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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C244 it is the complementary color #5F3DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C244 shade: #A5C23F, #B6D452, #C7E665, #D8F878 and #E9FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C244 shade: #A0C244, #8FB031, #7E9E1E, #6D8C0B and #5C7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C244 shade: #9FC242, #C2C242, #C29F42, #C27D42 and #C25B42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C244 shade: #9FC242, #7DC242, #5BC242, #42C24C and #42C26F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C244 shade matches the following richer shades: #9FC242, #A9D62E, #B2EA1A and #BBFE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C244 shade: #9FC242, #96AE57, #8D996B, #83857F and #7A7193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C244 shade: #C2A042, #C2C242, #A0C242, #7EC242 and #5CC242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C244 shade: #6E862C, #87A536, #9FC242, #AFCC61 and #BFD681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C244 shade: #A0C244, #42C27E and #B142C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C244 shade: #A0C244, #42A0C2 and #C242A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C244 shade: #A0C244, #42C27E, #6442C2 and #C24286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C244 shade: #A0C244, #42C2A4, #6442C2 and #C24260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 65 / 24

HEX #A0C244

RGB 160 194 68

HSL 76.19, 0.51%, 0.51%

LAB 73.85, -29.49, 57.45

 

Complementary color

CMYK 49 / 67 / 0 / 27

HEX #5F3DBB

RGB 95 61 187

HSL 256.19, 0.51%, 0.49%

LAB 36.67, 45.33, -61.42

 

CMYK 15 / 0 / 68 / 24

HEX #A5C23F

RGB 165 194 63

HSL 73.28, 0.52%, 0.5%

LAB 74.15, -27.81, 59.86

 

CMYK 14 / 0 / 61 / 17

HEX #B6D452

RGB 182 212 82

HSL 73.85, 0.6%, 0.58%

LAB 80.54, -28.28, 59.24

 

CMYK 13 / 0 / 56 / 10

HEX #C7E665

RGB 199 230 101

HSL 74.42, 0.72%, 0.65%

LAB 86.84, -28.64, 58.36

 

CMYK 13 / 0 / 52 / 3

HEX #D8F878

RGB 216 248 120

HSL 75, 0.9%, 0.72%

LAB 93.05, -28.92, 57.35

 

CMYK 9 / 0 / 45 / 0

HEX #E9FF8B

RGB 233 255 139

HSL 71.38, 1%, 0.77%

LAB 96.29, -23.98, 52.75

 

CMYK 18 / 0 / 65 / 24

HEX #A0C244

RGB 160 194 68

HSL 76.19, 0.51%, 0.51%

LAB 73.85, -29.49, 57.45

 

CMYK 19 / 0 / 72 / 31

HEX #8FB031

RGB 143 176 49

HSL 75.59, 0.56%, 0.44%

LAB 67.36, -28.99, 57.83

 

CMYK 20 / 0 / 81 / 38

HEX #7E9E1E

RGB 126 158 30

HSL 75, 0.68%, 0.37%

LAB 60.77, -28.31, 57.49

 

CMYK 22 / 0 / 92 / 45

HEX #6D8C0B

RGB 109 140 11

HSL 74.42, 0.85%, 0.3%

LAB 54.06, -27.38, 55.79

 

CMYK 25 / 0 / 100 / 52

HEX #5C7A00

RGB 92 122 0

HSL 74.75, 1%, 0.24%

LAB 47.23, -26.15, 51.97

 

CMYK 18 / 0 / 66 / 24

HEX #9FC242

RGB 159 194 66

HSL 76.41, 0.51%, 0.51%

LAB 73.77, -30.02, 58.15

 

CMYK 0 / 0 / 66 / 24

HEX #C2C242

RGB 194 194 66

HSL 60, 0.51%, 0.51%

LAB 76.34, -15.61, 61.62

 

CMYK 0 / 18 / 66 / 24

HEX #C29F42

RGB 194 159 66

HSL 43.59, 0.51%, 0.51%

LAB 67.02, 2.67, 51.86

 

CMYK 0 / 36 / 66 / 24

HEX #C27D42

RGB 194 125 66

HSL 27.66, 0.51%, 0.51%

LAB 58.54, 21.28, 42.49

 

CMYK 0 / 53 / 66 / 24

HEX #C25B42

RGB 194 91 66

HSL 11.72, 0.51%, 0.51%

LAB 51.09, 39.4, 33.81

 

CMYK 18 / 0 / 66 / 24

HEX #9FC242

RGB 159 194 66

HSL 76.41, 0.51%, 0.51%

LAB 73.77, -30.02, 58.15

 

CMYK 36 / 0 / 66 / 24

HEX #7DC242

RGB 125 194 66

HSL 92.34, 0.51%, 0.51%

LAB 71.78, -42.81, 55.45

 

CMYK 53 / 0 / 66 / 24

HEX #5BC242

RGB 91 194 66

HSL 108.28, 0.51%, 0.51%

LAB 70.32, -53.46, 53.44

 

CMYK 66 / 0 / 61 / 24

HEX #42C24C

RGB 66 194 76

HSL 124.69, 0.51%, 0.51%

LAB 69.66, -58.34, 48.19

 

CMYK 66 / 0 / 43 / 24

HEX #42C26F

RGB 66 194 111

HSL 141.09, 0.51%, 0.51%

LAB 70.1, -53.3, 31.72

 

CMYK 18 / 0 / 66 / 24

HEX #9FC242

RGB 159 194 66

HSL 76.41, 0.51%, 0.51%

LAB 73.77, -30.02, 58.15

 

CMYK 21 / 0 / 79 / 16

HEX #A9D62E

RGB 169 214 46

HSL 76.07, 0.67%, 0.51%

LAB 80.02, -36.41, 71.36

 

CMYK 24 / 0 / 89 / 8

HEX #B2EA1A

RGB 178 234 26

HSL 76.15, 0.83%, 0.51%

LAB 86.2, -42.42, 81.26

 

CMYK 26 / 0 / 98 / 0

HEX #BBFE06

RGB 187 254 6

HSL 76.21, 0.99%, 0.51%

LAB 92.34, -47.88, 88.44

 

CMYK 18 / 0 / 66 / 24

HEX #9FC242

RGB 159 194 66

HSL 76.41, 0.51%, 0.51%

LAB 73.77, -30.02, 58.15

 

CMYK 14 / 0 / 50 / 32

HEX #96AE57

RGB 150 174 87

HSL 76.55, 0.35%, 0.51%

LAB 67.61, -22.11, 41.57

 

CMYK 8 / 0 / 30 / 40

HEX #8D996B

RGB 141 153 107

HSL 75.65, 0.18%, 0.51%

LAB 61.23, -12.39, 22.8

 

CMYK 2 / 0 / 5 / 48

HEX #83857F

RGB 131 133 127

HSL 80, 0.02%, 0.51%

LAB 55.21, -1.91, 2.96

 

CMYK 17 / 23 / 0 / 42

HEX #7A7193

RGB 122 113 147

HSL 255.88, 0.14%, 0.51%

LAB 49.56, 10.77, -17.21

 

CMYK 0 / 18 / 66 / 24

HEX #C2A042

RGB 194 160 66

HSL 44.06, 0.51%, 0.51%

LAB 67.28, 2.13, 52.14

 

CMYK 0 / 0 / 66 / 24

HEX #C2C242

RGB 194 194 66

HSL 60, 0.51%, 0.51%

LAB 76.34, -15.61, 61.62

 

CMYK 18 / 0 / 66 / 24

HEX #A0C242

RGB 160 194 66

HSL 75.94, 0.51%, 0.51%

LAB 73.84, -29.62, 58.24

 

CMYK 35 / 0 / 66 / 24

HEX #7EC242

RGB 126 194 66

HSL 91.88, 0.51%, 0.51%

LAB 71.83, -42.46, 55.52

 

CMYK 53 / 0 / 66 / 24

HEX #5CC242

RGB 92 194 66

HSL 107.81, 0.51%, 0.51%

LAB 70.35, -53.18, 53.49

 

CMYK 18 / 0 / 67 / 47

HEX #6E862C

RGB 110 134 44

HSL 76, 0.51%, 0.35%

LAB 52.45, -22.4, 43.92

 

CMYK 18 / 0 / 67 / 35

HEX #87A536

RGB 135 165 54

HSL 76.22, 0.51%, 0.43%

LAB 63.61, -26.63, 51.92

 

CMYK 18 / 0 / 66 / 24

HEX #9FC242

RGB 159 194 66

HSL 76.41, 0.51%, 0.51%

LAB 73.77, -30.02, 58.15

 

CMYK 14 / 0 / 52 / 20

HEX #AFCC61

RGB 175 204 97

HSL 76.26, 0.51%, 0.59%

LAB 77.97, -25.94, 49.5

 

CMYK 11 / 0 / 40 / 16

HEX #BFD681

RGB 191 214 129

HSL 76.24, 0.51%, 0.67%

LAB 82.25, -21.21, 39.41

 

CMYK 18 / 0 / 65 / 24

HEX #A0C244

RGB 160 194 68

HSL 76.19, 0.51%, 0.51%

LAB 73.85, -29.49, 57.45

 

CMYK 66 / 0 / 35 / 24

HEX #42C27E

RGB 66 194 126

HSL 148.13, 0.51%, 0.51%

LAB 70.35, -50.54, 24.22

 

CMYK 9 / 66 / 0 / 24

HEX #B142C2

RGB 177 66 194

HSL 292.03, 0.51%, 0.51%

LAB 48.43, 62.01, -46.01

 

CMYK 18 / 0 / 65 / 24

HEX #A0C244

RGB 160 194 68

HSL 76.19, 0.51%, 0.51%

LAB 73.85, -29.49, 57.45

 

CMYK 66 / 18 / 0 / 24

HEX #42A0C2

RGB 66 160 194

HSL 195.94, 0.51%, 0.51%

LAB 61.82, -16.99, -25.66

 

CMYK 0 / 66 / 18 / 24

HEX #C242A0

RGB 194 66 160

HSL 315.94, 0.51%, 0.51%

LAB 49.38, 60.66, -24.42

 

CMYK 18 / 0 / 65 / 24

HEX #A0C244

RGB 160 194 68

HSL 76.19, 0.51%, 0.51%

LAB 73.85, -29.49, 57.45

 

CMYK 66 / 0 / 35 / 24

HEX #42C27E

RGB 66 194 126

HSL 148.13, 0.51%, 0.51%

LAB 70.35, -50.54, 24.22

 

CMYK 48 / 66 / 0 / 24

HEX #6442C2

RGB 100 66 194

HSL 255.94, 0.51%, 0.51%

LAB 38.73, 45.5, -62.15

 

CMYK 0 / 66 / 31 / 24

HEX #C24286

RGB 194 66 134

HSL 328.13, 0.51%, 0.51%

LAB 48.37, 57.2, -10.42

 

CMYK 18 / 0 / 65 / 24

HEX #A0C244

RGB 160 194 68

HSL 76.19, 0.51%, 0.51%

LAB 73.85, -29.49, 57.45

 

CMYK 66 / 0 / 15 / 24

HEX #42C2A4

RGB 66 194 164

HSL 165.94, 0.51%, 0.51%

LAB 71.16, -42.06, 4.9

 

CMYK 48 / 66 / 0 / 24

HEX #6442C2

RGB 100 66 194

HSL 255.94, 0.51%, 0.51%

LAB 38.73, 45.5, -62.15

 

CMYK 0 / 66 / 51 / 24

HEX #C24260

RGB 194 66 96

HSL 345.94, 0.51%, 0.51%

LAB 47.25, 53.22, 11.05

 

Description

Color code: HEX #A0C244 | qconv.com Color code: HEX #A0C244 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 194 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 194 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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