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Color name
HEX #A1308F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1308F it is the complementary color #5ECF70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1308F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1308F shade: #A6308A, #B7429D, #C854B0, #D966C3 and #EA78D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1308F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1308F shade: #A1308F, #901E7C, #7F0C69, #6E0056 and #5D0043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1308F shade: #A1308F, #A13071, #A13052, #A13034 and #A13030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1308F shade: #A1308F, #9530A1, #7630A1, #5830A1 and #3930A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1308F shade matches the following richer shades: #A1308F, #B21F9B and #C30EA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1308F shade: #A1308F, #904183, #7F5278, #6E636C and #5D7461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1308F shade: #7630A1, #9430A1, #A13090, #A13072 and #A13054

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1308F shade: #611D57, #812773, #A1308F, #C13AAB and #CD57BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1308F shade: #A1308F, #A15830 and #30A185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1308F shade: #A1308F, #90A130 and #3090A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1308F shade: #A1308F, #A15830, #30A141 and #3079A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1308F shade: #A1308F, #A17930, #30A141 and #3058A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

Complementary color

CMYK 55 / 0 / 46 / 19

HEX #5ECF70

RGB 94 207 112

HSL 129.56, 0.54%, 0.59%

LAB 74.94, -52.08, 37.58

 

CMYK 0 / 71 / 17 / 35

HEX #A6308A

RGB 166 48 138

HSL 314.24, 0.55%, 0.42%

LAB 41.3, 57.03, -24.07

 

CMYK 0 / 64 / 14 / 28

HEX #B7429D

RGB 183 66 157

HSL 313.33, 0.47%, 0.49%

LAB 47.49, 57.28, -25.7

 

CMYK 0 / 58 / 12 / 22

HEX #C854B0

RGB 200 84 176

HSL 312.41, 0.51%, 0.56%

LAB 53.77, 57.07, -26.95

 

CMYK 0 / 53 / 10 / 15

HEX #D966C3

RGB 217 102 195

HSL 311.48, 0.6%, 0.63%

LAB 60.06, 56.62, -27.94

 

CMYK 0 / 49 / 9 / 8

HEX #EA78D6

RGB 234 120 214

HSL 310.53, 0.73%, 0.69%

LAB 66.35, 56.02, -28.75

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 79 / 14 / 44

HEX #901E7C

RGB 144 30 124

HSL 310.53, 0.66%, 0.34%

LAB 34.63, 55.56, -26.12

 

CMYK 0 / 91 / 17 / 50

HEX #7F0C69

RGB 127 12 105

HSL 311.48, 0.83%, 0.27%

LAB 28.89, 53.34, -23.26

 

CMYK 0 / 100 / 22 / 57

HEX #6E0056

RGB 110 0 86

HSL 313.09, 1%, 0.22%

LAB 23.63, 49.31, -19.27

 

CMYK 0 / 100 / 28 / 64

HEX #5D0043

RGB 93 0 67

HSL 316.77, 1%, 0.18%

LAB 18.94, 43.12, -13.9

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 70 / 30 / 37

HEX #A13071

RGB 161 48 113

HSL 325.49, 0.54%, 0.41%

LAB 39.38, 52.27, -11.65

 

CMYK 0 / 70 / 49 / 37

HEX #A13052

RGB 161 48 82

HSL 341.95, 0.54%, 0.41%

LAB 38.38, 48.86, 6.44

 

CMYK 0 / 70 / 68 / 37

HEX #A13034

RGB 161 48 52

HSL 357.88, 0.54%, 0.41%

LAB 37.73, 46.61, 24.51

 

CMYK 0 / 70 / 70 / 37

HEX #A13030

RGB 161 48 48

HSL 0, 0.54%, 0.41%

LAB 37.67, 46.39, 26.89

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 7 / 70 / 0 / 37

HEX #9530A1

RGB 149 48 161

HSL 293.63, 0.54%, 0.41%

LAB 39.71, 56.69, -40.7

 

CMYK 27 / 70 / 0 / 37

HEX #7630A1

RGB 118 48 161

HSL 277.17, 0.54%, 0.41%

LAB 35.08, 49.79, -48.38

 

CMYK 45 / 70 / 0 / 37

HEX #5830A1

RGB 88 48 161

HSL 261.24, 0.54%, 0.41%

LAB 31.26, 43.7, -54.76

 

CMYK 65 / 70 / 0 / 37

HEX #3930A1

RGB 57 48 161

HSL 244.78, 0.54%, 0.41%

LAB 28.27, 38.58, -59.77

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 83 / 13 / 30

HEX #B21F9B

RGB 178 31 155

HSL 309.39, 0.7%, 0.41%

LAB 42.48, 67.3, -32.39

 

CMYK 0 / 93 / 15 / 24

HEX #C30EA6

RGB 195 14 166

HSL 309.61, 0.87%, 0.41%

LAB 45.18, 75.01, -34.53

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 55 / 9 / 44

HEX #904183

RGB 144 65 131

HSL 309.87, 0.38%, 0.41%

LAB 40.16, 42.31, -21.83

 

CMYK 0 / 35 / 6 / 50

HEX #7F5278

RGB 127 82 120

HSL 309.33, 0.22%, 0.41%

LAB 41.06, 25.21, -13.9

 

CMYK 0 / 10 / 2 / 57

HEX #6E636C

RGB 110 99 108

HSL 310.91, 0.05%, 0.41%

LAB 43.24, 6.15, -3.49

 

CMYK 20 / 0 / 16 / 55

HEX #5D7461

RGB 93 116 97

HSL 130.43, 0.11%, 0.41%

LAB 46.55, -12.56, 7.74

 

CMYK 27 / 70 / 0 / 37

HEX #7630A1

RGB 118 48 161

HSL 277.17, 0.54%, 0.41%

LAB 35.08, 49.79, -48.38

 

CMYK 8 / 70 / 0 / 37

HEX #9430A1

RGB 148 48 161

HSL 293.1, 0.54%, 0.41%

LAB 39.55, 56.47, -40.96

 

CMYK 0 / 70 / 11 / 37

HEX #A13090

RGB 161 48 144

HSL 309.03, 0.54%, 0.41%

LAB 40.74, 56.67, -28.66

 

CMYK 0 / 70 / 29 / 37

HEX #A13072

RGB 161 48 114

HSL 324.96, 0.54%, 0.41%

LAB 39.42, 52.4, -12.21

 

CMYK 0 / 70 / 48 / 37

HEX #A13054

RGB 161 48 84

HSL 340.88, 0.54%, 0.41%

LAB 38.43, 49.05, 5.24

 

CMYK 0 / 70 / 10 / 62

HEX #611D57

RGB 97 29 87

HSL 308.82, 0.54%, 0.25%

LAB 24.03, 37.95, -19.5

 

CMYK 0 / 70 / 11 / 49

HEX #812773

RGB 129 39 115

HSL 309.33, 0.54%, 0.33%

LAB 32.6, 47.28, -23.81

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 70 / 11 / 24

HEX #C13AAB

RGB 193 58 171

HSL 309.78, 0.54%, 0.49%

LAB 48.64, 65.02, -32.08

 

CMYK 0 / 58 / 9 / 20

HEX #CD57BA

RGB 205 87 186

HSL 309.66, 0.54%, 0.57%

LAB 55.42, 58.7, -30.11

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 45 / 70 / 37

HEX #A15830

RGB 161 88 48

HSL 21.24, 0.54%, 0.41%

LAB 45.32, 26.62, 35.76

 

CMYK 70 / 0 / 17 / 37

HEX #30A185

RGB 48 161 133

HSL 165.13, 0.54%, 0.41%

LAB 59.72, -38.19, 5.52

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 11 / 0 / 70 / 37

HEX #90A130

RGB 144 161 48

HSL 69.03, 0.54%, 0.41%

LAB 63.04, -21.26, 53.94

 

CMYK 70 / 11 / 0 / 37

HEX #3090A1

RGB 48 144 161

HSL 189.03, 0.54%, 0.41%

LAB 55.22, -21.88, -17.09

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 45 / 70 / 37

HEX #A15830

RGB 161 88 48

HSL 21.24, 0.54%, 0.41%

LAB 45.32, 26.62, 35.76

 

CMYK 70 / 0 / 60 / 37

HEX #30A141

RGB 48 161 65

HSL 129.03, 0.54%, 0.41%

LAB 58.51, -51.45, 40.29

 

CMYK 70 / 25 / 0 / 37

HEX #3079A1

RGB 48 121 161

HSL 201.24, 0.54%, 0.41%

LAB 48.1, -9.21, -28.04

 

CMYK 0 / 70 / 11 / 37

HEX #A1308F

RGB 161 48 143

HSL 309.56, 0.54%, 0.41%

LAB 40.69, 56.52, -28.13

 

CMYK 0 / 25 / 70 / 37

HEX #A17930

RGB 161 121 48

HSL 38.76, 0.54%, 0.41%

LAB 53.45, 7.94, 44.6

 

CMYK 70 / 0 / 60 / 37

HEX #30A141

RGB 48 161 65

HSL 129.03, 0.54%, 0.41%

LAB 58.51, -51.45, 40.29

 

CMYK 70 / 45 / 0 / 37

HEX #3058A1

RGB 48 88 161

HSL 218.76, 0.54%, 0.41%

LAB 38.17, 11.23, -43.74

 

Description

Color code: HEX #A1308F | qconv.com Color code: HEX #A1308F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 48 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 48 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 11 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 11% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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