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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A12B74 it is the complementary color #5ED48B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A12B74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A12B74 shade: #A62B6F, #B73D82, #C84F95, #D961A8 and #EA73BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A12B74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A12B74 shade: #A12B74, #901961, #7F074E, #6E003B and #5D0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A12B74 shade: #A12B74, #A12B54, #A12B34 and #A12B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A12B74 shade: #A12B74, #A12B94, #8E2BA1, #6F2BA1 and #4F2BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A12B74 shade matches the following richer shades: #A12B74, #B21A78 and #C20A7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A12B74 shade: #A12B74, #913B70, #804C6C, #705C68 and #5F6D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A12B74 shade: #8D2BA1, #A12B95, #A12B76, #A12B56 and #A12B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A12B74 shade: #601A45, #81225D, #A12B74, #C2348C and #D04E9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A12B74 shade: #A12B74, #A16E2B and #2BA19D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A12B74 shade: #A12B74, #76A12B and #2B76A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A12B74 shade: #A12B74, #A16E2B, #2BA156 and #2B5EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A12B74 shade: #A12B74, #A1912B, #2BA156 and #2B3BA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

Complementary color

CMYK 56 / 0 / 34 / 17

HEX #5ED48B

RGB 94 212 139

HSL 142.88, 0.58%, 0.6%

LAB 76.88, -49.56, 26.33

 

CMYK 0 / 74 / 33 / 35

HEX #A62B6F

RGB 166 43 111

HSL 326.83, 0.59%, 0.41%

LAB 39.55, 55.25, -10.05

 

CMYK 0 / 67 / 29 / 28

HEX #B73D82

RGB 183 61 130

HSL 326.07, 0.5%, 0.48%

LAB 45.66, 55.56, -12.27

 

CMYK 0 / 61 / 26 / 22

HEX #C84F95

RGB 200 79 149

HSL 325.29, 0.52%, 0.55%

LAB 51.88, 55.38, -13.98

 

CMYK 0 / 55 / 23 / 15

HEX #D961A8

RGB 217 97 168

HSL 324.5, 0.61%, 0.62%

LAB 58.16, 54.91, -15.36

 

CMYK 0 / 51 / 20 / 8

HEX #EA73BB

RGB 234 115 187

HSL 323.7, 0.74%, 0.68%

LAB 64.44, 54.3, -16.5

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 83 / 33 / 44

HEX #901961

RGB 144 25 97

HSL 323.7, 0.7%, 0.33%

LAB 32.89, 53.36, -11.64

 

CMYK 0 / 94 / 39 / 50

HEX #7F074E

RGB 127 7 78

HSL 324.5, 0.9%, 0.26%

LAB 27.34, 50.84, -7.9

 

CMYK 0 / 100 / 46 / 57

HEX #6E003B

RGB 110 0 59

HSL 327.82, 1%, 0.22%

LAB 22.41, 46.19, -2.71

 

CMYK 0 / 100 / 57 / 64

HEX #5D0028

RGB 93 0 40

HSL 334.19, 1%, 0.18%

LAB 17.83, 40.24, 3.62

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 73 / 48 / 37

HEX #A12B54

RGB 161 43 84

HSL 339.15, 0.58%, 0.4%

LAB 37.74, 50.95, 4.26

 

CMYK 0 / 73 / 68 / 37

HEX #A12B34

RGB 161 43 52

HSL 355.42, 0.58%, 0.4%

LAB 37.03, 48.55, 23.64

 

CMYK 0 / 73 / 73 / 37

HEX #A12B2B

RGB 161 43 43

HSL 0, 0.58%, 0.4%

LAB 36.89, 48.09, 29.01

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 73 / 8 / 37

HEX #A12B94

RGB 161 43 148

HSL 306.61, 0.58%, 0.4%

LAB 40.32, 59.08, -31.76

 

CMYK 12 / 73 / 0 / 37

HEX #8E2BA1

RGB 142 43 161

HSL 290.34, 0.58%, 0.4%

LAB 37.94, 57.04, -43.6

 

CMYK 31 / 73 / 0 / 37

HEX #6F2BA1

RGB 111 43 161

HSL 274.58, 0.58%, 0.4%

LAB 33.31, 50.59, -51.3

 

CMYK 51 / 73 / 0 / 37

HEX #4F2BA1

RGB 79 43 161

HSL 258.31, 0.58%, 0.4%

LAB 29.32, 44.73, -57.97

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 85 / 33 / 30

HEX #B21A78

RGB 178 26 120

HSL 322.89, 0.75%, 0.4%

LAB 40.51, 63.98, -14.01

 

CMYK 0 / 95 / 36 / 24

HEX #C20A7C

RGB 194 10 124

HSL 322.83, 0.9%, 0.4%

LAB 42.98, 70.35, -12.45

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 59 / 23 / 43

HEX #913B70

RGB 145 59 112

HSL 323.02, 0.42%, 0.4%

LAB 38.41, 42.52, -12.76

 

CMYK 0 / 41 / 16 / 50

HEX #804C6C

RGB 128 76 108

HSL 323.08, 0.25%, 0.4%

LAB 39.31, 26.86, -9.14

 

CMYK 0 / 18 / 7 / 56

HEX #705C68

RGB 112 92 104

HSL 324, 0.1%, 0.4%

LAB 41.37, 10.37, -3.79

 

CMYK 13 / 0 / 8 / 57

HEX #5F6D64

RGB 95 109 100

HSL 141.43, 0.07%, 0.4%

LAB 44.65, -7.22, 3.24

 

CMYK 12 / 73 / 0 / 37

HEX #8D2BA1

RGB 141 43 161

HSL 289.83, 0.58%, 0.4%

LAB 37.78, 56.82, -43.86

 

CMYK 0 / 73 / 7 / 37

HEX #A12B95

RGB 161 43 149

HSL 306.1, 0.58%, 0.4%

LAB 40.37, 59.24, -32.29

 

CMYK 0 / 73 / 27 / 37

HEX #A12B76

RGB 161 43 118

HSL 321.86, 0.58%, 0.4%

LAB 38.92, 54.76, -15.47

 

CMYK 0 / 73 / 47 / 37

HEX #A12B56

RGB 161 43 86

HSL 338.14, 0.58%, 0.4%

LAB 37.8, 51.14, 3.07

 

CMYK 0 / 73 / 66 / 37

HEX #A12B37

RGB 161 43 55

HSL 353.9, 0.58%, 0.4%

LAB 37.08, 48.73, 21.82

 

CMYK 0 / 73 / 28 / 62

HEX #601A45

RGB 96 26 69

HSL 323.14, 0.57%, 0.24%

LAB 22.5, 36.06, -9.76

 

CMYK 0 / 74 / 28 / 49

HEX #81225D

RGB 129 34 93

HSL 322.74, 0.58%, 0.32%

LAB 30.88, 45.94, -12.37

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 73 / 28 / 24

HEX #C2348C

RGB 194 52 140

HSL 322.82, 0.58%, 0.48%

LAB 46.74, 63.11, -16.51

 

CMYK 0 / 63 / 24 / 18

HEX #D04E9F

RGB 208 78 159

HSL 322.62, 0.58%, 0.56%

LAB 53.34, 59.47, -17.55

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 32 / 73 / 37

HEX #A16E2B

RGB 161 110 43

HSL 34.07, 0.58%, 0.4%

LAB 50.57, 13.92, 43.92

 

CMYK 73 / 0 / 2 / 37

HEX #2BA19D

RGB 43 161 157

HSL 177.97, 0.58%, 0.4%

LAB 60.28, -32.27, -7.21

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 27 / 0 / 73 / 37

HEX #76A12B

RGB 118 161 43

HSL 81.86, 0.58%, 0.4%

LAB 61.23, -32.31, 53.45

 

CMYK 73 / 27 / 0 / 37

HEX #2B76A1

RGB 43 118 161

HSL 201.86, 0.58%, 0.4%

LAB 47.03, -8.21, -29.73

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 32 / 73 / 37

HEX #A16E2B

RGB 161 110 43

HSL 34.07, 0.58%, 0.4%

LAB 50.57, 13.92, 43.92

 

CMYK 73 / 0 / 47 / 37

HEX #2BA156

RGB 43 161 86

HSL 141.86, 0.58%, 0.4%

LAB 58.67, -49.16, 29.91

 

CMYK 73 / 42 / 0 / 37

HEX #2B5EA1

RGB 43 94 161

HSL 214.07, 0.58%, 0.4%

LAB 39.74, 6.57, -41.24

 

CMYK 0 / 73 / 28 / 37

HEX #A12B74

RGB 161 43 116

HSL 322.88, 0.58%, 0.4%

LAB 38.84, 54.5, -14.35

 

CMYK 0 / 10 / 73 / 37

HEX #A1912B

RGB 161 145 43

HSL 51.86, 0.58%, 0.4%

LAB 59.89, -5.65, 53.25

 

CMYK 73 / 0 / 47 / 37

HEX #2BA156

RGB 43 161 86

HSL 141.86, 0.58%, 0.4%

LAB 58.67, -49.16, 29.91

 

CMYK 73 / 63 / 0 / 37

HEX #2B3BA1

RGB 43 59 161

HSL 231.86, 0.58%, 0.4%

LAB 29.95, 29.79, -57.05

 

Description

Color code: HEX #A12B74 | qconv.com Color code: HEX #A12B74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 43 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 43 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 28 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 28% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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