50 / 37

HEX #A15750

RGB 161 87 80

HSL 5.19, 0.34%, 0.47%

LAB 45.6, 29.67, 17.66

 

CMYK 30 / 0 / 51 / 37

HEX #71A14F

RGB 113 161 79

HSL 95.12, 0.34%, 0.47%

LAB 61.28, -30.98, 37.35

 

CMYK 51 / 4 / 0 / 37

HEX #4F9AA1

RGB 79 154 161

HSL 185.12, 0.34%, 0.47%

LAB 59.29, -21.25, -10.84

 

CMYK 21 / 51 / 0 / 37

HEX #7F4FA1

RGB 127 79 161

HSL 275.12, 0.34%, 0.47%

LAB 42.27, 35.86, -36.82

 

Description

Color code: HEX #A15750 | qconv.com Color code: HEX #A15750 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 87 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 87 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 50 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 50% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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