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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A10956 it is the complementary color #5EF6A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A10956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A10956 shade: #A60951, #B71B64, #C82D77, #D93F8A and #EA519D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A10956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A10956 shade: #A10956, #900043, #7F0030, #6E001D and #5D000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A10956 shade: #9F0955, #9F092D and #9F0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A10956 shade: #9F0955, #9F097E, #98099F, #70099F and #47099F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A10956 shade matches the following richer shades: #9F0955

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A10956 shade: #9F0955, #911755, #842455, #763255 and #694054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A10956 shade: #98099F, #9F097F, #9F0957, #9F092F and #9F0C09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A10956 shade: #51052B, #780740, #9F0955, #C60C6A and #ED0E7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A10956 shade: #A10956, #9F7009 and #09939F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A10956 shade: #A10956, #579F09 and #09579F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A10956 shade: #A10956, #9F7009, #099F52 and #09399F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A10956 shade: #A10956, #9F9D09, #099F52 and #090C9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 47 / 37

HEX #A10956

RGB 161 9 86

HSL 329.61, 0.89%, 0.33%

LAB 34.89, 59.42, -1.17

 

Complementary color

CMYK 62 / 0 / 31 / 4

HEX #5EF6A9

RGB 94 246 169

HSL 149.61, 0.89%, 0.67%

LAB 87.56, -57.46, 25.38

 

CMYK 0 / 95 / 51 / 35

HEX #A60951

RGB 166 9 81

HSL 332.48, 0.9%, 0.34%

LAB 35.78, 60.2, 3.51

 

CMYK 0 / 85 / 45 / 28

HEX #B71B64

RGB 183 27 100

HSL 331.92, 0.74%, 0.41%

LAB 40.85, 62.97, -0.86

 

CMYK 0 / 78 / 41 / 22

HEX #C82D77

RGB 200 45 119

HSL 331.35, 0.63%, 0.48%

LAB 46.3, 64.52, -4.28

 

CMYK 0 / 71 / 36 / 15

HEX #D93F8A

RGB 217 63 138

HSL 330.78, 0.67%, 0.55%

LAB 52, 65.22, -6.98

 

CMYK 0 / 65 / 33 / 8

HEX #EA519D

RGB 234 81 157

HSL 330.2, 0.78%, 0.62%

LAB 57.86, 65.37, -9.16

 

CMYK 0 / 94 / 47 / 37

HEX #A10956

RGB 161 9 86

HSL 329.61, 0.89%, 0.33%

LAB 34.89, 59.42, -1.17

 

CMYK 0 / 100 / 53 / 44

HEX #900043

RGB 144 0 67

HSL 332.08, 1%, 0.28%

LAB 30.24, 55.05, 4.16

 

CMYK 0 / 100 / 62 / 50

HEX #7F0030

RGB 127 0 48

HSL 337.32, 1%, 0.25%

LAB 25.94, 49.52, 10.46

 

CMYK 0 / 100 / 74 / 57

HEX #6E001D

RGB 110 0 29

HSL 344.18, 1%, 0.22%

LAB 21.59, 44.01, 17.21

 

CMYK 0 / 100 / 89 / 64

HEX #5D000A

RGB 93 0 10

HSL 353.55, 1%, 0.18%

LAB 17.22, 38.6, 22.54

 

CMYK 0 / 94 / 47 / 38

HEX #9F0955

RGB 159 9 85

HSL 329.6, 0.89%, 0.33%

LAB 34.44, 58.86, -1.22

 

CMYK 0 / 94 / 72 / 38

HEX #9F092D

RGB 159 9 45

HSL 345.6, 0.89%, 0.33%

LAB 33.47, 56.19, 23.6

 

CMYK 0 / 94 / 94 / 38

HEX #9F0909

RGB 159 9 9

HSL 0, 0.89%, 0.33%

LAB 33.11, 55.17, 43.33

 

CMYK 0 / 94 / 47 / 38

HEX #9F0955

RGB 159 9 85

HSL 329.6, 0.89%, 0.33%

LAB 34.44, 58.86, -1.22

 

CMYK 0 / 94 / 21 / 38

HEX #9F097E

RGB 159 9 126

HSL 313.2, 0.89%, 0.33%

LAB 36.12, 63.32, -24.82

 

CMYK 4 / 94 / 0 / 38

HEX #98099F

RGB 152 9 159

HSL 297.2, 0.89%, 0.33%

LAB 36.69, 66.78, -44.29

 

CMYK 30 / 94 / 0 / 38

HEX #70099F

RGB 112 9 159

HSL 281.2, 0.89%, 0.33%

LAB 29.77, 60.57, -55.83

 

CMYK 55 / 94 / 0 / 38

HEX #47099F

RGB 71 9 159

HSL 264.8, 0.89%, 0.33%

LAB 23.8, 55.97, -65.87

 

CMYK 0 / 94 / 47 / 38

HEX #9F0955

RGB 159 9 85

HSL 329.6, 0.89%, 0.33%

LAB 34.44, 58.86, -1.22

 

CMYK 0 / 94 / 47 / 38

HEX #9F0955

RGB 159 9 85

HSL 329.6, 0.89%, 0.33%

LAB 34.44, 58.86, -1.22

 

CMYK 0 / 84 / 41 / 43

HEX #911755

RGB 145 23 85

HSL 329.51, 0.73%, 0.33%

LAB 32.45, 52.81, -4.48

 

CMYK 0 / 73 / 36 / 48

HEX #842455

RGB 132 36 85

HSL 329.38, 0.57%, 0.33%

LAB 31.4, 45.02, -6.32

 

CMYK 0 / 58 / 28 / 54

HEX #763255

RGB 118 50 85

HSL 329.12, 0.4%, 0.33%

LAB 31.32, 34.04, -6.69

 

CMYK 0 / 39 / 20 / 59

HEX #694054

RGB 105 64 84

HSL 330.73, 0.24%, 0.33%

LAB 32.5, 21, -4.49

 

CMYK 4 / 94 / 0 / 38

HEX #98099F

RGB 152 9 159

HSL 297.2, 0.89%, 0.33%

LAB 36.69, 66.78, -44.29

 

CMYK 0 / 94 / 20 / 38

HEX #9F097F

RGB 159 9 127

HSL 312.8, 0.89%, 0.33%

LAB 36.17, 63.45, -25.37

 

CMYK 0 / 94 / 45 / 38

HEX #9F0957

RGB 159 9 87

HSL 328.8, 0.89%, 0.33%

LAB 34.51, 59.04, -2.43

 

CMYK 0 / 94 / 70 / 38

HEX #9F092F

RGB 159 9 47

HSL 344.8, 0.89%, 0.33%

LAB 33.5, 56.28, 22.35

 

CMYK 0 / 92 / 94 / 38

HEX #9F0C09

RGB 159 12 9

HSL 1.2, 0.89%, 0.33%

LAB 33.25, 54.75, 43.42

 

CMYK 0 / 94 / 47 / 68

HEX #51052B

RGB 81 5 43

HSL 330, 0.88%, 0.17%

LAB 15.66, 35.77, -2.06

 

CMYK 0 / 94 / 47 / 53

HEX #780740

RGB 120 7 64

HSL 329.73, 0.89%, 0.25%

LAB 25.31, 47.7, -1.63

 

CMYK 0 / 94 / 47 / 38

HEX #9F0955

RGB 159 9 85

HSL 329.6, 0.89%, 0.33%

LAB 34.44, 58.86, -1.22

 

CMYK 0 / 94 / 46 / 22

HEX #C60C6A

RGB 198 12 106

HSL 329.68, 0.89%, 0.41%

LAB 43.23, 69.38, -0.8

 

CMYK 0 / 94 / 46 / 7

HEX #ED0E7F

RGB 237 14 127

HSL 329.6, 0.89%, 0.49%

LAB 51.67, 79.6, -0.44

 

CMYK 0 / 94 / 47 / 37

HEX #A10956

RGB 161 9 86

HSL 329.61, 0.89%, 0.33%

LAB 34.89, 59.42, -1.17

 

CMYK 0 / 30 / 94 / 38

HEX #9F7009

RGB 159 112 9

HSL 41.2, 0.89%, 0.33%

LAB 50.66, 10.76, 55.48

 

CMYK 94 / 8 / 0 / 38

HEX #09939F

RGB 9 147 159

HSL 184.8, 0.89%, 0.33%

LAB 55.51, -27.61, -15.56

 

CMYK 0 / 94 / 47 / 37

HEX #A10956

RGB 161 9 86

HSL 329.61, 0.89%, 0.33%

LAB 34.89, 59.42, -1.17

 

CMYK 45 / 0 / 94 / 38

HEX #579F09

RGB 87 159 9

HSL 88.8, 0.89%, 0.33%

LAB 58.83, -44.3, 59.48

 

CMYK 94 / 45 / 0 / 38

HEX #09579F

RGB 9 87 159

HSL 208.8, 0.89%, 0.33%

LAB 36.7, 7.13, -44.95

 

CMYK 0 / 94 / 47 / 37

HEX #A10956

RGB 161 9 86

HSL 329.61, 0.89%, 0.33%

LAB 34.89, 59.42, -1.17

 

CMYK 0 / 30 / 94 / 38

HEX #9F7009

RGB 159 112 9

HSL 41.2, 0.89%, 0.33%

LAB 50.66, 10.76, 55.48

 

CMYK 94 / 0 / 48 / 38

HEX #099F52

RGB 9 159 82

HSL 149.2, 0.89%, 0.33%

LAB 57.52, -52.64, 30.46

 

CMYK 94 / 64 / 0 / 38

HEX #09399F

RGB 9 57 159

HSL 220.8, 0.89%, 0.33%

LAB 28.08, 27.59, -58.95

 

CMYK 0 / 94 / 47 / 37

HEX #A10956

RGB 161 9 86

HSL 329.61, 0.89%, 0.33%

LAB 34.89, 59.42, -1.17

 

CMYK 0 / 1 / 94 / 38

HEX #9F9D09

RGB 159 157 9

HSL 59.2, 0.89%, 0.33%

LAB 62.93, -13.97, 64.72

 

CMYK 94 / 0 / 48 / 38

HEX #099F52

RGB 9 159 82

HSL 149.2, 0.89%, 0.33%

LAB 57.52, -52.64, 30.46

 

CMYK 94 / 92 / 0 / 38

HEX #090C9F

RGB 9 12 159

HSL 238.8, 0.89%, 0.33%

LAB 19.33, 52.23, -73.44

 

Description

Color code: HEX #A10956 | qconv.com Color code: HEX #A10956 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 9 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 9 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 47 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 47% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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