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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C439 it is the complementary color #5F3BC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C439 shade: #A5C434, #B6D647, #C7E85A, #D8FA6D and #E9FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C439 shade: #A0C439, #8FB226, #7EA013, #6D8E00 and #5C7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C439 shade: #A1C639, #C6C439, #C69E39, #C67839 and #C65339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C439 shade: #A1C639, #7BC639, #56C639, #39C643 and #39C669

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C439 shade matches the following richer shades: #A1C639, #ABDA25 and #B5EF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C439 shade: #A1C639, #97B14E, #8D9C63, #838877 and #7A738C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C439 shade: #C69E39, #C6C339, #A3C639, #7DC639 and #58C639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C439 shade: #6D8627, #87A630, #A1C639, #B0CF59 and #C0D879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C439 shade: #A0C439, #39C678 and #B139C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C439 shade: #A0C439, #39A3C6 and #C639A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C439 shade: #A0C439, #39C678, #5C39C6 and #C63987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C439 shade: #A0C439, #39C6A3, #5C39C6 and #C6395C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 71 / 23

HEX #A0C439

RGB 160 196 57

HSL 75.54, 0.55%, 0.5%

LAB 74.35, -31.13, 62.21

 

Complementary color

CMYK 52 / 70 / 0 / 22

HEX #5F3BC6

RGB 95 59 198

HSL 255.54, 0.55%, 0.5%

LAB 37.18, 49.55, -67.02

 

CMYK 16 / 0 / 73 / 23

HEX #A5C434

RGB 165 196 52

HSL 72.92, 0.58%, 0.49%

LAB 74.65, -29.39, 64.38

 

CMYK 15 / 0 / 67 / 16

HEX #B6D647

RGB 182 214 71

HSL 73.43, 0.64%, 0.56%

LAB 81.01, -29.98, 64.18

 

CMYK 14 / 0 / 61 / 9

HEX #C7E85A

RGB 199 232 90

HSL 73.94, 0.76%, 0.63%

LAB 87.29, -30.44, 63.57

 

CMYK 14 / 0 / 56 / 2

HEX #D8FA6D

RGB 216 250 109

HSL 74.47, 0.93%, 0.7%

LAB 93.48, -30.79, 62.72

 

CMYK 9 / 0 / 50 / 0

HEX #E9FF80

RGB 233 255 128

HSL 70.39, 1%, 0.75%

LAB 96.16, -25.02, 57.69

 

CMYK 18 / 0 / 71 / 23

HEX #A0C439

RGB 160 196 57

HSL 75.54, 0.55%, 0.5%

LAB 74.35, -31.13, 62.21

 

CMYK 20 / 0 / 79 / 30

HEX #8FB226

RGB 143 178 38

HSL 75, 0.65%, 0.42%

LAB 67.89, -30.49, 62

 

CMYK 21 / 0 / 88 / 37

HEX #7EA013

RGB 126 160 19

HSL 74.47, 0.79%, 0.35%

LAB 61.33, -29.64, 60.71

 

CMYK 23 / 0 / 100 / 44

HEX #6D8E00

RGB 109 142 0

HSL 73.94, 1%, 0.28%

LAB 54.66, -28.59, 58.11

 

CMYK 26 / 0 / 100 / 51

HEX #5C7C00

RGB 92 124 0

HSL 75.48, 1%, 0.24%

LAB 47.87, -27.13, 52.46

 

CMYK 19 / 0 / 71 / 22

HEX #A1C639

RGB 161 198 57

HSL 75.74, 0.55%, 0.5%

LAB 74.99, -31.67, 62.87

 

CMYK 0 / 1 / 71 / 22

HEX #C6C439

RGB 198 196 57

HSL 59.15, 0.55%, 0.5%

LAB 77.15, -15.4, 65.9

 

CMYK 0 / 20 / 71 / 22

HEX #C69E39

RGB 198 158 57

HSL 42.98, 0.55%, 0.5%

LAB 67.09, 4.45, 55.97

 

CMYK 0 / 39 / 71 / 22

HEX #C67839

RGB 198 120 57

HSL 26.81, 0.55%, 0.5%

LAB 57.78, 25.19, 46.27

 

CMYK 0 / 58 / 71 / 22

HEX #C65339

RGB 198 83 57

HSL 11.06, 0.55%, 0.5%

LAB 50.08, 44.33, 37.79

 

CMYK 19 / 0 / 71 / 22

HEX #A1C639

RGB 161 198 57

HSL 75.74, 0.55%, 0.5%

LAB 74.99, -31.67, 62.87

 

CMYK 38 / 0 / 71 / 22

HEX #7BC639

RGB 123 198 57

HSL 91.91, 0.55%, 0.5%

LAB 72.82, -45.86, 59.99

 

CMYK 57 / 0 / 71 / 22

HEX #56C639

RGB 86 198 57

HSL 107.66, 0.55%, 0.5%

LAB 71.32, -57.03, 57.98

 

CMYK 71 / 0 / 66 / 22

HEX #39C643

RGB 57 198 67

HSL 124.26, 0.55%, 0.5%

LAB 70.64, -62.34, 53.1

 

CMYK 71 / 0 / 47 / 22

HEX #39C669

RGB 57 198 105

HSL 140.43, 0.55%, 0.5%

LAB 71.06, -57.36, 35.97

 

CMYK 19 / 0 / 71 / 22

HEX #A1C639

RGB 161 198 57

HSL 75.74, 0.55%, 0.5%

LAB 74.99, -31.67, 62.87

 

CMYK 22 / 0 / 83 / 15

HEX #ABDA25

RGB 171 218 37

HSL 75.58, 0.71%, 0.5%

LAB 81.26, -37.76, 74.81

 

CMYK 24 / 0 / 93 / 6

HEX #B5EF10

RGB 181 239 16

HSL 75.61, 0.87%, 0.5%

LAB 87.77, -43.63, 83.91

 

CMYK 19 / 0 / 71 / 22

HEX #A1C639

RGB 161 198 57

HSL 75.74, 0.55%, 0.5%

LAB 74.99, -31.67, 62.87

 

CMYK 15 / 0 / 56 / 31

HEX #97B14E

RGB 151 177 78

HSL 75.76, 0.39%, 0.5%

LAB 68.44, -24.07, 46.91

 

CMYK 10 / 0 / 37 / 39

HEX #8D9C63

RGB 141 156 99

HSL 75.79, 0.22%, 0.5%

LAB 61.95, -15.09, 28.12

 

CMYK 4 / 0 / 13 / 47

HEX #838877

RGB 131 136 119

HSL 77.65, 0.07%, 0.5%

LAB 55.85, -5.08, 8.5

 

CMYK 13 / 18 / 0 / 45

HEX #7A738C

RGB 122 115 140

HSL 256.8, 0.1%, 0.5%

LAB 49.85, 7.96, -12.65

 

CMYK 0 / 20 / 71 / 22

HEX #C69E39

RGB 198 158 57

HSL 42.98, 0.55%, 0.5%

LAB 67.09, 4.45, 55.97

 

CMYK 0 / 2 / 71 / 22

HEX #C6C339

RGB 198 195 57

HSL 58.72, 0.55%, 0.5%

LAB 76.88, -14.9, 65.64

 

CMYK 18 / 0 / 71 / 22

HEX #A3C639

RGB 163 198 57

HSL 74.89, 0.55%, 0.5%

LAB 75.12, -30.87, 63.04

 

CMYK 37 / 0 / 71 / 22

HEX #7DC639

RGB 125 198 57

HSL 91.06, 0.55%, 0.5%

LAB 72.92, -45.17, 60.12

 

CMYK 56 / 0 / 71 / 22

HEX #58C639

RGB 88 198 57

HSL 106.81, 0.55%, 0.5%

LAB 71.39, -56.51, 58.07

 

CMYK 19 / 0 / 71 / 47

HEX #6D8627

RGB 109 134 39

HSL 75.79, 0.55%, 0.34%

LAB 52.34, -23.18, 45.9

 

CMYK 19 / 0 / 71 / 35

HEX #87A630

RGB 135 166 48

HSL 75.76, 0.55%, 0.42%

LAB 63.87, -27.51, 54.56

 

CMYK 19 / 0 / 71 / 22

HEX #A1C639

RGB 161 198 57

HSL 75.74, 0.55%, 0.5%

LAB 74.99, -31.67, 62.87

 

CMYK 15 / 0 / 57 / 19

HEX #B0CF59

RGB 176 207 89

HSL 75.76, 0.55%, 0.58%

LAB 78.8, -27.71, 54.14

 

CMYK 11 / 0 / 44 / 15

HEX #C0D879

RGB 192 216 121

HSL 75.16, 0.55%, 0.66%

LAB 82.75, -22.72, 44.03

 

CMYK 18 / 0 / 71 / 23

HEX #A0C439

RGB 160 196 57

HSL 75.54, 0.55%, 0.5%

LAB 74.35, -31.13, 62.21

 

CMYK 71 / 0 / 39 / 22

HEX #39C678

RGB 57 198 120

HSL 146.81, 0.55%, 0.5%

LAB 71.29, -54.74, 28.59

 

CMYK 11 / 71 / 0 / 22

HEX #B139C6

RGB 177 57 198

HSL 291.06, 0.55%, 0.5%

LAB 47.43, 66.22, -49.93

 

CMYK 18 / 0 / 71 / 23

HEX #A0C439

RGB 160 196 57

HSL 75.54, 0.55%, 0.5%

LAB 74.35, -31.13, 62.21

 

CMYK 71 / 18 / 0 / 22

HEX #39A3C6

RGB 57 163 198

HSL 194.89, 0.55%, 0.5%

LAB 62.63, -18.65, -26.67

 

CMYK 0 / 71 / 18 / 22

HEX #C639A3

RGB 198 57 163

HSL 314.89, 0.55%, 0.5%

LAB 48.98, 65.43, -26.76

 

CMYK 18 / 0 / 71 / 23

HEX #A0C439

RGB 160 196 57

HSL 75.54, 0.55%, 0.5%

LAB 74.35, -31.13, 62.21

 

CMYK 71 / 0 / 39 / 22

HEX #39C678

RGB 57 198 120

HSL 146.81, 0.55%, 0.5%

LAB 71.29, -54.74, 28.59

 

CMYK 54 / 71 / 0 / 22

HEX #5C39C6

RGB 92 57 198

HSL 254.89, 0.55%, 0.5%

LAB 36.52, 50.12, -68.13

 

CMYK 0 / 71 / 32 / 22

HEX #C63987

RGB 198 57 135

HSL 326.81, 0.55%, 0.5%

LAB 47.86, 61.85, -11.73

 

CMYK 18 / 0 / 71 / 23

HEX #A0C439

RGB 160 196 57

HSL 75.54, 0.55%, 0.5%

LAB 74.35, -31.13, 62.21

 

CMYK 71 / 0 / 18 / 22

HEX #39C6A3

RGB 57 198 163

HSL 165.11, 0.55%, 0.5%

LAB 72.16, -45.38, 6.85

 

CMYK 54 / 71 / 0 / 22

HEX #5C39C6

RGB 92 57 198

HSL 254.89, 0.55%, 0.5%

LAB 36.52, 50.12, -68.13

 

CMYK 0 / 71 / 54 / 22

HEX #C6395C

RGB 198 57 92

HSL 345.11, 0.55%, 0.5%

LAB 46.58, 57.63, 12.69

 

Description

Color code: HEX #A0C439 | qconv.com Color code: HEX #A0C439 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 196 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 196 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 71 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 71% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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