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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C559 it is the complementary color #5F3AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C559 shade: #A5C554, #B6D767, #C7E97A, #D8FB8D and #E9FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C559 shade: #A0C559, #8FB346, #7EA133, #6D8F20 and #5C7D0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C559 shade: #A0C559, #BDC559, #C5AF59, #C59259 and #C57559

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C559 shade: #A0C559, #83C559, #66C559, #59C569 and #59C586

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C559 shade matches the following richer shades: #A0C559, #A5D747, #ABE935 and #B1FB22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C559 shade: #A0C559, #9AB36B, #94A07D, #8F8E8F and #897CA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C559 shade: #C5AF59, #BDC559, #A1C559, #84C559 and #67C559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C559 shade: #759635, #8DB540, #A0C559, #B1CF77 and #C3DA96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C559 shade: #A0C559, #59C592 and #BD59C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C559 shade: #A0C559, #59A1C5 and #C559A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C559 shade: #A0C559, #59C592, #7D59C5 and #C5598B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C559 shade: #A0C559, #59C5B3, #7D59C5 and #C5596B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

Complementary color

CMYK 43 / 65 / 0 / 35

HEX #5F3AA6

RGB 95 58 166

HSL 260.56, 0.48%, 0.44%

LAB 34.42, 41.04, -52.6

 

CMYK 16 / 0 / 57 / 23

HEX #A5C554

RGB 165 197 84

HSL 76.99, 0.49%, 0.55%

LAB 75.18, -27.68, 52.1

 

CMYK 15 / 0 / 52 / 16

HEX #B6D767

RGB 182 215 103

HSL 77.68, 0.58%, 0.62%

LAB 81.58, -27.92, 51.07

 

CMYK 15 / 0 / 48 / 9

HEX #C7E97A

RGB 199 233 122

HSL 78.38, 0.72%, 0.7%

LAB 87.88, -28.1, 49.97

 

CMYK 14 / 0 / 44 / 2

HEX #D8FB8D

RGB 216 251 141

HSL 79.09, 0.93%, 0.77%

LAB 94.11, -28.23, 48.85

 

CMYK 9 / 0 / 37 / 0

HEX #E9FFA0

RGB 233 255 160

HSL 73.89, 1%, 0.81%

LAB 96.57, -21.71, 43.03

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 20 / 0 / 61 / 30

HEX #8FB346

RGB 143 179 70

HSL 79.82, 0.44%, 0.49%

LAB 68.4, -28.94, 50.37

 

CMYK 22 / 0 / 68 / 37

HEX #7EA133

RGB 126 161 51

HSL 79.09, 0.52%, 0.42%

LAB 61.8, -28.58, 51.08

 

CMYK 24 / 0 / 78 / 44

HEX #6D8F20

RGB 109 143 32

HSL 78.38, 0.63%, 0.34%

LAB 55.07, -28.05, 51.2

 

CMYK 26 / 0 / 90 / 51

HEX #5C7D0D

RGB 92 125 13

HSL 77.68, 0.81%, 0.27%

LAB 48.22, -27.26, 50.1

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 4 / 0 / 55 / 23

HEX #BDC559

RGB 189 197 89

HSL 64.44, 0.48%, 0.56%

LAB 76.96, -17.6, 52.31

 

CMYK 0 / 11 / 55 / 23

HEX #C5AF59

RGB 197 175 89

HSL 47.78, 0.48%, 0.56%

LAB 71.73, -2.94, 46.41

 

CMYK 0 / 26 / 55 / 23

HEX #C59259

RGB 197 146 89

HSL 31.67, 0.48%, 0.56%

LAB 64.28, 12.71, 37.47

 

CMYK 0 / 41 / 55 / 23

HEX #C57559

RGB 197 117 89

HSL 15.56, 0.48%, 0.56%

LAB 57.38, 28.58, 28.82

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 34 / 0 / 55 / 23

HEX #83C559

RGB 131 197 89

HSL 96.67, 0.48%, 0.56%

LAB 73.21, -39.86, 46.98

 

CMYK 48 / 0 / 55 / 23

HEX #66C559

RGB 102 197 89

HSL 112.78, 0.48%, 0.56%

LAB 71.88, -49.1, 45.09

 

CMYK 55 / 0 / 47 / 23

HEX #59C569

RGB 89 197 105

HSL 128.89, 0.48%, 0.56%

LAB 71.61, -50.42, 36.84

 

CMYK 55 / 0 / 32 / 23

HEX #59C586

RGB 89 197 134

HSL 145, 0.48%, 0.56%

LAB 72.08, -45.43, 22.43

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 23 / 0 / 67 / 16

HEX #A5D747

RGB 165 215 71

HSL 80.83, 0.64%, 0.56%

LAB 80.21, -37.05, 63.01

 

CMYK 27 / 0 / 77 / 9

HEX #ABE935

RGB 171 233 53

HSL 80.67, 0.8%, 0.56%

LAB 85.6, -43.74, 74.51

 

CMYK 29 / 0 / 86 / 2

HEX #B1FB22

RGB 177 251 34

HSL 80.46, 0.96%, 0.56%

LAB 90.99, -49.83, 83.83

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 14 / 0 / 40 / 30

HEX #9AB36B

RGB 154 179 107

HSL 80.83, 0.32%, 0.56%

LAB 69.59, -20.73, 33.94

 

CMYK 7 / 0 / 22 / 37

HEX #94A07D

RGB 148 160 125

HSL 80.57, 0.16%, 0.56%

LAB 64.09, -10.63, 16.86

 

CMYK 0 / 1 / 0 / 44

HEX #8F8E8F

RGB 143 142 143

HSL 300, 0%, 0.56%

LAB 59.13, 0.57, -0.41

 

CMYK 15 / 23 / 0 / 36

HEX #897CA2

RGB 137 124 162

HSL 260.53, 0.17%, 0.56%

LAB 54.39, 12.83, -18.49

 

CMYK 0 / 11 / 55 / 23

HEX #C5AF59

RGB 197 175 89

HSL 47.78, 0.48%, 0.56%

LAB 71.73, -2.94, 46.41

 

CMYK 4 / 0 / 55 / 23

HEX #BDC559

RGB 189 197 89

HSL 64.44, 0.48%, 0.56%

LAB 76.96, -17.6, 52.31

 

CMYK 18 / 0 / 55 / 23

HEX #A1C559

RGB 161 197 89

HSL 80, 0.48%, 0.56%

LAB 74.97, -28.79, 49.49

 

CMYK 33 / 0 / 55 / 23

HEX #84C559

RGB 132 197 89

HSL 96.11, 0.48%, 0.56%

LAB 73.26, -39.51, 47.06

 

CMYK 48 / 0 / 55 / 23

HEX #67C559

RGB 103 197 89

HSL 112.22, 0.48%, 0.56%

LAB 71.92, -48.81, 45.14

 

CMYK 22 / 0 / 65 / 41

HEX #759635

RGB 117 150 53

HSL 80.41, 0.48%, 0.4%

LAB 57.9, -26.75, 45.93

 

CMYK 22 / 0 / 65 / 29

HEX #8DB540

RGB 141 181 64

HSL 80.51, 0.48%, 0.48%

LAB 68.81, -31.16, 53.37

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 14 / 0 / 43 / 19

HEX #B1CF77

RGB 177 207 119

HSL 80.45, 0.48%, 0.64%

LAB 79.22, -24.29, 40.37

 

CMYK 11 / 0 / 31 / 15

HEX #C3DA96

RGB 195 218 150

HSL 80.29, 0.48%, 0.72%

LAB 83.94, -19.01, 31

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 55 / 0 / 26 / 23

HEX #59C592

RGB 89 197 146

HSL 151.67, 0.48%, 0.56%

LAB 72.32, -43.01, 16.36

 

CMYK 4 / 55 / 0 / 23

HEX #BD59C5

RGB 189 89 197

HSL 295.56, 0.48%, 0.56%

LAB 54.02, 55.32, -38.79

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 55 / 18 / 0 / 23

HEX #59A1C5

RGB 89 161 197

HSL 200, 0.48%, 0.56%

LAB 63.05, -12.27, -25.38

 

CMYK 0 / 55 / 18 / 23

HEX #C559A1

RGB 197 89 161

HSL 320, 0.48%, 0.56%

LAB 53.59, 51.59, -18.5

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 55 / 0 / 26 / 23

HEX #59C592

RGB 89 197 146

HSL 151.67, 0.48%, 0.56%

LAB 72.32, -43.01, 16.36

 

CMYK 37 / 55 / 0 / 23

HEX #7D59C5

RGB 125 89 197

HSL 260, 0.48%, 0.56%

LAB 46.36, 38.7, -51.43

 

CMYK 0 / 55 / 29 / 23

HEX #C5598B

RGB 197 89 139

HSL 332.22, 0.48%, 0.56%

LAB 52.82, 48.5, -6.7

 

CMYK 19 / 0 / 55 / 23

HEX #A0C559

RGB 160 197 89

HSL 80.56, 0.48%, 0.56%

LAB 74.91, -29.18, 49.4

 

CMYK 55 / 0 / 9 / 23

HEX #59C5B3

RGB 89 197 179

HSL 170, 0.48%, 0.56%

LAB 73.1, -35.39, -0.37

 

CMYK 37 / 55 / 0 / 23

HEX #7D59C5

RGB 125 89 197

HSL 260, 0.48%, 0.56%

LAB 46.36, 38.7, -51.43

 

CMYK 0 / 55 / 46 / 23

HEX #C5596B

RGB 197 89 107

HSL 350, 0.48%, 0.56%

LAB 51.92, 44.81, 11.04

 

Description

Color code: HEX #A0C559 | qconv.com Color code: HEX #A0C559 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 197 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 197 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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