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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0BFEF it is the complementary color #5F4010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0BFEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0BFEF shade: #A5BFEA, #B6D1FD, #C7E3FF, #D8F5FF and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0BFEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0BFEF shade: #A0BFEF, #8FADDC, #7E9BC9, #6D89B6 and #5C77A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0BFEF shade: #9FBEEF, #9FA9EF, #AB9FEF, #C09FEF and #D69FEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0BFEF shade: #9FBEEF, #9FA9EF and #9F9FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0BFEF shade matches the following richer shades: #9FBEEF and #96BCF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0BFEF shade: #9FBEEF, #A8C0E6, #B1C2DD, #BAC4D4 and #C3C6CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0BFEF shade: #9FE9EF, #9FD4EF, #9FBFEF, #9FAAEF and #AA9FEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0BFEF shade: #598FE3, #7CA7E9, #9FBEEF, #C2D6F5 and #E6EEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0BFEF shade: #A0BFEF, #DF9FEF and #DFEF9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0BFEF shade: #A0BFEF, #EF9FBF and #BFEF9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0BFEF shade: #A0BFEF, #DF9FEF, #EFCF9F and #AFEF9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0BFEF shade: #A0BFEF, #EF9FE7, #EFCF9F and #9FEFA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 20 / 0 / 6

HEX #A0BFEF

RGB 160 191 239

HSL 216.46, 0.71%, 0.78%

LAB 76.66, 0.73, -27.19

 

Complementary color

CMYK 0 / 33 / 83 / 63

HEX #5F4010

RGB 95 64 16

HSL 36.46, 0.71%, 0.22%

LAB 29.76, 8.77, 32.89

 

CMYK 29 / 18 / 0 / 8

HEX #A5BFEA

RGB 165 191 234

HSL 217.39, 0.62%, 0.78%

LAB 76.8, 0.91, -24.26

 

CMYK 28 / 17 / 0 / 1

HEX #B6D1FD

RGB 182 209 253

HSL 217.18, 0.95%, 0.85%

LAB 83.25, 0.68, -24.48

 

CMYK 22 / 11 / 0 / 0

HEX #C7E3FF

RGB 199 227 255

HSL 210, 1%, 0.89%

LAB 89.06, -3.33, -16.64

 

CMYK 15 / 4 / 0 / 0

HEX #D8F5FF

RGB 216 245 255

HSL 195.38, 1%, 0.92%

LAB 94.79, -7.39, -7.98

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 33 / 20 / 0 / 6

HEX #A0BFEF

RGB 160 191 239

HSL 216.46, 0.71%, 0.78%

LAB 76.66, 0.73, -27.19

 

CMYK 35 / 21 / 0 / 14

HEX #8FADDC

RGB 143 173 220

HSL 216.62, 0.52%, 0.71%

LAB 70.1, 1.02, -27.02

 

CMYK 37 / 23 / 0 / 21

HEX #7E9BC9

RGB 126 155 201

HSL 216.8, 0.41%, 0.64%

LAB 63.42, 1.35, -26.88

 

CMYK 40 / 25 / 0 / 29

HEX #6D89B6

RGB 109 137 182

HSL 216.99, 0.33%, 0.57%

LAB 56.6, 1.74, -26.76

 

CMYK 44 / 27 / 0 / 36

HEX #5C77A3

RGB 92 119 163

HSL 217.18, 0.28%, 0.5%

LAB 49.63, 2.2, -26.68

 

CMYK 33 / 21 / 0 / 6

HEX #9FBEEF

RGB 159 190 239

HSL 216.75, 0.71%, 0.78%

LAB 76.33, 0.99, -27.7

 

CMYK 33 / 29 / 0 / 6

HEX #9FA9EF

RGB 159 169 239

HSL 232.5, 0.71%, 0.78%

LAB 70.86, 12.6, -36.15

 

CMYK 28 / 33 / 0 / 6

HEX #AB9FEF

RGB 171 159 239

HSL 249, 0.71%, 0.78%

LAB 69.25, 21.6, -38.59

 

CMYK 20 / 33 / 0 / 6

HEX #C09FEF

RGB 192 159 239

HSL 264.75, 0.71%, 0.78%

LAB 71.03, 27.72, -35.67

 

CMYK 10 / 33 / 0 / 6

HEX #D69FEF

RGB 214 159 239

HSL 281.25, 0.71%, 0.78%

LAB 73.1, 34.37, -32.29

 

CMYK 33 / 21 / 0 / 6

HEX #9FBEEF

RGB 159 190 239

HSL 216.75, 0.71%, 0.78%

LAB 76.33, 0.99, -27.7

 

CMYK 33 / 29 / 0 / 6

HEX #9FA9EF

RGB 159 169 239

HSL 232.5, 0.71%, 0.78%

LAB 70.86, 12.6, -36.15

 

CMYK 33 / 33 / 0 / 6

HEX #9F9FEF

RGB 159 159 239

HSL 240, 0.71%, 0.78%

LAB 68.31, 18.25, -40.11

 

CMYK 33 / 21 / 0 / 6

HEX #9FBEEF

RGB 159 190 239

HSL 216.75, 0.71%, 0.78%

LAB 76.33, 0.99, -27.7

 

CMYK 40 / 24 / 0 / 3

HEX #96BCF8

RGB 150 188 248

HSL 216.73, 0.88%, 0.78%

LAB 75.59, 2, -33.73

 

CMYK 33 / 21 / 0 / 6

HEX #9FBEEF

RGB 159 190 239

HSL 216.75, 0.71%, 0.78%

LAB 76.33, 0.99, -27.7

 

CMYK 27 / 17 / 0 / 10

HEX #A8C0E6

RGB 168 192 230

HSL 216.77, 0.55%, 0.78%

LAB 77.12, 0.29, -21.59

 

CMYK 20 / 12 / 0 / 13

HEX #B1C2DD

RGB 177 194 221

HSL 216.82, 0.39%, 0.78%

LAB 77.96, -0.12, -15.41

 

CMYK 12 / 8 / 0 / 17

HEX #BAC4D4

RGB 186 196 212

HSL 216.92, 0.23%, 0.78%

LAB 78.85, -0.24, -9.16

 

CMYK 3 / 2 / 0 / 21

HEX #C3C6CA

RGB 195 198 202

HSL 214.29, 0.06%, 0.78%

LAB 79.76, -0.28, -2.37

 

CMYK 33 / 3 / 0 / 6

HEX #9FE9EF

RGB 159 233 239

HSL 184.5, 0.71%, 0.78%

LAB 87.91, -21.33, -10.21

 

CMYK 33 / 11 / 0 / 6

HEX #9FD4EF

RGB 159 212 239

HSL 200.25, 0.71%, 0.78%

LAB 82.21, -10.69, -18.75

 

CMYK 33 / 20 / 0 / 6

HEX #9FBFEF

RGB 159 191 239

HSL 216, 0.71%, 0.78%

LAB 76.6, 0.45, -27.3

 

CMYK 33 / 29 / 0 / 6

HEX #9FAAEF

RGB 159 170 239

HSL 231.75, 0.71%, 0.78%

LAB 71.11, 12.04, -35.75

 

CMYK 29 / 33 / 0 / 6

HEX #AA9FEF

RGB 170 159 239

HSL 248.25, 0.71%, 0.78%

LAB 69.17, 21.32, -38.72

 

CMYK 61 / 37 / 0 / 11

HEX #598FE3

RGB 89 143 227

HSL 216.52, 0.71%, 0.62%

LAB 59.26, 7.51, -48.02

 

CMYK 47 / 28 / 0 / 9

HEX #7CA7E9

RGB 124 167 233

HSL 216.33, 0.71%, 0.7%

LAB 67.88, 3.01, -37.68

 

CMYK 33 / 21 / 0 / 6

HEX #9FBEEF

RGB 159 190 239

HSL 216.75, 0.71%, 0.78%

LAB 76.33, 0.99, -27.7

 

CMYK 21 / 13 / 0 / 4

HEX #C2D6F5

RGB 194 214 245

HSL 216.47, 0.72%, 0.86%

LAB 85.08, -0.24, -17.41

 

CMYK 8 / 5 / 0 / 2

HEX #E6EEFB

RGB 230 238 251

HSL 217.14, 0.72%, 0.94%

LAB 93.86, -0.21, -7.19

 

CMYK 33 / 20 / 0 / 6

HEX #A0BFEF

RGB 160 191 239

HSL 216.46, 0.71%, 0.78%

LAB 76.66, 0.73, -27.19

 

CMYK 7 / 33 / 0 / 6

HEX #DF9FEF

RGB 223 159 239

HSL 288, 0.71%, 0.78%

LAB 74.01, 37.13, -30.83

 

CMYK 7 / 0 / 33 / 6

HEX #DFEF9F

RGB 223 239 159

HSL 72, 0.71%, 0.78%

LAB 91.65, -17.8, 37

 

CMYK 33 / 20 / 0 / 6

HEX #A0BFEF

RGB 160 191 239

HSL 216.46, 0.71%, 0.78%

LAB 76.66, 0.73, -27.19

 

CMYK 0 / 33 / 20 / 6

HEX #EF9FBF

RGB 239 159 191

HSL 336, 0.71%, 0.78%

LAB 74.13, 34.13, -4.19

 

CMYK 20 / 0 / 33 / 6

HEX #BFEF9F

RGB 191 239 159

HSL 96, 0.71%, 0.78%

LAB 89.54, -29.33, 33.82

 

CMYK 33 / 20 / 0 / 6

HEX #A0BFEF

RGB 160 191 239

HSL 216.46, 0.71%, 0.78%

LAB 76.66, 0.73, -27.19

 

CMYK 7 / 33 / 0 / 6

HEX #DF9FEF

RGB 223 159 239

HSL 288, 0.71%, 0.78%

LAB 74.01, 37.13, -30.83

 

CMYK 0 / 13 / 33 / 6

HEX #EFCF9F

RGB 239 207 159

HSL 36, 0.71%, 0.78%

LAB 84.73, 4.44, 28.02

 

CMYK 27 / 0 / 33 / 6

HEX #AFEF9F

RGB 175 239 159

HSL 108, 0.71%, 0.78%

LAB 88.61, -34.76, 32.43

 

CMYK 33 / 20 / 0 / 6

HEX #A0BFEF

RGB 160 191 239

HSL 216.46, 0.71%, 0.78%

LAB 76.66, 0.73, -27.19

 

CMYK 0 / 33 / 3 / 6

HEX #EF9FE7

RGB 239 159 231

HSL 306, 0.71%, 0.78%

LAB 75.4, 40.64, -24.19

 

CMYK 0 / 13 / 33 / 6

HEX #EFCF9F

RGB 239 207 159

HSL 36, 0.71%, 0.78%

LAB 84.73, 4.44, 28.02

 

CMYK 33 / 0 / 30 / 6

HEX #9FEFA7

RGB 159 239 167

HSL 126, 0.71%, 0.78%

LAB 87.92, -38.62, 27.28

 

Description

Color code: HEX #A0BFEF | qconv.com Color code: HEX #A0BFEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 191 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 191 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 20 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 20% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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