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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A11189 it is the complementary color #5EEE76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A11189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A11189 shade: #A61184, #B72397, #C835AA, #D947BD and #EA59D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A11189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A11189 shade: #A11189, #900076, #7F0063, #6E0050 and #5D003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A11189 shade: #A21189, #A21162, #A2113B, #A21114 and #A21111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A11189 shade: #A21189, #9311A2, #6C11A2, #4511A2 and #1E11A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A11189 shade matches the following richer shades: #A21189 and #B00393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A11189 shade: #A21189, #931F80, #852E76, #763C6D and #684B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A11189 shade: #6D11A2, #9311A2, #A21189, #A21163 and #A2113C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A11189 shade: #57094A, #7C0D6A, #A21189, #C715A9 and #E71EC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A11189 shade: #A11189, #A24611 and #11A280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A11189 shade: #A11189, #89A211 and #1189A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A11189 shade: #A11189, #A24611, #11A229 and #116DA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A11189 shade: #A11189, #A27111, #11A229 and #1141A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 15 / 37

HEX #A11189

RGB 161 17 137

HSL 310, 0.81%, 0.35%

LAB 37.45, 64.06, -29.54

 

Complementary color

CMYK 61 / 0 / 50 / 7

HEX #5EEE76

RGB 94 238 118

HSL 130, 0.81%, 0.65%

LAB 84.4, -62.93, 46.49

 

CMYK 0 / 90 / 20 / 35

HEX #A61184

RGB 166 17 132

HSL 313.69, 0.81%, 0.36%

LAB 38.15, 64.43, -25.28

 

CMYK 0 / 81 / 17 / 28

HEX #B72397

RGB 183 35 151

HSL 312.97, 0.68%, 0.43%

LAB 43.51, 66.87, -28.29

 

CMYK 0 / 74 / 15 / 22

HEX #C835AA

RGB 200 53 170

HSL 312.24, 0.58%, 0.5%

LAB 49.16, 68.21, -30.58

 

CMYK 0 / 67 / 13 / 15

HEX #D947BD

RGB 217 71 189

HSL 311.51, 0.66%, 0.56%

LAB 55, 68.82, -32.35

 

CMYK 0 / 62 / 11 / 8

HEX #EA59D0

RGB 234 89 208

HSL 310.76, 0.78%, 0.63%

LAB 60.95, 68.93, -33.75

 

CMYK 0 / 89 / 15 / 37

HEX #A11189

RGB 161 17 137

HSL 310, 0.81%, 0.35%

LAB 37.45, 64.06, -29.54

 

CMYK 0 / 100 / 18 / 44

HEX #900076

RGB 144 0 118

HSL 310.83, 1%, 0.28%

LAB 32.34, 60.46, -25.92

 

CMYK 0 / 100 / 22 / 50

HEX #7F0063

RGB 127 0 99

HSL 313.23, 1%, 0.25%

LAB 27.88, 54.56, -20.95

 

CMYK 0 / 100 / 27 / 57

HEX #6E0050

RGB 110 0 80

HSL 316.36, 1%, 0.22%

LAB 23.32, 48.53, -15.72

 

CMYK 0 / 100 / 34 / 64

HEX #5D003D

RGB 93 0 61

HSL 320.65, 1%, 0.18%

LAB 18.64, 42.37, -10.16

 

CMYK 0 / 90 / 15 / 36

HEX #A21189

RGB 162 17 137

HSL 310.34, 0.81%, 0.35%

LAB 37.64, 64.27, -29.23

 

CMYK 0 / 90 / 40 / 36

HEX #A21162

RGB 162 17 98

HSL 326.48, 0.81%, 0.35%

LAB 35.92, 59.62, -7.37

 

CMYK 0 / 90 / 64 / 36

HEX #A2113B

RGB 162 17 59

HSL 342.62, 0.81%, 0.35%

LAB 34.8, 56.48, 16.34

 

CMYK 0 / 90 / 88 / 36

HEX #A21114

RGB 162 17 20

HSL 358.76, 0.81%, 0.35%

LAB 34.26, 54.93, 39.48

 

CMYK 0 / 90 / 90 / 36

HEX #A21111

RGB 162 17 17

HSL 0, 0.81%, 0.35%

LAB 34.24, 54.87, 40.94

 

CMYK 0 / 90 / 15 / 36

HEX #A21189

RGB 162 17 137

HSL 310.34, 0.81%, 0.35%

LAB 37.64, 64.27, -29.23

 

CMYK 9 / 90 / 0 / 36

HEX #9311A2

RGB 147 17 162

HSL 293.79, 0.81%, 0.35%

LAB 36.39, 65.27, -46.64

 

CMYK 33 / 90 / 0 / 36

HEX #6C11A2

RGB 108 17 162

HSL 277.66, 0.81%, 0.35%

LAB 29.91, 59.13, -57.46

 

CMYK 57 / 90 / 0 / 36

HEX #4511A2

RGB 69 17 162

HSL 261.52, 0.81%, 0.35%

LAB 24.56, 54.55, -66.45

 

CMYK 81 / 90 / 0 / 36

HEX #1E11A2

RGB 30 17 162

HSL 245.38, 0.81%, 0.35%

LAB 21.15, 51.98, -72.2

 

CMYK 0 / 90 / 15 / 36

HEX #A21189

RGB 162 17 137

HSL 310.34, 0.81%, 0.35%

LAB 37.64, 64.27, -29.23

 

CMYK 0 / 98 / 16 / 31

HEX #B00393

RGB 176 3 147

HSL 310.06, 0.97%, 0.35%

LAB 40.25, 70.04, -31.08

 

CMYK 0 / 90 / 15 / 36

HEX #A21189

RGB 162 17 137

HSL 310.34, 0.81%, 0.35%

LAB 37.64, 64.27, -29.23

 

CMYK 0 / 79 / 13 / 42

HEX #931F80

RGB 147 31 128

HSL 309.83, 0.65%, 0.35%

LAB 35.48, 56.56, -27.24

 

CMYK 0 / 65 / 11 / 48

HEX #852E76

RGB 133 46 118

HSL 310.34, 0.49%, 0.35%

LAB 34.5, 45.9, -22.7

 

CMYK 0 / 49 / 8 / 54

HEX #763C6D

RGB 118 60 109

HSL 309.31, 0.33%, 0.35%

LAB 34.37, 32.65, -17.41

 

CMYK 0 / 28 / 5 / 59

HEX #684B63

RGB 104 75 99

HSL 310.34, 0.16%, 0.35%

LAB 35.74, 16.7, -9.18

 

CMYK 33 / 90 / 0 / 36

HEX #6D11A2

RGB 109 17 162

HSL 278.07, 0.81%, 0.35%

LAB 30.06, 59.27, -57.2

 

CMYK 9 / 90 / 0 / 36

HEX #9311A2

RGB 147 17 162

HSL 293.79, 0.81%, 0.35%

LAB 36.39, 65.27, -46.64

 

CMYK 0 / 90 / 15 / 36

HEX #A21189

RGB 162 17 137

HSL 310.34, 0.81%, 0.35%

LAB 37.64, 64.27, -29.23

 

CMYK 0 / 90 / 39 / 36

HEX #A21163

RGB 162 17 99

HSL 326.07, 0.81%, 0.35%

LAB 35.95, 59.72, -7.95

 

CMYK 0 / 90 / 63 / 36

HEX #A2113C

RGB 162 17 60

HSL 342.21, 0.81%, 0.35%

LAB 34.82, 56.55, 15.72

 

CMYK 0 / 90 / 15 / 66

HEX #57094A

RGB 87 9 74

HSL 310, 0.81%, 0.19%

LAB 18.87, 40.29, -18.94

 

CMYK 0 / 90 / 15 / 51

HEX #7C0D6A

RGB 124 13 106

HSL 309.73, 0.81%, 0.27%

LAB 28.42, 52.64, -24.69

 

CMYK 0 / 90 / 15 / 36

HEX #A21189

RGB 162 17 137

HSL 310.34, 0.81%, 0.35%

LAB 37.64, 64.27, -29.23

 

CMYK 0 / 89 / 15 / 22

HEX #C715A9

RGB 199 21 169

HSL 310.11, 0.81%, 0.43%

LAB 46.37, 75.28, -34.39

 

CMYK 0 / 87 / 14 / 9

HEX #E71EC6

RGB 231 30 198

HSL 309.85, 0.81%, 0.51%

LAB 54.02, 83.83, -38.91

 

CMYK 0 / 89 / 15 / 37

HEX #A11189

RGB 161 17 137

HSL 310, 0.81%, 0.35%

LAB 37.45, 64.06, -29.54

 

CMYK 0 / 57 / 90 / 36

HEX #A24611

RGB 162 70 17

HSL 21.93, 0.81%, 0.35%

LAB 41.38, 35.45, 46.51

 

CMYK 90 / 0 / 21 / 36

HEX #11A280

RGB 17 162 128

HSL 165.93, 0.81%, 0.35%

LAB 59.45, -43.24, 7.89

 

CMYK 0 / 89 / 15 / 37

HEX #A11189

RGB 161 17 137

HSL 310, 0.81%, 0.35%

LAB 37.45, 64.06, -29.54

 

CMYK 15 / 0 / 90 / 36

HEX #89A211

RGB 137 162 17

HSL 70.34, 0.81%, 0.35%

LAB 62.68, -26.02, 62.52

 

CMYK 90 / 15 / 0 / 36

HEX #1189A2

RGB 17 137 162

HSL 190.34, 0.81%, 0.35%

LAB 52.53, -21.06, -21.83

 

CMYK 0 / 89 / 15 / 37

HEX #A11189

RGB 161 17 137

HSL 310, 0.81%, 0.35%

LAB 37.45, 64.06, -29.54

 

CMYK 0 / 57 / 90 / 36

HEX #A24611

RGB 162 70 17

HSL 21.93, 0.81%, 0.35%

LAB 41.38, 35.45, 46.51

 

CMYK 90 / 0 / 75 / 36

HEX #11A229

RGB 17 162 41

HSL 129.93, 0.81%, 0.35%

LAB 58.15, -58.41, 49.98

 

CMYK 90 / 33 / 0 / 36

HEX #116DA2

RGB 17 109 162

HSL 201.93, 0.81%, 0.35%

LAB 43.75, -5.17, -35.51

 

CMYK 0 / 89 / 15 / 37

HEX #A11189

RGB 161 17 137

HSL 310, 0.81%, 0.35%

LAB 37.45, 64.06, -29.54

 

CMYK 0 / 30 / 90 / 36

HEX #A27111

RGB 162 113 17

HSL 39.72, 0.81%, 0.35%

LAB 51.3, 11.72, 54.33

 

CMYK 90 / 0 / 75 / 36

HEX #11A229

RGB 17 162 41

HSL 129.93, 0.81%, 0.35%

LAB 58.15, -58.41, 49.98

 

CMYK 90 / 60 / 0 / 36

HEX #1141A2

RGB 17 65 162

HSL 220.14, 0.81%, 0.35%

LAB 30.66, 23.72, -56.53

 

Description

Color code: HEX #A11189 | qconv.com Color code: HEX #A11189 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 17 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 17 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 15 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 15% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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