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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A11791 it is the complementary color #5EE86E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A11791. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A11791 shade: #A6178C, #B7299F, #C83BB2, #D94DC5 and #EA5FD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A11791. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A11791 shade: #A11791, #90057E, #7F006B, #6E0058 and #5D0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A11791 shade: #A11791, #A1176C, #A11746, #A11721 and #A11717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A11791 shade: #A11791, #8B17A1, #6617A1, #4117A1 and #1C17A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A11791 shade matches the following richer shades: #A11791 and #B0089C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A11791 shade: #A11791, #922685, #83357A, #74446E and #655263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A11791 shade: #6517A1, #8A17A1, #A11793, #A1176E and #A11749

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A11791 shade: #580D50, #7D1270, #A11791, #C51CB1 and #E12ACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A11791 shade: #A11791, #A14017 and #17A177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A11791 shade: #A11791, #93A117 and #1793A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A11791 shade: #A11791, #A14017, #17A125 and #1777A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A11791 shade: #A11791, #A16A17, #17A125 and #174EA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

Complementary color

CMYK 59 / 0 / 53 / 9

HEX #5EE86E

RGB 94 232 110

HSL 126.96, 0.75%, 0.64%

LAB 82.5, -61.83, 47.92

 

CMYK 0 / 86 / 16 / 35

HEX #A6178C

RGB 166 23 140

HSL 310.91, 0.76%, 0.37%

LAB 38.92, 64.41, -29.01

 

CMYK 0 / 78 / 13 / 28

HEX #B7299F

RGB 183 41 159

HSL 310.14, 0.63%, 0.44%

LAB 44.46, 66.38, -31.63

 

CMYK 0 / 71 / 11 / 22

HEX #C83BB2

RGB 200 59 178

HSL 309.36, 0.56%, 0.51%

LAB 50.24, 67.38, -33.6

 

CMYK 0 / 65 / 9 / 15

HEX #D94DC5

RGB 217 77 197

HSL 308.57, 0.65%, 0.58%

LAB 56.18, 67.74, -35.12

 

CMYK 0 / 59 / 8 / 8

HEX #EA5FD8

RGB 234 95 216

HSL 307.77, 0.77%, 0.65%

LAB 62.2, 67.69, -36.32

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 97 / 13 / 44

HEX #90057E

RGB 144 5 126

HSL 307.77, 0.93%, 0.29%

LAB 33.01, 60.85, -29.91

 

CMYK 0 / 100 / 16 / 50

HEX #7F006B

RGB 127 0 107

HSL 309.45, 1%, 0.25%

LAB 28.31, 55.63, -25.46

 

CMYK 0 / 100 / 20 / 57

HEX #6E0058

RGB 110 0 88

HSL 312, 1%, 0.22%

LAB 23.74, 49.58, -20.43

 

CMYK 0 / 100 / 26 / 64

HEX #5D0045

RGB 93 0 69

HSL 315.48, 1%, 0.18%

LAB 19.04, 43.38, -15.13

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 86 / 33 / 37

HEX #A1176C

RGB 161 23 108

HSL 323.04, 0.75%, 0.36%

LAB 36.5, 59.28, -12.87

 

CMYK 0 / 86 / 57 / 37

HEX #A11746

RGB 161 23 70

HSL 339.57, 0.75%, 0.36%

LAB 35.27, 55.73, 9.78

 

CMYK 0 / 86 / 80 / 37

HEX #A11721

RGB 161 23 33

HSL 355.65, 0.75%, 0.36%

LAB 34.6, 53.76, 32.47

 

CMYK 0 / 86 / 86 / 37

HEX #A11717

RGB 161 23 23

HSL 0, 0.75%, 0.36%

LAB 34.5, 53.47, 38.04

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 14 / 86 / 0 / 37

HEX #8B17A1

RGB 139 23 161

HSL 290.43, 0.75%, 0.36%

LAB 35.35, 62.49, -47.78

 

CMYK 37 / 86 / 0 / 37

HEX #6617A1

RGB 102 23 161

HSL 274.35, 0.75%, 0.36%

LAB 29.44, 56.49, -57.65

 

CMYK 60 / 86 / 0 / 37

HEX #4117A1

RGB 65 23 161

HSL 258.26, 0.75%, 0.36%

LAB 24.67, 51.91, -65.67

 

CMYK 83 / 86 / 0 / 37

HEX #1C17A1

RGB 28 23 161

HSL 242.17, 0.75%, 0.36%

LAB 21.7, 49.24, -70.69

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 95 / 11 / 31

HEX #B0089C

RGB 176 8 156

HSL 307.14, 0.91%, 0.36%

LAB 40.9, 70.72, -35.51

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 74 / 9 / 43

HEX #922685

RGB 146 38 133

HSL 307.22, 0.59%, 0.36%

LAB 36.35, 54.86, -28.99

 

CMYK 0 / 60 / 7 / 49

HEX #83357A

RGB 131 53 122

HSL 306.92, 0.42%, 0.36%

LAB 35.55, 42.77, -23.58

 

CMYK 0 / 41 / 5 / 55

HEX #74446E

RGB 116 68 110

HSL 307.5, 0.26%, 0.36%

LAB 35.93, 27.57, -15.66

 

CMYK 0 / 19 / 2 / 60

HEX #655263

RGB 101 82 99

HSL 306.32, 0.1%, 0.36%

LAB 37.3, 11.19, -6.87

 

CMYK 37 / 86 / 0 / 37

HEX #6517A1

RGB 101 23 161

HSL 273.91, 0.75%, 0.36%

LAB 29.29, 56.34, -57.9

 

CMYK 14 / 86 / 0 / 37

HEX #8A17A1

RGB 138 23 161

HSL 290, 0.75%, 0.36%

LAB 35.18, 62.32, -48.06

 

CMYK 0 / 86 / 9 / 37

HEX #A11793

RGB 161 23 147

HSL 306.09, 0.75%, 0.36%

LAB 38.37, 64.38, -34.23

 

CMYK 0 / 86 / 32 / 37

HEX #A1176E

RGB 161 23 110

HSL 322.17, 0.75%, 0.36%

LAB 36.59, 59.51, -14.01

 

CMYK 0 / 86 / 55 / 37

HEX #A11749

RGB 161 23 73

HSL 338.26, 0.75%, 0.36%

LAB 35.34, 55.96, 7.94

 

CMYK 0 / 85 / 9 / 65

HEX #580D50

RGB 88 13 80

HSL 306.4, 0.74%, 0.2%

LAB 19.81, 40.4, -21.54

 

CMYK 0 / 86 / 10 / 51

HEX #7D1270

RGB 125 18 112

HSL 307.29, 0.75%, 0.28%

LAB 29.32, 52.67, -27.12

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 86 / 10 / 23

HEX #C51CB1

RGB 197 28 177

HSL 307.1, 0.75%, 0.44%

LAB 46.81, 74.83, -38.45

 

CMYK 0 / 81 / 10 / 12

HEX #E12ACB

RGB 225 42 203

HSL 307.21, 0.75%, 0.52%

LAB 54, 81.09, -41.89

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 60 / 86 / 37

HEX #A14017

RGB 161 64 23

HSL 17.83, 0.75%, 0.36%

LAB 40.09, 38.2, 42.96

 

CMYK 86 / 0 / 26 / 37

HEX #17A177

RGB 23 161 119

HSL 161.74, 0.75%, 0.36%

LAB 58.98, -44.66, 12.27

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 9 / 0 / 86 / 37

HEX #93A117

RGB 147 161 23

HSL 66.09, 0.75%, 0.36%

LAB 63.14, -21.05, 61.96

 

CMYK 86 / 9 / 0 / 37

HEX #1793A1

RGB 23 147 161

HSL 186.09, 0.75%, 0.36%

LAB 55.71, -26.16, -16.39

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 60 / 86 / 37

HEX #A14017

RGB 161 64 23

HSL 17.83, 0.75%, 0.36%

LAB 40.09, 38.2, 42.96

 

CMYK 86 / 0 / 77 / 37

HEX #17A125

RGB 23 161 37

HSL 126.09, 0.75%, 0.36%

LAB 57.85, -57.89, 51.13

 

CMYK 86 / 26 / 0 / 37

HEX #1777A1

RGB 23 119 161

HSL 198.26, 0.75%, 0.36%

LAB 46.91, -11.03, -29.95

 

CMYK 0 / 86 / 10 / 37

HEX #A11791

RGB 161 23 145

HSL 306.96, 0.75%, 0.36%

LAB 38.26, 64.09, -33.18

 

CMYK 0 / 34 / 86 / 37

HEX #A16A17

RGB 161 106 23

HSL 36.09, 0.75%, 0.36%

LAB 49.43, 15.39, 50.96

 

CMYK 86 / 0 / 77 / 37

HEX #17A125

RGB 23 161 37

HSL 126.09, 0.75%, 0.36%

LAB 57.85, -57.89, 51.13

 

CMYK 86 / 52 / 0 / 37

HEX #174EA1

RGB 23 78 161

HSL 216.09, 0.75%, 0.36%

LAB 34.4, 14.87, -49.84

 

Description

Color code: HEX #A11791 | qconv.com Color code: HEX #A11791 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 23 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 23 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 10 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 10% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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