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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A09C33 it is the complementary color #5F63CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A09C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A09C33 shade: #A59C2E, #B6AE41, #C7C054, #D8D267 and #E9E47A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A09C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A09C33 shade: #A09C33, #8F8A20, #7E780D, #6D6600 and #5C5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A09C33 shade: #9F9B32, #9F7E32, #9F6032, #9F4332 and #9F3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A09C33 shade: #9F9B32, #869F32, #689F32, #4B9F32 and #329F37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A09C33 shade matches the following richer shades: #9F9B32, #B0AB21 and #C1BA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A09C33 shade: #9F9B32, #8E8B43, #7D7C54, #6C6C65 and #5B5C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A09C33 shade: #9F5F32, #9F7C32, #9F9932, #879F32 and #6A9F32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A09C33 shade: #605E1E, #807C28, #9F9B32, #BEB93C and #CBC659

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A09C33 shade: #A09C33, #329F42 and #6E329F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A09C33 shade: #A09C33, #329F99 and #99329F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A09C33 shade: #A09C33, #329F42, #32389F and #9F328F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A09C33 shade: #A09C33, #329F63, #32389F and #9F326E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 68 / 37

HEX #A09C33

RGB 160 156 51

HSL 57.8, 0.52%, 0.41%

LAB 62.92, -11.55, 53.05

 

Complementary color

CMYK 53 / 51 / 0 / 20

HEX #5F63CC

RGB 95 99 204

HSL 237.8, 0.52%, 0.59%

LAB 46.6, 27.96, -55.22

 

CMYK 0 / 5 / 72 / 35

HEX #A59C2E

RGB 165 156 46

HSL 55.46, 0.56%, 0.41%

LAB 63.32, -9.61, 55.56

 

CMYK 0 / 4 / 64 / 29

HEX #B6AE41

RGB 182 174 65

HSL 55.9, 0.47%, 0.48%

LAB 69.89, -10.55, 55.02

 

CMYK 0 / 4 / 58 / 22

HEX #C7C054

RGB 199 192 84

HSL 56.35, 0.51%, 0.55%

LAB 76.36, -11.32, 54.12

 

CMYK 0 / 3 / 52 / 15

HEX #D8D267

RGB 216 210 103

HSL 56.81, 0.59%, 0.63%

LAB 82.74, -11.96, 53.06

 

CMYK 0 / 2 / 48 / 9

HEX #E9E47A

RGB 233 228 122

HSL 57.3, 0.72%, 0.7%

LAB 89.02, -12.49, 51.93

 

CMYK 0 / 2 / 68 / 37

HEX #A09C33

RGB 160 156 51

HSL 57.8, 0.52%, 0.41%

LAB 62.92, -11.55, 53.05

 

CMYK 0 / 3 / 78 / 44

HEX #8F8A20

RGB 143 138 32

HSL 57.3, 0.63%, 0.34%

LAB 56.21, -10.53, 53.2

 

CMYK 0 / 5 / 90 / 51

HEX #7E780D

RGB 126 120 13

HSL 56.81, 0.81%, 0.27%

LAB 49.37, -9.23, 52.14

 

CMYK 0 / 6 / 100 / 57

HEX #6D6600

RGB 109 102 0

HSL 56.15, 1%, 0.21%

LAB 42.39, -7.59, 48.99

 

CMYK 0 / 9 / 100 / 64

HEX #5C5400

RGB 92 84 0

HSL 54.78, 1%, 0.18%

LAB 35.23, -5.58, 43.06

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B32

RGB 159 155 50

HSL 57.8, 0.52%, 0.41%

LAB 62.54, -11.52, 53.05

 

CMYK 0 / 21 / 69 / 38

HEX #9F7E32

RGB 159 126 50

HSL 41.83, 0.52%, 0.41%

LAB 54.58, 4.33, 44.79

 

CMYK 0 / 40 / 69 / 38

HEX #9F6032

RGB 159 96 50

HSL 25.32, 0.52%, 0.41%

LAB 46.93, 21.39, 36.43

 

CMYK 0 / 58 / 69 / 38

HEX #9F4332

RGB 159 67 50

HSL 9.36, 0.52%, 0.41%

LAB 40.6, 37.1, 29.11

 

CMYK 0 / 69 / 69 / 38

HEX #9F3232

RGB 159 50 50

HSL 0, 0.52%, 0.41%

LAB 37.63, 44.99, 25.53

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B32

RGB 159 155 50

HSL 57.8, 0.52%, 0.41%

LAB 62.54, -11.52, 53.05

 

CMYK 16 / 0 / 69 / 38

HEX #869F32

RGB 134 159 50

HSL 73.76, 0.52%, 0.41%

LAB 61.74, -24.37, 51.59

 

CMYK 35 / 0 / 69 / 38

HEX #689F32

RGB 104 159 50

HSL 90.28, 0.52%, 0.41%

LAB 59.86, -36.27, 49.06

 

CMYK 53 / 0 / 69 / 38

HEX #4B9F32

RGB 75 159 50

HSL 106.24, 0.52%, 0.41%

LAB 58.53, -45.89, 47.25

 

CMYK 69 / 0 / 65 / 38

HEX #329F37

RGB 50 159 55

HSL 122.75, 0.52%, 0.41%

LAB 57.8, -51.53, 44.09

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B32

RGB 159 155 50

HSL 57.8, 0.52%, 0.41%

LAB 62.54, -11.52, 53.05

 

CMYK 0 / 3 / 81 / 31

HEX #B0AB21

RGB 176 171 33

HSL 57.9, 0.68%, 0.41%

LAB 68.36, -13.13, 64.81

 

CMYK 0 / 4 / 92 / 24

HEX #C1BA10

RGB 193 186 16

HSL 57.63, 0.85%, 0.41%

LAB 73.86, -13.76, 73.41

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B32

RGB 159 155 50

HSL 57.8, 0.52%, 0.41%

LAB 62.54, -11.52, 53.05

 

CMYK 0 / 2 / 53 / 44

HEX #8E8B43

RGB 142 139 67

HSL 57.6, 0.36%, 0.41%

LAB 56.7, -9.2, 38.44

 

CMYK 0 / 1 / 33 / 51

HEX #7D7C54

RGB 125 124 84

HSL 58.54, 0.2%, 0.41%

LAB 51.17, -6.35, 22.03

 

CMYK 0 / 0 / 6 / 58

HEX #6C6C65

RGB 108 108 101

HSL 60, 0.03%, 0.41%

LAB 45.43, -1.39, 3.91

 

CMYK 23 / 22 / 0 / 54

HEX #5B5C76

RGB 91 92 118

HSL 237.78, 0.13%, 0.41%

LAB 39.89, 5.75, -14.8

 

CMYK 0 / 40 / 69 / 38

HEX #9F5F32

RGB 159 95 50

HSL 24.77, 0.52%, 0.41%

LAB 46.69, 21.96, 36.16

 

CMYK 0 / 22 / 69 / 38

HEX #9F7C32

RGB 159 124 50

HSL 40.73, 0.52%, 0.41%

LAB 54.04, 5.46, 44.22

 

CMYK 0 / 4 / 69 / 38

HEX #9F9932

RGB 159 153 50

HSL 56.7, 0.52%, 0.41%

LAB 61.98, -10.46, 52.48

 

CMYK 15 / 0 / 69 / 38

HEX #879F32

RGB 135 159 50

HSL 73.21, 0.52%, 0.41%

LAB 61.81, -23.95, 51.69

 

CMYK 33 / 0 / 69 / 38

HEX #6A9F32

RGB 106 159 50

HSL 89.17, 0.52%, 0.41%

LAB 59.97, -35.53, 49.21

 

CMYK 0 / 2 / 69 / 62

HEX #605E1E

RGB 96 94 30

HSL 58.18, 0.52%, 0.25%

LAB 38.87, -8.12, 35.62

 

CMYK 0 / 3 / 69 / 50

HEX #807C28

RGB 128 124 40

HSL 57.27, 0.52%, 0.33%

LAB 50.87, -9.36, 44.47

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B32

RGB 159 155 50

HSL 57.8, 0.52%, 0.41%

LAB 62.54, -11.52, 53.05

 

CMYK 0 / 3 / 68 / 25

HEX #BEB93C

RGB 190 185 60

HSL 57.69, 0.52%, 0.49%

LAB 73.53, -13.08, 61.01

 

CMYK 0 / 2 / 56 / 20

HEX #CBC659

RGB 203 198 89

HSL 57.37, 0.52%, 0.57%

LAB 78.35, -12.34, 54.18

 

CMYK 0 / 2 / 68 / 37

HEX #A09C33

RGB 160 156 51

HSL 57.8, 0.52%, 0.41%

LAB 62.92, -11.55, 53.05

 

CMYK 69 / 0 / 58 / 38

HEX #329F42

RGB 50 159 66

HSL 128.81, 0.52%, 0.41%

LAB 57.91, -50.21, 39.13

 

CMYK 31 / 69 / 0 / 38

HEX #6E329F

RGB 110 50 159

HSL 273.03, 0.52%, 0.41%

LAB 34.19, 46.65, -48.67

 

CMYK 0 / 2 / 68 / 37

HEX #A09C33

RGB 160 156 51

HSL 57.8, 0.52%, 0.41%

LAB 62.92, -11.55, 53.05

 

CMYK 69 / 0 / 4 / 38

HEX #329F99

RGB 50 159 153

HSL 176.7, 0.52%, 0.41%

LAB 59.68, -31.51, -5.82

 

CMYK 4 / 69 / 0 / 38

HEX #99329F

RGB 153 50 159

HSL 296.7, 0.52%, 0.41%

LAB 40.5, 56.48, -38.2

 

CMYK 0 / 2 / 68 / 37

HEX #A09C33

RGB 160 156 51

HSL 57.8, 0.52%, 0.41%

LAB 62.92, -11.55, 53.05

 

CMYK 69 / 0 / 58 / 38

HEX #329F42

RGB 50 159 66

HSL 128.81, 0.52%, 0.41%

LAB 57.91, -50.21, 39.13

 

CMYK 69 / 65 / 0 / 38

HEX #32389F

RGB 50 56 159

HSL 236.7, 0.52%, 0.41%

LAB 29.44, 31.94, -56.66

 

CMYK 0 / 69 / 10 / 38

HEX #9F328F

RGB 159 50 143

HSL 308.81, 0.52%, 0.41%

LAB 40.63, 55.25, -28.26

 

CMYK 0 / 2 / 68 / 37

HEX #A09C33

RGB 160 156 51

HSL 57.8, 0.52%, 0.41%

LAB 62.92, -11.55, 53.05

 

CMYK 69 / 0 / 38 / 38

HEX #329F63

RGB 50 159 99

HSL 146.97, 0.52%, 0.41%

LAB 58.39, -44.77, 22.6

 

CMYK 69 / 65 / 0 / 38

HEX #32389F

RGB 50 56 159

HSL 236.7, 0.52%, 0.41%

LAB 29.44, 31.94, -56.66

 

CMYK 0 / 69 / 31 / 38

HEX #9F326E

RGB 159 50 110

HSL 326.97, 0.52%, 0.41%

LAB 39.2, 50.52, -10.07

 

Description

Color code: HEX #A09C33 | qconv.com Color code: HEX #A09C33 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 156 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 156 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 68 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 68% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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