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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0FE7F it is the complementary color #5F0180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0FE7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0FE7F shade: #A5FE7A, #B6FF8D, #C7FFA0, #D8FFB3 and #E9FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0FE7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0FE7F shade: #A0FE7F, #8FEC6C, #7EDA59, #6DC846 and #5CB633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0FE7F shade: #A1FE81, #C3FE81, #E5FE81, #FEF581 and #FED381

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0FE7F shade: #A1FE81, #81FE82, #81FEA4, #81FEC5 and #81FEE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0FE7F shade matches the following richer shades: #A1FE81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0FE7F shade: #A1FE81, #A6F38B, #ABE995, #B0DFA0 and #B5D4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0FE7F shade: #E5FE81, #C3FE81, #A2FE81, #81FE81 and #81FEA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0FE7F shade: #65FD2F, #83FD58, #A1FE81, #C0FEAA and #DEFFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0FE7F shade: #A0FE7F, #81FEF5 and #FE81D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0FE7F shade: #A0FE7F, #81A2FE and #FE81A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0FE7F shade: #A0FE7F, #81FEF5, #DC81FE and #FE8189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0FE7F shade: #A0FE7F, #81E1FE, #DC81FE and #FE9E81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 50 / 0

HEX #A0FE7F

RGB 160 254 127

HSL 104.41, 0.98%, 0.75%

LAB 91.64, -50.42, 51.69

 

Complementary color

CMYK 26 / 99 / 0 / 50

HEX #5F0180

RGB 95 1 128

HSL 284.41, 0.98%, 0.25%

LAB 23.71, 53.51, -46.6

 

CMYK 35 / 0 / 52 / 0

HEX #A5FE7A

RGB 165 254 122

HSL 100.45, 0.99%, 0.74%

LAB 91.81, -49.4, 54.26

 

CMYK 29 / 0 / 45 / 0

HEX #B6FF8D

RGB 182 255 141

HSL 98.42, 1%, 0.78%

LAB 93.18, -42.04, 47.26

 

CMYK 22 / 0 / 37 / 0

HEX #C7FFA0

RGB 199 255 160

HSL 95.37, 1%, 0.81%

LAB 94.4, -33.85, 39.8

 

CMYK 15 / 0 / 30 / 0

HEX #D8FFB3

RGB 216 255 179

HSL 90.79, 1%, 0.85%

LAB 95.74, -25.37, 32.32

 

CMYK 9 / 0 / 22 / 0

HEX #E9FFC6

RGB 233 255 198

HSL 83.16, 1%, 0.89%

LAB 97.2, -16.7, 24.91

 

CMYK 37 / 0 / 50 / 0

HEX #A0FE7F

RGB 160 254 127

HSL 104.41, 0.98%, 0.75%

LAB 91.64, -50.42, 51.69

 

CMYK 39 / 0 / 54 / 7

HEX #8FEC6C

RGB 143 236 108

HSL 103.59, 0.77%, 0.67%

LAB 85.46, -50.45, 52.82

 

CMYK 42 / 0 / 59 / 15

HEX #7EDA59

RGB 126 218 89

HSL 102.79, 0.64%, 0.6%

LAB 79.21, -50.39, 53.88

 

CMYK 46 / 0 / 65 / 22

HEX #6DC846

RGB 109 200 70

HSL 102, 0.54%, 0.53%

LAB 72.89, -50.2, 54.78

 

CMYK 49 / 0 / 72 / 29

HEX #5CB633

RGB 92 182 51

HSL 101.22, 0.56%, 0.46%

LAB 66.5, -49.81, 55.34

 

CMYK 37 / 0 / 49 / 0

HEX #A1FE81

RGB 161 254 129

HSL 104.64, 0.98%, 0.75%

LAB 91.71, -49.87, 50.86

 

CMYK 23 / 0 / 49 / 0

HEX #C3FE81

RGB 195 254 129

HSL 88.32, 0.98%, 0.75%

LAB 93.48, -38.48, 53.43

 

CMYK 10 / 0 / 49 / 0

HEX #E5FE81

RGB 229 254 129

HSL 72, 0.98%, 0.75%

LAB 95.63, -25.98, 56.53

 

CMYK 0 / 4 / 49 / 0

HEX #FEF581

RGB 254 245 129

HSL 55.68, 0.98%, 0.75%

LAB 95.14, -11.98, 56.39

 

CMYK 0 / 17 / 49 / 0

HEX #FED381

RGB 254 211 129

HSL 39.36, 0.98%, 0.75%

LAB 86.62, 5.13, 46.02

 

CMYK 37 / 0 / 49 / 0

HEX #A1FE81

RGB 161 254 129

HSL 104.64, 0.98%, 0.75%

LAB 91.71, -49.87, 50.86

 

CMYK 49 / 0 / 49 / 0

HEX #81FE82

RGB 129 254 130

HSL 120.48, 0.98%, 0.75%

LAB 90.4, -58.99, 48.48

 

CMYK 49 / 0 / 35 / 0

HEX #81FEA4

RGB 129 254 164

HSL 136.8, 0.98%, 0.75%

LAB 90.89, -53.89, 32.58

 

CMYK 49 / 0 / 22 / 0

HEX #81FEC5

RGB 129 254 197

HSL 152.64, 0.98%, 0.75%

LAB 91.5, -47.77, 16.67

 

CMYK 49 / 0 / 9 / 0

HEX #81FEE7

RGB 129 254 231

HSL 168.96, 0.98%, 0.75%

LAB 92.27, -40.37, 0.25

 

CMYK 37 / 0 / 49 / 0

HEX #A1FE81

RGB 161 254 129

HSL 104.64, 0.98%, 0.75%

LAB 91.71, -49.87, 50.86

 

CMYK 37 / 0 / 49 / 0

HEX #A1FE81

RGB 161 254 129

HSL 104.64, 0.98%, 0.75%

LAB 91.71, -49.87, 50.86

 

CMYK 32 / 0 / 43 / 5

HEX #A6F38B

RGB 166 243 139

HSL 104.42, 0.81%, 0.75%

LAB 88.96, -42.32, 42.71

 

CMYK 27 / 0 / 36 / 9

HEX #ABE995

RGB 171 233 149

HSL 104.29, 0.66%, 0.75%

LAB 86.56, -34.8, 34.71

 

CMYK 21 / 0 / 28 / 13

HEX #B0DFA0

RGB 176 223 160

HSL 104.76, 0.5%, 0.75%

LAB 84.25, -26.77, 26.05

 

CMYK 15 / 0 / 20 / 17

HEX #B5D4AA

RGB 181 212 170

HSL 104.29, 0.33%, 0.75%

LAB 81.74, -18.04, 17.42

 

CMYK 10 / 0 / 49 / 0

HEX #E5FE81

RGB 229 254 129

HSL 72, 0.98%, 0.75%

LAB 95.63, -25.98, 56.53

 

CMYK 23 / 0 / 49 / 0

HEX #C3FE81

RGB 195 254 129

HSL 88.32, 0.98%, 0.75%

LAB 93.48, -38.48, 53.43

 

CMYK 36 / 0 / 49 / 0

HEX #A2FE81

RGB 162 254 129

HSL 104.16, 0.98%, 0.75%

LAB 91.75, -49.56, 50.93

 

CMYK 49 / 0 / 49 / 0

HEX #81FE81

RGB 129 254 129

HSL 120, 0.98%, 0.75%

LAB 90.38, -59.12, 48.94

 

CMYK 49 / 0 / 36 / 0

HEX #81FEA2

RGB 129 254 162

HSL 135.84, 0.98%, 0.75%

LAB 90.85, -54.23, 33.53

 

CMYK 60 / 0 / 81 / 1

HEX #65FD2F

RGB 101 253 47

HSL 104.27, 0.98%, 0.59%

LAB 88.55, -72.86, 77.75

 

CMYK 48 / 0 / 65 / 1

HEX #83FD58

RGB 131 253 88

HSL 104.36, 0.98%, 0.67%

LAB 89.76, -62.59, 66.02

 

CMYK 37 / 0 / 49 / 0

HEX #A1FE81

RGB 161 254 129

HSL 104.64, 0.98%, 0.75%

LAB 91.71, -49.87, 50.86

 

CMYK 24 / 0 / 33 / 0

HEX #C0FEAA

RGB 192 254 170

HSL 104.29, 0.98%, 0.83%

LAB 93.88, -34.38, 34.09

 

CMYK 13 / 0 / 18 / 0

HEX #DEFFD2

RGB 222 255 210

HSL 104, 1%, 0.91%

LAB 96.7, -18.62, 18

 

CMYK 37 / 0 / 50 / 0

HEX #A0FE7F

RGB 160 254 127

HSL 104.41, 0.98%, 0.75%

LAB 91.64, -50.42, 51.69

 

CMYK 49 / 0 / 4 / 0

HEX #81FEF5

RGB 129 254 245

HSL 175.68, 0.98%, 0.75%

LAB 92.64, -37.04, -6.47

 

CMYK 0 / 49 / 17 / 0

HEX #FE81D4

RGB 254 129 212

HSL 320.16, 0.98%, 0.75%

LAB 70.54, 57.33, -20.99

 

CMYK 37 / 0 / 50 / 0

HEX #A0FE7F

RGB 160 254 127

HSL 104.41, 0.98%, 0.75%

LAB 91.64, -50.42, 51.69

 

CMYK 49 / 36 / 0 / 0

HEX #81A2FE

RGB 129 162 254

HSL 224.16, 0.98%, 0.75%

LAB 67.77, 13.18, -49.28

 

CMYK 0 / 49 / 36 / 0

HEX #FE81A2

RGB 254 129 162

HSL 344.16, 0.98%, 0.75%

LAB 69.03, 50.78, 4.72

 

CMYK 37 / 0 / 50 / 0

HEX #A0FE7F

RGB 160 254 127

HSL 104.41, 0.98%, 0.75%

LAB 91.64, -50.42, 51.69

 

CMYK 49 / 0 / 4 / 0

HEX #81FEF5

RGB 129 254 245

HSL 175.68, 0.98%, 0.75%

LAB 92.64, -37.04, -6.47

 

CMYK 13 / 49 / 0 / 0

HEX #DC81FE

RGB 220 129 254

HSL 283.68, 0.98%, 0.75%

LAB 68.07, 54.91, -48.28

 

CMYK 0 / 49 / 46 / 0

HEX #FE8189

RGB 254 129 137

HSL 356.16, 0.98%, 0.75%

LAB 68.44, 48.18, 17.95

 

CMYK 37 / 0 / 50 / 0

HEX #A0FE7F

RGB 160 254 127

HSL 104.41, 0.98%, 0.75%

LAB 91.64, -50.42, 51.69

 

CMYK 49 / 11 / 0 / 0

HEX #81E1FE

RGB 129 225 254

HSL 193.92, 0.98%, 0.75%

LAB 84.83, -20.83, -22.87

 

CMYK 13 / 49 / 0 / 0

HEX #DC81FE

RGB 220 129 254

HSL 283.68, 0.98%, 0.75%

LAB 68.07, 54.91, -48.28

 

CMYK 0 / 38 / 49 / 0

HEX #FE9E81

RGB 254 158 129

HSL 13.92, 0.98%, 0.75%

LAB 74.26, 32.75, 30.2

 

Description

Color code: HEX #A0FE7F | qconv.com Color code: HEX #A0FE7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 254 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 254 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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