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Color name
HEX #A0AA30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0AA30 it is the complementary color #5F55CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0AA30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0AA30 shade: #A5AA2B, #B6BC3E, #C7CE51, #D8E064 and #E9F277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0AA30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0AA30 shade: #A0AA30, #8F981D, #7E860A, #6D7400 and #5C6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0AA30 shade: #A1AB30, #AB9430, #AB7330, #AB5230 and #AB3130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0AA30 shade: #A1AB30, #80AB30, #5FAB30, #3EAB30 and #30AB44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0AA30 shade matches the following richer shades: #A1AB30, #B0BD1F and #BFCF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0AA30 shade: #A1AB30, #929942, #838854, #747665 and #666477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0AA30 shade: #AB7230, #AB9230, #A3AB30, #82AB30 and #61AB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0AA30 shade: #646B1E, #838B27, #A1AB30, #BDC83C and #C8D15D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0AA30 shade: #A0AA30, #30AB51 and #8230AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0AA30 shade: #A0AA30, #30A3AB and #AB30A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0AA30 shade: #A0AA30, #30AB51, #3830AB and #AB308A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0AA30 shade: #A0AA30, #30AB76, #3830AB and #AB3065

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

Complementary color

CMYK 54 / 59 / 0 / 19

HEX #5F55CF

RGB 95 85 207

HSL 244.92, 0.56%, 0.57%

LAB 43.41, 37.45, -62.09

 

CMYK 3 / 0 / 75 / 33

HEX #A5AA2B

RGB 165 170 43

HSL 62.36, 0.6%, 0.42%

LAB 67.22, -17.04, 60.37

 

CMYK 3 / 0 / 67 / 26

HEX #B6BC3E

RGB 182 188 62

HSL 62.86, 0.5%, 0.49%

LAB 73.71, -17.89, 60.21

 

CMYK 3 / 0 / 61 / 19

HEX #C7CE51

RGB 199 206 81

HSL 63.36, 0.56%, 0.56%

LAB 80.11, -18.58, 59.56

 

CMYK 4 / 0 / 55 / 12

HEX #D8E064

RGB 216 224 100

HSL 63.87, 0.67%, 0.64%

LAB 86.42, -19.14, 58.65

 

CMYK 4 / 0 / 51 / 5

HEX #E9F277

RGB 233 242 119

HSL 64.39, 0.83%, 0.71%

LAB 92.65, -19.61, 57.63

 

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

CMYK 6 / 0 / 81 / 40

HEX #8F981D

RGB 143 152 29

HSL 64.39, 0.68%, 0.35%

LAB 60.23, -18.03, 57.77

 

CMYK 6 / 0 / 93 / 47

HEX #7E860A

RGB 126 134 10

HSL 63.87, 0.86%, 0.28%

LAB 53.5, -16.85, 56.04

 

CMYK 6 / 0 / 100 / 55

HEX #6D7400

RGB 109 116 0

HSL 63.62, 1%, 0.23%

LAB 46.63, -15.35, 52.09

 

CMYK 6 / 0 / 100 / 62

HEX #5C6200

RGB 92 98 0

HSL 63.67, 1%, 0.19%

LAB 39.6, -13.61, 46.24

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 0 / 13 / 72 / 33

HEX #AB9430

RGB 171 148 48

HSL 48.78, 0.56%, 0.43%

LAB 61.7, -2.54, 53.37

 

CMYK 0 / 33 / 72 / 33

HEX #AB7330

RGB 171 115 48

HSL 32.68, 0.56%, 0.43%

LAB 53.09, 15.81, 44.58

 

CMYK 0 / 52 / 72 / 33

HEX #AB5230

RGB 171 82 48

HSL 16.59, 0.56%, 0.43%

LAB 45.51, 33.99, 36.38

 

CMYK 0 / 71 / 72 / 33

HEX #AB3130

RGB 171 49 48

HSL 0.49, 0.56%, 0.43%

LAB 39.69, 49.32, 29.75

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 25 / 0 / 72 / 33

HEX #80AB30

RGB 128 171 48

HSL 80.98, 0.56%, 0.43%

LAB 64.91, -32.71, 55.45

 

CMYK 44 / 0 / 72 / 33

HEX #5FAB30

RGB 95 171 48

HSL 97.07, 0.56%, 0.43%

LAB 63.15, -44.7, 53.11

 

CMYK 64 / 0 / 72 / 33

HEX #3EAB30

RGB 62 171 48

HSL 113.17, 0.56%, 0.43%

LAB 61.97, -53.89, 51.52

 

CMYK 72 / 0 / 60 / 33

HEX #30AB44

RGB 48 171 68

HSL 129.76, 0.56%, 0.43%

LAB 61.8, -54.61, 42.7

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 7 / 0 / 84 / 26

HEX #B0BD1F

RGB 176 189 31

HSL 64.94, 0.72%, 0.43%

LAB 73.37, -22.27, 69.6

 

CMYK 8 / 0 / 94 / 19

HEX #BFCF0D

RGB 191 207 13

HSL 64.95, 0.88%, 0.43%

LAB 79.46, -25.06, 78.03

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 5 / 0 / 57 / 40

HEX #929942

RGB 146 153 66

HSL 64.83, 0.4%, 0.43%

LAB 61.03, -15.01, 44.02

 

CMYK 4 / 0 / 38 / 47

HEX #838854

RGB 131 136 84

HSL 65.77, 0.24%, 0.43%

LAB 55.15, -10.45, 27.32

 

CMYK 2 / 0 / 14 / 54

HEX #747665

RGB 116 118 101

HSL 67.06, 0.08%, 0.43%

LAB 49.02, -4.01, 9.12

 

CMYK 14 / 16 / 0 / 53

HEX #666477

RGB 102 100 119

HSL 246.32, 0.09%, 0.43%

LAB 43.17, 4.98, -10.35

 

CMYK 0 / 33 / 72 / 33

HEX #AB7230

RGB 171 114 48

HSL 32.2, 0.56%, 0.43%

LAB 52.85, 16.38, 44.32

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 5 / 0 / 72 / 33

HEX #A3AB30

RGB 163 171 48

HSL 63.9, 0.56%, 0.43%

LAB 67.37, -18.17, 58.7

 

CMYK 24 / 0 / 72 / 33

HEX #82AB30

RGB 130 171 48

HSL 80, 0.56%, 0.43%

LAB 65.03, -31.92, 55.61

 

CMYK 43 / 0 / 72 / 33

HEX #61AB30

RGB 97 171 48

HSL 96.1, 0.56%, 0.43%

LAB 63.24, -44.04, 53.23

 

CMYK 7 / 0 / 72 / 58

HEX #646B1E

RGB 100 107 30

HSL 65.45, 0.56%, 0.27%

LAB 43.24, -13.56, 40.21

 

CMYK 6 / 0 / 72 / 45

HEX #838B27

RGB 131 139 39

HSL 64.8, 0.56%, 0.35%

LAB 55.52, -16.13, 49.63

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 5 / 0 / 70 / 22

HEX #BDC83C

RGB 189 200 60

HSL 64.71, 0.56%, 0.51%

LAB 77.55, -21.03, 64.98

 

CMYK 4 / 0 / 56 / 18

HEX #C8D15D

RGB 200 209 93

HSL 64.66, 0.56%, 0.59%

LAB 81.11, -18.77, 55.44

 

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

CMYK 72 / 0 / 53 / 33

HEX #30AB51

RGB 48 171 81

HSL 136.1, 0.56%, 0.43%

LAB 61.95, -52.83, 36.6

 

CMYK 24 / 72 / 0 / 33

HEX #8230AB

RGB 130 48 171

HSL 280, 0.56%, 0.43%

LAB 37.48, 54.54, -50.42

 

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

CMYK 72 / 5 / 0 / 33

HEX #30A3AB

RGB 48 163 171

HSL 183.9, 0.56%, 0.43%

LAB 61.45, -28.4, -13.35

 

CMYK 0 / 72 / 5 / 33

HEX #AB30A3

RGB 171 48 163

HSL 303.9, 0.56%, 0.43%

LAB 43.38, 62.08, -35.85

 

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

CMYK 72 / 0 / 53 / 33

HEX #30AB51

RGB 48 171 81

HSL 136.1, 0.56%, 0.43%

LAB 61.95, -52.83, 36.6

 

CMYK 67 / 72 / 0 / 33

HEX #3830AB

RGB 56 48 171

HSL 243.9, 0.56%, 0.43%

LAB 29.15, 41.75, -64.36

 

CMYK 0 / 72 / 19 / 33

HEX #AB308A

RGB 171 48 138

HSL 316.1, 0.56%, 0.43%

LAB 42.16, 58.31, -22.66

 

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

CMYK 72 / 0 / 31 / 33

HEX #30AB76

RGB 48 171 118

HSL 154.15, 0.56%, 0.43%

LAB 62.56, -46, 17.86

 

CMYK 67 / 72 / 0 / 33

HEX #3830AB

RGB 56 48 171

HSL 243.9, 0.56%, 0.43%

LAB 29.15, 41.75, -64.36

 

CMYK 0 / 72 / 41 / 33

HEX #AB3065

RGB 171 48 101

HSL 334.15, 0.56%, 0.43%

LAB 40.75, 53.76, -1.9

 

Description

Color code: HEX #A0AA30 | qconv.com Color code: HEX #A0AA30 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 170 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 170 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 72% 33% C M Y K

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Provide designers and agencies with accurate color values.

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