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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A12EB7 it is the complementary color #5ED148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A12EB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A12EB7 shade: #A62EB2, #B740C5, #C852D8, #D964EB and #EA76FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A12EB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A12EB7 shade: #A12EB7, #901CA4, #7F0A91, #6E007E and #5D006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A12EB7 shade: #A12EB8, #B82EA9, #B82E83, #B82E5E and #B82E39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A12EB7 shade: #A12EB8, #7C2EB8, #572EB8, #322EB8 and #2E2EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A12EB7 shade matches the following richer shades: #A12EB8, #AE1BCA and #BB09DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A12EB7 shade: #A12EB8, #9540A5, #885392, #7C6680 and #6F786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A12EB7 shade: #572EB8, #7C2EB8, #A12EB8, #B82EAA and #B82E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A12EB7 shade: #671D76, #842697, #A12EB8, #B840CF and #C461D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A12EB7 shade: #A12EB7, #B8322E and #2EB86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A12EB7 shade: #A12EB7, #B8A12E and #2EB8A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A12EB7 shade: #A12EB7, #B8322E, #45B82E and #2EB3B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A12EB7 shade: #A12EB7, #B85C2E, #45B82E and #2E8AB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 75 / 0 / 28

HEX #A12EB7

RGB 161 46 183

HSL 290.36, 0.6%, 0.45%

LAB 42.69, 64.04, -48.91

 

Complementary color

CMYK 55 / 0 / 66 / 18

HEX #5ED148

RGB 94 209 72

HSL 110.36, 0.6%, 0.55%

LAB 75.11, -57.7, 56.19

 

CMYK 7 / 74 / 0 / 30

HEX #A62EB2

RGB 166 46 178

HSL 294.55, 0.59%, 0.44%

LAB 43.18, 64.17, -45.14

 

CMYK 7 / 68 / 0 / 23

HEX #B740C5

RGB 183 64 197

HSL 293.68, 0.53%, 0.51%

LAB 49.21, 64.72, -46.46

 

CMYK 7 / 62 / 0 / 15

HEX #C852D8

RGB 200 82 216

HSL 292.84, 0.63%, 0.58%

LAB 55.35, 64.73, -47.42

 

CMYK 8 / 57 / 0 / 8

HEX #D964EB

RGB 217 100 235

HSL 292, 0.77%, 0.66%

LAB 61.54, 64.43, -48.15

 

CMYK 8 / 54 / 0 / 0

HEX #EA76FE

RGB 234 118 254

HSL 291.18, 0.99%, 0.73%

LAB 67.73, 63.93, -48.71

 

CMYK 12 / 75 / 0 / 28

HEX #A12EB7

RGB 161 46 183

HSL 290.36, 0.6%, 0.45%

LAB 42.69, 64.04, -48.91

 

CMYK 12 / 83 / 0 / 36

HEX #901CA4

RGB 144 28 164

HSL 291.18, 0.71%, 0.38%

LAB 36.82, 62.71, -47.18

 

CMYK 12 / 93 / 0 / 43

HEX #7F0A91

RGB 127 10 145

HSL 292, 0.87%, 0.3%

LAB 31.29, 60.06, -44.68

 

CMYK 13 / 100 / 0 / 51

HEX #6E007E

RGB 110 0 126

HSL 292.38, 1%, 0.25%

LAB 26.22, 55.6, -41.15

 

CMYK 13 / 100 / 0 / 58

HEX #5D006B

RGB 93 0 107

HSL 292.15, 1%, 0.21%

LAB 21.54, 49.45, -36.67

 

CMYK 13 / 75 / 0 / 28

HEX #A12EB8

RGB 161 46 184

HSL 290, 0.6%, 0.45%

LAB 42.75, 64.22, -49.4

 

CMYK 0 / 75 / 8 / 28

HEX #B82EA9

RGB 184 46 169

HSL 306.52, 0.6%, 0.45%

LAB 45.65, 66.6, -35.7

 

CMYK 0 / 75 / 29 / 28

HEX #B82E83

RGB 184 46 131

HSL 323.04, 0.6%, 0.45%

LAB 43.92, 61.4, -15.5

 

CMYK 0 / 75 / 49 / 28

HEX #B82E5E

RGB 184 46 94

HSL 339.13, 0.6%, 0.45%

LAB 42.69, 57.53, 5.6

 

CMYK 0 / 75 / 69 / 28

HEX #B82E39

RGB 184 46 57

HSL 355.22, 0.6%, 0.45%

LAB 41.91, 54.97, 27.56

 

CMYK 13 / 75 / 0 / 28

HEX #A12EB8

RGB 161 46 184

HSL 290, 0.6%, 0.45%

LAB 42.75, 64.22, -49.4

 

CMYK 33 / 75 / 0 / 28

HEX #7C2EB8

RGB 124 46 184

HSL 273.91, 0.6%, 0.45%

LAB 37.3, 57.08, -58.47

 

CMYK 53 / 75 / 0 / 28

HEX #572EB8

RGB 87 46 184

HSL 257.83, 0.6%, 0.45%

LAB 32.79, 50.95, -66.02

 

CMYK 73 / 75 / 0 / 28

HEX #322EB8

RGB 50 46 184

HSL 241.74, 0.6%, 0.45%

LAB 29.65, 46.5, -71.31

 

CMYK 75 / 75 / 0 / 28

HEX #2E2EB8

RGB 46 46 184

HSL 240, 0.6%, 0.45%

LAB 29.4, 46.15, -71.73

 

CMYK 13 / 75 / 0 / 28

HEX #A12EB8

RGB 161 46 184

HSL 290, 0.6%, 0.45%

LAB 42.75, 64.22, -49.4

 

CMYK 14 / 87 / 0 / 21

HEX #AE1BCA

RGB 174 27 202

HSL 290.4, 0.76%, 0.45%

LAB 44.3, 74.78, -57.3

 

CMYK 15 / 96 / 0 / 13

HEX #BB09DD

RGB 187 9 221

HSL 290.38, 0.92%, 0.45%

LAB 46.95, 82.36, -63.85

 

CMYK 13 / 75 / 0 / 28

HEX #A12EB8

RGB 161 46 184

HSL 290, 0.6%, 0.45%

LAB 42.75, 64.22, -49.4

 

CMYK 10 / 61 / 0 / 35

HEX #9540A5

RGB 149 64 165

HSL 290.5, 0.44%, 0.45%

LAB 42.42, 50.56, -38.79

 

CMYK 7 / 43 / 0 / 43

HEX #885392

RGB 136 83 146

HSL 290.48, 0.28%, 0.45%

LAB 43.5, 32.95, -25.84

 

CMYK 3 / 20 / 0 / 50

HEX #7C6680

RGB 124 102 128

HSL 290.77, 0.11%, 0.45%

LAB 46.1, 13.8, -11.15

 

CMYK 8 / 0 / 9 / 53

HEX #6F786D

RGB 111 120 109

HSL 109.09, 0.05%, 0.45%

LAB 49.39, -5.61, 4.88

 

CMYK 53 / 75 / 0 / 28

HEX #572EB8

RGB 87 46 184

HSL 257.83, 0.6%, 0.45%

LAB 32.79, 50.95, -66.02

 

CMYK 33 / 75 / 0 / 28

HEX #7C2EB8

RGB 124 46 184

HSL 273.91, 0.6%, 0.45%

LAB 37.3, 57.08, -58.47

 

CMYK 13 / 75 / 0 / 28

HEX #A12EB8

RGB 161 46 184

HSL 290, 0.6%, 0.45%

LAB 42.75, 64.22, -49.4

 

CMYK 0 / 75 / 8 / 28

HEX #B82EAA

RGB 184 46 170

HSL 306.09, 0.6%, 0.45%

LAB 45.7, 66.75, -36.21

 

CMYK 0 / 75 / 28 / 28

HEX #B82E85

RGB 184 46 133

HSL 322.17, 0.6%, 0.45%

LAB 44, 61.65, -16.6

 

CMYK 13 / 75 / 0 / 54

HEX #671D76

RGB 103 29 118

HSL 289.89, 0.61%, 0.29%

LAB 26.93, 45.36, -34.98

 

CMYK 13 / 75 / 0 / 41

HEX #842697

RGB 132 38 151

HSL 289.91, 0.6%, 0.37%

LAB 35.06, 54.83, -42.25

 

CMYK 13 / 75 / 0 / 28

HEX #A12EB8

RGB 161 46 184

HSL 290, 0.6%, 0.45%

LAB 42.75, 64.22, -49.4

 

CMYK 11 / 69 / 0 / 19

HEX #B840CF

RGB 184 64 207

HSL 290.35, 0.6%, 0.53%

LAB 49.93, 66.74, -51.06

 

CMYK 9 / 55 / 0 / 16

HEX #C461D7

RGB 196 97 215

HSL 290.34, 0.6%, 0.61%

LAB 57.26, 56.73, -43.87

 

CMYK 12 / 75 / 0 / 28

HEX #A12EB7

RGB 161 46 183

HSL 290.36, 0.6%, 0.45%

LAB 42.69, 64.04, -48.91

 

CMYK 0 / 73 / 75 / 28

HEX #B8322E

RGB 184 50 46

HSL 1.74, 0.6%, 0.45%

LAB 42.26, 53.06, 34.51

 

CMYK 75 / 0 / 42 / 28

HEX #2EB86A

RGB 46 184 106

HSL 146.09, 0.6%, 0.45%

LAB 66.45, -53.73, 29.48

 

CMYK 12 / 75 / 0 / 28

HEX #A12EB7

RGB 161 46 183

HSL 290.36, 0.6%, 0.45%

LAB 42.69, 64.04, -48.91

 

CMYK 0 / 13 / 75 / 28

HEX #B8A12E

RGB 184 161 46

HSL 50, 0.6%, 0.45%

LAB 66.43, -3.84, 59.16

 

CMYK 75 / 0 / 13 / 28

HEX #2EB8A1

RGB 46 184 161

HSL 170, 0.6%, 0.45%

LAB 67.6, -41.28, 1.33

 

CMYK 12 / 75 / 0 / 28

HEX #A12EB7

RGB 161 46 183

HSL 290.36, 0.6%, 0.45%

LAB 42.69, 64.04, -48.91

 

CMYK 0 / 73 / 75 / 28

HEX #B8322E

RGB 184 50 46

HSL 1.74, 0.6%, 0.45%

LAB 42.26, 53.06, 34.51

 

CMYK 63 / 0 / 75 / 28

HEX #45B82E

RGB 69 184 46

HSL 110, 0.6%, 0.45%

LAB 66.32, -57.01, 56.71

 

CMYK 75 / 3 / 0 / 28

HEX #2EB3B8

RGB 46 179 184

HSL 182.17, 0.6%, 0.45%

LAB 66.73, -32.46, -12.66

 

CMYK 12 / 75 / 0 / 28

HEX #A12EB7

RGB 161 46 183

HSL 290.36, 0.6%, 0.45%

LAB 42.69, 64.04, -48.91

 

CMYK 0 / 50 / 75 / 28

HEX #B85C2E

RGB 184 92 46

HSL 20, 0.6%, 0.45%

LAB 49.55, 33.88, 42.37

 

CMYK 63 / 0 / 75 / 28

HEX #45B82E

RGB 69 184 46

HSL 110, 0.6%, 0.45%

LAB 66.32, -57.01, 56.71

 

CMYK 75 / 25 / 0 / 28

HEX #2E8AB8

RGB 46 138 184

HSL 200, 0.6%, 0.45%

LAB 54.26, -11.17, -31.76

 

Description

Color code: HEX #A12EB7 | qconv.com Color code: HEX #A12EB7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 46 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 46 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 75 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 75% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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