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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C272 it is the complementary color #5F3D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C272 shade: #A5C26D, #B6D480, #C7E693, #D8F8A6 and #E9FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C272 shade: #A0C272, #8FB05F, #7E9E4C, #6D8C39 and #5C7A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C272 shade: #9FC270, #B5C270, #C2B870, #C2A270 and #C28C70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C272 shade: #9FC270, #89C270, #73C270, #70C283 and #70C299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C272 shade matches the following richer shades: #9FC270, #A2D260, #A4E34F and #A7F33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C272 shade: #9FC270, #9DB181, #9AA191, #9890A2 and #9580B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C272 shade: #C2B870, #B6C270, #A0C270, #8AC270 and #74C270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C272 shade: #769C43, #8CB553, #9FC270, #B3CE8D and #C6DBAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C272 shade: #A0C272, #70C2A3 and #C270C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C272 shade: #A0C272, #70A0C2 and #C270A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C272 shade: #A0C272, #70C2A3, #9270C2 and #C2708F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C272 shade: #A0C272, #70C2BB, #9270C2 and #C27077

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 41 / 24

HEX #A0C272

RGB 160 194 114

HSL 85.5, 0.4%, 0.6%

LAB 74.36, -24.99, 36.51

 

Complementary color

CMYK 33 / 57 / 0 / 45

HEX #5F3D8D

RGB 95 61 141

HSL 265.5, 0.4%, 0.4%

LAB 33.34, 32.44, -39.17

 

CMYK 15 / 0 / 44 / 24

HEX #A5C26D

RGB 165 194 109

HSL 80.47, 0.41%, 0.59%

LAB 74.63, -23.69, 39.44

 

CMYK 14 / 0 / 40 / 17

HEX #B6D480

RGB 182 212 128

HSL 81.43, 0.49%, 0.67%

LAB 81.07, -23.76, 38.28

 

CMYK 13 / 0 / 36 / 10

HEX #C7E693

RGB 199 230 147

HSL 82.41, 0.62%, 0.74%

LAB 87.41, -23.79, 37.15

 

CMYK 13 / 0 / 33 / 3

HEX #D8F8A6

RGB 216 248 166

HSL 83.41, 0.85%, 0.81%

LAB 93.66, -23.81, 36.06

 

CMYK 9 / 0 / 27 / 0

HEX #E9FFB9

RGB 233 255 185

HSL 78.86, 1%, 0.86%

LAB 96.96, -18.54, 31.15

 

CMYK 18 / 0 / 41 / 24

HEX #A0C272

RGB 160 194 114

HSL 85.5, 0.4%, 0.6%

LAB 74.36, -24.99, 36.51

 

CMYK 19 / 0 / 46 / 31

HEX #8FB05F

RGB 143 176 95

HSL 84.44, 0.34%, 0.53%

LAB 67.81, -24.96, 37.7

 

CMYK 20 / 0 / 52 / 38

HEX #7E9E4C

RGB 126 158 76

HSL 83.41, 0.35%, 0.46%

LAB 61.14, -24.89, 38.89

 

CMYK 22 / 0 / 59 / 45

HEX #6D8C39

RGB 109 140 57

HSL 82.41, 0.42%, 0.39%

LAB 54.35, -24.73, 40

 

CMYK 25 / 0 / 69 / 52

HEX #5C7A26

RGB 92 122 38

HSL 81.43, 0.53%, 0.31%

LAB 47.41, -24.43, 40.86

 

CMYK 18 / 0 / 42 / 24

HEX #9FC270

RGB 159 194 112

HSL 85.61, 0.4%, 0.6%

LAB 74.27, -25.61, 37.39

 

CMYK 7 / 0 / 42 / 24

HEX #B5C270

RGB 181 194 112

HSL 69.51, 0.4%, 0.6%

LAB 75.81, -17.1, 39.66

 

CMYK 0 / 5 / 42 / 24

HEX #C2B870

RGB 194 184 112

HSL 52.68, 0.4%, 0.6%

LAB 74.14, -6.75, 37.78

 

CMYK 0 / 16 / 42 / 24

HEX #C2A270

RGB 194 162 112

HSL 36.59, 0.4%, 0.6%

LAB 68.37, 4.97, 30.38

 

CMYK 0 / 28 / 42 / 24

HEX #C28C70

RGB 194 140 112

HSL 20.49, 0.4%, 0.6%

LAB 62.84, 17.02, 23.07

 

CMYK 18 / 0 / 42 / 24

HEX #9FC270

RGB 159 194 112

HSL 85.61, 0.4%, 0.6%

LAB 74.27, -25.61, 37.39

 

CMYK 29 / 0 / 42 / 24

HEX #89C270

RGB 137 194 112

HSL 101.71, 0.4%, 0.6%

LAB 72.94, -33.6, 35.43

 

CMYK 41 / 0 / 42 / 24

HEX #73C270

RGB 115 194 112

HSL 117.8, 0.4%, 0.6%

LAB 71.82, -40.84, 33.77

 

CMYK 42 / 0 / 32 / 24

HEX #70C283

RGB 112 194 131

HSL 133.9, 0.4%, 0.6%

LAB 72.01, -38.63, 24.07

 

CMYK 42 / 0 / 21 / 24

HEX #70C299

RGB 112 194 153

HSL 150, 0.4%, 0.6%

LAB 72.45, -34.41, 12.9

 

CMYK 18 / 0 / 42 / 24

HEX #9FC270

RGB 159 194 112

HSL 85.61, 0.4%, 0.6%

LAB 74.27, -25.61, 37.39

 

CMYK 23 / 0 / 54 / 18

HEX #A2D260

RGB 162 210 96

HSL 85.26, 0.56%, 0.6%

LAB 78.82, -33.84, 50.76

 

CMYK 28 / 0 / 65 / 11

HEX #A4E34F

RGB 164 227 79

HSL 85.54, 0.73%, 0.6%

LAB 83.65, -42.18, 63.48

 

CMYK 31 / 0 / 74 / 5

HEX #A7F33F

RGB 167 243 63

HSL 85.33, 0.88%, 0.6%

LAB 88.29, -48.94, 73.94

 

CMYK 18 / 0 / 42 / 24

HEX #9FC270

RGB 159 194 112

HSL 85.61, 0.4%, 0.6%

LAB 74.27, -25.61, 37.39

 

CMYK 11 / 0 / 27 / 31

HEX #9DB181

RGB 157 177 129

HSL 85, 0.24%, 0.6%

LAB 69.61, -15.51, 22.33

 

CMYK 4 / 0 / 10 / 37

HEX #9AA191

RGB 154 161 145

HSL 86.25, 0.08%, 0.6%

LAB 65.28, -5.51, 7.47

 

CMYK 6 / 11 / 0 / 36

HEX #9890A2

RGB 152 144 162

HSL 266.67, 0.09%, 0.6%

LAB 60.98, 6.49, -8.42

 

CMYK 16 / 28 / 0 / 30

HEX #9580B2

RGB 149 128 178

HSL 265.2, 0.25%, 0.6%

LAB 57.12, 18.13, -23.43

 

CMYK 0 / 5 / 42 / 24

HEX #C2B870

RGB 194 184 112

HSL 52.68, 0.4%, 0.6%

LAB 74.14, -6.75, 37.78

 

CMYK 6 / 0 / 42 / 24

HEX #B6C270

RGB 182 194 112

HSL 68.78, 0.4%, 0.6%

LAB 75.88, -16.71, 39.77

 

CMYK 18 / 0 / 42 / 24

HEX #A0C270

RGB 160 194 112

HSL 84.88, 0.4%, 0.6%

LAB 74.33, -25.24, 37.49

 

CMYK 29 / 0 / 42 / 24

HEX #8AC270

RGB 138 194 112

HSL 100.98, 0.4%, 0.6%

LAB 72.99, -33.25, 35.51

 

CMYK 40 / 0 / 42 / 24

HEX #74C270

RGB 116 194 112

HSL 117.07, 0.4%, 0.6%

LAB 71.87, -40.53, 33.84

 

CMYK 24 / 0 / 57 / 39

HEX #769C43

RGB 118 156 67

HSL 85.62, 0.4%, 0.44%

LAB 59.92, -28.01, 41.73

 

CMYK 23 / 0 / 54 / 29

HEX #8CB553

RGB 140 181 83

HSL 85.1, 0.4%, 0.52%

LAB 68.93, -29.86, 44.92

 

CMYK 18 / 0 / 42 / 24

HEX #9FC270

RGB 159 194 112

HSL 85.61, 0.4%, 0.6%

LAB 74.27, -25.61, 37.39

 

CMYK 13 / 0 / 32 / 19

HEX #B3CE8D

RGB 179 206 141

HSL 84.92, 0.4%, 0.68%

LAB 79.41, -20.22, 29.43

 

CMYK 10 / 0 / 22 / 14

HEX #C6DBAA

RGB 198 219 170

HSL 85.71, 0.4%, 0.76%

LAB 84.78, -15.53, 21.81

 

CMYK 18 / 0 / 41 / 24

HEX #A0C272

RGB 160 194 114

HSL 85.5, 0.4%, 0.6%

LAB 74.36, -24.99, 36.51

 

CMYK 42 / 0 / 16 / 24

HEX #70C2A3

RGB 112 194 163

HSL 157.32, 0.4%, 0.6%

LAB 72.68, -32.28, 7.82

 

CMYK 0 / 42 / 1 / 24

HEX #C270C0

RGB 194 112 192

HSL 301.46, 0.4%, 0.6%

LAB 58.85, 44.29, -28.35

 

CMYK 18 / 0 / 41 / 24

HEX #A0C272

RGB 160 194 114

HSL 85.5, 0.4%, 0.6%

LAB 74.36, -24.99, 36.51

 

CMYK 42 / 18 / 0 / 24

HEX #70A0C2

RGB 112 160 194

HSL 204.88, 0.4%, 0.6%

LAB 63.74, -7.13, -22.55

 

CMYK 0 / 42 / 18 / 24

HEX #C270A0

RGB 194 112 160

HSL 324.88, 0.4%, 0.6%

LAB 57.65, 38.82, -11.8

 

CMYK 18 / 0 / 41 / 24

HEX #A0C272

RGB 160 194 114

HSL 85.5, 0.4%, 0.6%

LAB 74.36, -24.99, 36.51

 

CMYK 42 / 0 / 16 / 24

HEX #70C2A3

RGB 112 194 163

HSL 157.32, 0.4%, 0.6%

LAB 72.68, -32.28, 7.82

 

CMYK 25 / 42 / 0 / 24

HEX #9270C2

RGB 146 112 194

HSL 264.88, 0.4%, 0.6%

LAB 53.59, 30.27, -38.09

 

CMYK 0 / 42 / 26 / 24

HEX #C2708F

RGB 194 112 143

HSL 337.32, 0.4%, 0.6%

LAB 57.12, 36.27, -2.74

 

CMYK 18 / 0 / 41 / 24

HEX #A0C272

RGB 160 194 114

HSL 85.5, 0.4%, 0.6%

LAB 74.36, -24.99, 36.51

 

CMYK 42 / 0 / 4 / 24

HEX #70C2BB

RGB 112 194 187

HSL 174.88, 0.4%, 0.6%

LAB 73.3, -26.71, -4.33

 

CMYK 25 / 42 / 0 / 24

HEX #9270C2

RGB 146 112 194

HSL 264.88, 0.4%, 0.6%

LAB 53.59, 30.27, -38.09

 

CMYK 0 / 42 / 39 / 24

HEX #C27077

RGB 194 112 119

HSL 354.88, 0.4%, 0.6%

LAB 56.48, 33.15, 10.32

 

Description

Color code: HEX #A0C272 | qconv.com Color code: HEX #A0C272 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 194 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 194 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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