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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0B5E3 it is the complementary color #5F4A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0B5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0B5E3 shade: #A5B5DE, #B6C7F1, #C7D9FF, #D8EBFF and #E9FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0B5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0B5E3 shade: #A0B5E3, #8FA3D0, #7E91BD, #6D7FAA and #5C6D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0B5E3 shade: #A1B5E3, #A1A4E3, #B0A1E3, #C2A1E3 and #D3A1E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0B5E3 shade: #A1B5E3, #A1A4E3 and #A1A1E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0B5E3 shade matches the following richer shades: #A1B5E3, #97B2ED and #8DAEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0B5E3 shade: #A1B5E3, #ABB9D9, #B5BDCF, #BEC1C5 and #C8C4BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0B5E3 shade: #A1D9E3, #A1C7E3, #A1B6E3, #A1A4E3 and #AFA1E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0B5E3 shade: #6184D0, #819DD9, #A1B5E3, #C1CEEC and #E0E7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0B5E3 shade: #A0B5E3, #DBA1E3 and #D0E3A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0B5E3 shade: #A0B5E3, #E3A1B6 and #B6E3A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0B5E3 shade: #A0B5E3, #DBA1E3, #E3CEA1 and #A8E3A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0B5E3 shade: #A0B5E3, #E3A1D7, #E3CEA1 and #A1E3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

Complementary color

CMYK 0 / 22 / 71 / 63

HEX #5F4A1C

RGB 95 74 28

HSL 41.19, 0.54%, 0.24%

LAB 32.73, 3.23, 30.04

 

CMYK 26 / 18 / 0 / 13

HEX #A5B5DE

RGB 165 181 222

HSL 223.16, 0.46%, 0.76%

LAB 73.75, 3.48, -22.4

 

CMYK 24 / 17 / 0 / 5

HEX #B6C7F1

RGB 182 199 241

HSL 222.71, 0.68%, 0.83%

LAB 80.26, 3.23, -22.64

 

CMYK 22 / 15 / 0 / 0

HEX #C7D9FF

RGB 199 217 255

HSL 220.71, 1%, 0.89%

LAB 86.5, 1.89, -20.51

 

CMYK 15 / 8 / 0 / 0

HEX #D8EBFF

RGB 216 235 255

HSL 210.77, 1%, 0.92%

LAB 92.24, -2.3, -11.78

 

CMYK 9 / 1 / 0 / 0

HEX #E9FDFF

RGB 233 253 255

HSL 185.45, 1%, 0.96%

LAB 97.95, -6.11, -3.19

 

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

CMYK 31 / 22 / 0 / 18

HEX #8FA3D0

RGB 143 163 208

HSL 221.54, 0.41%, 0.69%

LAB 66.97, 3.51, -25.23

 

CMYK 33 / 23 / 0 / 26

HEX #7E91BD

RGB 126 145 189

HSL 221.9, 0.32%, 0.62%

LAB 60.21, 3.85, -25.08

 

CMYK 36 / 25 / 0 / 33

HEX #6D7FAA

RGB 109 127 170

HSL 222.3, 0.26%, 0.55%

LAB 53.31, 4.24, -24.96

 

CMYK 39 / 28 / 0 / 41

HEX #5C6D97

RGB 92 109 151

HSL 222.71, 0.24%, 0.48%

LAB 46.24, 4.71, -24.89

 

CMYK 29 / 20 / 0 / 11

HEX #A1B5E3

RGB 161 181 227

HSL 221.82, 0.54%, 0.76%

LAB 73.66, 3.5, -25.29

 

CMYK 29 / 28 / 0 / 11

HEX #A1A4E3

RGB 161 164 227

HSL 237.27, 0.54%, 0.76%

LAB 69.24, 12.95, -32.09

 

CMYK 22 / 29 / 0 / 11

HEX #B0A1E3

RGB 176 161 227

HSL 253.64, 0.54%, 0.76%

LAB 69.66, 19.07, -31.34

 

CMYK 15 / 29 / 0 / 11

HEX #C2A1E3

RGB 194 161 227

HSL 270, 0.54%, 0.76%

LAB 71.22, 24.59, -28.81

 

CMYK 7 / 29 / 0 / 11

HEX #D3A1E3

RGB 211 161 227

HSL 285.45, 0.54%, 0.76%

LAB 72.82, 29.94, -26.22

 

CMYK 29 / 20 / 0 / 11

HEX #A1B5E3

RGB 161 181 227

HSL 221.82, 0.54%, 0.76%

LAB 73.66, 3.5, -25.29

 

CMYK 29 / 28 / 0 / 11

HEX #A1A4E3

RGB 161 164 227

HSL 237.27, 0.54%, 0.76%

LAB 69.24, 12.95, -32.09

 

CMYK 29 / 29 / 0 / 11

HEX #A1A1E3

RGB 161 161 227

HSL 240, 0.54%, 0.76%

LAB 68.47, 14.64, -33.28

 

CMYK 29 / 20 / 0 / 11

HEX #A1B5E3

RGB 161 181 227

HSL 221.82, 0.54%, 0.76%

LAB 73.66, 3.5, -25.29

 

CMYK 36 / 25 / 0 / 7

HEX #97B2ED

RGB 151 178 237

HSL 221.16, 0.7%, 0.76%

LAB 72.58, 4.87, -32.43

 

CMYK 43 / 30 / 0 / 3

HEX #8DAEF7

RGB 141 174 247

HSL 221.32, 0.87%, 0.76%

LAB 71.32, 7.2, -39.87

 

CMYK 29 / 20 / 0 / 11

HEX #A1B5E3

RGB 161 181 227

HSL 221.82, 0.54%, 0.76%

LAB 73.66, 3.5, -25.29

 

CMYK 21 / 15 / 0 / 15

HEX #ABB9D9

RGB 171 185 217

HSL 221.74, 0.38%, 0.76%

LAB 75.05, 1.98, -17.67

 

CMYK 13 / 9 / 0 / 19

HEX #B5BDCF

RGB 181 189 207

HSL 221.54, 0.21%, 0.76%

LAB 76.51, 0.84, -9.99

 

CMYK 4 / 2 / 0 / 23

HEX #BEC1C5

RGB 190 193 197

HSL 214.29, 0.06%, 0.76%

LAB 77.94, -0.28, -2.38

 

CMYK 0 / 2 / 7 / 22

HEX #C8C4BB

RGB 200 196 187

HSL 41.54, 0.11%, 0.76%

LAB 79.24, -0.2, 5

 

CMYK 29 / 4 / 0 / 11

HEX #A1D9E3

RGB 161 217 227

HSL 189.09, 0.54%, 0.76%

LAB 83.31, -15.55, -10.72

 

CMYK 29 / 12 / 0 / 11

HEX #A1C7E3

RGB 161 199 227

HSL 205.45, 0.54%, 0.76%

LAB 78.44, -6.21, -18.02

 

CMYK 29 / 20 / 0 / 11

HEX #A1B6E3

RGB 161 182 227

HSL 220.91, 0.54%, 0.76%

LAB 73.92, 2.95, -24.89

 

CMYK 29 / 28 / 0 / 11

HEX #A1A4E3

RGB 161 164 227

HSL 237.27, 0.54%, 0.76%

LAB 69.24, 12.95, -32.09

 

CMYK 23 / 29 / 0 / 11

HEX #AFA1E3

RGB 175 161 227

HSL 252.73, 0.54%, 0.76%

LAB 69.58, 18.77, -31.48

 

CMYK 53 / 37 / 0 / 18

HEX #6184D0

RGB 97 132 208

HSL 221.08, 0.54%, 0.6%

LAB 55.68, 9.52, -43.01

 

CMYK 41 / 28 / 0 / 15

HEX #819DD9

RGB 129 157 217

HSL 220.91, 0.54%, 0.68%

LAB 64.8, 5.4, -33.63

 

CMYK 29 / 20 / 0 / 11

HEX #A1B5E3

RGB 161 181 227

HSL 221.82, 0.54%, 0.76%

LAB 73.66, 3.5, -25.29

 

CMYK 18 / 13 / 0 / 7

HEX #C1CEEC

RGB 193 206 236

HSL 221.86, 0.53%, 0.84%

LAB 82.67, 1.73, -16.26

 

CMYK 9 / 6 / 0 / 4

HEX #E0E7F6

RGB 224 231 246

HSL 220.91, 0.55%, 0.92%

LAB 91.53, 0.5, -8.07

 

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

CMYK 4 / 29 / 0 / 11

HEX #DBA1E3

RGB 219 161 227

HSL 292.73, 0.54%, 0.76%

LAB 73.61, 32.49, -24.94

 

CMYK 8 / 0 / 29 / 11

HEX #D0E3A1

RGB 208 227 161

HSL 77.27, 0.54%, 0.76%

LAB 87.45, -17.18, 30.21

 

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

CMYK 0 / 29 / 20 / 11

HEX #E3A1B6

RGB 227 161 182

HSL 340.91, 0.54%, 0.76%

LAB 73.02, 27.48, -1.01

 

CMYK 20 / 0 / 29 / 11

HEX #B6E3A1

RGB 182 227 161

HSL 100.91, 0.54%, 0.76%

LAB 85.73, -26.46, 27.61

 

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

CMYK 4 / 29 / 0 / 11

HEX #DBA1E3

RGB 219 161 227

HSL 292.73, 0.54%, 0.76%

LAB 73.61, 32.49, -24.94

 

CMYK 0 / 9 / 29 / 11

HEX #E3CEA1

RGB 227 206 161

HSL 40.91, 0.54%, 0.76%

LAB 83.47, 0.62, 25.08

 

CMYK 26 / 0 / 29 / 11

HEX #A8E3A1

RGB 168 227 161

HSL 113.64, 0.54%, 0.76%

LAB 84.91, -31.21, 26.36

 

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

CMYK 0 / 29 / 5 / 11

HEX #E3A1D7

RGB 227 161 215

HSL 310.91, 0.54%, 0.76%

LAB 74.01, 32.88, -17.68

 

CMYK 0 / 9 / 29 / 11

HEX #E3CEA1

RGB 227 206 161

HSL 40.91, 0.54%, 0.76%

LAB 83.47, 0.62, 25.08

 

CMYK 29 / 0 / 24 / 11

HEX #A1E3AD

RGB 161 227 173

HSL 130.91, 0.54%, 0.76%

LAB 84.76, -31.45, 19.87

 

Description

Color code: HEX #A0B5E3 | qconv.com Color code: HEX #A0B5E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 181 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 181 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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