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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0F640 it is the complementary color #5F09BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0F640. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0F640 shade: #A5F63B, #B6FF4E, #C7FF61, #D8FF74 and #E9FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0F640. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0F640 shade: #A0F640, #8FE42D, #7ED21A, #6DC007 and #5CAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0F640 shade: #A1F641, #D1F641, #F6EA41, #F6B941 and #F68841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0F640 shade: #A1F641, #70F641, #41F643, #41F674 and #41F6A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0F640 shade matches the following richer shades: #A1F641

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0F640 shade: #A1F641, #A0E651, #9FD661, #9EC671 and #9DB681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0F640 shade: #F6EA41, #D2F641, #A2F641, #71F641 and #41F641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0F640 shade: #78DA0A, #8DF41A, #A1F641, #B4F868 and #C8FA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0F640 shade: #A0F640, #41F6BA and #F641EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0F640 shade: #A0F640, #41A2F6 and #F641A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0F640 shade: #A0F640, #41F6BA, #9641F6 and #F6417D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0F640 shade: #A0F640, #41F6F0, #9641F6 and #F64147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 74 / 4

HEX #A0F640

RGB 160 246 64

HSL 88.35, 0.91%, 0.61%

LAB 88.81, -52.54, 73.99

 

Complementary color

CMYK 50 / 95 / 0 / 25

HEX #5F09BF

RGB 95 9 191

HSL 268.35, 0.91%, 0.39%

LAB 30.38, 65.55, -74.11

 

CMYK 33 / 0 / 76 / 4

HEX #A5F63B

RGB 165 246 59

HSL 85.99, 0.91%, 0.6%

LAB 89.03, -51.08, 75.84

 

CMYK 29 / 0 / 69 / 0

HEX #B6FF4E

RGB 182 255 78

HSL 84.75, 1%, 0.65%

LAB 92.58, -47.8, 73.4

 

CMYK 22 / 0 / 62 / 0

HEX #C7FF61

RGB 199 255 97

HSL 81.27, 1%, 0.69%

LAB 93.68, -40.36, 67.65

 

CMYK 15 / 0 / 55 / 0

HEX #D8FF74

RGB 216 255 116

HSL 76.83, 1%, 0.73%

LAB 94.9, -32.51, 61.29

 

CMYK 9 / 0 / 47 / 0

HEX #E9FF87

RGB 233 255 135

HSL 71, 1%, 0.76%

LAB 96.24, -24.37, 54.56

 

CMYK 35 / 0 / 74 / 4

HEX #A0F640

RGB 160 246 64

HSL 88.35, 0.91%, 0.61%

LAB 88.81, -52.54, 73.99

 

CMYK 37 / 0 / 80 / 11

HEX #8FE42D

RGB 143 228 45

HSL 87.87, 0.77%, 0.54%

LAB 82.66, -51.97, 73.49

 

CMYK 40 / 0 / 88 / 18

HEX #7ED21A

RGB 126 210 26

HSL 87.39, 0.78%, 0.46%

LAB 76.44, -51.2, 72.04

 

CMYK 43 / 0 / 96 / 25

HEX #6DC007

RGB 109 192 7

HSL 86.92, 0.93%, 0.39%

LAB 70.15, -50.16, 69.26

 

CMYK 47 / 0 / 100 / 32

HEX #5CAE00

RGB 92 174 0

HSL 88.28, 1%, 0.34%

LAB 63.79, -48.79, 64.77

 

CMYK 35 / 0 / 74 / 4

HEX #A1F641

RGB 161 246 65

HSL 88.18, 0.91%, 0.61%

LAB 88.86, -52.14, 73.74

 

CMYK 15 / 0 / 74 / 4

HEX #D1F641

RGB 209 246 65

HSL 72.27, 0.91%, 0.61%

LAB 91.62, -34.46, 77.35

 

CMYK 0 / 5 / 74 / 4

HEX #F6EA41

RGB 246 234 65

HSL 56.02, 0.91%, 0.61%

LAB 91.15, -13.84, 77.88

 

CMYK 0 / 25 / 74 / 4

HEX #F6B941

RGB 246 185 65

HSL 39.78, 0.91%, 0.61%

LAB 78.85, 11.09, 66.11

 

CMYK 0 / 45 / 74 / 4

HEX #F68841

RGB 246 136 65

HSL 23.54, 0.91%, 0.61%

LAB 67.71, 36.69, 54.89

 

CMYK 35 / 0 / 74 / 4

HEX #A1F641

RGB 161 246 65

HSL 88.18, 0.91%, 0.61%

LAB 88.86, -52.14, 73.74

 

CMYK 54 / 0 / 74 / 4

HEX #70F641

RGB 112 246 65

HSL 104.42, 0.91%, 0.61%

LAB 86.87, -66.86, 71.11

 

CMYK 74 / 0 / 73 / 4

HEX #41F643

RGB 65 246 67

HSL 120.66, 0.91%, 0.61%

LAB 85.73, -76.21, 68.93

 

CMYK 74 / 0 / 53 / 4

HEX #41F674

RGB 65 246 116

HSL 136.91, 0.91%, 0.61%

LAB 86.15, -71.05, 49.42

 

CMYK 74 / 0 / 33 / 4

HEX #41F6A5

RGB 65 246 165

HSL 153.15, 0.91%, 0.61%

LAB 86.88, -62.81, 26.38

 

CMYK 35 / 0 / 74 / 4

HEX #A1F641

RGB 161 246 65

HSL 88.18, 0.91%, 0.61%

LAB 88.86, -52.14, 73.74

 

CMYK 35 / 0 / 74 / 4

HEX #A1F641

RGB 161 246 65

HSL 88.18, 0.91%, 0.61%

LAB 88.86, -52.14, 73.74

 

CMYK 30 / 0 / 65 / 10

HEX #A0E651

RGB 160 230 81

HSL 88.19, 0.75%, 0.61%

LAB 84.31, -44.76, 63.32

 

CMYK 26 / 0 / 55 / 16

HEX #9FD661

RGB 159 214 97

HSL 88.21, 0.59%, 0.61%

LAB 79.8, -36.67, 51.39

 

CMYK 20 / 0 / 43 / 22

HEX #9EC671

RGB 158 198 113

HSL 88.24, 0.43%, 0.61%

LAB 75.36, -27.8, 38.25

 

CMYK 14 / 0 / 29 / 29

HEX #9DB681

RGB 157 182 129

HSL 88.3, 0.27%, 0.61%

LAB 71.01, -18.07, 24.23

 

CMYK 0 / 5 / 74 / 4

HEX #F6EA41

RGB 246 234 65

HSL 56.02, 0.91%, 0.61%

LAB 91.15, -13.84, 77.88

 

CMYK 15 / 0 / 74 / 4

HEX #D2F641

RGB 210 246 65

HSL 71.93, 0.91%, 0.61%

LAB 91.68, -34.07, 77.43

 

CMYK 34 / 0 / 74 / 4

HEX #A2F641

RGB 162 246 65

HSL 87.85, 0.91%, 0.61%

LAB 88.91, -51.8, 73.81

 

CMYK 54 / 0 / 74 / 4

HEX #71F641

RGB 113 246 65

HSL 104.09, 0.91%, 0.61%

LAB 86.9, -66.61, 71.16

 

CMYK 74 / 0 / 74 / 4

HEX #41F641

RGB 65 246 65

HSL 120, 0.91%, 0.61%

LAB 85.71, -76.36, 69.58

 

CMYK 45 / 0 / 95 / 15

HEX #78DA0A

RGB 120 218 10

HSL 88.27, 0.91%, 0.45%

LAB 78.55, -56.59, 75.88

 

CMYK 42 / 0 / 89 / 4

HEX #8DF41A

RGB 141 244 26

HSL 88.35, 0.91%, 0.53%

LAB 87.21, -59.49, 81.32

 

CMYK 35 / 0 / 74 / 4

HEX #A1F641

RGB 161 246 65

HSL 88.18, 0.91%, 0.61%

LAB 88.86, -52.14, 73.74

 

CMYK 27 / 0 / 58 / 3

HEX #B4F868

RGB 180 248 104

HSL 88.33, 0.91%, 0.69%

LAB 90.71, -43.56, 61.14

 

CMYK 20 / 0 / 42 / 2

HEX #C8FA90

RGB 200 250 144

HSL 88.3, 0.91%, 0.77%

LAB 92.87, -33.21, 45.64

 

CMYK 35 / 0 / 74 / 4

HEX #A0F640

RGB 160 246 64

HSL 88.35, 0.91%, 0.61%

LAB 88.81, -52.54, 73.99

 

CMYK 74 / 0 / 24 / 4

HEX #41F6BA

RGB 65 246 186

HSL 160.11, 0.91%, 0.61%

LAB 87.28, -58.39, 16.17

 

CMYK 0 / 74 / 5 / 4

HEX #F641EA

RGB 246 65 234

HSL 303.98, 0.91%, 0.61%

LAB 61.06, 83.87, -48.07

 

CMYK 35 / 0 / 74 / 4

HEX #A0F640

RGB 160 246 64

HSL 88.35, 0.91%, 0.61%

LAB 88.81, -52.54, 73.99

 

CMYK 74 / 34 / 0 / 4

HEX #41A2F6

RGB 65 162 246

HSL 207.85, 0.91%, 0.61%

LAB 64.66, -0.79, -50.01

 

CMYK 0 / 74 / 34 / 4

HEX #F641A2

RGB 246 65 162

HSL 327.85, 0.91%, 0.61%

LAB 58.02, 74.7, -11.63

 

CMYK 35 / 0 / 74 / 4

HEX #A0F640

RGB 160 246 64

HSL 88.35, 0.91%, 0.61%

LAB 88.81, -52.54, 73.99

 

CMYK 74 / 0 / 24 / 4

HEX #41F6BA

RGB 65 246 186

HSL 160.11, 0.91%, 0.61%

LAB 87.28, -58.39, 16.17

 

CMYK 39 / 74 / 0 / 4

HEX #9641F6

RGB 150 65 246

HSL 268.18, 0.91%, 0.61%

LAB 48.16, 68.01, -76.25

 

CMYK 0 / 74 / 49 / 4

HEX #F6417D

RGB 246 65 125

HSL 340.11, 0.91%, 0.61%

LAB 56.93, 71.24, 8.56

 

CMYK 35 / 0 / 74 / 4

HEX #A0F640

RGB 160 246 64

HSL 88.35, 0.91%, 0.61%

LAB 88.81, -52.54, 73.99

 

CMYK 74 / 0 / 2 / 4

HEX #41F6F0

RGB 65 246 240

HSL 178.01, 0.91%, 0.61%

LAB 88.6, -44.94, -10.03

 

CMYK 39 / 74 / 0 / 4

HEX #9641F6

RGB 150 65 246

HSL 268.18, 0.91%, 0.61%

LAB 48.16, 68.01, -76.25

 

CMYK 0 / 74 / 71 / 4

HEX #F64147

RGB 246 65 71

HSL 358.01, 0.91%, 0.61%

LAB 55.92, 67.91, 38.86

 

Description

Color code: HEX #A0F640 | qconv.com Color code: HEX #A0F640 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 246 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 246 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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