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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0F1AE it is the complementary color #5F0E51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0F1AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0F1AE shade: #A5F1A9, #B6FFBC, #C7FFCF, #D8FFE2 and #E9FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0F1AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0F1AE shade: #A0F1AE, #8FDF9B, #7ECD88, #6DBB75 and #5CA962

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0F1AE shade: #A2F1B0, #A9F1A2, #BFF1A2, #D4F1A2 and #EAF1A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0F1AE shade: #A2F1B0, #A2F1C5, #A2F1DA, #A2F1F0 and #A2DDF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0F1AE shade matches the following richer shades: #A2F1B0 and #99FAAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0F1AE shade: #A2F1B0, #AAE8B5, #B3E0BB, #BCD7C1 and #C4CEC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0F1AE shade: #BFF1A2, #AAF1A2, #A2F1AF, #A2F1C4 and #A2F1D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0F1AE shade: #5AE672, #7EEC91, #A2F1B0, #C6F6CE and #EAFCED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0F1AE shade: #A0F1AE, #A2D4F1 and #F1A2B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0F1AE shade: #A0F1AE, #AFA2F1 and #F1AFA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0F1AE shade: #A0F1AE, #A2D4F1, #F1A2E4 and #F1BFA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0F1AE shade: #A0F1AE, #A2BCF1, #F1A2E4 and #F1D7A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 28 / 5

HEX #A0F1AE

RGB 160 241 174

HSL 130.37, 0.74%, 0.79%

LAB 88.66, -38.04, 24.72

 

Complementary color

CMYK 0 / 85 / 15 / 63

HEX #5F0E51

RGB 95 14 81

HSL 310.37, 0.74%, 0.21%

LAB 21.36, 41.97, -19.68

 

CMYK 32 / 0 / 30 / 5

HEX #A5F1A9

RGB 165 241 169

HSL 123.16, 0.73%, 0.8%

LAB 88.82, -37.33, 27.53

 

CMYK 29 / 0 / 26 / 0

HEX #B6FFBC

RGB 182 255 188

HSL 124.93, 1%, 0.86%

LAB 93.92, -35.27, 24.99

 

CMYK 22 / 0 / 19 / 0

HEX #C7FFCF

RGB 199 255 207

HSL 128.57, 1%, 0.89%

LAB 95.23, -26.68, 17.27

 

CMYK 15 / 0 / 11 / 0

HEX #D8FFE2

RGB 216 255 226

HSL 135.38, 1%, 0.92%

LAB 96.66, -17.88, 9.7

 

CMYK 9 / 0 / 4 / 0

HEX #E9FFF5

RGB 233 255 245

HSL 152.73, 1%, 0.96%

LAB 98.21, -8.96, 2.32

 

CMYK 34 / 0 / 28 / 5

HEX #A0F1AE

RGB 160 241 174

HSL 130.37, 0.74%, 0.79%

LAB 88.66, -38.04, 24.72

 

CMYK 36 / 0 / 30 / 13

HEX #8FDF9B

RGB 143 223 155

HSL 129, 0.56%, 0.72%

LAB 82.37, -38.3, 25.79

 

CMYK 39 / 0 / 34 / 20

HEX #7ECD88

RGB 126 205 136

HSL 127.59, 0.44%, 0.65%

LAB 75.99, -38.55, 26.92

 

CMYK 42 / 0 / 37 / 27

HEX #6DBB75

RGB 109 187 117

HSL 126.15, 0.36%, 0.58%

LAB 69.52, -38.79, 28.12

 

CMYK 46 / 0 / 42 / 34

HEX #5CA962

RGB 92 169 98

HSL 124.68, 0.31%, 0.51%

LAB 62.96, -38.99, 29.4

 

CMYK 33 / 0 / 27 / 5

HEX #A2F1B0

RGB 162 241 176

HSL 130.63, 0.74%, 0.79%

LAB 88.79, -37.09, 23.9

 

CMYK 30 / 0 / 33 / 5

HEX #A9F1A2

RGB 169 241 162

HSL 114.68, 0.74%, 0.79%

LAB 88.9, -37.18, 31.24

 

CMYK 21 / 0 / 33 / 5

HEX #BFF1A2

RGB 191 241 162

HSL 97.97, 0.74%, 0.79%

LAB 90.14, -29.85, 33.1

 

CMYK 12 / 0 / 33 / 5

HEX #D4F1A2

RGB 212 241 162

HSL 82.03, 0.74%, 0.79%

LAB 91.47, -22.42, 35.11

 

CMYK 3 / 0 / 33 / 5

HEX #EAF1A2

RGB 234 241 162

HSL 65.32, 0.74%, 0.79%

LAB 93.02, -14.31, 37.44

 

CMYK 33 / 0 / 27 / 5

HEX #A2F1B0

RGB 162 241 176

HSL 130.63, 0.74%, 0.79%

LAB 88.79, -37.09, 23.9

 

CMYK 33 / 0 / 18 / 5

HEX #A2F1C5

RGB 162 241 197

HSL 146.58, 0.74%, 0.79%

LAB 89.22, -33.27, 13.65

 

CMYK 33 / 0 / 10 / 5

HEX #A2F1DA

RGB 162 241 218

HSL 162.53, 0.74%, 0.79%

LAB 89.7, -29.05, 3.42

 

CMYK 33 / 0 / 0 / 5

HEX #A2F1F0

RGB 162 241 240

HSL 179.24, 0.74%, 0.79%

LAB 90.27, -24.22, -7.22

 

CMYK 33 / 8 / 0 / 5

HEX #A2DDF1

RGB 162 221 241

HSL 195.19, 0.74%, 0.79%

LAB 84.87, -14.03, -15.8

 

CMYK 33 / 0 / 27 / 5

HEX #A2F1B0

RGB 162 241 176

HSL 130.63, 0.74%, 0.79%

LAB 88.79, -37.09, 23.9

 

CMYK 39 / 0 / 32 / 2

HEX #99FAAA

RGB 153 250 170

HSL 130.52, 0.91%, 0.79%

LAB 90.8, -44.76, 29.62

 

CMYK 33 / 0 / 27 / 5

HEX #A2F1B0

RGB 162 241 176

HSL 130.63, 0.74%, 0.79%

LAB 88.79, -37.09, 23.9

 

CMYK 27 / 0 / 22 / 9

HEX #AAE8B5

RGB 170 232 181

HSL 130.65, 0.57%, 0.79%

LAB 86.8, -29.56, 18.62

 

CMYK 20 / 0 / 17 / 12

HEX #B3E0BB

RGB 179 224 187

HSL 130.67, 0.42%, 0.79%

LAB 85.24, -21.72, 13.38

 

CMYK 13 / 0 / 10 / 16

HEX #BCD7C1

RGB 188 215 193

HSL 131.11, 0.25%, 0.79%

LAB 83.52, -13.14, 7.83

 

CMYK 5 / 0 / 4 / 19

HEX #C4CEC6

RGB 196 206 198

HSL 132, 0.09%, 0.79%

LAB 81.81, -4.88, 2.79

 

CMYK 21 / 0 / 33 / 5

HEX #BFF1A2

RGB 191 241 162

HSL 97.97, 0.74%, 0.79%

LAB 90.14, -29.85, 33.1

 

CMYK 29 / 0 / 33 / 5

HEX #AAF1A2

RGB 170 241 162

HSL 113.92, 0.74%, 0.79%

LAB 88.95, -36.86, 31.32

 

CMYK 33 / 0 / 27 / 5

HEX #A2F1AF

RGB 162 241 175

HSL 129.87, 0.74%, 0.79%

LAB 88.77, -37.26, 24.39

 

CMYK 33 / 0 / 19 / 5

HEX #A2F1C4

RGB 162 241 196

HSL 145.82, 0.74%, 0.79%

LAB 89.19, -33.46, 14.14

 

CMYK 33 / 0 / 10 / 5

HEX #A2F1D9

RGB 162 241 217

HSL 161.77, 0.74%, 0.79%

LAB 89.67, -29.26, 3.91

 

CMYK 61 / 0 / 50 / 10

HEX #5AE672

RGB 90 230 114

HSL 130.29, 0.74%, 0.63%

LAB 81.83, -61.42, 45.19

 

CMYK 47 / 0 / 39 / 7

HEX #7EEC91

RGB 126 236 145

HSL 130.36, 0.74%, 0.71%

LAB 85.24, -50.42, 34.59

 

CMYK 33 / 0 / 27 / 5

HEX #A2F1B0

RGB 162 241 176

HSL 130.63, 0.74%, 0.79%

LAB 88.79, -37.09, 23.9

 

CMYK 20 / 0 / 16 / 4

HEX #C6F6CE

RGB 198 246 206

HSL 130, 0.73%, 0.87%

LAB 92.74, -22.87, 14.26

 

CMYK 7 / 0 / 6 / 1

HEX #EAFCED

RGB 234 252 237

HSL 130, 0.75%, 0.95%

LAB 97.32, -8.57, 5.15

 

CMYK 34 / 0 / 28 / 5

HEX #A0F1AE

RGB 160 241 174

HSL 130.37, 0.74%, 0.79%

LAB 88.66, -38.04, 24.72

 

CMYK 33 / 12 / 0 / 5

HEX #A2D4F1

RGB 162 212 241

HSL 202.03, 0.74%, 0.79%

LAB 82.44, -9.39, -19.45

 

CMYK 0 / 33 / 25 / 5

HEX #F1A2B4

RGB 241 162 180

HSL 346.33, 0.74%, 0.79%

LAB 74.72, 31.67, 2.75

 

CMYK 34 / 0 / 28 / 5

HEX #A0F1AE

RGB 160 241 174

HSL 130.37, 0.74%, 0.79%

LAB 88.66, -38.04, 24.72

 

CMYK 27 / 33 / 0 / 5

HEX #AFA2F1

RGB 175 162 241

HSL 249.87, 0.74%, 0.79%

LAB 70.39, 21.55, -37.87

 

CMYK 0 / 27 / 33 / 5

HEX #F1AFA2

RGB 241 175 162

HSL 9.87, 0.74%, 0.79%

LAB 77.26, 22.41, 16.2

 

CMYK 34 / 0 / 28 / 5

HEX #A0F1AE

RGB 160 241 174

HSL 130.37, 0.74%, 0.79%

LAB 88.66, -38.04, 24.72

 

CMYK 33 / 12 / 0 / 5

HEX #A2D4F1

RGB 162 212 241

HSL 202.03, 0.74%, 0.79%

LAB 82.44, -9.39, -19.45

 

CMYK 0 / 33 / 5 / 5

HEX #F1A2E4

RGB 241 162 228

HSL 309.87, 0.74%, 0.79%

LAB 76.16, 39.18, -21.39

 

CMYK 0 / 21 / 33 / 5

HEX #F1BFA2

RGB 241 191 162

HSL 22.03, 0.74%, 0.79%

LAB 81.06, 13.95, 21.46

 

CMYK 34 / 0 / 28 / 5

HEX #A0F1AE

RGB 160 241 174

HSL 130.37, 0.74%, 0.79%

LAB 88.66, -38.04, 24.72

 

CMYK 33 / 22 / 0 / 5

HEX #A2BCF1

RGB 162 188 241

HSL 220.25, 0.74%, 0.79%

LAB 76.07, 3.42, -29.17

 

CMYK 0 / 33 / 5 / 5

HEX #F1A2E4

RGB 241 162 228

HSL 309.87, 0.74%, 0.79%

LAB 76.16, 39.18, -21.39

 

CMYK 0 / 11 / 33 / 5

HEX #F1D7A2

RGB 241 215 162

HSL 40.25, 0.74%, 0.79%

LAB 86.95, 1.44, 29.48

 

Description

Color code: HEX #A0F1AE | qconv.com Color code: HEX #A0F1AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 241 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 241 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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