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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C3C0 it is the complementary color #5F3C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C3C0 shade: #A5C3BB, #B6D5CE, #C7E7E1, #D8F9F4 and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C3C0 shade: #A0C3C0, #8FB1AD, #7E9F9A, #6D8D87 and #5C7B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C3C0 shade: #A1C4C1, #A1C4B8, #A1C4AE, #A1C4A5 and #A7C4A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C3C0 shade: #A1C4C1, #A1BEC4, #A1B4C4, #A1ABC4 and #A1A1C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C3C0 shade matches the following richer shades: #A1C4C1, #95D0CB, #88DDD6, #7CE9E0 and #6FF6EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C3C0 shade: #A1C4C1, #ADB8B7, #BAABAD, #C69FA2 and #D29398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C3C0 shade: #A1C4AE, #A1C4B7, #A1C4C1, #A1BEC4 and #A1B5C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C3C0 shade: #6EA4A0, #88B4B0, #A1C4C1, #BAD4D2 and #D4E4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C3C0 shade: #A0C3C0, #A4A1C4 and #C4B3A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C3C0 shade: #A0C3C0, #C1A1C4 and #C4C1A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C3C0 shade: #A0C3C0, #A4A1C4, #C4A1A4 and #C1C4A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C3C0 shade: #A0C3C0, #AFA1C4, #C4A1A4 and #B6C4A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 2 / 24

HEX #A0C3C0

RGB 160 195 192

HSL 174.86, 0.23%, 0.7%

LAB 76.26, -12.27, -2.39

 

Complementary color

CMYK 0 / 37 / 34 / 63

HEX #5F3C3F

RGB 95 60 63

HSL 354.86, 0.23%, 0.3%

LAB 29.47, 15.88, 4.54

 

CMYK 15 / 0 / 4 / 24

HEX #A5C3BB

RGB 165 195 187

HSL 164, 0.2%, 0.71%

LAB 76.45, -11.68, 0.63

 

CMYK 15 / 0 / 3 / 16

HEX #B6D5CE

RGB 182 213 206

HSL 166.45, 0.27%, 0.77%

LAB 82.91, -11.63, -0

 

CMYK 14 / 0 / 3 / 9

HEX #C7E7E1

RGB 199 231 225

HSL 168.75, 0.4%, 0.84%

LAB 89.27, -11.6, -0.61

 

CMYK 13 / 0 / 2 / 2

HEX #D8F9F4

RGB 216 249 244

HSL 170.91, 0.73%, 0.91%

LAB 95.53, -11.57, -1.2

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 18 / 0 / 2 / 24

HEX #A0C3C0

RGB 160 195 192

HSL 174.86, 0.23%, 0.7%

LAB 76.26, -12.27, -2.39

 

CMYK 19 / 0 / 2 / 31

HEX #8FB1AD

RGB 143 177 173

HSL 172.94, 0.18%, 0.63%

LAB 69.68, -12.34, -1.78

 

CMYK 21 / 0 / 3 / 38

HEX #7E9F9A

RGB 126 159 154

HSL 170.91, 0.15%, 0.56%

LAB 62.98, -12.43, -1.15

 

CMYK 23 / 0 / 4 / 45

HEX #6D8D87

RGB 109 141 135

HSL 168.75, 0.13%, 0.49%

LAB 56.14, -12.53, -0.49

 

CMYK 25 / 0 / 6 / 52

HEX #5C7B74

RGB 92 123 116

HSL 166.45, 0.14%, 0.42%

LAB 49.13, -12.67, 0.21

 

CMYK 18 / 0 / 2 / 23

HEX #A1C4C1

RGB 161 196 193

HSL 174.86, 0.23%, 0.7%

LAB 76.62, -12.26, -2.39

 

CMYK 18 / 0 / 6 / 23

HEX #A1C4B8

RGB 161 196 184

HSL 159.43, 0.23%, 0.7%

LAB 76.39, -14.11, 2.13

 

CMYK 18 / 0 / 11 / 23

HEX #A1C4AE

RGB 161 196 174

HSL 142.29, 0.23%, 0.7%

LAB 76.14, -16.08, 7.18

 

CMYK 18 / 0 / 16 / 23

HEX #A1C4A5

RGB 161 196 165

HSL 126.86, 0.23%, 0.7%

LAB 75.93, -17.76, 11.73

 

CMYK 15 / 0 / 18 / 23

HEX #A7C4A1

RGB 167 196 161

HSL 109.71, 0.23%, 0.7%

LAB 76.23, -16.39, 14.36

 

CMYK 18 / 0 / 2 / 23

HEX #A1C4C1

RGB 161 196 193

HSL 174.86, 0.23%, 0.7%

LAB 76.62, -12.26, -2.39

 

CMYK 18 / 3 / 0 / 23

HEX #A1BEC4

RGB 161 190 196

HSL 190.29, 0.23%, 0.7%

LAB 75.07, -8.48, -6.31

 

CMYK 18 / 8 / 0 / 23

HEX #A1B4C4

RGB 161 180 196

HSL 207.43, 0.23%, 0.7%

LAB 72.37, -3.15, -10.33

 

CMYK 18 / 13 / 0 / 23

HEX #A1ABC4

RGB 161 171 196

HSL 222.86, 0.23%, 0.7%

LAB 69.96, 1.75, -13.93

 

CMYK 18 / 18 / 0 / 23

HEX #A1A1C4

RGB 161 161 196

HSL 240, 0.23%, 0.7%

LAB 67.32, 7.29, -17.92

 

CMYK 18 / 0 / 2 / 23

HEX #A1C4C1

RGB 161 196 193

HSL 174.86, 0.23%, 0.7%

LAB 76.62, -12.26, -2.39

 

CMYK 28 / 0 / 2 / 18

HEX #95D0CB

RGB 149 208 203

HSL 174.92, 0.39%, 0.7%

LAB 79.51, -19.88, -3.62

 

CMYK 38 / 0 / 3 / 13

HEX #88DDD6

RGB 136 221 214

HSL 175.06, 0.56%, 0.7%

LAB 82.81, -27.32, -4.69

 

CMYK 47 / 0 / 4 / 9

HEX #7CE9E0

RGB 124 233 224

HSL 175.05, 0.71%, 0.7%

LAB 85.98, -33.51, -5.36

 

CMYK 55 / 0 / 5 / 4

HEX #6FF6EA

RGB 111 246 234

HSL 174.67, 0.88%, 0.7%

LAB 89.5, -39.71, -5.45

 

CMYK 18 / 0 / 2 / 23

HEX #A1C4C1

RGB 161 196 193

HSL 174.86, 0.23%, 0.7%

LAB 76.62, -12.26, -2.39

 

CMYK 6 / 0 / 1 / 28

HEX #ADB8B7

RGB 173 184 183

HSL 174.55, 0.07%, 0.7%

LAB 73.92, -4, -0.82

 

CMYK 0 / 8 / 7 / 27

HEX #BAABAD

RGB 186 171 173

HSL 352, 0.1%, 0.7%

LAB 71.27, 5.74, 0.92

 

CMYK 0 / 20 / 18 / 22

HEX #C69FA2

RGB 198 159 162

HSL 355.38, 0.25%, 0.7%

LAB 69.05, 14.88, 3.92

 

CMYK 0 / 30 / 28 / 18

HEX #D29398

RGB 210 147 152

HSL 355.24, 0.41%, 0.7%

LAB 67.15, 24.46, 6.93

 

CMYK 18 / 0 / 11 / 23

HEX #A1C4AE

RGB 161 196 174

HSL 142.29, 0.23%, 0.7%

LAB 76.14, -16.08, 7.18

 

CMYK 18 / 0 / 7 / 23

HEX #A1C4B7

RGB 161 196 183

HSL 157.71, 0.23%, 0.7%

LAB 76.36, -14.31, 2.63

 

CMYK 18 / 0 / 2 / 23

HEX #A1C4C1

RGB 161 196 193

HSL 174.86, 0.23%, 0.7%

LAB 76.62, -12.26, -2.39

 

CMYK 18 / 3 / 0 / 23

HEX #A1BEC4

RGB 161 190 196

HSL 190.29, 0.23%, 0.7%

LAB 75.07, -8.48, -6.31

 

CMYK 18 / 8 / 0 / 23

HEX #A1B5C4

RGB 161 181 196

HSL 205.71, 0.23%, 0.7%

LAB 72.63, -3.69, -9.92

 

CMYK 33 / 0 / 2 / 36

HEX #6EA4A0

RGB 110 164 160

HSL 175.56, 0.23%, 0.54%

LAB 63.68, -18.64, -3.61

 

CMYK 24 / 0 / 2 / 29

HEX #88B4B0

RGB 136 180 176

HSL 174.55, 0.23%, 0.62%

LAB 70.18, -15.47, -2.75

 

CMYK 18 / 0 / 2 / 23

HEX #A1C4C1

RGB 161 196 193

HSL 174.86, 0.23%, 0.7%

LAB 76.62, -12.26, -2.39

 

CMYK 12 / 0 / 1 / 17

HEX #BAD4D2

RGB 186 212 210

HSL 175.38, 0.23%, 0.78%

LAB 83.01, -9.03, -1.95

 

CMYK 7 / 0 / 1 / 11

HEX #D4E4E2

RGB 212 228 226

HSL 172.5, 0.23%, 0.86%

LAB 89.38, -5.68, -0.86

 

CMYK 18 / 0 / 2 / 24

HEX #A0C3C0

RGB 160 195 192

HSL 174.86, 0.23%, 0.7%

LAB 76.26, -12.27, -2.39

 

CMYK 16 / 18 / 0 / 23

HEX #A4A1C4

RGB 164 161 196

HSL 245.14, 0.23%, 0.7%

LAB 67.55, 8.26, -17.54

 

CMYK 0 / 9 / 18 / 23

HEX #C4B3A1

RGB 196 179 161

HSL 30.86, 0.23%, 0.7%

LAB 73.9, 3.11, 11.39

 

CMYK 18 / 0 / 2 / 24

HEX #A0C3C0

RGB 160 195 192

HSL 174.86, 0.23%, 0.7%

LAB 76.26, -12.27, -2.39

 

CMYK 2 / 18 / 0 / 23

HEX #C1A1C4

RGB 193 161 196

HSL 294.86, 0.23%, 0.7%

LAB 70.04, 17.95, -13.54

 

CMYK 0 / 2 / 18 / 23

HEX #C4C1A1

RGB 196 193 161

HSL 54.86, 0.23%, 0.7%

LAB 77.55, -4.31, 16.52

 

CMYK 18 / 0 / 2 / 24

HEX #A0C3C0

RGB 160 195 192

HSL 174.86, 0.23%, 0.7%

LAB 76.26, -12.27, -2.39

 

CMYK 16 / 18 / 0 / 23

HEX #A4A1C4

RGB 164 161 196

HSL 245.14, 0.23%, 0.7%

LAB 67.55, 8.26, -17.54

 

CMYK 0 / 18 / 16 / 23

HEX #C4A1A4

RGB 196 161 164

HSL 354.86, 0.23%, 0.7%

LAB 69.4, 13.36, 3.29

 

CMYK 2 / 0 / 18 / 23

HEX #C1C4A1

RGB 193 196 161

HSL 65.14, 0.23%, 0.7%

LAB 78.11, -7, 17.26

 

CMYK 18 / 0 / 2 / 24

HEX #A0C3C0

RGB 160 195 192

HSL 174.86, 0.23%, 0.7%

LAB 76.26, -12.27, -2.39

 

CMYK 11 / 18 / 0 / 23

HEX #AFA1C4

RGB 175 161 196

HSL 264, 0.23%, 0.7%

LAB 68.45, 11.88, -16.09

 

CMYK 0 / 18 / 16 / 23

HEX #C4A1A4

RGB 196 161 164

HSL 354.86, 0.23%, 0.7%

LAB 69.4, 13.36, 3.29

 

CMYK 7 / 0 / 18 / 23

HEX #B6C4A1

RGB 182 196 161

HSL 84, 0.23%, 0.7%

LAB 77.28, -11.03, 15.98

 

Description

Color code: HEX #A0C3C0 | qconv.com Color code: HEX #A0C3C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 195 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 195 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 2 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 2% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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