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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A11DCB it is the complementary color #5EE234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A11DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A11DCB shade: #A61DC6, #B72FD9, #C841EC, #D953FF and #EA65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A11DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A11DCB shade: #A11DCB, #900BB8, #7F00A5, #6E0092 and #5D007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A11DCB shade: #9F1DC9, #C91DC4, #C91D96, #C91D67 and #C91D39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A11DCB shade: #9F1DC9, #711DC9, #421DC9 and #1D1DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A11DCB shade matches the following richer shades: #9F1DC9 and #A90ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A11DCB shade: #9F1DC9, #962FB6, #8C42A4, #825491 and #79677F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A11DCB shade: #421DC9, #701DC9, #9E1DC9, #C91DC6 and #C91D98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A11DCB shade: #661281, #8318A5, #9F1DC9, #B62EE1 and #C252E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A11DCB shade: #A11DCB, #C91D25 and #1DC959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A11DCB shade: #A11DCB, #C99E1D and #1DC99E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A11DCB shade: #A11DCB, #C91D25, #48C91D and #1DC9C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A11DCB shade: #A11DCB, #C9481D, #48C91D and #1D9EC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 86 / 0 / 20

HEX #A11DCB

RGB 161 29 203

HSL 285.52, 0.75%, 0.45%

LAB 42.41, 72.46, -61.04

 

Complementary color

CMYK 58 / 0 / 77 / 11

HEX #5EE234

RGB 94 226 52

HSL 105.52, 0.75%, 0.55%

LAB 80.19, -65.22, 68.53

 

CMYK 16 / 85 / 0 / 22

HEX #A61DC6

RGB 166 29 198

HSL 288.64, 0.74%, 0.45%

LAB 42.86, 72.36, -57.37

 

CMYK 16 / 78 / 0 / 15

HEX #B72FD9

RGB 183 47 217

HSL 288, 0.69%, 0.52%

LAB 48.4, 74.09, -59.25

 

CMYK 15 / 72 / 0 / 7

HEX #C841EC

RGB 200 65 236

HSL 287.37, 0.82%, 0.59%

LAB 54.15, 74.96, -60.62

 

CMYK 15 / 67 / 0 / 0

HEX #D953FF

RGB 217 83 255

HSL 286.74, 1%, 0.66%

LAB 60.03, 75.25, -61.63

 

CMYK 8 / 60 / 0 / 0

HEX #EA65FF

RGB 234 101 255

HSL 291.82, 1%, 0.7%

LAB 64.98, 71.7, -53.61

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCB

RGB 161 29 203

HSL 285.52, 0.75%, 0.45%

LAB 42.41, 72.46, -61.04

 

CMYK 22 / 94 / 0 / 28

HEX #900BB8

RGB 144 11 184

HSL 286.13, 0.89%, 0.38%

LAB 37.17, 69.57, -58.55

 

CMYK 23 / 100 / 0 / 35

HEX #7F00A5

RGB 127 0 165

HSL 286.18, 1%, 0.32%

LAB 32.32, 65.14, -55.2

 

CMYK 25 / 100 / 0 / 43

HEX #6E0092

RGB 110 0 146

HSL 285.21, 1%, 0.29%

LAB 27.82, 59.27, -51.06

 

CMYK 27 / 100 / 0 / 50

HEX #5D007F

RGB 93 0 127

HSL 283.94, 1%, 0.25%

LAB 23.2, 53.26, -46.82

 

CMYK 21 / 86 / 0 / 21

HEX #9F1DC9

RGB 159 29 201

HSL 285.35, 0.75%, 0.45%

LAB 41.95, 71.77, -60.65

 

CMYK 0 / 86 / 2 / 21

HEX #C91DC4

RGB 201 29 196

HSL 301.74, 0.75%, 0.45%

LAB 48.61, 78.13, -46.66

 

CMYK 0 / 86 / 25 / 21

HEX #C91D96

RGB 201 29 150

HSL 317.79, 0.75%, 0.45%

LAB 46.31, 71.98, -23.09

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 86 / 72 / 21

HEX #C91D39

RGB 201 29 57

HSL 350.23, 0.75%, 0.45%

LAB 43.64, 64.41, 30.44

 

CMYK 21 / 86 / 0 / 21

HEX #9F1DC9

RGB 159 29 201

HSL 285.35, 0.75%, 0.45%

LAB 41.95, 71.77, -60.65

 

CMYK 44 / 86 / 0 / 21

HEX #711DC9

RGB 113 29 201

HSL 269.3, 0.75%, 0.45%

LAB 35.22, 65.27, -71.92

 

CMYK 67 / 86 / 0 / 21

HEX #421DC9

RGB 66 29 201

HSL 252.91, 0.75%, 0.45%

LAB 30.04, 60.65, -80.63

 

CMYK 86 / 86 / 0 / 21

HEX #1D1DC9

RGB 29 29 201

HSL 240, 0.75%, 0.45%

LAB 27.73, 58.73, -84.55

 

CMYK 21 / 86 / 0 / 21

HEX #9F1DC9

RGB 159 29 201

HSL 285.35, 0.75%, 0.45%

LAB 41.95, 71.77, -60.65

 

CMYK 23 / 95 / 0 / 14

HEX #A90ADB

RGB 169 10 219

HSL 285.65, 0.91%, 0.45%

LAB 43.9, 79.42, -67.8

 

CMYK 21 / 86 / 0 / 21

HEX #9F1DC9

RGB 159 29 201

HSL 285.35, 0.75%, 0.45%

LAB 41.95, 71.77, -60.65

 

CMYK 18 / 74 / 0 / 29

HEX #962FB6

RGB 150 47 182

HSL 285.78, 0.59%, 0.45%

LAB 41.05, 61.27, -51.05

 

CMYK 15 / 60 / 0 / 36

HEX #8C42A4

RGB 140 66 164

HSL 285.31, 0.43%, 0.45%

LAB 41.46, 47.06, -39.8

 

CMYK 10 / 42 / 0 / 43

HEX #825491

RGB 130 84 145

HSL 285.25, 0.27%, 0.45%

LAB 42.96, 30.24, -26.13

 

CMYK 5 / 19 / 0 / 50

HEX #79677F

RGB 121 103 127

HSL 285, 0.1%, 0.45%

LAB 46.04, 11.88, -10.68

 

CMYK 67 / 86 / 0 / 21

HEX #421DC9

RGB 66 29 201

HSL 252.91, 0.75%, 0.45%

LAB 30.04, 60.65, -80.63

 

CMYK 44 / 86 / 0 / 21

HEX #701DC9

RGB 112 29 201

HSL 268.95, 0.75%, 0.45%

LAB 35.08, 65.14, -72.14

 

CMYK 21 / 86 / 0 / 21

HEX #9E1DC9

RGB 158 29 201

HSL 285, 0.75%, 0.45%

LAB 41.79, 71.62, -60.91

 

CMYK 0 / 86 / 1 / 21

HEX #C91DC6

RGB 201 29 198

HSL 301.05, 0.75%, 0.45%

LAB 48.73, 78.43, -47.63

 

CMYK 0 / 86 / 24 / 21

HEX #C91D98

RGB 201 29 152

HSL 317.09, 0.75%, 0.45%

LAB 46.4, 72.22, -24.16

 

CMYK 21 / 86 / 0 / 49

HEX #661281

RGB 102 18 129

HSL 285.41, 0.76%, 0.29%

LAB 26.28, 51.08, -43.01

 

CMYK 21 / 85 / 0 / 35

HEX #8318A5

RGB 131 24 165

HSL 285.53, 0.75%, 0.37%

LAB 34.39, 61.62, -51.82

 

CMYK 21 / 86 / 0 / 21

HEX #9F1DC9

RGB 159 29 201

HSL 285.35, 0.75%, 0.45%

LAB 41.95, 71.77, -60.65

 

CMYK 19 / 80 / 0 / 12

HEX #B62EE1

RGB 182 46 225

HSL 285.59, 0.75%, 0.53%

LAB 48.68, 75.65, -63.37

 

CMYK 16 / 64 / 0 / 10

HEX #C252E6

RGB 194 82 230

HSL 285.41, 0.75%, 0.61%

LAB 55.3, 65.97, -55.46

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCB

RGB 161 29 203

HSL 285.52, 0.75%, 0.45%

LAB 42.41, 72.46, -61.04

 

CMYK 0 / 86 / 82 / 21

HEX #C91D25

RGB 201 29 37

HSL 357.21, 0.75%, 0.45%

LAB 43.4, 63.71, 41.8

 

CMYK 86 / 0 / 56 / 21

HEX #1DC959

RGB 29 201 89

HSL 140.93, 0.75%, 0.45%

LAB 71.39, -64.21, 44.08

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCB

RGB 161 29 203

HSL 285.52, 0.75%, 0.45%

LAB 42.41, 72.46, -61.04

 

CMYK 0 / 21 / 86 / 21

HEX #C99E1D

RGB 201 158 29

HSL 45, 0.75%, 0.45%

LAB 67.25, 4.73, 65.89

 

CMYK 86 / 0 / 21 / 21

HEX #1DC99E

RGB 29 201 158

HSL 165, 0.75%, 0.45%

LAB 72.56, -50.78, 10.07

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCB

RGB 161 29 203

HSL 285.52, 0.75%, 0.45%

LAB 42.41, 72.46, -61.04

 

CMYK 0 / 86 / 82 / 21

HEX #C91D25

RGB 201 29 37

HSL 357.21, 0.75%, 0.45%

LAB 43.4, 63.71, 41.8

 

CMYK 64 / 0 / 86 / 21

HEX #48C91D

RGB 72 201 29

HSL 105, 0.75%, 0.45%

LAB 71.72, -63.03, 66.59

 

CMYK 86 / 0 / 4 / 21

HEX #1DC9C0

RGB 29 201 192

HSL 176.86, 0.75%, 0.45%

LAB 73.44, -41.69, -7.06

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCB

RGB 161 29 203

HSL 285.52, 0.75%, 0.45%

LAB 42.41, 72.46, -61.04

 

CMYK 0 / 64 / 86 / 21

HEX #C9481D

RGB 201 72 29

HSL 15, 0.75%, 0.45%

LAB 48.44, 49.42, 50.24

 

CMYK 64 / 0 / 86 / 21

HEX #48C91D

RGB 72 201 29

HSL 105, 0.75%, 0.45%

LAB 71.72, -63.03, 66.59

 

CMYK 86 / 21 / 0 / 21

HEX #1D9EC9

RGB 29 158 201

HSL 195, 0.75%, 0.45%

LAB 60.72, -17.88, -31.34

 

Description

Color code: HEX #A11DCB | qconv.com Color code: HEX #A11DCB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 29 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 29 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 86 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 86% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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