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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0DEC9 it is the complementary color #5F2136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0DEC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0DEC9 shade: #A5DEC4, #B6F0D7, #C7FFEA, #D8FFFD and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0DEC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0DEC9 shade: #A0DEC9, #8FCCB6, #7EBAA3, #6DA890 and #5C967D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0DEC9 shade: #A1DEC9, #A1DEB9, #A1DEA8, #AADEA1 and #BADEA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0DEC9 shade: #A1DEC9, #A1DEDA, #A1D2DE, #A1C1DE and #A1B1DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0DEC9 shade matches the following richer shades: #A1DEC9, #96E8CC, #8CF2D0 and #82FDD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0DEC9 shade: #A1DEC9, #ABD4C6, #B5C9C2, #C0BFBF and #CAB5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0DEC9 shade: #A1DEA8, #A1DEB8, #A1DEC8, #A1DED9 and #A1D3DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0DEC9 shade: #64C8A6, #82D3B8, #A1DEC9, #BFE9DB and #DEF3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0DEC9 shade: #A0DEC9, #A1AADE and #DEB0A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0DEC9 shade: #A0DEC9, #C8A1DE and #DEC8A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0DEC9 shade: #A0DEC9, #A1AADE, #DEA1B6 and #DED5A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0DEC9 shade: #A0DEC9, #AAA1DE, #DEA1B6 and #D5DEA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 9 / 13

HEX #A0DEC9

RGB 160 222 201

HSL 159.68, 0.48%, 0.75%

LAB 83.93, -24.01, 3.98

 

Complementary color

CMYK 0 / 65 / 43 / 63

HEX #5F2136

RGB 95 33 54

HSL 339.68, 0.48%, 0.25%

LAB 22.95, 30.39, 1.19

 

CMYK 26 / 0 / 12 / 13

HEX #A5DEC4

RGB 165 222 196

HSL 152.63, 0.46%, 0.76%

LAB 84.08, -23.5, 6.88

 

CMYK 24 / 0 / 10 / 6

HEX #B6F0D7

RGB 182 240 215

HSL 154.14, 0.66%, 0.83%

LAB 90.4, -23.33, 6.13

 

CMYK 22 / 0 / 8 / 0

HEX #C7FFEA

RGB 199 255 234

HSL 157.5, 1%, 0.89%

LAB 95.83, -21.72, 4.27

 

CMYK 15 / 0 / 1 / 0

HEX #D8FFFD

RGB 216 255 253

HSL 176.92, 1%, 0.92%

LAB 97.31, -12.8, -3.23

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 28 / 0 / 9 / 13

HEX #A0DEC9

RGB 160 222 201

HSL 159.68, 0.48%, 0.75%

LAB 83.93, -24.01, 3.98

 

CMYK 30 / 0 / 11 / 20

HEX #8FCCB6

RGB 143 204 182

HSL 158.36, 0.37%, 0.68%

LAB 77.52, -24.2, 4.72

 

CMYK 32 / 0 / 12 / 27

HEX #7EBAA3

RGB 126 186 163

HSL 157, 0.3%, 0.61%

LAB 71.01, -24.41, 5.51

 

CMYK 35 / 0 / 14 / 34

HEX #6DA890

RGB 109 168 144

HSL 155.59, 0.25%, 0.54%

LAB 64.38, -24.64, 6.35

 

CMYK 39 / 0 / 17 / 41

HEX #5C967D

RGB 92 150 125

HSL 154.14, 0.24%, 0.47%

LAB 57.63, -24.89, 7.25

 

CMYK 27 / 0 / 9 / 13

HEX #A1DEC9

RGB 161 222 201

HSL 159.34, 0.48%, 0.75%

LAB 83.98, -23.71, 4.06

 

CMYK 27 / 0 / 17 / 13

HEX #A1DEB9

RGB 161 222 185

HSL 143.61, 0.48%, 0.75%

LAB 83.61, -26.88, 11.97

 

CMYK 27 / 0 / 24 / 13

HEX #A1DEA8

RGB 161 222 168

HSL 126.89, 0.48%, 0.75%

LAB 83.26, -29.97, 20.4

 

CMYK 23 / 0 / 27 / 13

HEX #AADEA1

RGB 170 222 161

HSL 111.15, 0.48%, 0.75%

LAB 83.63, -28.17, 24.64

 

CMYK 16 / 0 / 27 / 13

HEX #BADEA1

RGB 186 222 161

HSL 95.41, 0.48%, 0.75%

LAB 84.61, -22.65, 26.14

 

CMYK 27 / 0 / 9 / 13

HEX #A1DEC9

RGB 161 222 201

HSL 159.34, 0.48%, 0.75%

LAB 83.98, -23.71, 4.06

 

CMYK 27 / 0 / 2 / 13

HEX #A1DEDA

RGB 161 222 218

HSL 176.07, 0.48%, 0.75%

LAB 84.42, -20.09, -4.3

 

CMYK 27 / 5 / 0 / 13

HEX #A1D2DE

RGB 161 210 222

HSL 191.8, 0.48%, 0.75%

LAB 81.26, -13.12, -11.11

 

CMYK 27 / 13 / 0 / 13

HEX #A1C1DE

RGB 161 193 222

HSL 208.52, 0.48%, 0.75%

LAB 76.67, -4.2, -18

 

CMYK 27 / 20 / 0 / 13

HEX #A1B1DE

RGB 161 177 222

HSL 224.26, 0.48%, 0.75%

LAB 72.43, 4.48, -24.45

 

CMYK 27 / 0 / 9 / 13

HEX #A1DEC9

RGB 161 222 201

HSL 159.34, 0.48%, 0.75%

LAB 83.98, -23.71, 4.06

 

CMYK 35 / 0 / 12 / 9

HEX #96E8CC

RGB 150 232 204

HSL 159.51, 0.64%, 0.75%

LAB 86.28, -31.07, 5.73

 

CMYK 42 / 0 / 14 / 5

HEX #8CF2D0

RGB 140 242 208

HSL 160, 0.8%, 0.75%

LAB 88.75, -37.51, 7.13

 

CMYK 49 / 0 / 17 / 1

HEX #82FDD3

RGB 130 253 211

HSL 159.51, 0.97%, 0.75%

LAB 91.55, -44.19, 9.55

 

CMYK 27 / 0 / 9 / 13

HEX #A1DEC9

RGB 161 222 201

HSL 159.34, 0.48%, 0.75%

LAB 83.98, -23.71, 4.06

 

CMYK 19 / 0 / 7 / 17

HEX #ABD4C6

RGB 171 212 198

HSL 159.51, 0.32%, 0.75%

LAB 81.74, -16.25, 2.47

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 0 / 1 / 1 / 25

HEX #C0BFBF

RGB 192 191 191

HSL 0, 0.01%, 0.75%

LAB 77.42, 0.35, 0.11

 

CMYK 0 / 10 / 7 / 21

HEX #CAB5BC

RGB 202 181 188

HSL 340, 0.17%, 0.75%

LAB 75.6, 8.7, -0.82

 

CMYK 27 / 0 / 24 / 13

HEX #A1DEA8

RGB 161 222 168

HSL 126.89, 0.48%, 0.75%

LAB 83.26, -29.97, 20.4

 

CMYK 27 / 0 / 17 / 13

HEX #A1DEB8

RGB 161 222 184

HSL 142.62, 0.48%, 0.75%

LAB 83.59, -27.07, 12.47

 

CMYK 27 / 0 / 10 / 13

HEX #A1DEC8

RGB 161 222 200

HSL 158.36, 0.48%, 0.75%

LAB 83.96, -23.92, 4.56

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 27 / 5 / 0 / 13

HEX #A1D3DE

RGB 161 211 222

HSL 190.82, 0.48%, 0.75%

LAB 81.53, -13.63, -10.7

 

CMYK 50 / 0 / 17 / 22

HEX #64C8A6

RGB 100 200 166

HSL 159.6, 0.48%, 0.59%

LAB 74.04, -37.43, 8.09

 

CMYK 38 / 0 / 13 / 17

HEX #82D3B8

RGB 130 211 184

HSL 160, 0.48%, 0.67%

LAB 78.92, -30.89, 5.59

 

CMYK 27 / 0 / 9 / 13

HEX #A1DEC9

RGB 161 222 201

HSL 159.34, 0.48%, 0.75%

LAB 83.98, -23.71, 4.06

 

CMYK 18 / 0 / 6 / 9

HEX #BFE9DB

RGB 191 233 219

HSL 160, 0.49%, 0.83%

LAB 89.14, -16.31, 2.29

 

CMYK 9 / 0 / 3 / 5

HEX #DEF3EC

RGB 222 243 236

HSL 160, 0.47%, 0.91%

LAB 94.18, -8.16, 1.01

 

CMYK 28 / 0 / 9 / 13

HEX #A0DEC9

RGB 160 222 201

HSL 159.68, 0.48%, 0.75%

LAB 83.93, -24.01, 3.98

 

CMYK 27 / 23 / 0 / 13

HEX #A1AADE

RGB 161 170 222

HSL 231.15, 0.48%, 0.75%

LAB 70.59, 8.36, -27.26

 

CMYK 0 / 21 / 27 / 13

HEX #DEB0A1

RGB 222 176 161

HSL 14.75, 0.48%, 0.75%

LAB 75.55, 14.56, 14.05

 

CMYK 28 / 0 / 9 / 13

HEX #A0DEC9

RGB 160 222 201

HSL 159.68, 0.48%, 0.75%

LAB 83.93, -24.01, 3.98

 

CMYK 10 / 27 / 0 / 13

HEX #C8A1DE

RGB 200 161 222

HSL 278.36, 0.48%, 0.75%

LAB 71.58, 25.43, -25.46

 

CMYK 0 / 10 / 27 / 13

HEX #DEC8A1

RGB 222 200 161

HSL 38.36, 0.48%, 0.75%

LAB 81.52, 1.83, 22.35

 

CMYK 28 / 0 / 9 / 13

HEX #A0DEC9

RGB 160 222 201

HSL 159.68, 0.48%, 0.75%

LAB 83.93, -24.01, 3.98

 

CMYK 27 / 23 / 0 / 13

HEX #A1AADE

RGB 161 170 222

HSL 231.15, 0.48%, 0.75%

LAB 70.59, 8.36, -27.26

 

CMYK 0 / 27 / 18 / 13

HEX #DEA1B6

RGB 222 161 182

HSL 339.34, 0.48%, 0.75%

LAB 72.49, 25.69, -1.85

 

CMYK 0 / 4 / 27 / 13

HEX #DED5A1

RGB 222 213 161

HSL 51.15, 0.48%, 0.75%

LAB 84.84, -4.9, 26.88

 

CMYK 28 / 0 / 9 / 13

HEX #A0DEC9

RGB 160 222 201

HSL 159.68, 0.48%, 0.75%

LAB 83.93, -24.01, 3.98

 

CMYK 23 / 27 / 0 / 13

HEX #AAA1DE

RGB 170 161 222

HSL 248.85, 0.48%, 0.75%

LAB 68.98, 16.09, -29.69

 

CMYK 0 / 27 / 18 / 13

HEX #DEA1B6

RGB 222 161 182

HSL 339.34, 0.48%, 0.75%

LAB 72.49, 25.69, -1.85

 

CMYK 4 / 0 / 27 / 13

HEX #D5DEA1

RGB 213 222 161

HSL 68.85, 0.48%, 0.75%

LAB 86.49, -12.84, 28.98

 

Description

Color code: HEX #A0DEC9 | qconv.com Color code: HEX #A0DEC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 222 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 222 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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