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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0ABC8 it is the complementary color #5F5437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0ABC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0ABC8 shade: #A5ABC3, #B6BDD6, #C7CFE9, #D8E1FC and #E9F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0ABC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0ABC8 shade: #A0ABC8, #8F99B5, #7E87A2, #6D758F and #5C637C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0ABC8 shade: #A1ACC9, #A1A1C9, #ACA1C9, #B6A1C9 and #C1A1C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0ABC8 shade: #A1ACC9 and #A1A1C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0ABC8 shade matches the following richer shades: #A1ACC9, #95A7D5, #89A1E1, #7D9CED and #7197F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0ABC8 shade: #A1ACC9, #ADB1BD, #B9B7B1, #C5BCA5 and #D1C299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0ABC8 shade: #A1C2C9, #A1B7C9, #A1ACC9, #A1A2C9 and #ABA1C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0ABC8 shade: #6D7EAB, #8795BA, #A1ACC9, #BBC3D8 and #D5DAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0ABC8 shade: #A0ABC8, #C6A1C9 and #BCC9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0ABC8 shade: #A0ABC8, #C9A1AC and #ACC9A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0ABC8 shade: #A0ABC8, #C6A1C9, #C9BEA1 and #A4C9A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0ABC8 shade: #A0ABC8, #C9A1C0, #C9BEA1 and #A1C9AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 15 / 0 / 22

HEX #A0ABC8

RGB 160 171 200

HSL 223.5, 0.27%, 0.71%

LAB 70.01, 2.33, -16.06

 

Complementary color

CMYK 0 / 12 / 42 / 63

HEX #5F5437

RGB 95 84 55

HSL 43.5, 0.27%, 0.29%

LAB 36.08, -0.19, 18.61

 

CMYK 15 / 12 / 0 / 24

HEX #A5ABC3

RGB 165 171 195

HSL 228, 0.2%, 0.71%

LAB 70.22, 2.83, -12.96

 

CMYK 15 / 12 / 0 / 16

HEX #B6BDD6

RGB 182 189 214

HSL 226.88, 0.28%, 0.78%

LAB 76.8, 2.63, -13.34

 

CMYK 15 / 11 / 0 / 9

HEX #C7CFE9

RGB 199 207 233

HSL 225.88, 0.44%, 0.85%

LAB 83.26, 2.44, -13.73

 

CMYK 14 / 11 / 0 / 1

HEX #D8E1FC

RGB 216 225 252

HSL 225, 0.86%, 0.92%

LAB 89.62, 2.26, -14.12

 

CMYK 9 / 5 / 0 / 0

HEX #E9F3FF

RGB 233 243 255

HSL 212.73, 1%, 0.96%

LAB 95.43, -1.05, -6.91

 

CMYK 20 / 15 / 0 / 22

HEX #A0ABC8

RGB 160 171 200

HSL 223.5, 0.27%, 0.71%

LAB 70.01, 2.33, -16.06

 

CMYK 21 / 15 / 0 / 29

HEX #8F99B5

RGB 143 153 181

HSL 224.21, 0.2%, 0.64%

LAB 63.31, 2.55, -15.74

 

CMYK 22 / 17 / 0 / 36

HEX #7E87A2

RGB 126 135 162

HSL 225, 0.16%, 0.56%

LAB 56.46, 2.78, -15.43

 

CMYK 24 / 18 / 0 / 44

HEX #6D758F

RGB 109 117 143

HSL 225.88, 0.13%, 0.49%

LAB 49.44, 3.04, -15.14

 

CMYK 26 / 20 / 0 / 51

HEX #5C637C

RGB 92 99 124

HSL 226.88, 0.15%, 0.42%

LAB 42.24, 3.34, -14.87

 

CMYK 20 / 14 / 0 / 21

HEX #A1ACC9

RGB 161 172 201

HSL 223.5, 0.27%, 0.71%

LAB 70.39, 2.32, -16.04

 

CMYK 20 / 20 / 0 / 21

HEX #A1A1C9

RGB 161 161 201

HSL 240, 0.27%, 0.71%

LAB 67.49, 8.43, -20.43

 

CMYK 14 / 20 / 0 / 21

HEX #ACA1C9

RGB 172 161 201

HSL 256.5, 0.27%, 0.71%

LAB 68.37, 11.96, -19.01

 

CMYK 9 / 20 / 0 / 21

HEX #B6A1C9

RGB 182 161 201

HSL 271.5, 0.27%, 0.71%

LAB 69.22, 15.25, -17.64

 

CMYK 4 / 20 / 0 / 21

HEX #C1A1C9

RGB 193 161 201

HSL 288, 0.27%, 0.71%

LAB 70.21, 18.92, -16.06

 

CMYK 20 / 14 / 0 / 21

HEX #A1ACC9

RGB 161 172 201

HSL 223.5, 0.27%, 0.71%

LAB 70.39, 2.32, -16.04

 

CMYK 20 / 20 / 0 / 21

HEX #A1A1C9

RGB 161 161 201

HSL 240, 0.27%, 0.71%

LAB 67.49, 8.43, -20.43

 

CMYK 20 / 14 / 0 / 21

HEX #A1ACC9

RGB 161 172 201

HSL 223.5, 0.27%, 0.71%

LAB 70.39, 2.32, -16.04

 

CMYK 30 / 22 / 0 / 16

HEX #95A7D5

RGB 149 167 213

HSL 223.13, 0.43%, 0.71%

LAB 68.63, 4.28, -25.4

 

CMYK 39 / 28 / 0 / 12

HEX #89A1E1

RGB 137 161 225

HSL 223.64, 0.59%, 0.71%

LAB 66.71, 7.44, -35.05

 

CMYK 47 / 34 / 0 / 7

HEX #7D9CED

RGB 125 156 237

HSL 223.39, 0.76%, 0.71%

LAB 65.16, 10.69, -44.12

 

CMYK 55 / 39 / 0 / 2

HEX #7197F9

RGB 113 151 249

HSL 223.24, 0.92%, 0.71%

LAB 63.74, 14.59, -52.99

 

CMYK 20 / 14 / 0 / 21

HEX #A1ACC9

RGB 161 172 201

HSL 223.5, 0.27%, 0.71%

LAB 70.39, 2.32, -16.04

 

CMYK 8 / 6 / 0 / 26

HEX #ADB1BD

RGB 173 177 189

HSL 225, 0.11%, 0.71%

LAB 72.23, 0.96, -6.59

 

CMYK 0 / 1 / 4 / 27

HEX #B9B7B1

RGB 185 183 177

HSL 45, 0.05%, 0.71%

LAB 74.42, -0.38, 3.29

 

CMYK 0 / 5 / 16 / 23

HEX #C5BCA5

RGB 197 188 165

HSL 43.13, 0.22%, 0.71%

LAB 76.41, -0.69, 12.78

 

CMYK 0 / 7 / 27 / 18

HEX #D1C299

RGB 209 194 153

HSL 43.93, 0.38%, 0.71%

LAB 78.72, -1.07, 22.57

 

CMYK 20 / 3 / 0 / 21

HEX #A1C2C9

RGB 161 194 201

HSL 190.5, 0.27%, 0.71%

LAB 76.3, -9.5, -7.2

 

CMYK 20 / 9 / 0 / 21

HEX #A1B7C9

RGB 161 183 201

HSL 207, 0.27%, 0.71%

LAB 73.33, -3.66, -11.63

 

CMYK 20 / 14 / 0 / 21

HEX #A1ACC9

RGB 161 172 201

HSL 223.5, 0.27%, 0.71%

LAB 70.39, 2.32, -16.04

 

CMYK 20 / 19 / 0 / 21

HEX #A1A2C9

RGB 161 162 201

HSL 238.5, 0.27%, 0.71%

LAB 67.75, 7.87, -20.04

 

CMYK 15 / 20 / 0 / 21

HEX #ABA1C9

RGB 171 161 201

HSL 255, 0.27%, 0.71%

LAB 68.29, 11.64, -19.14

 

CMYK 36 / 26 / 0 / 33

HEX #6D7EAB

RGB 109 126 171

HSL 223.55, 0.27%, 0.55%

LAB 53.07, 5.11, -25.91

 

CMYK 27 / 20 / 0 / 27

HEX #8795BA

RGB 135 149 186

HSL 223.53, 0.27%, 0.63%

LAB 61.82, 3.5, -20.87

 

CMYK 20 / 14 / 0 / 21

HEX #A1ACC9

RGB 161 172 201

HSL 223.5, 0.27%, 0.71%

LAB 70.39, 2.32, -16.04

 

CMYK 13 / 10 / 0 / 15

HEX #BBC3D8

RGB 187 195 216

HSL 223.45, 0.27%, 0.79%

LAB 78.78, 1.45, -11.41

 

CMYK 8 / 6 / 0 / 9

HEX #D5DAE7

RGB 213 218 231

HSL 223.33, 0.27%, 0.87%

LAB 87.03, 0.77, -6.95

 

CMYK 20 / 15 / 0 / 22

HEX #A0ABC8

RGB 160 171 200

HSL 223.5, 0.27%, 0.71%

LAB 70.01, 2.33, -16.06

 

CMYK 1 / 20 / 0 / 21

HEX #C6A1C9

RGB 198 161 201

HSL 295.5, 0.27%, 0.71%

LAB 70.67, 20.61, -15.31

 

CMYK 6 / 0 / 20 / 21

HEX #BCC9A1

RGB 188 201 161

HSL 79.5, 0.27%, 0.71%

LAB 79.06, -11.42, 18.54

 

CMYK 20 / 15 / 0 / 22

HEX #A0ABC8

RGB 160 171 200

HSL 223.5, 0.27%, 0.71%

LAB 70.01, 2.33, -16.06

 

CMYK 0 / 20 / 14 / 21

HEX #C9A1AC

RGB 201 161 172

HSL 343.5, 0.27%, 0.71%

LAB 70.1, 16.5, -0.08

 

CMYK 14 / 0 / 20 / 21

HEX #ACC9A1

RGB 172 201 161

HSL 103.5, 0.27%, 0.71%

LAB 77.94, -17.17, 16.81

 

CMYK 20 / 15 / 0 / 22

HEX #A0ABC8

RGB 160 171 200

HSL 223.5, 0.27%, 0.71%

LAB 70.01, 2.33, -16.06

 

CMYK 1 / 20 / 0 / 21

HEX #C6A1C9

RGB 198 161 201

HSL 295.5, 0.27%, 0.71%

LAB 70.67, 20.61, -15.31

 

CMYK 0 / 5 / 20 / 21

HEX #C9BEA1

RGB 201 190 161

HSL 43.5, 0.27%, 0.71%

LAB 77.17, -0.86, 16.05

 

CMYK 18 / 0 / 20 / 21

HEX #A4C9A1

RGB 164 201 161

HSL 115.5, 0.27%, 0.71%

LAB 77.42, -19.96, 16

 

CMYK 20 / 15 / 0 / 22

HEX #A0ABC8

RGB 160 171 200

HSL 223.5, 0.27%, 0.71%

LAB 70.01, 2.33, -16.06

 

CMYK 0 / 20 / 4 / 21

HEX #C9A1C0

RGB 201 161 192

HSL 313.5, 0.27%, 0.71%

LAB 70.67, 19.96, -10.31

 

CMYK 0 / 5 / 20 / 21

HEX #C9BEA1

RGB 201 190 161

HSL 43.5, 0.27%, 0.71%

LAB 77.17, -0.86, 16.05

 

CMYK 20 / 0 / 15 / 21

HEX #A1C9AA

RGB 161 201 170

HSL 133.5, 0.27%, 0.71%

LAB 77.43, -19.36, 11.17

 

Description

Color code: HEX #A0ABC8 | qconv.com Color code: HEX #A0ABC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 171 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 171 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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