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Color name
HEX #A1296F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1296F it is the complementary color #5ED690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1296F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1296F shade: #A6296A, #B73B7D, #C84D90, #D95FA3 and #EA71B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1296F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1296F shade: #A1296F, #90175C, #7F0549, #6E0036 and #5D0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1296F shade: #A22A70, #A22A50, #A22A2F and #A22A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1296F shade: #A22A70, #A22A90, #932AA2, #732AA2 and #532AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1296F shade matches the following richer shades: #A22A70, #B31973 and #C30976

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1296F shade: #A22A70, #923A6D, #814B6B, #715B68 and #606C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1296F shade: #942AA2, #A22A90, #A22A70, #A22A50 and #A22A30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1296F shade: #611943, #812159, #A22A70, #C33287 and #D14D9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1296F shade: #A1296F, #A2742A and #2AA0A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1296F shade: #A1296F, #70A22A and #2A70A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1296F shade: #A1296F, #A2742A, #2AA25C and #2A58A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1296F shade: #A1296F, #A2982A, #2AA25C and #2A34A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 31 / 37

HEX #A1296F

RGB 161 41 111

HSL 325, 0.59%, 0.4%

LAB 38.39, 54.58, -11.89

 

Complementary color

CMYK 56 / 0 / 33 / 16

HEX #5ED690

RGB 94 214 144

HSL 145, 0.59%, 0.6%

LAB 77.57, -49.44, 24.66

 

CMYK 0 / 75 / 36 / 35

HEX #A6296A

RGB 166 41 106

HSL 328.8, 0.6%, 0.41%

LAB 39.13, 55.35, -7.55

 

CMYK 0 / 68 / 32 / 28

HEX #B73B7D

RGB 183 59 125

HSL 328.06, 0.51%, 0.47%

LAB 45.19, 55.74, -9.93

 

CMYK 0 / 62 / 28 / 22

HEX #C84D90

RGB 200 77 144

HSL 327.32, 0.53%, 0.54%

LAB 51.38, 55.6, -11.77

 

CMYK 0 / 56 / 25 / 15

HEX #D95FA3

RGB 217 95 163

HSL 326.56, 0.62%, 0.61%

LAB 57.64, 55.15, -13.25

 

CMYK 0 / 52 / 22 / 8

HEX #EA71B6

RGB 234 113 182

HSL 325.79, 0.74%, 0.68%

LAB 63.9, 54.54, -14.47

 

CMYK 0 / 75 / 31 / 37

HEX #A1296F

RGB 161 41 111

HSL 325, 0.59%, 0.4%

LAB 38.39, 54.58, -11.89

 

CMYK 0 / 84 / 36 / 44

HEX #90175C

RGB 144 23 92

HSL 325.79, 0.72%, 0.33%

LAB 32.51, 53.3, -8.97

 

CMYK 0 / 96 / 43 / 50

HEX #7F0549

RGB 127 5 73

HSL 326.56, 0.92%, 0.26%

LAB 27.02, 50.67, -5.02

 

CMYK 0 / 100 / 51 / 57

HEX #6E0036

RGB 110 0 54

HSL 330.55, 1%, 0.22%

LAB 22.24, 45.73, 0.52

 

CMYK 0 / 100 / 62 / 64

HEX #5D0023

RGB 93 0 35

HSL 337.42, 1%, 0.18%

LAB 17.68, 39.85, 7.04

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 0 / 74 / 51 / 36

HEX #A22A50

RGB 162 42 80

HSL 341, 0.59%, 0.4%

LAB 37.69, 51.25, 6.77

 

CMYK 0 / 74 / 71 / 36

HEX #A22A2F

RGB 162 42 47

HSL 357.5, 0.59%, 0.4%

LAB 37.01, 48.97, 26.76

 

CMYK 0 / 74 / 74 / 36

HEX #A22A2A

RGB 162 42 42

HSL 0, 0.59%, 0.4%

LAB 36.94, 48.73, 29.72

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 0 / 74 / 11 / 36

HEX #A22A90

RGB 162 42 144

HSL 309, 0.59%, 0.4%

LAB 40.17, 59.03, -29.56

 

CMYK 9 / 74 / 0 / 36

HEX #932AA2

RGB 147 42 162

HSL 292.5, 0.59%, 0.4%

LAB 38.67, 58.66, -42.98

 

CMYK 29 / 74 / 0 / 36

HEX #732AA2

RGB 115 42 162

HSL 276.5, 0.59%, 0.4%

LAB 33.79, 52.04, -51.09

 

CMYK 49 / 74 / 0 / 36

HEX #532AA2

RGB 83 42 162

HSL 260.5, 0.59%, 0.4%

LAB 29.67, 46.18, -57.98

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 0 / 86 / 36 / 30

HEX #B31973

RGB 179 25 115

HSL 324.94, 0.75%, 0.4%

LAB 40.44, 63.88, -10.98

 

CMYK 0 / 95 / 39 / 24

HEX #C30976

RGB 195 9 118

HSL 324.84, 0.91%, 0.4%

LAB 42.92, 70.07, -8.79

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 0 / 60 / 25 / 43

HEX #923A6D

RGB 146 58 109

HSL 325.23, 0.43%, 0.4%

LAB 38.27, 42.88, -11.07

 

CMYK 0 / 42 / 17 / 49

HEX #814B6B

RGB 129 75 107

HSL 324.44, 0.26%, 0.4%

LAB 39.17, 27.63, -8.71

 

CMYK 0 / 19 / 8 / 56

HEX #715B68

RGB 113 91 104

HSL 324.55, 0.11%, 0.4%

LAB 41.2, 11.38, -4.03

 

CMYK 11 / 0 / 6 / 58

HEX #606C65

RGB 96 108 101

HSL 145, 0.06%, 0.4%

LAB 44.45, -6.05, 2.37

 

CMYK 9 / 74 / 0 / 36

HEX #942AA2

RGB 148 42 162

HSL 293, 0.59%, 0.4%

LAB 38.83, 58.87, -42.72

 

CMYK 0 / 74 / 11 / 36

HEX #A22A90

RGB 162 42 144

HSL 309, 0.59%, 0.4%

LAB 40.17, 59.03, -29.56

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 0 / 74 / 51 / 36

HEX #A22A50

RGB 162 42 80

HSL 341, 0.59%, 0.4%

LAB 37.69, 51.25, 6.77

 

CMYK 0 / 74 / 70 / 36

HEX #A22A30

RGB 162 42 48

HSL 357, 0.59%, 0.4%

LAB 37.02, 49.02, 26.16

 

CMYK 0 / 74 / 31 / 62

HEX #611943

RGB 97 25 67

HSL 325, 0.59%, 0.24%

LAB 22.45, 36.51, -8.44

 

CMYK 0 / 74 / 31 / 49

HEX #812159

RGB 129 33 89

HSL 325, 0.59%, 0.32%

LAB 30.58, 45.79, -10.22

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 0 / 74 / 31 / 24

HEX #C33287

RGB 195 50 135

HSL 324.83, 0.59%, 0.48%

LAB 46.49, 63.42, -13.84

 

CMYK 0 / 63 / 26 / 18

HEX #D14D9A

RGB 209 77 154

HSL 325, 0.59%, 0.56%

LAB 53.16, 59.52, -14.86

 

CMYK 0 / 75 / 31 / 37

HEX #A1296F

RGB 161 41 111

HSL 325, 0.59%, 0.4%

LAB 38.39, 54.58, -11.89

 

CMYK 0 / 28 / 74 / 36

HEX #A2742A

RGB 162 116 42

HSL 37, 0.59%, 0.4%

LAB 52.22, 10.91, 46.1

 

CMYK 74 / 1 / 0 / 36

HEX #2AA0A2

RGB 42 160 162

HSL 181, 0.59%, 0.4%

LAB 60.11, -30.42, -10.3

 

CMYK 0 / 75 / 31 / 37

HEX #A1296F

RGB 161 41 111

HSL 325, 0.59%, 0.4%

LAB 38.39, 54.58, -11.89

 

CMYK 31 / 0 / 74 / 36

HEX #70A22A

RGB 112 162 42

HSL 85, 0.59%, 0.4%

LAB 61.18, -35.17, 53.64

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 0 / 75 / 31 / 37

HEX #A1296F

RGB 161 41 111

HSL 325, 0.59%, 0.4%

LAB 38.39, 54.58, -11.89

 

CMYK 0 / 28 / 74 / 36

HEX #A2742A

RGB 162 116 42

HSL 37, 0.59%, 0.4%

LAB 52.22, 10.91, 46.1

 

CMYK 74 / 0 / 43 / 36

HEX #2AA25C

RGB 42 162 92

HSL 145, 0.59%, 0.4%

LAB 59.07, -48.62, 27.25

 

CMYK 74 / 46 / 0 / 36

HEX #2A58A2

RGB 42 88 162

HSL 217, 0.59%, 0.4%

LAB 37.99, 10.71, -44.64

 

CMYK 0 / 75 / 31 / 37

HEX #A1296F

RGB 161 41 111

HSL 325, 0.59%, 0.4%

LAB 38.39, 54.58, -11.89

 

CMYK 0 / 6 / 74 / 36

HEX #A2982A

RGB 162 152 42

HSL 55, 0.59%, 0.4%

LAB 61.92, -9.01, 55.61

 

CMYK 74 / 0 / 43 / 36

HEX #2AA25C

RGB 42 162 92

HSL 145, 0.59%, 0.4%

LAB 59.07, -48.62, 27.25

 

CMYK 74 / 68 / 0 / 36

HEX #2A34A2

RGB 42 52 162

HSL 235, 0.59%, 0.4%

LAB 28.27, 34.57, -60.42

 

Description

Color code: HEX #A1296F | qconv.com Color code: HEX #A1296F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 41 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 41 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 31 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 31% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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